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|  | src/epistolary/00058.md | ||||||
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|  | --- | ||||||
|  | title: 00058 | ||||||
|  | created: Sat, 21 Jan 2023 16:24:45 -0700 | ||||||
|  | updated: Sun, 29 Jan 2023 11:02:32 -0700 | ||||||
|  | public: yes | ||||||
|  | syndicated: yes | ||||||
|  | --- | ||||||
|  | ### 00058 {#00058} | ||||||
|  | 
 | ||||||
|  | > *(A week prior)* | ||||||
|  | >  | ||||||
|  | > The secretary collected the stack of papers that had accumulated at | ||||||
|  | > one corner of the desk. "This might help," she said, setting down a | ||||||
|  | > bundle of herbs with white and pink flowers in place of the papers. | ||||||
|  | >  | ||||||
|  | > Inky stared at the blooms, hands stilled over the owl's plumage. | ||||||
|  | > "Oh! Thanks. Good thinking, really. It'll help make the stench more | ||||||
|  | > bearable when they find the remains." | ||||||
|  | >  | ||||||
|  | > The grey elf was confused for a moment, then mortified as the words | ||||||
|  | > sank in. "That's not what I meant! It's for the circle," she | ||||||
|  | > clarified. | ||||||
|  | >  | ||||||
|  | > Seeing the imp's preoccupied nod, she coughed lightly to regain | ||||||
|  | > their attention, then spoke in a hushed voice. "Beaker's associates | ||||||
|  | > have picked up the empanada shop proprietor and transported him to | ||||||
|  | > an undisclosed location. There will be a retinue with him at all | ||||||
|  | > times." | ||||||
|  | >  | ||||||
|  | > Inky seemed to visibly pull themselves back to the room before | ||||||
|  | > responding, "Thank you, Salvia. One more thing — if I do not return | ||||||
|  | > by the indicated time, please activate the hitsuzen protocol. As | ||||||
|  | > precaution." | ||||||
|  | >  | ||||||
|  | > The secretary looked at Inky in concern. "Is everything all right? | ||||||
|  | > If you're still troubled by the hotelier, accidents happen. A | ||||||
|  | > single incident—" | ||||||
|  | >  | ||||||
|  | > "Third. An unidentified man was attacked at the docks. He was | ||||||
|  | > probably sent to investigate the melon vendor. One of the other | ||||||
|  | > stall owners heard him asking questions shortly after the melon | ||||||
|  | > vendor disappeared." | ||||||
|  | >  | ||||||
|  | > Salvia's violet eyes narrowed. "What, the fruit vendor? Didn't the | ||||||
|  | > tabloids say it was an accident? He tried to get rid of a | ||||||
|  | > neighbor's nest of snakes." | ||||||
|  | >  | ||||||
|  | > Inky only raised an eyebrow at her. | ||||||
|  | >  | ||||||
|  | > The secretary let out a low curse. "You didn't tell her. You didn't | ||||||
|  | > want her to worry," she said aloud in realization. She sighed. | ||||||
|  | > "She's going to be pretty angry with you when she finds out, you | ||||||
|  | > know." | ||||||
|  | >  | ||||||
|  | > Inky offered her a sardonic smile. "Making people angry is my job. | ||||||
|  | > You of all people know this well. In the event of my timely demise | ||||||
|  | > I'm sure the others would find it cause for a grand celebration." | ||||||
|  | > They replied matter-of-factly before returning to smoothing the | ||||||
|  | > feathers of one bird wing. | ||||||
|  | >  | ||||||
|  | > Salvia shook her head vehemently. "That's not true. You'll make it | ||||||
|  | > back, Ink. What then—" | ||||||
|  | >  | ||||||
|  | > "Then our fair Lady's ire would be the least of the problems." | ||||||
|  | 
 | ||||||
|  | ~ | ||||||
|  | 
 | ||||||
|  | > Alex stared morosely into his cup of coffee. He'd received word of | ||||||
|  | > agent 5's demise that morning, and had been the only thing on his | ||||||
|  | > mind since. 5, no Be'tram knew the risks, we all knew the risks | ||||||
|  | > defying HQ brought, but to happen so suddenly? He'd snuck down to | ||||||
|  | > the wharf once he'd heard, making sure to cover his tracks and | ||||||
|  | > dodge any potential witnesses. He even managed to slip past the | ||||||
|  | > police cordon they'd setup around the body. What he'd found wasn't | ||||||
|  | > pretty, it looked like Be'Tram had suffered in his final moments. | ||||||
|  | > The bruising around his neck pointed to strangulation, with some | ||||||
|  | > sort of cloth, perhaps a rope. The bruising was deep, and there | ||||||
|  | > wasn't a cut, burn, shot or something of the likes on his | ||||||
|  | > otherwise. | ||||||
|  | >  | ||||||
|  | > The kill had been intimate. | ||||||
|  | >  | ||||||
|  | > Alex had worked quickly that night, popping Be'Tram's eye had been | ||||||
|  | > hard, but he'd of wanted Alex to have it. Behind his right eye was | ||||||
|  | > a recording device, it could only catch the last 15m or so of what | ||||||
|  | > he had seen, but it would give him a clear look at what had | ||||||
|  | > happened. And potentially lead Alex to the killer. Miserable | ||||||
|  | > business, but Be'Tram knew it could make a difference. | ||||||
|  | >  | ||||||
|  | > Alex had planted a bomb on the body after he had extracted the eye, | ||||||
|  | > and made his way well away from the area before it went off | ||||||
