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					---
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					title: 00060
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					created: Tue, 31 Jan 2023 19:11:47 -0700
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					updated: Tue, 31 Jan 2023 19:11:48 -0700
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					public: yes
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					syndicated: yes
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					---
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					### 00060 {#00060}
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					> Alex takes inventory of himself, this dream world is definitely
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					> strange, but fortunately its decided to provide him with his
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					> impecable fashion, trench coat and all. Unfortunately the same can't
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					> be said for his roguish good looks, as he's found himself 6 arms
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					> heavier, and a bit more octopus-y than he remembers.
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					> 
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					> Nontheless this doesn't appear to be much of an impediment, and he
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					> promptly moves on with assessing the situation.
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					> 
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					> "Acorns? No, I don't think so. I'm afraid octopus' are terrible at
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					> fetching acrons, and at any rate, I have a dreadfully important
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					> meeting across town." turning to address Inky, "We need to make a
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					> break for it, what'd the witch tell you? Envision our goal or
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					> something? This is really a little outside of my realm of mechanical
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					> magic expertise.. unless.."
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					> 
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					> Alex makes a gesture with his tentacles in the area and a terminal
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					> prompt appears before him. His tentacles work at blinding speed at
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					> the digital window, a quick bypass there, a root access escalation
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					> there.
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					> 
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					> "Looks like this whole place runs on Linux, it's an older kernel,
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					> about 2.6 or so, but it checks out. Easy to exploit as needed. Here
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					> I'm giving us sudo access, should we need it."
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					> 
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					> "Oh and squirrel, here's your acorns"
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					> 
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					> ```
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					> find /* -name '*acron*' -exec mv /home/squirrel { } \
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					> ```
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					It takes Alectopus a couple tries, but he gets it. First he corrects
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					'acron' to 'acorn'. Then he moves all the acorns to the *chipmunk*
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					instead of to the squirrel.
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					Hundreds of acorns appear at the chipmunk's feet. It squeals in
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					delight.
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					In the distance, far below you, you hear the anguished yell of what
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					can only be a Red Squirrel whose giant stash of acorns has just
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					vanished.
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					The chipmunk rubs its hands together gleefully and starts scooping up
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					acorns by the armful and shoving them into its mouth by the dozen.
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					"Oh, thank you! Thank you! Thank you!" it says around a mouthful of
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					nuts. "Here..." It tosses you a large square silver coin with a round
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					hole drilled in the center. On one side is the number twenty-one next
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					to a picture of a curved, short-handled sickle. On the other side is
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					the number five and a picture of a flail.
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					"A Twenty-One Fiver! Sorry, you deserve more, but it's all I have,"
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					it apologizes as it scampers off, no doubt to hide its nuts.
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					Hopefully somewhere more secure this time.
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					If you hold the coin up to your eye and peer through the hole, you
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					see the dreamscape before you as though looking through a cloudy
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					film. All the same stuff is there, but it's hazy and shadowy.
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					Standing a fair distance from you on the branch, just out of hailing
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					distance, is a tall figure cloaked in black robes. Dark shadows pool
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					restlessly around its feet. Occasionally the shadows leap up and take
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					the form of demons the like of which words cannot describe, before
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					falling and returning to shadow once more. The figure wears a large
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					spherical helmet of obsidian-like glass. You can see constant flashes
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					of a rainbow of colors crackle and splinter along the inside of the
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					helmet like lightning, but illuminating nothing within. You feel
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					sickened at the sight, but at the edge of your mind you feels a tug,
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					a familiarity. Something about this character is familiar to you, but
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					you cannot place it.
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					When you lower the coin, the figure and the dark landscape both
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					disappear. When you raise it again, the distorted landscape reappears
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					but the figure is gone.
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					You notice a pair of large ravens watching you rather intently from
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					the branches below.
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					WHAT DO YOU DO
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@ -320,6 +320,7 @@ Master</a></li>
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<li><a href="#00057" id="toc-00057">00057</a></li>
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					<li><a href="#00057" id="toc-00057">00057</a></li>
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<li><a href="#00058" id="toc-00058">00058</a></li>
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					<li><a href="#00058" id="toc-00058">00058</a></li>
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<li><a href="#00059" id="toc-00059">00059</a></li>
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					<li><a href="#00059" id="toc-00059">00059</a></li>
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					<li><a href="#00060" id="toc-00060">00060</a></li>
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</ul></li>
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					</ul></li>
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<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
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					<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
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<li><a href="#geography" id="toc-geography">Geography</a></li>
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					<li><a href="#geography" id="toc-geography">Geography</a></li>
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@ -356,11 +357,11 @@ Teale</a></li>
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</ul>
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					</ul>
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</nav>
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					</nav>
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<h2 id="stats">Stats</h2>
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					<h2 id="stats">Stats</h2>
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<p>Total length: 78449 words / 335 minute read. (Mind you, that’s the
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					<p>Total length: 79062 words / 337 minute read. (Mind you, that’s the
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length of this entire page, including all the extra bits and bobs. Not
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					length of this entire page, including all the extra bits and bobs. Not
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just the story.)</p>
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					just the story.)</p>
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<p>There have been 210 messages posted over 202 days since the first
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					<p>There have been 213 messages posted over 208 days since the first
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post on July 13, 2022 for a daily post rate of 1.03.</p>
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					post on July 13, 2022 for a daily post rate of 1.02.</p>
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<h2 id="about">About</h2>
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					<h2 id="about">About</h2>
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<p>This is a game that me and the kids in the basement are playing over
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					<p>This is a game that me and the kids in the basement are playing over
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email.</p>
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					email.</p>
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@ -7111,6 +7112,69 @@ direction.</p>
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<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
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					<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
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Squirrel has taken them all! Are you going to help me?”</p>
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					Squirrel has taken them all! Are you going to help me?”</p>
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<p>WHAT DO YOU DO</p>
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					<p>WHAT DO YOU DO</p>
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					<h3 id="00060">00060</h3>
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					<blockquote>
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					<p>Alex takes inventory of himself, this dream world is definitely
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					strange, but fortunately its decided to provide him with his impecable
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 | 
					fashion, trench coat and all. Unfortunately the same can’t be said for
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					his roguish good looks, as he’s found himself 6 arms heavier, and a bit
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					more octopus-y than he remembers.</p>
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					<p>Nontheless this doesn’t appear to be much of an impediment, and he
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					promptly moves on with assessing the situation.</p>
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					<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are terrible at
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					fetching acrons, and at any rate, I have a dreadfully important meeting
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					across town.” turning to address Inky, “We need to make a break for it,
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					what’d the witch tell you? Envision our goal or something? This is
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					really a little outside of my realm of mechanical magic expertise..
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					unless..”</p>
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					<p>Alex makes a gesture with his tentacles in the area and a terminal
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					prompt appears before him. His tentacles work at blinding speed at the
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					digital window, a quick bypass there, a root access escalation
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					there.</p>
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					<p>“Looks like this whole place runs on Linux, it’s an older kernel,
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					about 2.6 or so, but it checks out. Easy to exploit as needed. Here I’m
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					giving us sudo access, should we need it.”</p>
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					<p>“Oh and squirrel, here’s your acorns”</p>
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					<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
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					</blockquote>
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					<p>It takes Alectopus a couple tries, but he gets it. First he corrects
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					‘acron’ to ‘acorn’. Then he moves all the acorns to the
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					<em>chipmunk</em> instead of to the squirrel.</p>
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					<p>Hundreds of acorns appear at the chipmunk’s feet. It squeals in
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					delight.</p>
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					<p>In the distance, far below you, you hear the anguished yell of what
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					can only be a Red Squirrel whose giant stash of acorns has just
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					vanished.</p>
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					<p>The chipmunk rubs its hands together gleefully and starts scooping up
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					acorns by the armful and shoving them into its mouth by the dozen. “Oh,
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					thank you! Thank you! Thank you!” it says around a mouthful of nuts.
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					“Here…” It tosses you a large square silver coin with a round hole
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					drilled in the center. On one side is the number twenty-one next to a
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					picture of a curved, short-handled sickle. On the other side is the
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					number five and a picture of a flail.</p>
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					<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all I have,”
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					it apologizes as it scampers off, no doubt to hide its nuts. Hopefully
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					somewhere more secure this time.</p>
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					<p>If you hold the coin up to your eye and peer through the hole, you
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 | 
					see the dreamscape before you as though looking through a cloudy film.
 | 
				
			||||||
 | 
					All the same stuff is there, but it’s hazy and shadowy.</p>
 | 
				
			||||||
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					<p>Standing a fair distance from you on the branch, just out of hailing
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 | 
					distance, is a tall figure cloaked in black robes. Dark shadows pool
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			||||||
 | 
					restlessly around its feet. Occasionally the shadows leap up and take
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					the form of demons the like of which words cannot describe, before
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					falling and returning to shadow once more. The figure wears a large
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					spherical helmet of obsidian-like glass. You can see constant flashes of
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					a rainbow of colors crackle and splinter along the inside of the helmet
 | 
				
