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@ -27,6 +27,7 @@ src/epistolary/00056.md
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src/epistolary/00057.md
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src/epistolary/00057.md
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src/epistolary/00058.md
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src/epistolary/00058.md
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src/epistolary/00059.md
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src/epistolary/00059.md
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src/epistolary/00060.md
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src/bestiary/index.md
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src/bestiary/index.md
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src/bestiary/aetherwael.md
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src/bestiary/aetherwael.md
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src/bestiary/aur.md
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src/bestiary/aur.md
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@ -0,0 +1,88 @@
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---
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title: 00060
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created: Tue, 31 Jan 2023 19:11:47 -0700
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updated: Tue, 31 Jan 2023 19:11:48 -0700
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public: yes
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syndicated: yes
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---
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### 00060 {#00060}
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> Alex takes inventory of himself, this dream world is definitely
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> strange, but fortunately its decided to provide him with his
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> impecable fashion, trench coat and all. Unfortunately the same can't
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> be said for his roguish good looks, as he's found himself 6 arms
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> heavier, and a bit more octopus-y than he remembers.
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>
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> Nontheless this doesn't appear to be much of an impediment, and he
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> promptly moves on with assessing the situation.
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>
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> "Acorns? No, I don't think so. I'm afraid octopus' are terrible at
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> fetching acrons, and at any rate, I have a dreadfully important
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> meeting across town." turning to address Inky, "We need to make a
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> break for it, what'd the witch tell you? Envision our goal or
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> something? This is really a little outside of my realm of mechanical
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> magic expertise.. unless.."
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>
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> Alex makes a gesture with his tentacles in the area and a terminal
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> prompt appears before him. His tentacles work at blinding speed at
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> the digital window, a quick bypass there, a root access escalation
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> there.
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>
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> "Looks like this whole place runs on Linux, it's an older kernel,
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> about 2.6 or so, but it checks out. Easy to exploit as needed. Here
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> I'm giving us sudo access, should we need it."
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>
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> "Oh and squirrel, here's your acorns"
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>
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> ```
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> find /* -name '*acron*' -exec mv /home/squirrel { } \
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> ```
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It takes Alectopus a couple tries, but he gets it. First he corrects
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'acron' to 'acorn'. Then he moves all the acorns to the *chipmunk*
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instead of to the squirrel.
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Hundreds of acorns appear at the chipmunk's feet. It squeals in
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delight.
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In the distance, far below you, you hear the anguished yell of what
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can only be a Red Squirrel whose giant stash of acorns has just
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vanished.
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The chipmunk rubs its hands together gleefully and starts scooping up
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acorns by the armful and shoving them into its mouth by the dozen.
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"Oh, thank you! Thank you! Thank you!" it says around a mouthful of
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nuts. "Here..." It tosses you a large square silver coin with a round
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hole drilled in the center. On one side is the number twenty-one next
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to a picture of a curved, short-handled sickle. On the other side is
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the number five and a picture of a flail.
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"A Twenty-One Fiver! Sorry, you deserve more, but it's all I have,"
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it apologizes as it scampers off, no doubt to hide its nuts.
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Hopefully somewhere more secure this time.
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If you hold the coin up to your eye and peer through the hole, you
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see the dreamscape before you as though looking through a cloudy
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film. All the same stuff is there, but it's hazy and shadowy.
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Standing a fair distance from you on the branch, just out of hailing
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distance, is a tall figure cloaked in black robes. Dark shadows pool
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restlessly around its feet. Occasionally the shadows leap up and take
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the form of demons the like of which words cannot describe, before
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falling and returning to shadow once more. The figure wears a large
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spherical helmet of obsidian-like glass. You can see constant flashes
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of a rainbow of colors crackle and splinter along the inside of the
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helmet like lightning, but illuminating nothing within. You feel
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sickened at the sight, but at the edge of your mind you feels a tug,
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a familiarity. Something about this character is familiar to you, but
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you cannot place it.
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When you lower the coin, the figure and the dark landscape both
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disappear. When you raise it again, the distorted landscape reappears
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but the figure is gone.
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You notice a pair of large ravens watching you rather intently from
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the branches below.
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WHAT DO YOU DO
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@ -320,6 +320,7 @@ Master</a></li>
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<li><a href="#00057" id="toc-00057">00057</a></li>
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<li><a href="#00057" id="toc-00057">00057</a></li>
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<li><a href="#00058" id="toc-00058">00058</a></li>
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<li><a href="#00058" id="toc-00058">00058</a></li>
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<li><a href="#00059" id="toc-00059">00059</a></li>
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<li><a href="#00059" id="toc-00059">00059</a></li>
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<li><a href="#00060" id="toc-00060">00060</a></li>
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</ul></li>
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</ul></li>
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<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
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<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
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<li><a href="#geography" id="toc-geography">Geography</a></li>
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<li><a href="#geography" id="toc-geography">Geography</a></li>
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@ -356,11 +357,11 @@ Teale</a></li>
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</ul>
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</ul>
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</nav>
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</nav>
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<h2 id="stats">Stats</h2>
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<h2 id="stats">Stats</h2>
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<p>Total length: 78449 words / 335 minute read. (Mind you, that’s the
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<p>Total length: 79062 words / 337 minute read. (Mind you, that’s the
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length of this entire page, including all the extra bits and bobs. Not
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length of this entire page, including all the extra bits and bobs. Not
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just the story.)</p>
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just the story.)</p>
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<p>There have been 210 messages posted over 202 days since the first
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<p>There have been 213 messages posted over 208 days since the first
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post on July 13, 2022 for a daily post rate of 1.03.</p>
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post on July 13, 2022 for a daily post rate of 1.02.</p>
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<h2 id="about">About</h2>
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<h2 id="about">About</h2>
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<p>This is a game that me and the kids in the basement are playing over
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<p>This is a game that me and the kids in the basement are playing over
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email.</p>
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email.</p>
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@ -7111,6 +7112,69 @@ direction.</p>
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<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
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<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
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Squirrel has taken them all! Are you going to help me?”</p>
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Squirrel has taken them all! Are you going to help me?”</p>
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<p>WHAT DO YOU DO</p>
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<p>WHAT DO YOU DO</p>
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<h3 id="00060">00060</h3>
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<blockquote>
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<p>Alex takes inventory of himself, this dream world is definitely
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strange, but fortunately its decided to provide him with his impecable
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fashion, trench coat and all. Unfortunately the same can’t be said for
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his roguish good looks, as he’s found himself 6 arms heavier, and a bit
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more octopus-y than he remembers.</p>
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<p>Nontheless this doesn’t appear to be much of an impediment, and he
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promptly moves on with assessing the situation.</p>
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<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are terrible at
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fetching acrons, and at any rate, I have a dreadfully important meeting
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across town.” turning to address Inky, “We need to make a break for it,
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what’d the witch tell you? Envision our goal or something? This is
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really a little outside of my realm of mechanical magic expertise..