|  | > obliterating the remains. A regrettable end for an old friend, but it | ||||||
|  | > was too dangerous to leave. | ||||||
|  | >  | ||||||
|  | > And then there was the matter of the zabbix alert, a little purple | ||||||
|  | > red critical for the sewer hideout. He'd had time to send out a | ||||||
|  | > drone beetle. The smoldering slag that was left was reassuring. | ||||||
|  | > Most of the equipment was utterly destroyed, racks upon racks of | ||||||
|  | > servers reduced to twisted melted metal. The effectively of the | ||||||
|  | > destruction was delightful, in a sick sort of desperate way. Alex | ||||||
|  | > felt assured that most if not all of the equipment was useless, but | ||||||
|  | > this spelled the end of a valuable listening outpost. And whoever | ||||||
|  | > had done it wasn't part of the slag pile. | ||||||
|  | >  | ||||||
|  | > Alex stood up, his coffee untouched. The cafe around his burbled in | ||||||
|  | > quiet excitement. The city had lit up since the Melon vendor's | ||||||
|  | > death. A thousand rumors abounded about it, but none of them held | ||||||
|  | > true; some said the city had become dangerous, a crime syndicate | ||||||
|  | > had arisen in the neighboring city block another thought, and did | ||||||
|  | > you hear about the explosion at the wharf the other night, the city | ||||||
|  | > was electric, yet somehow ever so slightly off the pulse of the | ||||||
|  | > issue. | ||||||
|  | >  | ||||||
|  | > As Alex stepped away a woman with horn rimmed glasses strode past | ||||||
|  | > the table he had just abandoned, deftly pulling the note from | ||||||
|  | > beneath the coffee cup, left for her. | ||||||
|  | >  | ||||||
|  | > ``` | ||||||
|  | > 4 -> 3 | ||||||
|  | > Daylight breaks on the morrow | ||||||
|  | > The suns rays make chase | ||||||
|  | > casting soft cloth | ||||||
|  | > across the nap of nature's neck | ||||||
|  | >  | ||||||
|  | > So, night relents and gives way | ||||||
|  | > biding time until | ||||||
|  | > it can rule | ||||||
|  | > in its own domain | ||||||
|  | > ``` | ||||||
|  | >  | ||||||
|  | > For the passerby, it was but a bit of poetry, scribbled carelessly | ||||||
|  | > on the back of a napkin in a coffee near the wharf. But for Agent 3 | ||||||
|  | > it was a warning, one part notes on Agent 5s demise recovered from | ||||||
|  | > his eyecam, one part orders; stay low and we'll strike these | ||||||
|  | > bastards from the shadows, on our terms, on our ground. Similar | ||||||
|  | > missives were delivered to Agents 6 & 7. The numbers were | ||||||
|  | > dwindling rapidly, even just one agent lost was hard to stomach. | ||||||
|  | >  | ||||||
|  | > Alex hand gripped the pistol in his coat pocket with a white | ||||||
|  | > knuckled grip as he stepped from the coffee shop into the city. | ||||||
|  | > Whatever was after him, whatever had gotten to Be'Tram, it had | ||||||
|  | > better know he was coming, and he'd happily send it straight to | ||||||
|  | > hell. HQ be damned, the rules be damned, this little game of cat | ||||||
|  | > and mouse had just gotten personal. | ||||||
|  | 
 | ||||||
|  | ~ | ||||||
|  | 
 | ||||||
|  | > Alex, Inky, Confidence, Bread, and Agent 7 find themselves in a | ||||||
|  | > dark backroom in a secluded corner of an old fish processing plant | ||||||
|  | > on the wharf. The accommodations are rough, and the stench is | ||||||
|  | > abhorrent, but it's the best that could be procured in a pinch. And | ||||||
|  | > it should provide enough seclusion. | ||||||
|  | >  | ||||||
|  | > The backroom is like that of many factories, high up near the | ||||||
|  | > ceiling, a single rusty rickety staircase winds its way along the | ||||||
|  | > side of the building for what seems to be 3 flights, before it | ||||||
|  | > reaches a metal room with dusty grimy windows, and a single | ||||||
|  | > steel door. The windows on the interior overlook the fish | ||||||
|  | > processing plant, where rows of belts and machinery stand still, | ||||||
|  | > covered in dust and long forgotten blood. You're glad to know that | ||||||
|  | > the factory stopped operating years ago, hygiene is lacking in every | ||||||
|  | > sense. | ||||||
|  | >  | ||||||
|  | > Alex stares forlornly out the exterior windows, the sky is a grey | ||||||
|  | > overcast, it matches his mood perfectly. He didn't like what him | ||||||
|  | > and Inky were about to do, but they didn't have much they could do | ||||||
|  | > about it. They would be vulnerable for the duration of the ritual. | ||||||
|  | > But Agent 7 and Confidence were there to help mitigate that risk. | ||||||
|  | > Alex and Agent 7 had taken every precaution they could think of. | ||||||
|  | >  | ||||||
|  | > The plant floor was scattered with booby traps, trip wires, and | ||||||
|  | > alarms. The other agents were laying low, but kept drones around | ||||||
|  | > the wharf feeding in a network of twtxt data back to Agent 7 for | ||||||
|  | > recon. And that was on top of the double barred steel doors, and | ||||||
|  | > reinforced glass box they'd chosen as their hide out. Meticulously | ||||||
|  | > planned, Alex expected no less from Agent 7. | ||||||