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					like lightning, but illuminating nothing within. You feel sickened at
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					the sight, but at the edge of your mind you feels a tug, a familiarity.
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					Something about this character is familiar to you, but you cannot place
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					it.</p>
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					<p>When you lower the coin, the figure and the dark landscape both
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					disappear. When you raise it again, the distorted landscape reappears
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					but the figure is gone.</p>
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					<p>You notice a pair of large ravens watching you rather intently from
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					the branches below.</p>
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					<p>WHAT DO YOU DO</p>
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<h2 id="bestiary">Bestiary</h2>
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					<h2 id="bestiary">Bestiary</h2>
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<p>Some of the creatures who inhabit the world of Basmentaria</p>
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					<p>Some of the creatures who inhabit the world of Basmentaria</p>
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<dt>
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					<dt>
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							@ -301,6 +301,316 @@ trap sleep INT EXIT</code></pre>
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        ]]>
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					        ]]>
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      </description>
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					      </description>
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    </item>
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					    </item>
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					    <item>
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					      <title>58</title>
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					      <author>dozens@tilde.team (dozens)</author>
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					      <guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45
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					-0700</guid>
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					      <pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate>
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					      <description>
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					        <![CDATA[
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					          <h3 id="00058">00058</h3>
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					          <blockquote>
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					          <p><em>(A week prior)</em></p>
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					          <p>The secretary collected the stack of papers that had
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					          accumulated at one corner of the desk. “This might help,” she
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					          said, setting down a bundle of herbs with white and pink
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					          flowers in place of the papers.</p>
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					          <p>Inky stared at the blooms, hands stilled over the owl’s
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					          plumage. “Oh! Thanks. Good thinking, really. It’ll help make
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					          the stench more bearable when they find the remains.”</p>
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					          <p>The grey elf was confused for a moment, then mortified as
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					          the words sank in. “That’s not what I meant! It’s for the
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					          circle,” she clarified.</p>
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					          <p>Seeing the imp’s preoccupied nod, she coughed lightly to
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					          regain their attention, then spoke in a hushed voice.
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					          “Beaker’s associates have picked up the empanada shop
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					          proprietor and transported him to an undisclosed location.
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					          There will be a retinue with him at all times.”</p>
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					          <p>Inky seemed to visibly pull themselves back to the room
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					          before responding, “Thank you, Salvia. One more thing — if I
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					          do not return by the indicated time, please activate the
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					          hitsuzen protocol. As precaution.”</p>
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					          <p>The secretary looked at Inky in concern. “Is everything all
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					          right? If you’re still troubled by the hotelier, accidents
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					          happen. A single incident—”</p>
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					          <p>“Third. An unidentified man was attacked at the docks. He
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					          was probably sent to investigate the melon vendor. One of the
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					          other stall owners heard him asking questions shortly after
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					          the melon vendor disappeared.”</p>
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					          <p>Salvia’s violet eyes narrowed. “What, the fruit vendor?
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					          Didn’t the tabloids say it was an accident? He tried to get
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					          rid of a neighbor’s nest of snakes.”</p>
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					          <p>Inky only raised an eyebrow at her.</p>
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					          <p>The secretary let out a low curse. “You didn’t tell her.
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					          You didn’t want her to worry,” she said aloud in realization.
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					          She sighed. “She’s going to be pretty angry with you when she
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					          finds out, you know.”</p>
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					          <p>Inky offered her a sardonic smile. “Making people angry is
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			||||||
 | 
					          my job. You of all people know this well. In the event of my
 | 
				
			||||||
 | 
					          timely demise I’m sure the others would find it cause for a
 | 
				
			||||||
 | 
					          grand celebration.” They replied matter-of-factly before
 | 
				
			||||||
 | 
					          returning to smoothing the feathers of one bird wing.</p>
 | 
				
			||||||
 | 
					          <p>Salvia shook her head vehemently. “That’s not true. You’ll
 | 
				
			||||||
 | 
					          make it back, Ink. What then—”</p>
 | 
				
			||||||
 | 
					          <p>“Then our fair Lady’s ire would be the least of the
 | 
				
			||||||
 | 
					          problems.”</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>~</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Alex stared morosely into his cup of coffee. He’d received
 | 
				
			||||||
 | 
					          word of agent 5’s demise that morning, and had been the only
 | 
				
			||||||
 | 
					          thing on his mind since. 5, no Be’tram knew the risks, we all
 | 
				
			||||||
 | 
					          knew the risks defying HQ brought, but to happen so suddenly?
 | 
				
			||||||
 | 
					          He’d snuck down to the wharf once he’d heard, making sure to
 | 
				
			||||||
 | 
					          cover his tracks and dodge any potential witnesses. He even
 | 
				
			||||||
 | 
					          managed to slip past the police cordon they’d setup around the
 | 
				
			||||||
 | 
					          body. What he’d found wasn’t pretty, it looked like Be’Tram
 | 
				
			||||||
 | 
					          had suffered in his final moments. The bruising around his
 | 
				
			||||||
 | 
					          neck pointed to strangulation, with some sort of cloth,
 | 
				
			||||||
 | 
					          perhaps a rope. The bruising was deep, and there wasn’t a cut,
 | 
				
			||||||
 | 
					          burn, shot or something of the likes on his otherwise.</p>
 | 
				
			||||||
 | 
					          <p>The kill had been intimate.</p>
 | 
				
			||||||
 | 
					          <p>Alex had worked quickly that night, popping Be’Tram’s eye
 | 
				
			||||||
 | 
					          had been hard, but he’d of wanted Alex to have it. Behind his
 | 
				
			||||||
 | 
					          right eye was a recording device, it could only catch the last
 | 
				
			||||||
 | 
					          15m or so of what he had seen, but it would give him a clear
 | 
				
			||||||
 | 
					          look at what had happened. And potentially lead Alex to the
 | 
				
			||||||
 | 
					          killer. Miserable business, but Be’Tram knew it could make a
 | 
				
			||||||
 | 
					          difference.</p>
 | 
				
			||||||
 | 
					          <p>Alex had planted a bomb on the body after he had extracted
 | 
				
			||||||
 | 
					          the eye, and made his way well away from the area before it
 | 
				
			||||||
 | 
					          went off obliterating the remains. A regrettable end for an
 | 
				
			||||||
 | 
					          old friend, but it was too dangerous to leave.</p>
 | 
				
			||||||
 | 
					          <p>And then there was the matter of the zabbix alert, a little
 | 
				
			||||||
 | 
					          purple red critical for the sewer hideout. He’d had time to
 | 
				
			||||||
 | 
					          send out a drone beetle. The smoldering slag that was left was
 | 
				
			||||||
 | 
					          reassuring. Most of the equipment was utterly destroyed, racks
 | 
				