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unless..”</p>
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<p>Alex makes a gesture with his tentacles in the area and a terminal
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prompt appears before him. His tentacles work at blinding speed at the
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digital window, a quick bypass there, a root access escalation
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there.</p>
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<p>“Looks like this whole place runs on Linux, it’s an older kernel,
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about 2.6 or so, but it checks out. Easy to exploit as needed. Here I’m
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giving us sudo access, should we need it.”</p>
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<p>“Oh and squirrel, here’s your acorns”</p>
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<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
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</blockquote>
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<p>It takes Alectopus a couple tries, but he gets it. First he corrects
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‘acron’ to ‘acorn’. Then he moves all the acorns to the
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<em>chipmunk</em> instead of to the squirrel.</p>
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<p>Hundreds of acorns appear at the chipmunk’s feet. It squeals in
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delight.</p>
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<p>In the distance, far below you, you hear the anguished yell of what
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can only be a Red Squirrel whose giant stash of acorns has just
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vanished.</p>
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<p>The chipmunk rubs its hands together gleefully and starts scooping up
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acorns by the armful and shoving them into its mouth by the dozen. “Oh,
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thank you! Thank you! Thank you!” it says around a mouthful of nuts.
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“Here…” It tosses you a large square silver coin with a round hole
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drilled in the center. On one side is the number twenty-one next to a
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picture of a curved, short-handled sickle. On the other side is the
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number five and a picture of a flail.</p>
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<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all I have,”
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it apologizes as it scampers off, no doubt to hide its nuts. Hopefully
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somewhere more secure this time.</p>
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<p>If you hold the coin up to your eye and peer through the hole, you
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see the dreamscape before you as though looking through a cloudy film.
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All the same stuff is there, but it’s hazy and shadowy.</p>
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<p>Standing a fair distance from you on the branch, just out of hailing
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distance, is a tall figure cloaked in black robes. Dark shadows pool
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restlessly around its feet. Occasionally the shadows leap up and take
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the form of demons the like of which words cannot describe, before
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falling and returning to shadow once more. The figure wears a large
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spherical helmet of obsidian-like glass. You can see constant flashes of
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a rainbow of colors crackle and splinter along the inside of the helmet
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like lightning, but illuminating nothing within. You feel sickened at
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the sight, but at the edge of your mind you feels a tug, a familiarity.
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Something about this character is familiar to you, but you cannot place
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it.</p>
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<p>When you lower the coin, the figure and the dark landscape both
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disappear. When you raise it again, the distorted landscape reappears
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but the figure is gone.</p>
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<p>You notice a pair of large ravens watching you rather intently from
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the branches below.</p>
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<p>WHAT DO YOU DO</p>
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<h2 id="bestiary">Bestiary</h2>
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<h2 id="bestiary">Bestiary</h2>
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<p>Some of the creatures who inhabit the world of Basmentaria</p>
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<p>Some of the creatures who inhabit the world of Basmentaria</p>
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<dt>
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<dt>
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540
www/rss.xml
540
www/rss.xml
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@ -301,6 +301,316 @@ trap sleep INT EXIT</code></pre>
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]]>
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]]>
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</description>
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</description>
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</item>
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</item>
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<item>
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<title>58</title>
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<author>dozens@tilde.team (dozens)</author>
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<guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45
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-0700</guid>
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<pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate>
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<description>
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<![CDATA[
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<h3 id="00058">00058</h3>
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<blockquote>
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<p><em>(A week prior)</em></p>
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<p>The secretary collected the stack of papers that had
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accumulated at one corner of the desk. “This might help,” she
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said, setting down a bundle of herbs with white and pink
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flowers in place of the papers.</p>
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<p>Inky stared at the blooms, hands stilled over the owl’s
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plumage. “Oh! Thanks. Good thinking, really. It’ll help make
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the stench more bearable when they find the remains.”</p>
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<p>The grey elf was confused for a moment, then mortified as
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the words sank in. “That’s not what I meant! It’s for the
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circle,” she clarified.</p>
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<p>Seeing the imp’s preoccupied nod, she coughed lightly to
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regain their attention, then spoke in a hushed voice.
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“Beaker’s associates have picked up the empanada shop
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proprietor and transported him to an undisclosed location.
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There will be a retinue with him at all times.”</p>
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<p>Inky seemed to visibly pull themselves back to the room
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before responding, “Thank you, Salvia. One more thing — if I
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do not return by the indicated time, please activate the
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hitsuzen protocol. As precaution.”</p>
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<p>The secretary looked at Inky in concern. “Is everything all
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right? If you’re still troubled by the hotelier, accidents
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happen. A single incident—”</p>
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<p>“Third. An unidentified man was attacked at the docks. He
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was probably sent to investigate the melon vendor. One of the
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other stall owners heard him asking questions shortly after
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the melon vendor disappeared.”</p>
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<p>Salvia’s violet eyes narrowed. “What, the fruit vendor?
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Didn’t the tabloids say it was an accident? He tried to get
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rid of a neighbor’s nest of snakes.”</p>
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<p>Inky only raised an eyebrow at her.</p>
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<p>The secretary let out a low curse. “You didn’t tell her.
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You didn’t want her to worry,” she said aloud in realization.