|  | >  | ||||||
|  | > See Marvelo had been at this as long as Alex had, and then some. He | ||||||
|  | > was sharp as a tack, with an animal-like third sense that came from | ||||||
|  | > years of close calls. He was, simply put, the right man for the | ||||||
|  | > job, when that job was keeping your unconscious ass alive. | ||||||
|  | >  | ||||||
|  | > Alex turns away from the window and addresses Inky. "Apologies for | ||||||
|  | > the smell, it turns out there's a strong correlation between | ||||||
|  | > disgust and seclusion, but I believe we should at least be safe | ||||||
|  | > here. Safer than we would have been back home. I'm ready if you | ||||||
|  | > are, as ready as I'll ever be that is."  | ||||||
|  | 
 | ||||||
|  | The Golden Iris have summoned you to appear at the Harpoon Club this | ||||||
|  | evening. But the Harpoon Club is nowhere to be found on this plane of | ||||||
|  | existence. It won't appear until a week and a half from now, on the | ||||||
|  | last day of the month. | ||||||
|  | 
 | ||||||
|  | Confidence the Guide has predicted exactly where the Wandering Bazaar | ||||||
|  | will be on that day. With a small bucket of red paint and a large | ||||||
|  | brush, he has drawn a Linking Sigil on the ground at the location. He | ||||||
|  | sits nearby, making sure careless passersby and mischievous kids | ||||||
|  | don't disturb it, but otherwise letting the sigil absorb the energies | ||||||
|  | of the bustle of shopping and commerce. | ||||||
|  | 
 | ||||||
|  | At the fish market, Marvelo is posted outside. He keeps vigilant | ||||||
|  | watch, alert to every movement and disturbance. | ||||||
|  | 
 | ||||||
|  | And inside, Bread, Inky, Fuko, and Alex are huddled up in the office | ||||||
|  | in the back near the ceiling. They all sit inside a dark circle that | ||||||
|  | has been smudged on the floor with a paste made of ash and salt. | ||||||
|  | Painted on the ground is a second Linking Sigil, connecting this spot | ||||||
|  | to Confidence's, allowing the energies of the two locations to | ||||||
|  | co-mingle. There is also the Dream Sigil, which will connect this | ||||||
|  | place to the Dreaming. | ||||||
|  | 
 | ||||||
|  | Bread the Host is propped up on some pillows and cushions in the | ||||||
|  | center of the circle, next to the Nyxmaer. The candle is alleged to | ||||||
|  | be made of the flesh and fat of a certain nightmare. Its hand and eye | ||||||
|  | bound in the wax. The Dream Sigil is the door, but the Nyxmaer is the | ||||||
|  | key. The catalyst that will cause all of the otherwise inert | ||||||
|  | metaphysical particles to become volatile and reactive. It is what | ||||||
|  | will allow you to actually pass over and arrive on the shores of the | ||||||
|  | Sea of Dreams. | ||||||
|  | 
 | ||||||
|  | Per the shop witch's instructions, the Nyxmaer has been placed on a | ||||||
|  | thin, hard tin plate. As the candle burns, the wax will soften and | ||||||
|  | eventually allow the large metal nail in its side to fall. When it | ||||||
|  | strikes the plate, you will awaken, exiting the Dreaming. You expect | ||||||
|  | hours may pass in the realm of sleep. But only about thirty minutes | ||||||
|  | will pass here. | ||||||
|  | 
 | ||||||
|  | Inky and Alex sit inside the circle, near the perimeter, facing Bread | ||||||
|  | in the center. Fuko the owl sits at Inky's side. | ||||||
|  | 
 | ||||||
|  | It is dim. You are illuminated by mundane, non-magical candles set | ||||||
|  | around the edges of the circle. Outside, a steady rain beats on the | ||||||
|  | roof and the windows of the building. The smell of fish is faint but | ||||||
|  | ever-present. A constant reminder of the small creatures that have | ||||||
|  | left their bodies in a fashion far more permanent and irreversible | ||||||
|  | than the separation of spirit and body you are about to experience. | ||||||
|  | You hope. | ||||||
|  | 
 | ||||||
|  | WHAT DO YOU DO | ||||||
|  | 
 | ||||||
|  | - How do you induce a deep and powerful slumber in Bread? | ||||||
|  | 
 | ||||||
|  | - What shape or form will you take when you arrive in the Dreaming? | ||||||
|  | 
 | ||||||
|  | - What are you secretly worried or hopeful about being exposed in the | ||||||
|  |   dreamland, the realm of metaphor? | ||||||
| @ -9,7 +9,8 @@ updated: Sun, 27 Nov 2022 02:24:11 -0700 | |||||||
| <summary>SPOILERS!!</summary> | <summary>SPOILERS!!</summary> | ||||||
| **THREADS** | **THREADS** | ||||||
| 
 | 
 | ||||||
| - scissormen, huskies, dreamforms, gliftwirp the warpwefter | - kasutva, noodle head | ||||||
|  | - scissormen, huskies, dreamforms, gliftwirp the warpwefter, Ephermeris | ||||||
| - Lady in Red ??? Tess, Piskin, Salvia ; Beaker (and Cio) trailing the BANDits? | - Lady in Red ??? Tess, Piskin, Salvia ; Beaker (and Cio) trailing the BANDits? | ||||||
| - Benefactor wants Crystals to kill a god | - Benefactor wants Crystals to kill a god | ||||||
| - Golden Iris wants Crystals to make a new god | - Golden Iris wants Crystals to make a new god | ||||||
|  | |||||||
							
								
								
									
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							| @ -318,6 +318,7 @@ Master</a></li> | |||||||