			||||||
 | 
					          upon racks of servers reduced to twisted melted metal. The
 | 
				
			||||||
 | 
					          effectively of the destruction was delightful, in a sick sort
 | 
				
			||||||
 | 
					          of desperate way. Alex felt assured that most if not all of
 | 
				
			||||||
 | 
					          the equipment was useless, but this spelled the end of a
 | 
				
			||||||
 | 
					          valuable listening outpost. And whoever had done it wasn’t
 | 
				
			||||||
 | 
					          part of the slag pile.</p>
 | 
				
			||||||
 | 
					          <p>Alex stood up, his coffee untouched. The cafe around his
 | 
				
			||||||
 | 
					          burbled in quiet excitement. The city had lit up since the
 | 
				
			||||||
 | 
					          Melon vendor’s death. A thousand rumors abounded about it, but
 | 
				
			||||||
 | 
					          none of them held true; some said the city had become
 | 
				
			||||||
 | 
					          dangerous, a crime syndicate had arisen in the neighboring
 | 
				
			||||||
 | 
					          city block another thought, and did you hear about the
 | 
				
			||||||
 | 
					          explosion at the wharf the other night, the city was electric,
 | 
				
			||||||
 | 
					          yet somehow ever so slightly off the pulse of the issue.</p>
 | 
				
			||||||
 | 
					          <p>As Alex stepped away a woman with horn rimmed glasses
 | 
				
			||||||
 | 
					          strode past the table he had just abandoned, deftly pulling
 | 
				
			||||||
 | 
					          the note from beneath the coffee cup, left for her.</p>
 | 
				
			||||||
 | 
					          <pre><code>4 -> 3
 | 
				
			||||||
 | 
					Daylight breaks on the morrow
 | 
				
			||||||
 | 
					The suns rays make chase
 | 
				
			||||||
 | 
					casting soft cloth
 | 
				
			||||||
 | 
					across the nap of nature's neck
 | 
				
			||||||
 | 
					
 | 
				
			||||||
 | 
					So, night relents and gives way
 | 
				
			||||||
 | 
					biding time until
 | 
				
			||||||
 | 
					it can rule
 | 
				
			||||||
 | 
					in its own domain</code></pre>
 | 
				
			||||||
 | 
					          <p>For the passerby, it was but a bit of poetry, scribbled
 | 
				
			||||||
 | 
					          carelessly on the back of a napkin in a coffee near the wharf.
 | 
				
			||||||
 | 
					          But for Agent 3 it was a warning, one part notes on Agent 5s
 | 
				
			||||||
 | 
					          demise recovered from his eyecam, one part orders; stay low
 | 
				
			||||||
 | 
					          and we’ll strike these bastards from the shadows, on our
 | 
				
			||||||
 | 
					          terms, on our ground. Similar missives were delivered to
 | 
				
			||||||
 | 
					          Agents 6 & 7. The numbers were dwindling rapidly, even
 | 
				
			||||||
 | 
					          just one agent lost was hard to stomach.</p>
 | 
				
			||||||
 | 
					          <p>Alex hand gripped the pistol in his coat pocket with a
 | 
				
			||||||
 | 
					          white knuckled grip as he stepped from the coffee shop into
 | 
				
			||||||
 | 
					          the city. Whatever was after him, whatever had gotten to
 | 
				
			||||||
 | 
					          Be’Tram, it had better know he was coming, and he’d happily
 | 
				
			||||||
 | 
					          send it straight to hell. HQ be damned, the rules be damned,
 | 
				
			||||||
 | 
					          this little game of cat and mouse had just gotten
 | 
				
			||||||
 | 
					          personal.</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>~</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves
 | 
				
			||||||
 | 
					          in a dark backroom in a secluded corner of an old fish
 | 
				
			||||||
 | 
					          processing plant on the wharf. The accommodations are rough,
 | 
				
			||||||
 | 
					          and the stench is abhorrent, but it’s the best that could be
 | 
				
			||||||
 | 
					          procured in a pinch. And it should provide enough
 | 
				
			||||||
 | 
					          seclusion.</p>
 | 
				
			||||||
 | 
					          <p>The backroom is like that of many factories, high up near
 | 
				
			||||||
 | 
					          the ceiling, a single rusty rickety staircase winds its way
 | 
				
			||||||
 | 
					          along the side of the building for what seems to be 3 flights,
 | 
				
			||||||
 | 
					          before it reaches a metal room with dusty grimy windows, and a
 | 
				
			||||||
 | 
					          single steel door. The windows on the interior overlook the
 | 
				
			||||||
 | 
					          fish processing plant, where rows of belts and machinery stand
 | 
				
			||||||
 | 
					          still, covered in dust and long forgotten blood. You’re glad
 | 
				
			||||||
 | 
					          to know that the factory stopped operating years ago, hygiene
 | 
				
			||||||
 | 
					          is lacking in every sense.</p>
 | 
				
			||||||
 | 
					          <p>Alex stares forlornly out the exterior windows, the sky is
 | 
				
			||||||
 | 
					          a grey overcast, it matches his mood perfectly. He didn’t like
 | 
				
			||||||
 | 
					          what him and Inky were about to do, but they didn’t have much
 | 
				
			||||||
 | 
					          they could do about it. They would be vulnerable for the
 | 
				
			||||||
 | 
					          duration of the ritual. But Agent 7 and Confidence were there
 | 
				
			||||||
 | 
					          to help mitigate that risk. Alex and Agent 7 had taken every
 | 
				
			||||||
 | 
					          precaution they could think of.</p>
 | 
				
			||||||
 | 
					          <p>The plant floor was scattered with booby traps, trip wires,
 | 
				
			||||||
 | 
					          and alarms. The other agents were laying low, but kept drones
 | 
				
			||||||
 | 
					          around the wharf feeding in a network of twtxt data back to
 | 
				
			||||||
 | 
					          Agent 7 for recon. And that was on top of the double barred
 | 
				
			||||||
 | 
					          steel doors, and reinforced glass box they’d chosen as their
 | 
				
			||||||
 | 
					          hide out. Meticulously planned, Alex expected no less from
 | 
				
			||||||
 | 
					          Agent 7.</p>
 | 
				
			||||||
 | 
					          <p>See Marvelo had been at this as long as Alex had, and then
 | 
				
			||||||
 | 
					          some. He was sharp as a tack, with an animal-like third sense
 | 
				
			||||||
 | 
					          that came from years of close calls. He was, simply put, the
 | 
				
			||||||
 | 
					          right man for the job, when that job was keeping your
 | 
				
			||||||
 | 
					          unconscious ass alive.</p>
 | 
				
			||||||
 | 
					          <p>Alex turns away from the window and addresses Inky.
 | 
				
			||||||
 | 
					          “Apologies for the smell, it turns out there’s a strong
 | 
				
			||||||
 | 
					          correlation between disgust and seclusion, but I believe we
 | 
				
			||||||
 | 
					          should at least be safe here. Safer than we would have been
 | 
				
			||||||
 | 
					          back home. I’m ready if you are, as ready as I’ll ever be that
 | 
				
			||||||
 | 
					          is.”</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>The Golden Iris have summoned you to appear at the Harpoon
 | 
				
			||||||
 | 
					          Club this evening. But the Harpoon Club is nowhere to be found
 | 
				
			||||||
 | 
					          on this plane of existence. It won’t appear until a week and a
 | 
				
			||||||
 | 
					          half from now, on the last day of the month.</p>
 | 
				
			||||||
 | 
					          <p>Confidence the Guide has predicted exactly where the
 | 
				
			||||||
 | 
					          Wandering Bazaar will be on that day. With a small bucket of
 | 
				
			||||||
 | 
					          red paint and a large brush, he has drawn a Linking Sigil on
 | 
				
			||||||
 | 
					          the ground at the location. He sits nearby, making sure
 | 
				
			||||||
 | 
					          careless passersby and mischievous kids don’t disturb it, but
 | 
				