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She sighed. “She’s going to be pretty angry with you when she
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finds out, you know.”</p>
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<p>Inky offered her a sardonic smile. “Making people angry is
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my job. You of all people know this well. In the event of my
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timely demise I’m sure the others would find it cause for a
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grand celebration.” They replied matter-of-factly before
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returning to smoothing the feathers of one bird wing.</p>
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<p>Salvia shook her head vehemently. “That’s not true. You’ll
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make it back, Ink. What then—”</p>
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<p>“Then our fair Lady’s ire would be the least of the
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problems.”</p>
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</blockquote>
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<p>~</p>
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<blockquote>
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<p>Alex stared morosely into his cup of coffee. He’d received
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word of agent 5’s demise that morning, and had been the only
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thing on his mind since. 5, no Be’tram knew the risks, we all
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knew the risks defying HQ brought, but to happen so suddenly?
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He’d snuck down to the wharf once he’d heard, making sure to
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cover his tracks and dodge any potential witnesses. He even
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managed to slip past the police cordon they’d setup around the
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body. What he’d found wasn’t pretty, it looked like Be’Tram
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had suffered in his final moments. The bruising around his
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neck pointed to strangulation, with some sort of cloth,
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perhaps a rope. The bruising was deep, and there wasn’t a cut,
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burn, shot or something of the likes on his otherwise.</p>
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<p>The kill had been intimate.</p>
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<p>Alex had worked quickly that night, popping Be’Tram’s eye
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had been hard, but he’d of wanted Alex to have it. Behind his
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right eye was a recording device, it could only catch the last
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15m or so of what he had seen, but it would give him a clear
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look at what had happened. And potentially lead Alex to the
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killer. Miserable business, but Be’Tram knew it could make a
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difference.</p>
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<p>Alex had planted a bomb on the body after he had extracted
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the eye, and made his way well away from the area before it
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went off obliterating the remains. A regrettable end for an
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old friend, but it was too dangerous to leave.</p>
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<p>And then there was the matter of the zabbix alert, a little
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purple red critical for the sewer hideout. He’d had time to
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send out a drone beetle. The smoldering slag that was left was
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reassuring. Most of the equipment was utterly destroyed, racks
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upon racks of servers reduced to twisted melted metal. The
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effectively of the destruction was delightful, in a sick sort
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of desperate way. Alex felt assured that most if not all of
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the equipment was useless, but this spelled the end of a
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valuable listening outpost. And whoever had done it wasn’t
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part of the slag pile.</p>
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<p>Alex stood up, his coffee untouched. The cafe around his
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burbled in quiet excitement. The city had lit up since the
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Melon vendor’s death. A thousand rumors abounded about it, but
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none of them held true; some said the city had become
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dangerous, a crime syndicate had arisen in the neighboring
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city block another thought, and did you hear about the
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explosion at the wharf the other night, the city was electric,
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yet somehow ever so slightly off the pulse of the issue.</p>
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<p>As Alex stepped away a woman with horn rimmed glasses
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strode past the table he had just abandoned, deftly pulling
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the note from beneath the coffee cup, left for her.</p>
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<pre><code>4 -> 3
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Daylight breaks on the morrow
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The suns rays make chase
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casting soft cloth
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|
across the nap of nature's neck
|
||||||
|
|
||||||
|
So, night relents and gives way
|
||||||
|
biding time until
|
||||||
|
it can rule
|
||||||
|
in its own domain</code></pre>
|
||||||
|
<p>For the passerby, it was but a bit of poetry, scribbled
|
||||||
|
carelessly on the back of a napkin in a coffee near the wharf.
|
||||||
|
But for Agent 3 it was a warning, one part notes on Agent 5s
|
||||||
|
demise recovered from his eyecam, one part orders; stay low
|
||||||
|
and we’ll strike these bastards from the shadows, on our
|
||||||
|
terms, on our ground. Similar missives were delivered to
|
||||||
|
Agents 6 & 7. The numbers were dwindling rapidly, even
|
||||||
|
just one agent lost was hard to stomach.</p>
|
||||||
|
<p>Alex hand gripped the pistol in his coat pocket with a
|
||||||
|
white knuckled grip as he stepped from the coffee shop into
|
||||||
|
the city. Whatever was after him, whatever had gotten to
|
||||||
|
Be’Tram, it had better know he was coming, and he’d happily
|
||||||
|
send it straight to hell. HQ be damned, the rules be damned,
|
||||||
|
this little game of cat and mouse had just gotten
|
||||||
|
personal.</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>~</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves
|
||||||
|
in a dark backroom in a secluded corner of an old fish
|
||||||
|
processing plant on the wharf. The accommodations are rough,
|
||||||
|
and the stench is abhorrent, but it’s the best that could be
|
||||||
|
procured in a pinch. And it should provide enough
|
||||||
|
seclusion.</p>
|
||||||
|
<p>The backroom is like that of many factories, high up near
|
||||||
|
the ceiling, a single rusty rickety staircase winds its way
|
||||||
|
along the side of the building for what seems to be 3 flights,
|
||||||
|
before it reaches a metal room with dusty grimy windows, and a
|
||||||
|
single steel door. The windows on the interior overlook the
|
||||||
|
fish processing plant, where rows of belts and machinery stand
|
||||||
|
still, covered in dust and long forgotten blood. You’re glad
|
||||||
|
to know that the factory stopped operating years ago, hygiene
|
||||||
|
is lacking in every sense.</p>
|
||||||
|
<p>Alex stares forlornly out the exterior windows, the sky is
|
||||||
|
a grey overcast, it matches his mood perfectly. He didn’t like
|
||||||
|
what him and Inky were about to do, but they didn’t have much
|
||||||
|
they could do about it. They would be vulnerable for the
|
||||||
|
duration of the ritual. But Agent 7 and Confidence were there
|
||||||
|
to help mitigate that risk. Alex and Agent 7 had taken every
|
||||||
|
precaution they could think of.</p>
|
||||||
|
<p>The plant floor was scattered with booby traps, trip wires,
|
||||||
|
and alarms. The other agents were laying low, but kept drones
|
||||||
|
around the wharf feeding in a network of twtxt data back to
|
||||||
|
Agent 7 for recon. And that was on top of the double barred
|
||||||
|
steel doors, and reinforced glass box they’d chosen as their
|
||||||
|
hide out. Meticulously planned, Alex expected no less from
|
||||||
|
Agent 7.</p>
|
||||||
|
<p>See Marvelo had been at this as long as Alex had, and then
|
||||||
|
some. He was sharp as a tack, with an animal-like third sense
|
||||||
|
that came from years of close calls. He was, simply put, the
|
||||||
|
right man for the job, when that job was keeping your
|
||||||
|
unconscious ass alive.</p>
|
||||||
|
<p>Alex turns away from the window and addresses Inky.