| <li><a href="#00055" id="toc-00055">00055</a></li> | <li><a href="#00055" id="toc-00055">00055</a></li> | ||||||
| <li><a href="#00056" id="toc-00056">00056</a></li> | <li><a href="#00056" id="toc-00056">00056</a></li> | ||||||
| <li><a href="#00057" id="toc-00057">00057</a></li> | <li><a href="#00057" id="toc-00057">00057</a></li> | ||||||
|  | <li><a href="#00058" id="toc-00058">00058</a></li> | ||||||
| </ul></li> | </ul></li> | ||||||
| <li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li> | <li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li> | ||||||
| <li><a href="#geography" id="toc-geography">Geography</a></li> | <li><a href="#geography" id="toc-geography">Geography</a></li> | ||||||
| @ -354,11 +355,11 @@ Teale</a></li> | |||||||
| </ul> | </ul> | ||||||
| </nav> | </nav> | ||||||
| <h2 id="stats">Stats</h2> | <h2 id="stats">Stats</h2> | ||||||
| <p>Total length: 75661 words / 323 minute read. (Mind you, that’s the | <p>Total length: 77599 words / 331 minute read. (Mind you, that’s the | ||||||
| length of this entire page, including all the extra bits and bobs. Not | length of this entire page, including all the extra bits and bobs. Not | ||||||
| just the story.)</p> | just the story.)</p> | ||||||
| <p>There have been 202 messages posted over 192 days since the first | <p>There have been 206 messages posted over 200 days since the first | ||||||
| post on July 13, 2022 for a daily post rate of 1.05.</p> | post on July 13, 2022 for a daily post rate of 1.03.</p> | ||||||
| <h2 id="about">About</h2> | <h2 id="about">About</h2> | ||||||
| <p>This is a game that me and the kids in the basement are playing over | <p>This is a game that me and the kids in the basement are playing over | ||||||
| email.</p> | email.</p> | ||||||
| @ -6836,6 +6837,202 @@ squinting into the fire. “Let’s see what we can salvage here.”</p> | |||||||
| <li>The time of the ritual is at hand.</li> | <li>The time of the ritual is at hand.</li> | ||||||
| <li>What final preparations do you make before entering Dreamspace?</li> | <li>What final preparations do you make before entering Dreamspace?</li> | ||||||
| </ul> | </ul> | ||||||
|  | <h3 id="00058">00058</h3> | ||||||
|  | <blockquote> | ||||||
|  | <p><em>(A week prior)</em></p> | ||||||
|  | <p>The secretary collected the stack of papers that had accumulated at | ||||||
|  | one corner of the desk. “This might help,” she said, setting down a | ||||||
|  | bundle of herbs with white and pink flowers in place of the papers.</p> | ||||||
|  | <p>Inky stared at the blooms, hands stilled over the owl’s plumage. “Oh! | ||||||
|  | Thanks. Good thinking, really. It’ll help make the stench more bearable | ||||||
|  | when they find the remains.”</p> | ||||||
|  | <p>The grey elf was confused for a moment, then mortified as the words | ||||||
|  | sank in. “That’s not what I meant! It’s for the circle,” she | ||||||
|  | clarified.</p> | ||||||
|  | <p>Seeing the imp’s preoccupied nod, she coughed lightly to regain their | ||||||
|  | attention, then spoke in a hushed voice. “Beaker’s associates have | ||||||
|  | picked up the empanada shop proprietor and transported him to an | ||||||
|  | undisclosed location. There will be a retinue with him at all | ||||||
|  | times.”</p> | ||||||
|  | <p>Inky seemed to visibly pull themselves back to the room before | ||||||
|  | responding, “Thank you, Salvia. One more thing — if I do not return by | ||||||
|  | the indicated time, please activate the hitsuzen protocol. As | ||||||
|  | precaution.”</p> | ||||||
|  | <p>The secretary looked at Inky in concern. “Is everything all right? If | ||||||
|  | you’re still troubled by the hotelier, accidents happen. A single | ||||||
|  | incident—”</p> | ||||||
|  | <p>“Third. An unidentified man was attacked at the docks. He was | ||||||
|  | probably sent to investigate the melon vendor. One of the other stall | ||||||
|  | owners heard him asking questions shortly after the melon vendor | ||||||
|  | disappeared.”</p> | ||||||
|  | <p>Salvia’s violet eyes narrowed. “What, the fruit vendor? Didn’t the | ||||||
|  | tabloids say it was an accident? He tried to get rid of a neighbor’s | ||||||
|  | nest of snakes.”</p> | ||||||
|  | <p>Inky only raised an eyebrow at her.</p> | ||||||
|  | <p>The secretary let out a low curse. “You didn’t tell her. You didn’t | ||||||
|  | want her to worry,” she said aloud in realization. She sighed. “She’s | ||||||
|  | going to be pretty angry with you when she finds out, you know.”</p> | ||||||
|  | <p>Inky offered her a sardonic smile. “Making people angry is my job. | ||||||
|  | You of all people know this well. In the event of my timely demise I’m | ||||||
|  | sure the others would find it cause for a grand celebration.” They | ||||||
|  | replied matter-of-factly before returning to smoothing the feathers of | ||||||
|  | one bird wing.</p> | ||||||
|  | <p>Salvia shook her head vehemently. “That’s not true. You’ll make it | ||||||
|  | back, Ink. What then—”</p> | ||||||
|  | <p>“Then our fair Lady’s ire would be the least of the problems.”</p> | ||||||
|  | </blockquote> | ||||||
|  | <p>~</p> | ||||||
|  | <blockquote> | ||||||