			||||||
 | 
					          otherwise letting the sigil absorb the energies of the bustle
 | 
				
			||||||
 | 
					          of shopping and commerce.</p>
 | 
				
			||||||
 | 
					          <p>At the fish market, Marvelo is posted outside. He keeps
 | 
				
			||||||
 | 
					          vigilant watch, alert to every movement and disturbance.</p>
 | 
				
			||||||
 | 
					          <p>And inside, Bread, Inky, Fuko, and Alex are huddled up in
 | 
				
			||||||
 | 
					          the office in the back near the ceiling. They all sit inside a
 | 
				
			||||||
 | 
					          dark circle that has been smudged on the floor with a paste
 | 
				
			||||||
 | 
					          made of ash and salt. Painted on the ground is a second
 | 
				
			||||||
 | 
					          Linking Sigil, connecting this spot to Confidence’s, allowing
 | 
				
			||||||
 | 
					          the energies of the two locations to co-mingle. There is also
 | 
				
			||||||
 | 
					          the Dream Sigil, which will connect this place to the
 | 
				
			||||||
 | 
					          Dreaming.</p>
 | 
				
			||||||
 | 
					          <p>Bread the Host is propped up on some pillows and cushions
 | 
				
			||||||
 | 
					          in the center of the circle, next to the Nyxmaer. The candle
 | 
				
			||||||
 | 
					          is alleged to be made of the flesh and fat of a certain
 | 
				
			||||||
 | 
					          nightmare. Its hand and eye bound in the wax. The Dream Sigil
 | 
				
			||||||
 | 
					          is the door, but the Nyxmaer is the key. The catalyst that
 | 
				
			||||||
 | 
					          will cause all of the otherwise inert metaphysical particles
 | 
				
			||||||
 | 
					          to become volatile and reactive. It is what will allow you to
 | 
				
			||||||
 | 
					          actually pass over and arrive on the shores of the Sea of
 | 
				
			||||||
 | 
					          Dreams.</p>
 | 
				
			||||||
 | 
					          <p>Per the shop witch’s instructions, the Nyxmaer has been
 | 
				
			||||||
 | 
					          placed on a thin, hard tin plate. As the candle burns, the wax
 | 
				
			||||||
 | 
					          will soften and eventually allow the large metal nail in its
 | 
				
			||||||
 | 
					          side to fall. When it strikes the plate, you will awaken,
 | 
				
			||||||
 | 
					          exiting the Dreaming. You expect hours may pass in the realm
 | 
				
			||||||
 | 
					          of sleep. But only about thirty minutes will pass here.</p>
 | 
				
			||||||
 | 
					          <p>Inky and Alex sit inside the circle, near the perimeter,
 | 
				
			||||||
 | 
					          facing Bread in the center. Fuko the owl sits at Inky’s
 | 
				
			||||||
 | 
					          side.</p>
 | 
				
			||||||
 | 
					          <p>It is dim. You are illuminated by mundane, non-magical
 | 
				
			||||||
 | 
					          candles set around the edges of the circle. Outside, a steady
 | 
				
			||||||
 | 
					          rain beats on the roof and the windows of the building. The
 | 
				
			||||||
 | 
					          smell of fish is faint but ever-present. A constant reminder
 | 
				
			||||||
 | 
					          of the small creatures that have left their bodies in a
 | 
				
			||||||
 | 
					          fashion far more permanent and irreversible than the
 | 
				
			||||||
 | 
					          separation of spirit and body you are about to experience. You
 | 
				
			||||||
 | 
					          hope.</p>
 | 
				
			||||||
 | 
					          <p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					          <ul>
 | 
				
			||||||
 | 
					          <li><p>How do you induce a deep and powerful slumber in
 | 
				
			||||||
 | 
					          Bread?</p></li>
 | 
				
			||||||
 | 
					          <li><p>What shape or form will you take when you arrive in the
 | 
				
			||||||
 | 
					          Dreaming?</p></li>
 | 
				
			||||||
 | 
					          <li><p>What are you secretly worried or hopeful about being
 | 
				
			||||||
 | 
					          exposed in the dreamland, the realm of metaphor?</p></li>
 | 
				
			||||||
 | 
					          </ul>
 | 
				
			||||||
 | 
					        ]]>
 | 
				
			||||||
 | 
					      </description>
 | 
				
			||||||
 | 
					    </item>
 | 
				
			||||||
 | 
					    <item>
 | 
				
			||||||
 | 
					      <title>60</title>
 | 
				
			||||||
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
 | 
					      <guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
 | 
				
			||||||
 | 
					-0700</guid>
 | 
				
			||||||
 | 
					      <pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
 | 
				
			||||||
 | 
					      <description>
 | 
				
			||||||
 | 
					        <![CDATA[
 | 
				
			||||||
 | 
					          <h3 id="00060">00060</h3>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Alex takes inventory of himself, this dream world is
 | 
				
			||||||
 | 
					          definitely strange, but fortunately its decided to provide him
 | 
				
			||||||
 | 
					          with his impecable fashion, trench coat and all. Unfortunately
 | 
				
			||||||
 | 
					          the same can’t be said for his roguish good looks, as he’s
 | 
				
			||||||
 | 
					          found himself 6 arms heavier, and a bit more octopus-y than he
 | 
				
			||||||
 | 
					          remembers.</p>
 | 
				
			||||||
 | 
					          <p>Nontheless this doesn’t appear to be much of an impediment,
 | 
				
			||||||
 | 
					          and he promptly moves on with assessing the situation.</p>
 | 
				
			||||||
 | 
					          <p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
 | 
				
			||||||
 | 
					          terrible at fetching acrons, and at any rate, I have a
 | 
				
			||||||
 | 
					          dreadfully important meeting across town.” turning to address
 | 
				
			||||||
 | 
					          Inky, “We need to make a break for it, what’d the witch tell
 | 
				
			||||||
 | 
					          you? Envision our goal or something? This is really a little
 | 
				
			||||||
 | 
					          outside of my realm of mechanical magic expertise..
 | 
				
			||||||
 | 
					          unless..”</p>
 | 
				
			||||||
 | 
					          <p>Alex makes a gesture with his tentacles in the area and a
 | 
				
			||||||
 | 
					          terminal prompt appears before him. His tentacles work at
 | 
				
			||||||
 | 
					          blinding speed at the digital window, a quick bypass there, a
 | 
				
			||||||
 | 
					          root access escalation there.</p>
 | 
				
			||||||
 | 
					          <p>“Looks like this whole place runs on Linux, it’s an older
 | 
				
			||||||
 | 
					          kernel, about 2.6 or so, but it checks out. Easy to exploit as
 | 
				
			||||||
 | 
					          needed. Here I’m giving us sudo access, should we need
 | 
				
			||||||
 | 
					          it.”</p>
 | 
				
			||||||
 | 
					          <p>“Oh and squirrel, here’s your acorns”</p>
 | 
				
			||||||
 | 
					          <pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>It takes Alectopus a couple tries, but he gets it. First he
 | 
				
			||||||
 | 
					          corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
 | 
				
			||||||
 | 
					          the <em>chipmunk</em> instead of to the squirrel.</p>
 | 
				
			||||||
 | 
					          <p>Hundreds of acorns appear at the chipmunk’s feet. It
 | 
				
			||||||
 | 
					          squeals in delight.</p>
 | 
				
			||||||
 | 
					          <p>In the distance, far below you, you hear the anguished yell
 | 
				
			||||||
 | 
					          of what can only be a Red Squirrel whose giant stash of acorns
 | 
				
			||||||
 | 
					          has just vanished.</p>
 | 
				
			||||||
 | 
					          <p>The chipmunk rubs its hands together gleefully and starts
 | 
				
			||||||
 | 
					          scooping up acorns by the armful and shoving them into its
 | 
				
			||||||
 | 
					          mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
 | 
				
			||||||
 | 
					          says around a mouthful of nuts. “Here…” It tosses you a large
 | 
				