|
||||||
|
“Apologies for the smell, it turns out there’s a strong
|
||||||
|
correlation between disgust and seclusion, but I believe we
|
||||||
|
should at least be safe here. Safer than we would have been
|
||||||
|
back home. I’m ready if you are, as ready as I’ll ever be that
|
||||||
|
is.”</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>The Golden Iris have summoned you to appear at the Harpoon
|
||||||
|
Club this evening. But the Harpoon Club is nowhere to be found
|
||||||
|
on this plane of existence. It won’t appear until a week and a
|
||||||
|
half from now, on the last day of the month.</p>
|
||||||
|
<p>Confidence the Guide has predicted exactly where the
|
||||||
|
Wandering Bazaar will be on that day. With a small bucket of
|
||||||
|
red paint and a large brush, he has drawn a Linking Sigil on
|
||||||
|
the ground at the location. He sits nearby, making sure
|
||||||
|
careless passersby and mischievous kids don’t disturb it, but
|
||||||
|
otherwise letting the sigil absorb the energies of the bustle
|
||||||
|
of shopping and commerce.</p>
|
||||||
|
<p>At the fish market, Marvelo is posted outside. He keeps
|
||||||
|
vigilant watch, alert to every movement and disturbance.</p>
|
||||||
|
<p>And inside, Bread, Inky, Fuko, and Alex are huddled up in
|
||||||
|
the office in the back near the ceiling. They all sit inside a
|
||||||
|
dark circle that has been smudged on the floor with a paste
|
||||||
|
made of ash and salt. Painted on the ground is a second
|
||||||
|
Linking Sigil, connecting this spot to Confidence’s, allowing
|
||||||
|
the energies of the two locations to co-mingle. There is also
|
||||||
|
the Dream Sigil, which will connect this place to the
|
||||||
|
Dreaming.</p>
|
||||||
|
<p>Bread the Host is propped up on some pillows and cushions
|
||||||
|
in the center of the circle, next to the Nyxmaer. The candle
|
||||||
|
is alleged to be made of the flesh and fat of a certain
|
||||||
|
nightmare. Its hand and eye bound in the wax. The Dream Sigil
|
||||||
|
is the door, but the Nyxmaer is the key. The catalyst that
|
||||||
|
will cause all of the otherwise inert metaphysical particles
|
||||||
|
to become volatile and reactive. It is what will allow you to
|
||||||
|
actually pass over and arrive on the shores of the Sea of
|
||||||
|
Dreams.</p>
|
||||||
|
<p>Per the shop witch’s instructions, the Nyxmaer has been
|
||||||
|
placed on a thin, hard tin plate. As the candle burns, the wax
|
||||||
|
will soften and eventually allow the large metal nail in its
|
||||||
|
side to fall. When it strikes the plate, you will awaken,
|
||||||
|
exiting the Dreaming. You expect hours may pass in the realm
|
||||||
|
of sleep. But only about thirty minutes will pass here.</p>
|
||||||
|
<p>Inky and Alex sit inside the circle, near the perimeter,
|
||||||
|
facing Bread in the center. Fuko the owl sits at Inky’s
|
||||||
|
side.</p>
|
||||||
|
<p>It is dim. You are illuminated by mundane, non-magical
|
||||||
|
candles set around the edges of the circle. Outside, a steady
|
||||||
|
rain beats on the roof and the windows of the building. The
|
||||||
|
smell of fish is faint but ever-present. A constant reminder
|
||||||
|
of the small creatures that have left their bodies in a
|
||||||
|
fashion far more permanent and irreversible than the
|
||||||
|
separation of spirit and body you are about to experience. You
|
||||||
|
hope.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
|
<ul>
|
||||||
|
<li><p>How do you induce a deep and powerful slumber in
|
||||||
|
Bread?</p></li>
|
||||||
|
<li><p>What shape or form will you take when you arrive in the
|
||||||
|
Dreaming?</p></li>
|
||||||
|
<li><p>What are you secretly worried or hopeful about being
|
||||||
|
exposed in the dreamland, the realm of metaphor?</p></li>
|
||||||
|
</ul>
|
||||||
|
]]>
|
||||||
|
</description>
|
||||||
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>60</title>
|
||||||
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
||||||
|
-0700</guid>
|
||||||
|
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
||||||
|
<description>
|
||||||
|
<![CDATA[
|
||||||
|
<h3 id="00060">00060</h3>
|
||||||
|
<blockquote>
|
||||||
|
<p>Alex takes inventory of himself, this dream world is
|
||||||
|
definitely strange, but fortunately its decided to provide him
|
||||||
|
with his impecable fashion, trench coat and all. Unfortunately
|
||||||
|
the same can’t be said for his roguish good looks, as he’s
|
||||||
|
found himself 6 arms heavier, and a bit more octopus-y than he
|
||||||
|
remembers.</p>
|
||||||
|
<p>Nontheless this doesn’t appear to be much of an impediment,
|
||||||
|
and he promptly moves on with assessing the situation.</p>
|
||||||
|
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
||||||
|
terrible at fetching acrons, and at any rate, I have a
|
||||||
|
dreadfully important meeting across town.” turning to address
|
||||||
|
Inky, “We need to make a break for it, what’d the witch tell
|
||||||
|
you? Envision our goal or something? This is really a little
|
||||||
|
outside of my realm of mechanical magic expertise..