|  | <p>Alex stared morosely into his cup of coffee. He’d received word of | ||||||
|  | agent 5’s demise that morning, and had been the only thing on his mind | ||||||
|  | since. 5, no Be’tram knew the risks, we all knew the risks defying HQ | ||||||
|  | brought, but to happen so suddenly? He’d snuck down to the wharf once | ||||||
|  | he’d heard, making sure to cover his tracks and dodge any potential | ||||||
|  | witnesses. He even managed to slip past the police cordon they’d setup | ||||||
|  | around the body. What he’d found wasn’t pretty, it looked like Be’Tram | ||||||
|  | had suffered in his final moments. The bruising around his neck pointed | ||||||
|  | to strangulation, with some sort of cloth, perhaps a rope. The bruising | ||||||
|  | was deep, and there wasn’t a cut, burn, shot or something of the likes | ||||||
|  | on his otherwise.</p> | ||||||
|  | <p>The kill had been intimate.</p> | ||||||
|  | <p>Alex had worked quickly that night, popping Be’Tram’s eye had been | ||||||
|  | hard, but he’d of wanted Alex to have it. Behind his right eye was a | ||||||
|  | recording device, it could only catch the last 15m or so of what he had | ||||||
|  | seen, but it would give him a clear look at what had happened. And | ||||||
|  | potentially lead Alex to the killer. Miserable business, but Be’Tram | ||||||
|  | knew it could make a difference.</p> | ||||||
|  | <p>Alex had planted a bomb on the body after he had extracted the eye, | ||||||
|  | and made his way well away from the area before it went off obliterating | ||||||
|  | the remains. A regrettable end for an old friend, but it was too | ||||||
|  | dangerous to leave.</p> | ||||||
|  | <p>And then there was the matter of the zabbix alert, a little purple | ||||||
|  | red critical for the sewer hideout. He’d had time to send out a drone | ||||||
|  | beetle. The smoldering slag that was left was reassuring. Most of the | ||||||
|  | equipment was utterly destroyed, racks upon racks of servers reduced to | ||||||
|  | twisted melted metal. The effectively of the destruction was delightful, | ||||||
|  | in a sick sort of desperate way. Alex felt assured that most if not all | ||||||
|  | of the equipment was useless, but this spelled the end of a valuable | ||||||
|  | listening outpost. And whoever had done it wasn’t part of the slag | ||||||
|  | pile.</p> | ||||||
|  | <p>Alex stood up, his coffee untouched. The cafe around his burbled in | ||||||
|  | quiet excitement. The city had lit up since the Melon vendor’s death. A | ||||||
|  | thousand rumors abounded about it, but none of them held true; some said | ||||||
|  | the city had become dangerous, a crime syndicate had arisen in the | ||||||
|  | neighboring city block another thought, and did you hear about the | ||||||
|  | explosion at the wharf the other night, the city was electric, yet | ||||||
|  | somehow ever so slightly off the pulse of the issue.</p> | ||||||
|  | <p>As Alex stepped away a woman with horn rimmed glasses strode past the | ||||||
|  | table he had just abandoned, deftly pulling the note from beneath the | ||||||
|  | coffee cup, left for her.</p> | ||||||
|  | <pre><code>4 -> 3 | ||||||
|  | Daylight breaks on the morrow | ||||||
|  | The suns rays make chase | ||||||
|  | casting soft cloth | ||||||
|  | across the nap of nature's neck | ||||||
|  | 
 | ||||||
|  | So, night relents and gives way | ||||||
|  | biding time until | ||||||
|  | it can rule | ||||||
|  | in its own domain</code></pre> | ||||||
|  | <p>For the passerby, it was but a bit of poetry, scribbled carelessly on | ||||||
|  | the back of a napkin in a coffee near the wharf. But for Agent 3 it was | ||||||
|  | a warning, one part notes on Agent 5s demise recovered from his eyecam, | ||||||
|  | one part orders; stay low and we’ll strike these bastards from the | ||||||
|  | shadows, on our terms, on our ground. Similar missives were delivered to | ||||||
|  | Agents 6 & 7. The numbers were dwindling rapidly, even just one | ||||||
|  | agent lost was hard to stomach.</p> | ||||||
|  | <p>Alex hand gripped the pistol in his coat pocket with a white knuckled | ||||||
|  | grip as he stepped from the coffee shop into the city. Whatever was | ||||||
|  | after him, whatever had gotten to Be’Tram, it had better know he was | ||||||
|  | coming, and he’d happily send it straight to hell. HQ be damned, the | ||||||
|  | rules be damned, this little game of cat and mouse had just gotten | ||||||
|  | personal.</p> | ||||||
|  | </blockquote> | ||||||
|  | <p>~</p> | ||||||
|  | <blockquote> | ||||||
|  | <p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves in a dark | ||||||
|  | backroom in a secluded corner of an old fish processing plant on the | ||||||
|  | wharf. The accommodations are rough, and the stench is abhorrent, but | ||||||
|  | it’s the best that could be procured in a pinch. And it should provide | ||||||
|  | enough seclusion.</p> | ||||||
|  | <p>The backroom is like that of many factories, high up near the | ||||||
|  | ceiling, a single rusty rickety staircase winds its way along the side | ||||||
|  | of the building for what seems to be 3 flights, before it reaches a | ||||||