			||||||
 | 
					          square silver coin with a round hole drilled in the center. On
 | 
				
			||||||
 | 
					          one side is the number twenty-one next to a picture of a
 | 
				
			||||||
 | 
					          curved, short-handled sickle. On the other side is the number
 | 
				
			||||||
 | 
					          five and a picture of a flail.</p>
 | 
				
			||||||
 | 
					          <p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
 | 
				
			||||||
 | 
					          I have,” it apologizes as it scampers off, no doubt to hide
 | 
				
			||||||
 | 
					          its nuts. Hopefully somewhere more secure this time.</p>
 | 
				
			||||||
 | 
					          <p>If you hold the coin up to your eye and peer through the
 | 
				
			||||||
 | 
					          hole, you see the dreamscape before you as though looking
 | 
				
			||||||
 | 
					          through a cloudy film. All the same stuff is there, but it’s
 | 
				
			||||||
 | 
					          hazy and shadowy.</p>
 | 
				
			||||||
 | 
					          <p>Standing a fair distance from you on the branch, just out
 | 
				
			||||||
 | 
					          of hailing distance, is a tall figure cloaked in black robes.
 | 
				
			||||||
 | 
					          Dark shadows pool restlessly around its feet. Occasionally the
 | 
				
			||||||
 | 
					          shadows leap up and take the form of demons the like of which
 | 
				
			||||||
 | 
					          words cannot describe, before falling and returning to shadow
 | 
				
			||||||
 | 
					          once more. The figure wears a large spherical helmet of
 | 
				
			||||||
 | 
					          obsidian-like glass. You can see constant flashes of a rainbow
 | 
				
			||||||
 | 
					          of colors crackle and splinter along the inside of the helmet
 | 
				
			||||||
 | 
					          like lightning, but illuminating nothing within. You feel
 | 
				
			||||||
 | 
					          sickened at the sight, but at the edge of your mind you feels
 | 
				
			||||||
 | 
					          a tug, a familiarity. Something about this character is
 | 
				
			||||||
 | 
					          familiar to you, but you cannot place it.</p>
 | 
				
			||||||
 | 
					          <p>When you lower the coin, the figure and the dark landscape
 | 
				
			||||||
 | 
					          both disappear. When you raise it again, the distorted
 | 
				
			||||||
 | 
					          landscape reappears but the figure is gone.</p>
 | 
				
			||||||
 | 
					          <p>You notice a pair of large ravens watching you rather
 | 
				
			||||||
 | 
					          intently from the branches below.</p>
 | 
				
			||||||
 | 
					          <p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					        ]]>
 | 
				
			||||||
 | 
					      </description>
 | 
				
			||||||
 | 
					    </item>
 | 
				
			||||||
    <item>
 | 
					    <item>
 | 
				
			||||||
      <title>57</title>
 | 
					      <title>57</title>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
@ -553,236 +863,6 @@ trap sleep INT EXIT</code></pre>
 | 
				
			|||||||
        ]]>
 | 
					        ]]>
 | 
				
			||||||
      </description>
 | 
					      </description>
 | 
				
			||||||
    </item>
 | 
					    </item>
 | 
				
			||||||
    <item>
 | 
					 | 
				
			||||||
      <title>58</title>
 | 
					 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					 | 
				
			||||||
      <guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45
 | 
					 | 
				
			||||||
-0700</guid>
 | 
					 | 
				
			||||||
      <pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate>
 | 
					 | 
				
			||||||
      <description>
 | 
					 | 
				
			||||||
        <![CDATA[
 | 
					 | 
				
			||||||
          <h3 id="00058">00058</h3>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p><em>(A week prior)</em></p>
 | 
					 | 
				
			||||||
          <p>The secretary collected the stack of papers that had
 | 
					 | 
				
			||||||
          accumulated at one corner of the desk. “This might help,” she
 | 
					 | 
				
			||||||
          said, setting down a bundle of herbs with white and pink
 | 
					 | 
				
			||||||
          flowers in place of the papers.</p>
 | 
					 | 
				
			||||||
          <p>Inky stared at the blooms, hands stilled over the owl’s
 | 
					 | 
				
			||||||
          plumage. “Oh! Thanks. Good thinking, really. It’ll help make
 | 
					 | 
				
			||||||
          the stench more bearable when they find the remains.”</p>
 | 
					 | 
				
			||||||
          <p>The grey elf was confused for a moment, then mortified as
 | 
					 | 
				
			||||||
          the words sank in. “That’s not what I meant! It’s for the
 | 
					 | 
				
			||||||
          circle,” she clarified.</p>
 | 
					 | 
				
			||||||
          <p>Seeing the imp’s preoccupied nod, she coughed lightly to
 | 
					 | 
				
			||||||
          regain their attention, then spoke in a hushed voice.
 | 
					 | 
				
			||||||
          “Beaker’s associates have picked up the empanada shop
 | 
					 | 
				
			||||||
          proprietor and transported him to an undisclosed location.
 | 
					 | 
				
			||||||
          There will be a retinue with him at all times.”</p>
 | 
					 | 
				
			||||||
          <p>Inky seemed to visibly pull themselves back to the room
 | 
					 | 
				
			||||||
          before responding, “Thank you, Salvia. One more thing — if I
 | 
					 | 
				
			||||||
          do not return by the indicated time, please activate the
 | 
					 | 
				
			||||||
          hitsuzen protocol. As precaution.”</p>
 | 
					 | 
				
			||||||
          <p>The secretary looked at Inky in concern. “Is everything all
 | 
					 | 
				
			||||||
          right? If you’re still troubled by the hotelier, accidents
 | 
					 | 
				
			||||||
          happen. A single incident—”</p>
 | 
					 | 
				
			||||||
          <p>“Third. An unidentified man was attacked at the docks. He
 | 
					 | 
				
			||||||
          was probably sent to investigate the melon vendor. One of the
 | 
					 | 
				
			||||||
          other stall owners heard him asking questions shortly after
 | 
					 | 
				
			||||||
          the melon vendor disappeared.”</p>
 | 
					 | 
				
			||||||
          <p>Salvia’s violet eyes narrowed. “What, the fruit vendor?
 | 
					 | 
				
			||||||
          Didn’t the tabloids say it was an accident? He tried to get
 | 
					 | 
				
			||||||
          rid of a neighbor’s nest of snakes.”</p>
 | 
					 | 
				
			||||||
          <p>Inky only raised an eyebrow at her.</p>
 | 
					 | 
				
			||||||
          <p>The secretary let out a low curse. “You didn’t tell her.
 | 
					 | 
				
			||||||
          You didn’t want her to worry,” she said aloud in realization.
 | 
					 | 
				
			||||||
          She sighed. “She’s going to be pretty angry with you when she
 | 
					 | 
				
			||||||
          finds out, you know.”</p>
 | 
					 | 
				
			||||||
          <p>Inky offered her a sardonic smile. “Making people angry is
 | 
					 | 
				
			||||||
          my job. You of all people know this well. In the event of my
 | 
					 | 
				
			||||||
          timely demise I’m sure the others would find it cause for a
 | 
					 | 
				
			||||||
          grand celebration.” They replied matter-of-factly before
 | 
					 | 
				
			||||||
          returning to smoothing the feathers of one bird wing.</p>
 | 
					 | 
				
			||||||
          <p>Salvia shook her head vehemently. “That’s not true. You’ll
 | 
					 | 
				
			||||||
          make it back, Ink. What then—”</p>
 | 
					 | 
				
			||||||
          <p>“Then our fair Lady’s ire would be the least of the
 | 
					 | 
				
			||||||
          problems.”</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>~</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>Alex stared morosely into his cup of coffee. He’d received
 | 
					 | 
				
			||||||
          word of agent 5’s demise that morning, and had been the only
 | 
					 | 
				
			||||||
          thing on his mind since. 5, no Be’tram knew the risks, we all
 | 
					 | 
				