|
||||||
|
unless..”</p>
|
||||||
|
<p>Alex makes a gesture with his tentacles in the area and a
|
||||||
|
terminal prompt appears before him. His tentacles work at
|
||||||
|
blinding speed at the digital window, a quick bypass there, a
|
||||||
|
root access escalation there.</p>
|
||||||
|
<p>“Looks like this whole place runs on Linux, it’s an older
|
||||||
|
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
||||||
|
needed. Here I’m giving us sudo access, should we need
|
||||||
|
it.”</p>
|
||||||
|
<p>“Oh and squirrel, here’s your acorns”</p>
|
||||||
|
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
||||||
|
</blockquote>
|
||||||
|
<p>It takes Alectopus a couple tries, but he gets it. First he
|
||||||
|
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
||||||
|
the <em>chipmunk</em> instead of to the squirrel.</p>
|
||||||
|
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
||||||
|
squeals in delight.</p>
|
||||||
|
<p>In the distance, far below you, you hear the anguished yell
|
||||||
|
of what can only be a Red Squirrel whose giant stash of acorns
|
||||||
|
has just vanished.</p>
|
||||||
|
<p>The chipmunk rubs its hands together gleefully and starts
|
||||||
|
scooping up acorns by the armful and shoving them into its
|
||||||
|
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
||||||
|
says around a mouthful of nuts. “Here…” It tosses you a large
|
||||||
|
square silver coin with a round hole drilled in the center. On
|
||||||
|
one side is the number twenty-one next to a picture of a
|
||||||
|
curved, short-handled sickle. On the other side is the number
|
||||||
|
five and a picture of a flail.</p>
|
||||||
|
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
||||||
|
I have,” it apologizes as it scampers off, no doubt to hide
|
||||||
|
its nuts. Hopefully somewhere more secure this time.</p>
|
||||||
|
<p>If you hold the coin up to your eye and peer through the
|
||||||
|
hole, you see the dreamscape before you as though looking
|
||||||
|
through a cloudy film. All the same stuff is there, but it’s
|
||||||
|
hazy and shadowy.</p>
|
||||||
|
<p>Standing a fair distance from you on the branch, just out
|
||||||
|
of hailing distance, is a tall figure cloaked in black robes.
|
||||||
|
Dark shadows pool restlessly around its feet. Occasionally the
|
||||||
|
shadows leap up and take the form of demons the like of which
|
||||||
|
words cannot describe, before falling and returning to shadow
|
||||||
|
once more. The figure wears a large spherical helmet of
|
||||||
|
obsidian-like glass. You can see constant flashes of a rainbow
|
||||||
|
of colors crackle and splinter along the inside of the helmet
|
||||||
|
like lightning, but illuminating nothing within. You feel
|
||||||
|
sickened at the sight, but at the edge of your mind you feels
|
||||||
|
a tug, a familiarity. Something about this character is
|
||||||
|
familiar to you, but you cannot place it.</p>
|
||||||
|
<p>When you lower the coin, the figure and the dark landscape
|
||||||
|
both disappear. When you raise it again, the distorted
|
||||||
|
landscape reappears but the figure is gone.</p>
|
||||||
|
<p>You notice a pair of large ravens watching you rather
|
||||||
|
intently from the branches below.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
|
]]>
|
||||||
|
</description>
|
||||||
|
</item>
|
||||||
<item>
|
<item>
|
||||||
<title>57</title>
|
<title>57</title>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
@ -553,236 +863,6 @@ trap sleep INT EXIT</code></pre>
|
||||||
]]>
|
]]>
|
||||||
</description>
|
</description>
|
||||||
</item>
|
</item>
|
||||||
<item>
|
|
||||||
<title>58</title>
|
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
|
||||||
<guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45
|
|
||||||
-0700</guid>
|
|
||||||
<pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate>
|
|
||||||
<description>
|
|
||||||
<![CDATA[
|
|
||||||
<h3 id="00058">00058</h3>
|
|
||||||
<blockquote>
|
|
||||||
<p><em>(A week prior)</em></p>
|
|
||||||
<p>The secretary collected the stack of papers that had
|
|
||||||
accumulated at one corner of the desk. “This might help,” she
|
|
||||||
said, setting down a bundle of herbs with white and pink
|
|
||||||
flowers in place of the papers.</p>
|
|
||||||
<p>Inky stared at the blooms, hands stilled over the owl’s
|
|
||||||
plumage. “Oh! Thanks. Good thinking, really. It’ll help make
|
|
||||||
the stench more bearable when they find the remains.”</p>
|
|
||||||
<p>The grey elf was confused for a moment, then mortified as
|
|
||||||
the words sank in. “That’s not what I meant! It’s for the
|
|
||||||
circle,” she clarified.</p>
|
|
||||||
<p>Seeing the imp’s preoccupied nod, she coughed lightly to
|
|
||||||
regain their attention, then spoke in a hushed voice.
|
|
||||||
“Beaker’s associates have picked up the empanada shop
|
|
||||||
proprietor and transported him to an undisclosed location.
|
|
||||||
There will be a retinue with him at all times.”</p>
|
|
||||||
<p>Inky seemed to visibly pull themselves back to the room
|
|
||||||
before responding, “Thank you, Salvia. One more thing — if I
|
|
||||||
do not return by the indicated time, please activate the
|
|
||||||
hitsuzen protocol. As precaution.”</p>
|
|
||||||
<p>The secretary looked at Inky in concern. “Is everything all
|
|
||||||
right? If you’re still troubled by the hotelier, accidents
|
|
||||||
happen. A single incident—”</p>
|
|
||||||
<p>“Third. An unidentified man was attacked at the docks. He
|
|
||||||
was probably sent to investigate the melon vendor. One of the
|
|
||||||
other stall owners heard him asking questions shortly after
|
|
||||||
the melon vendor disappeared.”</p>
|
|
||||||
<p>Salvia’s violet eyes narrowed. “What, the fruit vendor?
|
|
||||||
Didn’t the tabloids say it was an accident? He tried to get
|
|
||||||
rid of a neighbor’s nest of snakes.”</p>
|
|
||||||
<p>Inky only raised an eyebrow at her.</p>
|
|
||||||
<p>The secretary let out a low curse. “You didn’t tell her.
|
|
||||||
You didn’t want her to worry,” she said aloud in realization.
|
|
||||||
She sighed. “She’s going to be pretty angry with you when she
|
|
||||||
finds out, you know.”</p>
|
|
||||||
<p>Inky offered her a sardonic smile. “Making people angry is
|
|
||||||
my job. You of all people know this well. In the event of my
|
|
||||||
timely demise I’m sure the others would find it cause for a
|
|
||||||
grand celebration.” They replied matter-of-factly before
|
|
||||||
returning to smoothing the feathers of one bird wing.</p>
|
|
||||||
<p>Salvia shook her head vehemently. “That’s not true. You’ll
|
|
||||||
make it back, Ink. What then—”</p>
|
|
||||||
<p>“Then our fair Lady’s ire would be the least of the
|
|
||||||
problems.”</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>~</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>Alex stared morosely into his cup of coffee. He’d received
|
|
||||||
word of agent 5’s demise that morning, and had been the only
|
|
||||||
thing on his mind since. 5, no Be’tram knew the risks, we all
|
|
||||||
knew the risks defying HQ brought, but to happen so suddenly?