|  | metal room with dusty grimy windows, and a single steel door. The | ||||||
|  | windows on the interior overlook the fish processing plant, where rows | ||||||
|  | of belts and machinery stand still, covered in dust and long forgotten | ||||||
|  | blood. You’re glad to know that the factory stopped operating years ago, | ||||||
|  | hygiene is lacking in every sense.</p> | ||||||
|  | <p>Alex stares forlornly out the exterior windows, the sky is a grey | ||||||
|  | overcast, it matches his mood perfectly. He didn’t like what him and | ||||||
|  | Inky were about to do, but they didn’t have much they could do about it. | ||||||
|  | They would be vulnerable for the duration of the ritual. But Agent 7 and | ||||||
|  | Confidence were there to help mitigate that risk. Alex and Agent 7 had | ||||||
|  | taken every precaution they could think of.</p> | ||||||
|  | <p>The plant floor was scattered with booby traps, trip wires, and | ||||||
|  | alarms. The other agents were laying low, but kept drones around the | ||||||
|  | wharf feeding in a network of twtxt data back to Agent 7 for recon. And | ||||||
|  | that was on top of the double barred steel doors, and reinforced glass | ||||||
|  | box they’d chosen as their hide out. Meticulously planned, Alex expected | ||||||
|  | no less from Agent 7.</p> | ||||||
|  | <p>See Marvelo had been at this as long as Alex had, and then some. He | ||||||
|  | was sharp as a tack, with an animal-like third sense that came from | ||||||
|  | years of close calls. He was, simply put, the right man for the job, | ||||||
|  | when that job was keeping your unconscious ass alive.</p> | ||||||
|  | <p>Alex turns away from the window and addresses Inky. “Apologies for | ||||||
|  | the smell, it turns out there’s a strong correlation between disgust and | ||||||
|  | seclusion, but I believe we should at least be safe here. Safer than we | ||||||
|  | would have been back home. I’m ready if you are, as ready as I’ll ever | ||||||
|  | be that is.”</p> | ||||||
|  | </blockquote> | ||||||
|  | <p>The Golden Iris have summoned you to appear at the Harpoon Club this | ||||||
|  | evening. But the Harpoon Club is nowhere to be found on this plane of | ||||||
|  | existence. It won’t appear until a week and a half from now, on the last | ||||||
|  | day of the month.</p> | ||||||
|  | <p>Confidence the Guide has predicted exactly where the Wandering Bazaar | ||||||
|  | will be on that day. With a small bucket of red paint and a large brush, | ||||||
|  | he has drawn a Linking Sigil on the ground at the location. He sits | ||||||
|  | nearby, making sure careless passersby and mischievous kids don’t | ||||||
|  | disturb it, but otherwise letting the sigil absorb the energies of the | ||||||
|  | bustle of shopping and commerce.</p> | ||||||
|  | <p>At the fish market, Marvelo is posted outside. He keeps vigilant | ||||||
|  | watch, alert to every movement and disturbance.</p> | ||||||
|  | <p>And inside, Bread, Inky, Fuko, and Alex are huddled up in the office | ||||||
|  | in the back near the ceiling. They all sit inside a dark circle that has | ||||||
|  | been smudged on the floor with a paste made of ash and salt. Painted on | ||||||
|  | the ground is a second Linking Sigil, connecting this spot to | ||||||
|  | Confidence’s, allowing the energies of the two locations to co-mingle. | ||||||
|  | There is also the Dream Sigil, which will connect this place to the | ||||||
|  | Dreaming.</p> | ||||||
|  | <p>Bread the Host is propped up on some pillows and cushions in the | ||||||
|  | center of the circle, next to the Nyxmaer. The candle is alleged to be | ||||||
|  | made of the flesh and fat of a certain nightmare. Its hand and eye bound | ||||||
|  | in the wax. The Dream Sigil is the door, but the Nyxmaer is the key. The | ||||||
|  | catalyst that will cause all of the otherwise inert metaphysical | ||||||
|  | particles to become volatile and reactive. It is what will allow you to | ||||||
|  | actually pass over and arrive on the shores of the Sea of Dreams.</p> | ||||||
|  | <p>Per the shop witch’s instructions, the Nyxmaer has been placed on a | ||||||
|  | thin, hard tin plate. As the candle burns, the wax will soften and | ||||||
|  | eventually allow the large metal nail in its side to fall. When it | ||||||
|  | strikes the plate, you will awaken, exiting the Dreaming. You expect | ||||||
|  | hours may pass in the realm of sleep. But only about thirty minutes will | ||||||
|  | pass here.</p> | ||||||
|  | <p>Inky and Alex sit inside the circle, near the perimeter, facing Bread | ||||||
|  | in the center. Fuko the owl sits at Inky’s side.</p> | ||||||
|  | <p>It is dim. You are illuminated by mundane, non-magical candles set | ||||||
|  | around the edges of the circle. Outside, a steady rain beats on the roof | ||||||
|  | and the windows of the building. The smell of fish is faint but | ||||||
|  | ever-present. A constant reminder of the small creatures that have left | ||||||
|  | their bodies in a fashion far more permanent and irreversible than the | ||||||
|  | separation of spirit and body you are about to experience. You hope.</p> | ||||||
|  | <p>WHAT DO YOU DO</p> | ||||||