			||||||
          knew the risks defying HQ brought, but to happen so suddenly?
 | 
					 | 
				
			||||||
          He’d snuck down to the wharf once he’d heard, making sure to
 | 
					 | 
				
			||||||
          cover his tracks and dodge any potential witnesses. He even
 | 
					 | 
				
			||||||
          managed to slip past the police cordon they’d setup around the
 | 
					 | 
				
			||||||
          body. What he’d found wasn’t pretty, it looked like Be’Tram
 | 
					 | 
				
			||||||
          had suffered in his final moments. The bruising around his
 | 
					 | 
				
			||||||
          neck pointed to strangulation, with some sort of cloth,
 | 
					 | 
				
			||||||
          perhaps a rope. The bruising was deep, and there wasn’t a cut,
 | 
					 | 
				
			||||||
          burn, shot or something of the likes on his otherwise.</p>
 | 
					 | 
				
			||||||
          <p>The kill had been intimate.</p>
 | 
					 | 
				
			||||||
          <p>Alex had worked quickly that night, popping Be’Tram’s eye
 | 
					 | 
				
			||||||
          had been hard, but he’d of wanted Alex to have it. Behind his
 | 
					 | 
				
			||||||
          right eye was a recording device, it could only catch the last
 | 
					 | 
				
			||||||
          15m or so of what he had seen, but it would give him a clear
 | 
					 | 
				
			||||||
          look at what had happened. And potentially lead Alex to the
 | 
					 | 
				
			||||||
          killer. Miserable business, but Be’Tram knew it could make a
 | 
					 | 
				
			||||||
          difference.</p>
 | 
					 | 
				
			||||||
          <p>Alex had planted a bomb on the body after he had extracted
 | 
					 | 
				
			||||||
          the eye, and made his way well away from the area before it
 | 
					 | 
				
			||||||
          went off obliterating the remains. A regrettable end for an
 | 
					 | 
				
			||||||
          old friend, but it was too dangerous to leave.</p>
 | 
					 | 
				
			||||||
          <p>And then there was the matter of the zabbix alert, a little
 | 
					 | 
				
			||||||
          purple red critical for the sewer hideout. He’d had time to
 | 
					 | 
				
			||||||
          send out a drone beetle. The smoldering slag that was left was
 | 
					 | 
				
			||||||
          reassuring. Most of the equipment was utterly destroyed, racks
 | 
					 | 
				
			||||||
          upon racks of servers reduced to twisted melted metal. The
 | 
					 | 
				
			||||||
          effectively of the destruction was delightful, in a sick sort
 | 
					 | 
				
			||||||
          of desperate way. Alex felt assured that most if not all of
 | 
					 | 
				
			||||||
          the equipment was useless, but this spelled the end of a
 | 
					 | 
				
			||||||
          valuable listening outpost. And whoever had done it wasn’t
 | 
					 | 
				
			||||||
          part of the slag pile.</p>
 | 
					 | 
				
			||||||
          <p>Alex stood up, his coffee untouched. The cafe around his
 | 
					 | 
				
			||||||
          burbled in quiet excitement. The city had lit up since the
 | 
					 | 
				
			||||||
          Melon vendor’s death. A thousand rumors abounded about it, but
 | 
					 | 
				
			||||||
          none of them held true; some said the city had become
 | 
					 | 
				
			||||||
          dangerous, a crime syndicate had arisen in the neighboring
 | 
					 | 
				
			||||||
          city block another thought, and did you hear about the
 | 
					 | 
				
			||||||
          explosion at the wharf the other night, the city was electric,
 | 
					 | 
				
			||||||
          yet somehow ever so slightly off the pulse of the issue.</p>
 | 
					 | 
				
			||||||
          <p>As Alex stepped away a woman with horn rimmed glasses
 | 
					 | 
				
			||||||
          strode past the table he had just abandoned, deftly pulling
 | 
					 | 
				
			||||||
          the note from beneath the coffee cup, left for her.</p>
 | 
					 | 
				
			||||||
          <pre><code>4 -> 3
 | 
					 | 
				
			||||||
Daylight breaks on the morrow
 | 
					 | 
				
			||||||
The suns rays make chase
 | 
					 | 
				
			||||||
casting soft cloth
 | 
					 | 
				
			||||||
across the nap of nature's neck
 | 
					 | 
				
			||||||
 | 
					 | 
				
			||||||
So, night relents and gives way
 | 
					 | 
				
			||||||
biding time until
 | 
					 | 
				
			||||||
it can rule
 | 
					 | 
				
			||||||
in its own domain</code></pre>
 | 
					 | 
				
			||||||
          <p>For the passerby, it was but a bit of poetry, scribbled
 | 
					 | 
				
			||||||
          carelessly on the back of a napkin in a coffee near the wharf.
 | 
					 | 
				
			||||||
          But for Agent 3 it was a warning, one part notes on Agent 5s
 | 
					 | 
				
			||||||
          demise recovered from his eyecam, one part orders; stay low
 | 
					 | 
				
			||||||
          and we’ll strike these bastards from the shadows, on our
 | 
					 | 
				
			||||||
          terms, on our ground. Similar missives were delivered to
 | 
					 | 
				
			||||||
          Agents 6 & 7. The numbers were dwindling rapidly, even
 | 
					 | 
				
			||||||
          just one agent lost was hard to stomach.</p>
 | 
					 | 
				
			||||||
          <p>Alex hand gripped the pistol in his coat pocket with a
 | 
					 | 
				
			||||||
          white knuckled grip as he stepped from the coffee shop into
 | 
					 | 
				
			||||||
          the city. Whatever was after him, whatever had gotten to
 | 
					 | 
				
			||||||
          Be’Tram, it had better know he was coming, and he’d happily
 | 
					 | 
				
			||||||
          send it straight to hell. HQ be damned, the rules be damned,
 | 
					 | 
				
			||||||
          this little game of cat and mouse had just gotten
 | 
					 | 
				
			||||||
          personal.</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>~</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves
 | 
					 | 
				
			||||||
          in a dark backroom in a secluded corner of an old fish
 | 
					 | 
				
			||||||
          processing plant on the wharf. The accommodations are rough,
 | 
					 | 
				
			||||||
          and the stench is abhorrent, but it’s the best that could be
 | 
					 | 
				
			||||||
          procured in a pinch. And it should provide enough
 | 
					 | 
				
			||||||
          seclusion.</p>
 | 
					 | 
				
			||||||
          <p>The backroom is like that of many factories, high up near
 | 
					 | 
				
			||||||
          the ceiling, a single rusty rickety staircase winds its way
 | 
					 | 
				
			||||||
          along the side of the building for what seems to be 3 flights,
 | 
					 | 
				
			||||||
          before it reaches a metal room with dusty grimy windows, and a
 | 
					 | 
				
			||||||
          single steel door. The windows on the interior overlook the
 | 
					 | 
				
			||||||
          fish processing plant, where rows of belts and machinery stand
 | 
					 | 
				
			||||||
          still, covered in dust and long forgotten blood. You’re glad
 | 
					 | 
				
			||||||
          to know that the factory stopped operating years ago, hygiene
 | 
					 | 
				
			||||||
          is lacking in every sense.</p>
 | 
					 | 
				
			||||||
          <p>Alex stares forlornly out the exterior windows, the sky is
 | 
					 | 
				
			||||||
          a grey overcast, it matches his mood perfectly. He didn’t like
 | 
					 | 
				
			||||||
          what him and Inky were about to do, but they didn’t have much
 | 
					 | 
				
			||||||
          they could do about it. They would be vulnerable for the
 | 
					 | 
				
			||||||
          duration of the ritual. But Agent 7 and Confidence were there
 | 
					 | 
				
			||||||
          to help mitigate that risk. Alex and Agent 7 had taken every
 | 
					 | 
				