|
|
||||||
He’d snuck down to the wharf once he’d heard, making sure to
|
|
||||||
cover his tracks and dodge any potential witnesses. He even
|
|
||||||
managed to slip past the police cordon they’d setup around the
|
|
||||||
body. What he’d found wasn’t pretty, it looked like Be’Tram
|
|
||||||
had suffered in his final moments. The bruising around his
|
|
||||||
neck pointed to strangulation, with some sort of cloth,
|
|
||||||
perhaps a rope. The bruising was deep, and there wasn’t a cut,
|
|
||||||
burn, shot or something of the likes on his otherwise.</p>
|
|
||||||
<p>The kill had been intimate.</p>
|
|
||||||
<p>Alex had worked quickly that night, popping Be’Tram’s eye
|
|
||||||
had been hard, but he’d of wanted Alex to have it. Behind his
|
|
||||||
right eye was a recording device, it could only catch the last
|
|
||||||
15m or so of what he had seen, but it would give him a clear
|
|
||||||
look at what had happened. And potentially lead Alex to the
|
|
||||||
killer. Miserable business, but Be’Tram knew it could make a
|
|
||||||
difference.</p>
|
|
||||||
<p>Alex had planted a bomb on the body after he had extracted
|
|
||||||
the eye, and made his way well away from the area before it
|
|
||||||
went off obliterating the remains. A regrettable end for an
|
|
||||||
old friend, but it was too dangerous to leave.</p>
|
|
||||||
<p>And then there was the matter of the zabbix alert, a little
|
|
||||||
purple red critical for the sewer hideout. He’d had time to
|
|
||||||
send out a drone beetle. The smoldering slag that was left was
|
|
||||||
reassuring. Most of the equipment was utterly destroyed, racks
|
|
||||||
upon racks of servers reduced to twisted melted metal. The
|
|
||||||
effectively of the destruction was delightful, in a sick sort
|
|
||||||
of desperate way. Alex felt assured that most if not all of
|
|
||||||
the equipment was useless, but this spelled the end of a
|
|
||||||
valuable listening outpost. And whoever had done it wasn’t
|
|
||||||
part of the slag pile.</p>
|
|
||||||
<p>Alex stood up, his coffee untouched. The cafe around his
|
|
||||||
burbled in quiet excitement. The city had lit up since the
|
|
||||||
Melon vendor’s death. A thousand rumors abounded about it, but
|
|
||||||
none of them held true; some said the city had become
|
|
||||||
dangerous, a crime syndicate had arisen in the neighboring
|
|
||||||
city block another thought, and did you hear about the
|
|
||||||
explosion at the wharf the other night, the city was electric,
|
|
||||||
yet somehow ever so slightly off the pulse of the issue.</p>
|
|
||||||
<p>As Alex stepped away a woman with horn rimmed glasses
|
|
||||||
strode past the table he had just abandoned, deftly pulling
|
|
||||||
the note from beneath the coffee cup, left for her.</p>
|
|
||||||
<pre><code>4 -> 3
|
|
||||||
Daylight breaks on the morrow
|
|
||||||
The suns rays make chase
|
|
||||||
casting soft cloth
|
|
||||||
across the nap of nature's neck
|
|
||||||
|
|
||||||
So, night relents and gives way
|
|
||||||
biding time until
|
|
||||||
it can rule
|
|
||||||
in its own domain</code></pre>
|
|
||||||
<p>For the passerby, it was but a bit of poetry, scribbled
|
|
||||||
carelessly on the back of a napkin in a coffee near the wharf.
|
|
||||||
But for Agent 3 it was a warning, one part notes on Agent 5s
|
|
||||||
demise recovered from his eyecam, one part orders; stay low
|
|
||||||
and we’ll strike these bastards from the shadows, on our
|
|
||||||
terms, on our ground. Similar missives were delivered to
|
|
||||||
Agents 6 & 7. The numbers were dwindling rapidly, even
|
|
||||||
just one agent lost was hard to stomach.</p>
|
|
||||||
<p>Alex hand gripped the pistol in his coat pocket with a
|
|
||||||
white knuckled grip as he stepped from the coffee shop into
|
|
||||||
the city. Whatever was after him, whatever had gotten to
|
|
||||||
Be’Tram, it had better know he was coming, and he’d happily
|
|
||||||
send it straight to hell. HQ be damned, the rules be damned,
|
|
||||||
this little game of cat and mouse had just gotten
|
|
||||||
personal.</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>~</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves
|
|
||||||
in a dark backroom in a secluded corner of an old fish
|
|
||||||
processing plant on the wharf. The accommodations are rough,
|
|
||||||
and the stench is abhorrent, but it’s the best that could be
|
|
||||||
procured in a pinch. And it should provide enough
|
|
||||||
seclusion.</p>
|
|
||||||
<p>The backroom is like that of many factories, high up near
|
|
||||||
the ceiling, a single rusty rickety staircase winds its way
|
|
||||||
along the side of the building for what seems to be 3 flights,
|
|
||||||
before it reaches a metal room with dusty grimy windows, and a
|
|
||||||
single steel door. The windows on the interior overlook the
|
|
||||||
fish processing plant, where rows of belts and machinery stand
|
|
||||||
still, covered in dust and long forgotten blood. You’re glad
|
|
||||||
to know that the factory stopped operating years ago, hygiene
|
|
||||||
is lacking in every sense.</p>
|
|
||||||
<p>Alex stares forlornly out the exterior windows, the sky is
|
|
||||||
a grey overcast, it matches his mood perfectly. He didn’t like
|
|
||||||
what him and Inky were about to do, but they didn’t have much
|
|
||||||
they could do about it. They would be vulnerable for the
|
|
||||||
duration of the ritual. But Agent 7 and Confidence were there
|
|
||||||
to help mitigate that risk. Alex and Agent 7 had taken every
|
|
||||||
precaution they could think of.</p>
|
|
||||||
<p>The plant floor was scattered with booby traps, trip wires,
|
|
||||||
and alarms. The other agents were laying low, but kept drones
|
|
||||||
around the wharf feeding in a network of twtxt data back to
|
|
||||||
Agent 7 for recon. And that was on top of the double barred
|
|
||||||
steel doors, and reinforced glass box they’d chosen as their
|
|
||||||
hide out. Meticulously planned, Alex expected no less from
|
|
||||||
Agent 7.</p>
|
|
||||||
<p>See Marvelo had been at this as long as Alex had, and then
|
|
||||||
some. He was sharp as a tack, with an animal-like third sense
|
|
||||||
that came from years of close calls. He was, simply put, the
|
|
||||||
right man for the job, when that job was keeping your
|
|
||||||
unconscious ass alive.</p>
|
|
||||||
<p>Alex turns away from the window and addresses Inky.