|  | <ul> | ||||||
|  | <li><p>How do you induce a deep and powerful slumber in Bread?</p></li> | ||||||
|  | <li><p>What shape or form will you take when you arrive in the | ||||||
|  | Dreaming?</p></li> | ||||||
|  | <li><p>What are you secretly worried or hopeful about being exposed in | ||||||
|  | the dreamland, the realm of metaphor?</p></li> | ||||||
|  | </ul> | ||||||
| <h2 id="bestiary">Bestiary</h2> | <h2 id="bestiary">Bestiary</h2> | ||||||
| <p>Some of the creatures who inhabit the world of Basmentaria</p> | <p>Some of the creatures who inhabit the world of Basmentaria</p> | ||||||
| <dt> | <dt> | ||||||
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							| @ -203,6 +203,488 @@ Agent 5 found the melon vendor dead in a back alley, strangled to death, not imm | |||||||
|         ]]> |         ]]> | ||||||
|       </description> |       </description> | ||||||
|     </item> |     </item> | ||||||
|  |     <item> | ||||||
|  |       <title>57</title> | ||||||
|  |       <author>dozens@tilde.team (dozens)</author> | ||||||
|  |       <guid isPermaLink="false">57 - Mon, 16 Jan 2023 20:30:44 | ||||||
|  | -0700</guid> | ||||||
|  |       <pubDate>Fri, 20 Jan 2023 14:58:46 -0700</pubDate> | ||||||
|  |       <description> | ||||||
|  |         <![CDATA[ | ||||||
|  |           <h3 id="00057">00057</h3> | ||||||
|  |           <blockquote> | ||||||
|  |           <p>Alex lifts his teacup and sips the fragrantly tea, | ||||||
|  |           “perfumed of rosehips, and cardamum? An interesting choice. I | ||||||
|  |           appreciate it Inky, these past few days have been terribly | ||||||
|  |           rough, and I’m rather tired of field rations.” Alex takes a | ||||||
|  |           sip, and then continues hurridly. “I’ve been monitoring the | ||||||
|  |           Bazar, we are in grave danger. It started with just me, but I | ||||||
|  |           fear it’s bled over to everyone here at the Milk Market. I | ||||||
|  |           can’t be entirely certain.”</p> | ||||||
|  |           <p>Alex looks worriedly at Inky. “There’s a lot going on here. | ||||||
|  |           As soon as we got back from Kelsun I was sent on an | ||||||
|  |           assignment, normally not an issue, but they wanted me to level | ||||||
|  |           3 of the busiest coffee shops in the bazar. I planted those | ||||||
|  |           bombs, alongside listening devices, and then I bugged out. My | ||||||
|  |           team appears to have been assigned equally bizarre | ||||||
|  |           assignments, all rather violent messy things. A lot of | ||||||
|  |           innocent lives are on the line here.”</p> | ||||||
|  |           <p>“We dropped off the grid, I’ve got an isolated listening | ||||||
|  |           post in the sewers here, it’s heavily reinforced and that’s | ||||||
|  |           where I’ve been hiding out, but I’m not certain it’s safe. | ||||||
|  |           Agent 5 found a melon vendor dead in the market, and this | ||||||
|  |           vendor was specifically seeking out the Milk Market, looking | ||||||
|  |           for us. I believe it may be an assassin, could be from HQ, | ||||||
|  |           could be from Blavin. It’s entirely opaque to me.”</p> | ||||||
|  |           <p>“As far as I can tell, my agents are all loyal to me, | ||||||
|  |           there’s 5 of them in total, 6 if you count me. We could man | ||||||
|  |           the ship and get the hell out of here in a few hours, and it | ||||||
|  |           may be our best chance. But there’s the iris letter we need to | ||||||
|  |           attend to, and I cannot for the life of me find anything, not | ||||||
|  |           a damn trace, of Blavin. And I think all of this bodes very | ||||||
|  |           poorly for us.”</p> | ||||||
|  |           <p>Alex looks worriedly at Inky, and you’re telling me we have | ||||||
|  |           a ritual we have to perform, to find the iris group’s meeting | ||||||
|  |           place.. I’m leery Ink, I have to be you see. But my uncle | ||||||
|  |           trusted you, and I do as well. If you think this is our best | ||||||
|  |           shot, we can hole up in the sewers and try to perform this | ||||||
|  |           dream walk of your witch friend’s. But if this iris business | ||||||
|  |           turns out to be a trap, well, how well can you handle a | ||||||
|  |           gun?</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>~</p> | ||||||
|  |           <blockquote> | ||||||
|  |           <p>“Your courage and concern are admirable, Master Alex. | ||||||
|  |           Caution is likewise advisable.” Inky nods seriously.</p> | ||||||
|  |           <p>The next moment, they gave the sysorcerer a slightly | ||||||
|  |           deranged grin. “I’m sure you have already seen many grave | ||||||
|  |           dangers. What’s another one for the bucket list? What’s life | ||||||
|  |           if not violent and messy? So many melons dismembered and laid | ||||||
|  |           waste daily—”</p> | ||||||
|  |           <p>As if suddenly recalling a detail, Inky pauses and blinks. | ||||||
|  |           “Melon vendor? Oh, poor Pepo. He has been complaining about | ||||||