			||||||
          precaution they could think of.</p>
 | 
					 | 
				
			||||||
          <p>The plant floor was scattered with booby traps, trip wires,
 | 
					 | 
				
			||||||
          and alarms. The other agents were laying low, but kept drones
 | 
					 | 
				
			||||||
          around the wharf feeding in a network of twtxt data back to
 | 
					 | 
				
			||||||
          Agent 7 for recon. And that was on top of the double barred
 | 
					 | 
				
			||||||
          steel doors, and reinforced glass box they’d chosen as their
 | 
					 | 
				
			||||||
          hide out. Meticulously planned, Alex expected no less from
 | 
					 | 
				
			||||||
          Agent 7.</p>
 | 
					 | 
				
			||||||
          <p>See Marvelo had been at this as long as Alex had, and then
 | 
					 | 
				
			||||||
          some. He was sharp as a tack, with an animal-like third sense
 | 
					 | 
				
			||||||
          that came from years of close calls. He was, simply put, the
 | 
					 | 
				
			||||||
          right man for the job, when that job was keeping your
 | 
					 | 
				
			||||||
          unconscious ass alive.</p>
 | 
					 | 
				
			||||||
          <p>Alex turns away from the window and addresses Inky.
 | 
					 | 
				
			||||||
          “Apologies for the smell, it turns out there’s a strong
 | 
					 | 
				
			||||||
          correlation between disgust and seclusion, but I believe we
 | 
					 | 
				
			||||||
          should at least be safe here. Safer than we would have been
 | 
					 | 
				
			||||||
          back home. I’m ready if you are, as ready as I’ll ever be that
 | 
					 | 
				
			||||||
          is.”</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>The Golden Iris have summoned you to appear at the Harpoon
 | 
					 | 
				
			||||||
          Club this evening. But the Harpoon Club is nowhere to be found
 | 
					 | 
				
			||||||
          on this plane of existence. It won’t appear until a week and a
 | 
					 | 
				
			||||||
          half from now, on the last day of the month.</p>
 | 
					 | 
				
			||||||
          <p>Confidence the Guide has predicted exactly where the
 | 
					 | 
				
			||||||
          Wandering Bazaar will be on that day. With a small bucket of
 | 
					 | 
				
			||||||
          red paint and a large brush, he has drawn a Linking Sigil on
 | 
					 | 
				
			||||||
          the ground at the location. He sits nearby, making sure
 | 
					 | 
				
			||||||
          careless passersby and mischievous kids don’t disturb it, but
 | 
					 | 
				
			||||||
          otherwise letting the sigil absorb the energies of the bustle
 | 
					 | 
				
			||||||
          of shopping and commerce.</p>
 | 
					 | 
				
			||||||
          <p>At the fish market, Marvelo is posted outside. He keeps
 | 
					 | 
				
			||||||
          vigilant watch, alert to every movement and disturbance.</p>
 | 
					 | 
				
			||||||
          <p>And inside, Bread, Inky, Fuko, and Alex are huddled up in
 | 
					 | 
				
			||||||
          the office in the back near the ceiling. They all sit inside a
 | 
					 | 
				
			||||||
          dark circle that has been smudged on the floor with a paste
 | 
					 | 
				
			||||||
          made of ash and salt. Painted on the ground is a second
 | 
					 | 
				
			||||||
          Linking Sigil, connecting this spot to Confidence’s, allowing
 | 
					 | 
				
			||||||
          the energies of the two locations to co-mingle. There is also
 | 
					 | 
				
			||||||
          the Dream Sigil, which will connect this place to the
 | 
					 | 
				
			||||||
          Dreaming.</p>
 | 
					 | 
				
			||||||
          <p>Bread the Host is propped up on some pillows and cushions
 | 
					 | 
				
			||||||
          in the center of the circle, next to the Nyxmaer. The candle
 | 
					 | 
				
			||||||
          is alleged to be made of the flesh and fat of a certain
 | 
					 | 
				
			||||||
          nightmare. Its hand and eye bound in the wax. The Dream Sigil
 | 
					 | 
				
			||||||
          is the door, but the Nyxmaer is the key. The catalyst that
 | 
					 | 
				
			||||||
          will cause all of the otherwise inert metaphysical particles
 | 
					 | 
				
			||||||
          to become volatile and reactive. It is what will allow you to
 | 
					 | 
				
			||||||
          actually pass over and arrive on the shores of the Sea of
 | 
					 | 
				
			||||||
          Dreams.</p>
 | 
					 | 
				
			||||||
          <p>Per the shop witch’s instructions, the Nyxmaer has been
 | 
					 | 
				
			||||||
          placed on a thin, hard tin plate. As the candle burns, the wax
 | 
					 | 
				
			||||||
          will soften and eventually allow the large metal nail in its
 | 
					 | 
				
			||||||
          side to fall. When it strikes the plate, you will awaken,
 | 
					 | 
				
			||||||
          exiting the Dreaming. You expect hours may pass in the realm
 | 
					 | 
				
			||||||
          of sleep. But only about thirty minutes will pass here.</p>
 | 
					 | 
				
			||||||
          <p>Inky and Alex sit inside the circle, near the perimeter,
 | 
					 | 
				
			||||||
          facing Bread in the center. Fuko the owl sits at Inky’s
 | 
					 | 
				
			||||||
          side.</p>
 | 
					 | 
				
			||||||
          <p>It is dim. You are illuminated by mundane, non-magical
 | 
					 | 
				
			||||||
          candles set around the edges of the circle. Outside, a steady
 | 
					 | 
				
			||||||
          rain beats on the roof and the windows of the building. The
 | 
					 | 
				
			||||||
          smell of fish is faint but ever-present. A constant reminder
 | 
					 | 
				
			||||||
          of the small creatures that have left their bodies in a
 | 
					 | 
				
			||||||
          fashion far more permanent and irreversible than the
 | 
					 | 
				
			||||||
          separation of spirit and body you are about to experience. You
 | 
					 | 
				
			||||||
          hope.</p>
 | 
					 | 
				
			||||||
          <p>WHAT DO YOU DO</p>
 | 
					 | 
				
			||||||
          <ul>
 | 
					 | 
				
			||||||
          <li><p>How do you induce a deep and powerful slumber in
 | 
					 | 
				
			||||||
          Bread?</p></li>
 | 
					 | 
				
			||||||
          <li><p>What shape or form will you take when you arrive in the
 | 
					 | 
				
			||||||
          Dreaming?</p></li>
 | 
					 | 
				
			||||||
          <li><p>What are you secretly worried or hopeful about being
 | 
					 | 
				
			||||||
          exposed in the dreamland, the realm of metaphor?</p></li>
 | 
					 | 
				
			||||||
          </ul>
 | 
					 | 
				
			||||||
        ]]>
 | 
					 | 
				
			||||||
      </description>
 | 
					 | 
				
			||||||
    </item>
 | 
					 | 
				
			||||||
    <item>
 | 
					    <item>
 | 
				
			||||||
      <title>54</title>
 | 
					      <title>54</title>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
 | 
				
			|||||||
@ -320,6 +320,7 @@ Master</a></li>
 | 
				
			|||||||
<li><a href="#00057" id="toc-00057">00057</a></li>
 | 
					<li><a href="#00057" id="toc-00057">00057</a></li>
 | 
				
			||||||
<li><a href="#00058" id="toc-00058">00058</a></li>
 | 
					<li><a href="#00058" id="toc-00058">00058</a></li>
 | 
				
			||||||
<li><a href="#00059" id="toc-00059">00059</a></li>
 | 
					<li><a href="#00059" id="toc-00059">00059</a></li>
 | 
				
			||||||
 | 
					<li><a href="#00060" id="toc-00060">00060</a></li>
 | 
				
			||||||
</ul></li>
 | 
					</ul></li>
 | 
				
			||||||
<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
 | 
					<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
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<li><a href="#geography" id="toc-geography">Geography</a></li>
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					<li><a href="#geography" id="toc-geography">Geography</a></li>
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@ -359,11 +360,11 @@ Teale</a></li>
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</ul>
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					</ul>
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</nav>
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					</nav>
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<h2 id="stats">Stats</h2>
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					<h2 id="stats">Stats</h2>
 | 
				