|
|
||||||
“Apologies for the smell, it turns out there’s a strong
|
|
||||||
correlation between disgust and seclusion, but I believe we
|
|
||||||
should at least be safe here. Safer than we would have been
|
|
||||||
back home. I’m ready if you are, as ready as I’ll ever be that
|
|
||||||
is.”</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>The Golden Iris have summoned you to appear at the Harpoon
|
|
||||||
Club this evening. But the Harpoon Club is nowhere to be found
|
|
||||||
on this plane of existence. It won’t appear until a week and a
|
|
||||||
half from now, on the last day of the month.</p>
|
|
||||||
<p>Confidence the Guide has predicted exactly where the
|
|
||||||
Wandering Bazaar will be on that day. With a small bucket of
|
|
||||||
red paint and a large brush, he has drawn a Linking Sigil on
|
|
||||||
the ground at the location. He sits nearby, making sure
|
|
||||||
careless passersby and mischievous kids don’t disturb it, but
|
|
||||||
otherwise letting the sigil absorb the energies of the bustle
|
|
||||||
of shopping and commerce.</p>
|
|
||||||
<p>At the fish market, Marvelo is posted outside. He keeps
|
|
||||||
vigilant watch, alert to every movement and disturbance.</p>
|
|
||||||
<p>And inside, Bread, Inky, Fuko, and Alex are huddled up in
|
|
||||||
the office in the back near the ceiling. They all sit inside a
|
|
||||||
dark circle that has been smudged on the floor with a paste
|
|
||||||
made of ash and salt. Painted on the ground is a second
|
|
||||||
Linking Sigil, connecting this spot to Confidence’s, allowing
|
|
||||||
the energies of the two locations to co-mingle. There is also
|
|
||||||
the Dream Sigil, which will connect this place to the
|
|
||||||
Dreaming.</p>
|
|
||||||
<p>Bread the Host is propped up on some pillows and cushions
|
|
||||||
in the center of the circle, next to the Nyxmaer. The candle
|
|
||||||
is alleged to be made of the flesh and fat of a certain
|
|
||||||
nightmare. Its hand and eye bound in the wax. The Dream Sigil
|
|
||||||
is the door, but the Nyxmaer is the key. The catalyst that
|
|
||||||
will cause all of the otherwise inert metaphysical particles
|
|
||||||
to become volatile and reactive. It is what will allow you to
|
|
||||||
actually pass over and arrive on the shores of the Sea of
|
|
||||||
Dreams.</p>
|
|
||||||
<p>Per the shop witch’s instructions, the Nyxmaer has been
|
|
||||||
placed on a thin, hard tin plate. As the candle burns, the wax
|
|
||||||
will soften and eventually allow the large metal nail in its
|
|
||||||
side to fall. When it strikes the plate, you will awaken,
|
|
||||||
exiting the Dreaming. You expect hours may pass in the realm
|
|
||||||
of sleep. But only about thirty minutes will pass here.</p>
|
|
||||||
<p>Inky and Alex sit inside the circle, near the perimeter,
|
|
||||||
facing Bread in the center. Fuko the owl sits at Inky’s
|
|
||||||
side.</p>
|
|
||||||
<p>It is dim. You are illuminated by mundane, non-magical
|
|
||||||
candles set around the edges of the circle. Outside, a steady
|
|
||||||
rain beats on the roof and the windows of the building. The
|
|
||||||
smell of fish is faint but ever-present. A constant reminder
|
|
||||||
of the small creatures that have left their bodies in a
|
|
||||||
fashion far more permanent and irreversible than the
|
|
||||||
separation of spirit and body you are about to experience. You
|
|
||||||
hope.</p>
|
|
||||||
<p>WHAT DO YOU DO</p>
|
|
||||||
<ul>
|
|
||||||
<li><p>How do you induce a deep and powerful slumber in
|
|
||||||
Bread?</p></li>
|
|
||||||
<li><p>What shape or form will you take when you arrive in the
|
|
||||||
Dreaming?</p></li>
|
|
||||||
<li><p>What are you secretly worried or hopeful about being
|
|
||||||
exposed in the dreamland, the realm of metaphor?</p></li>
|
|
||||||
</ul>
|
|
||||||
]]>
|
|
||||||
</description>
|
|
||||||
</item>
|
|
||||||
<item>
|
<item>
|
||||||
<title>54</title>
|
<title>54</title>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
|
|
@ -320,6 +320,7 @@ Master</a></li>
|
||||||
<li><a href="#00057" id="toc-00057">00057</a></li>
|
<li><a href="#00057" id="toc-00057">00057</a></li>
|
||||||
<li><a href="#00058" id="toc-00058">00058</a></li>
|
<li><a href="#00058" id="toc-00058">00058</a></li>
|
||||||
<li><a href="#00059" id="toc-00059">00059</a></li>
|
<li><a href="#00059" id="toc-00059">00059</a></li>
|
||||||
|
<li><a href="#00060" id="toc-00060">00060</a></li>
|
||||||
</ul></li>
|
</ul></li>
|
||||||
<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
|
<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
|
||||||
<li><a href="#geography" id="toc-geography">Geography</a></li>
|
<li><a href="#geography" id="toc-geography">Geography</a></li>
|
||||||
|
@ -359,11 +360,11 @@ Teale</a></li>
|
||||||
</ul>
|
</ul>
|
||||||
</nav>
|
</nav>
|
||||||
<h2 id="stats">Stats</h2>
|
<h2 id="stats">Stats</h2>
|
||||||
<p>Total length: 78449 words / 335 minute read. (Mind you, that’s the
|
<p>Total length: 79062 words / 337 minute read. (Mind you, that’s the
|
||||||
length of this entire page, including all the extra bits and bobs. Not
|
length of this entire page, including all the extra bits and bobs. Not
|
||||||
just the story.)</p>
|
just the story.)</p>
|
||||||
<p>There have been 210 messages posted over 202 days since the first
|
<p>There have been 213 messages posted over 208 days since the first
|
||||||
post on July 13, 2022 for a daily post rate of 1.03.</p>
|
post on July 13, 2022 for a daily post rate of 1.02.</p>
|
||||||
<h2 id="about">About</h2>
|
<h2 id="about">About</h2>
|
||||||
<p>This is a game that me and the kids in the basement are playing over
|
<p>This is a game that me and the kids in the basement are playing over
|
||||||
email.</p>
|
email.</p>
|
||||||
|
@ -7114,6 +7115,69 @@ direction.</p>
|
||||||
<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
|
<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
|
||||||
Squirrel has taken them all! Are you going to help me?”</p>
|
Squirrel has taken them all! Are you going to help me?”</p>
|
||||||
<p>WHAT DO YOU DO</p>
|
<p>WHAT DO YOU DO</p>
|
||||||
|
<h3 id="00060">00060</h3>
|
||||||
|
<blockquote>
|
||||||
|
<p>Alex takes inventory of himself, this dream world is definitely
|
||||||
|
strange, but fortunately its decided to provide him with his impecable
|
||||||
|
fashion, trench coat and all. Unfortunately the same can’t be said for
|
||||||
|
his roguish good looks, as he’s found himself 6 arms heavier, and a bit
|
||||||
|
more octopus-y than he remembers.</p>
|
||||||
|
<p>Nontheless this doesn’t appear to be much of an impediment, and he
|
||||||
|
promptly moves on with assessing the situation.</p>
|
||||||
|
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are terrible at
|
||||||
|
fetching acrons, and at any rate, I have a dreadfully important meeting
|
||||||
|
across town.” turning to address Inky, “We need to make a break for it,
|
||||||
|
what’d the witch tell you? Envision our goal or something? This is
|
||||||
|
really a little outside of my realm of mechanical magic expertise..
|
||||||
|
unless..”</p>
|
||||||
|
<p>Alex makes a gesture with his tentacles in the area and a terminal
|
||||||
|
prompt appears before him. His tentacles work at blinding speed at the
|
||||||
|
digital window, a quick bypass there, a root access escalation
|
||||||
|
there.</p>
|
||||||
|
<p>“Looks like this whole place runs on Linux, it’s an older kernel,
|
||||||
|
about 2.6 or so, but it checks out. Easy to exploit as needed. Here I’m
|
||||||
|
giving us sudo access, should we need it.”</p>
|
||||||
|
<p>“Oh and squirrel, here’s your acorns”</p>
|
||||||
|
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
||||||
|
</blockquote>
|
||||||
|
<p>It takes Alectopus a couple tries, but he gets it. First he corrects
|
||||||
|
‘acron’ to ‘acorn’. Then he moves all the acorns to the
|
||||||
|
<em>chipmunk</em> instead of to the squirrel.</p>
|
||||||
|
<p>Hundreds of acorns appear at the chipmunk’s feet. It squeals in
|
||||||
|
delight.</p>
|
||||||
|
<p>In the distance, far below you, you hear the anguished yell of what
|
||||||
|
can only be a Red Squirrel whose giant stash of acorns has just
|
||||||
|
vanished.</p>
|
||||||
|
<p>The chipmunk rubs its hands together gleefully and starts scooping up
|
||||||
|
acorns by the armful and shoving them into its mouth by the dozen. “Oh,
|
||||||
|
thank you! Thank you! Thank you!” it says around a mouthful of nuts.
|
||||||
|
“Here…” It tosses you a large square silver coin with a round hole
|
||||||
|
drilled in the center. On one side is the number twenty-one next to a
|
||||||
|
picture of a curved, short-handled sickle. On the other side is the
|
||||||
|
number five and a picture of a flail.</p>
|
||||||
|
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all I have,”
|
||||||
|
it apologizes as it scampers off, no doubt to hide its nuts. Hopefully
|
||||||
|
somewhere more secure this time.</p>
|
||||||
|
<p>If you hold the coin up to your eye and peer through the hole, you
|
||||||
|
see the dreamscape before you as though looking through a cloudy film.
|
||||||
|
All the same stuff is there, but it’s hazy and shadowy.</p>
|
||||||
|
<p>Standing a fair distance from you on the branch, just out of hailing
|
||||||
|
distance, is a tall figure cloaked in black robes. Dark shadows pool
|
||||||
|
restlessly around its feet. Occasionally the shadows leap up and take
|
||||||
|
the form of demons the like of which words cannot describe, before
|
||||||
|
falling and returning to shadow once more. The figure wears a large
|
||||||
|
spherical helmet of obsidian-like glass. You can see constant flashes of
|
||||||
|
a rainbow of colors crackle and splinter along the inside of the helmet
|
||||||
|
like lightning, but illuminating nothing within. You feel sickened at
|
||||||
|
the sight, but at the edge of your mind you feels a tug, a familiarity.
|
||||||
|
Something about this character is familiar to you, but you cannot place
|
||||||
|
it.</p>
|
||||||
|
<p>When you lower the coin, the figure and the dark landscape both
|
||||||
|
disappear. When you raise it again, the distorted landscape reappears
|
||||||
|
but the figure is gone.</p>
|
||||||
|
<p>You notice a pair of large ravens watching you rather intently from
|
||||||
|
the branches below.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
<h2 id="bestiary">Bestiary</h2>
|
<h2 id="bestiary">Bestiary</h2>
|
||||||
<p>Some of the creatures who inhabit the world of Basmentaria</p>
|
<p>Some of the creatures who inhabit the world of Basmentaria</p>
|
||||||
<dt>
|
<dt>
|
||||||
|
|
Loading…
Reference in New Issue