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<p>Total length: 78449 words / 335 minute read. (Mind you, that’s the
 | 
					<p>Total length: 79062 words / 337 minute read. (Mind you, that’s the
 | 
				
			||||||
length of this entire page, including all the extra bits and bobs. Not
 | 
					length of this entire page, including all the extra bits and bobs. Not
 | 
				
			||||||
just the story.)</p>
 | 
					just the story.)</p>
 | 
				
			||||||
<p>There have been 210 messages posted over 202 days since the first
 | 
					<p>There have been 213 messages posted over 208 days since the first
 | 
				
			||||||
post on July 13, 2022 for a daily post rate of 1.03.</p>
 | 
					post on July 13, 2022 for a daily post rate of 1.02.</p>
 | 
				
			||||||
<h2 id="about">About</h2>
 | 
					<h2 id="about">About</h2>
 | 
				
			||||||
<p>This is a game that me and the kids in the basement are playing over
 | 
					<p>This is a game that me and the kids in the basement are playing over
 | 
				
			||||||
email.</p>
 | 
					email.</p>
 | 
				
			||||||
@ -7114,6 +7115,69 @@ direction.</p>
 | 
				
			|||||||
<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
 | 
					<p>“My acorns!” insists the chipmunk, wringing its hands. “The Red
 | 
				
			||||||
Squirrel has taken them all! Are you going to help me?”</p>
 | 
					Squirrel has taken them all! Are you going to help me?”</p>
 | 
				
			||||||
<p>WHAT DO YOU DO</p>
 | 
					<p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					<h3 id="00060">00060</h3>
 | 
				
			||||||
 | 
					<blockquote>
 | 
				
			||||||
 | 
					<p>Alex takes inventory of himself, this dream world is definitely
 | 
				
			||||||
 | 
					strange, but fortunately its decided to provide him with his impecable
 | 
				
			||||||
 | 
					fashion, trench coat and all. Unfortunately the same can’t be said for
 | 
				
			||||||
 | 
					his roguish good looks, as he’s found himself 6 arms heavier, and a bit
 | 
				
			||||||
 | 
					more octopus-y than he remembers.</p>
 | 
				
			||||||
 | 
					<p>Nontheless this doesn’t appear to be much of an impediment, and he
 | 
				
			||||||
 | 
					promptly moves on with assessing the situation.</p>
 | 
				
			||||||
 | 
					<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are terrible at
 | 
				
			||||||
 | 
					fetching acrons, and at any rate, I have a dreadfully important meeting
 | 
				
			||||||
 | 
					across town.” turning to address Inky, “We need to make a break for it,
 | 
				
			||||||
 | 
					what’d the witch tell you? Envision our goal or something? This is
 | 
				
			||||||
 | 
					really a little outside of my realm of mechanical magic expertise..
 | 
				
			||||||
 | 
					unless..”</p>
 | 
				
			||||||
 | 
					<p>Alex makes a gesture with his tentacles in the area and a terminal
 | 
				
			||||||
 | 
					prompt appears before him. His tentacles work at blinding speed at the
 | 
				
			||||||
 | 
					digital window, a quick bypass there, a root access escalation
 | 
				
			||||||
 | 
					there.</p>
 | 
				
			||||||
 | 
					<p>“Looks like this whole place runs on Linux, it’s an older kernel,
 | 
				
			||||||
 | 
					about 2.6 or so, but it checks out. Easy to exploit as needed. Here I’m
 | 
				
			||||||
 | 
					giving us sudo access, should we need it.”</p>
 | 
				
			||||||
 | 
					<p>“Oh and squirrel, here’s your acorns”</p>
 | 
				
			||||||
 | 
					<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
 | 
				
			||||||
 | 
					</blockquote>
 | 
				
			||||||
 | 
					<p>It takes Alectopus a couple tries, but he gets it. First he corrects
 | 
				
			||||||
 | 
					‘acron’ to ‘acorn’. Then he moves all the acorns to the
 | 
				
			||||||
 | 
					<em>chipmunk</em> instead of to the squirrel.</p>
 | 
				
			||||||
 | 
					<p>Hundreds of acorns appear at the chipmunk’s feet. It squeals in
 | 
				
			||||||
 | 
					delight.</p>
 | 
				
			||||||
 | 
					<p>In the distance, far below you, you hear the anguished yell of what
 | 
				
			||||||
 | 
					can only be a Red Squirrel whose giant stash of acorns has just
 | 
				
			||||||
 | 
					vanished.</p>
 | 
				
			||||||
 | 
					<p>The chipmunk rubs its hands together gleefully and starts scooping up
 | 
				
			||||||
 | 
					acorns by the armful and shoving them into its mouth by the dozen. “Oh,
 | 
				
			||||||
 | 
					thank you! Thank you! Thank you!” it says around a mouthful of nuts.
 | 
				
			||||||
 | 
					“Here…” It tosses you a large square silver coin with a round hole
 | 
				
			||||||
 | 
					drilled in the center. On one side is the number twenty-one next to a
 | 
				
			||||||
 | 
					picture of a curved, short-handled sickle. On the other side is the
 | 
				
			||||||
 | 
					number five and a picture of a flail.</p>
 | 
				
			||||||
 | 
					<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all I have,”
 | 
				
			||||||
 | 
					it apologizes as it scampers off, no doubt to hide its nuts. Hopefully
 | 
				
			||||||
 | 
					somewhere more secure this time.</p>
 | 
				
			||||||
 | 
					<p>If you hold the coin up to your eye and peer through the hole, you
 | 
				
			||||||
 | 
					see the dreamscape before you as though looking through a cloudy film.
 | 
				
			||||||
 | 
					All the same stuff is there, but it’s hazy and shadowy.</p>
 | 
				
			||||||
 | 
					<p>Standing a fair distance from you on the branch, just out of hailing
 | 
				
			||||||
 | 
					distance, is a tall figure cloaked in black robes. Dark shadows pool
 | 
				
			||||||
 | 
					restlessly around its feet. Occasionally the shadows leap up and take
 | 
				
			||||||
 | 
					the form of demons the like of which words cannot describe, before
 | 
				
			||||||
 | 
					falling and returning to shadow once more. The figure wears a large
 | 
				
			||||||
 | 
					spherical helmet of obsidian-like glass. You can see constant flashes of
 | 
				
			||||||
 | 
					a rainbow of colors crackle and splinter along the inside of the helmet
 | 
				
			||||||
 | 
					like lightning, but illuminating nothing within. You feel sickened at
 | 
				
			||||||
 | 
					the sight, but at the edge of your mind you feels a tug, a familiarity.
 | 
				
			||||||
 | 
					Something about this character is familiar to you, but you cannot place
 | 
				
			||||||
 | 
					it.</p>
 | 
				
			||||||
 | 
					<p>When you lower the coin, the figure and the dark landscape both
 | 
				
			||||||
 | 
					disappear. When you raise it again, the distorted landscape reappears
 | 
				
			||||||
 | 
					but the figure is gone.</p>
 | 
				
			||||||
 | 
					<p>You notice a pair of large ravens watching you rather intently from
 | 
				
			||||||
 | 
					the branches below.</p>
 | 
				
			||||||
 | 
					<p>WHAT DO YOU DO</p>
 | 
				
			||||||
<h2 id="bestiary">Bestiary</h2>
 | 
					<h2 id="bestiary">Bestiary</h2>
 | 
				
			||||||
<p>Some of the creatures who inhabit the world of Basmentaria</p>
 | 
					<p>Some of the creatures who inhabit the world of Basmentaria</p>
 | 
				
			||||||
<dt>
 | 
					<dt>
 | 
				
			||||||
 | 
				
			|||||||
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