|  |           his neighbour’s boa constrictors for years. The serpents were | ||||||
|  |           drawn to the rodents his fruits typically attracted, which | ||||||
|  |           might not have been a problem were it not for them hanging out | ||||||
|  |           at his stall and scaring off his customers. Maybe he finally | ||||||
|  |           took matters into his own hands, with tragic results.” They | ||||||
|  |           look at an empty mixing bowl across the table glumly. “He had | ||||||
|  |           offered to bring over a few of the new variety as soon as they | ||||||
|  |           arrived, as he was already delivering to a household the next | ||||||
|  |           district over.”</p> | ||||||
|  |           <p>They send Master Alex a sidelong glance. “Someone is after | ||||||
|  |           you? You didn’t do something horrid like help an old | ||||||
|  |           grandmother cross the street on sockless skates, for | ||||||
|  |           instance?” Refilling the sysorcerer’s cup, Inky continues, “As | ||||||
|  |           for Blavin, only 3 of the crystals have been recovered. Blavin | ||||||
|  |           knows Team 43 is his best chance of obtaining the others. | ||||||
|  |           Until he has all the crystals, he will stay his hand. If he | ||||||
|  |           doesn’t know that, then he is hardly a threat.”</p> | ||||||
|  |           <p>Setting down the teapot, Inky shrugs. “They seem eager to | ||||||
|  |           get our attention. I suppose I could spare them their twelve | ||||||
|  |           minutes of fame, for the right price. Enlightenment would | ||||||
|  |           probably be too much to ask of a nightmare. If you’d rather | ||||||
|  |           take your team and make a run for it instead, that’s fine too. | ||||||
|  |           If they come knocking I’ll just tell them you missed the hotel | ||||||
|  |           fondue at Kelsun Peak.”</p> | ||||||
|  |           <p>Their gaze skips to one of the cups before they shake their | ||||||
|  |           head. “No gun.” They turn around and take down a bamboo | ||||||
|  |           walking stick hanging from a hook on a wall next to a worn | ||||||
|  |           coat. Inky grasps the handle and pulls. It slides out quietly | ||||||
|  |           to reveal a long, thin, tapered surgical steel tube which, if | ||||||
|  |           someone were to lean in for a closer inspection, is sparsely | ||||||
|  |           covered in tiny, needle-like protrusions along the surface. On | ||||||
|  |           the underside, a transparent sliver ran the length of the tube | ||||||
|  |           to end about a forefinger’s length from the handle. Visible | ||||||
|  |           through the narrow window is a colourless liquid, most likely | ||||||
|  |           a sedative or toxin, fills the reinforced steel interior.</p> | ||||||
|  |           <p>They smile mirthlessly at Master Alex. “I don’t know that | ||||||
|  |           Master Corraidhín trusted me, because if he did, it would have | ||||||
|  |           been the most foolhardy thing the wise man has ever done. You | ||||||
|  |           would do well to not make that mistake.”</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>~</p> | ||||||
|  |           <blockquote> | ||||||
|  |           <p>“It doesn’t sound like we have all too much of an option”, | ||||||
|  |           Alex says, as a little Scarab beetle in his pocket chimes, | ||||||
|  |           “that’ll be the dead man’s trigger going off in my | ||||||
|  |           hideout.”</p> | ||||||
|  |           <p>Alex frowns, shame to lose all of that data, those systems, | ||||||
|  |           that hideout.. but I hope whoever broke in enjoys thermite, | ||||||
|  |           assuming they don’t asphyxiate quickly enough to miss the | ||||||
|  |           fun..</p> | ||||||
|  |           <p>Inky, you’re right, life is a bit violent and messy, so | ||||||
|  |           lets bring the violent mess to these bastards. If you’ve got a | ||||||
|  |           lead on this with this dream ritual, then fuck it, lets take | ||||||
|  |           the risk. I won’t run from this fight, my uncle sure as hell | ||||||
|  |           wouldn’t. And at worst, he’d go out with a magnificient bang. | ||||||
|  |           Lets give it back tenfold, for poor Pepo.</p> | ||||||
|  |           <p>Nodding his own approval Alex continues, I have another | ||||||
|  |           hideout in the eastern quandrant, near the sysorcerer’s guild. | ||||||
|  |           It’s a little risky to head out that way, but none of my | ||||||
|  |           Zabbix alerts indicate it was compromised. It has automated | ||||||
|  |           IDS and IPS systems, so we should be safe enough in there once | ||||||
|  |           we whole up. At very least we’ll know if someone comes for us, | ||||||
|  |           and we’ll have a little bit of time to react on it. We should | ||||||
|  |           bring the Toques with us, and little blod clot, and the | ||||||
|  |           duck.</p> | ||||||
|  |           <p>Looking sorrowfully at Enrique, “I think it might be best | ||||||
|  |           if you got the hell out of dodge too friend, it isn’t safe, | ||||||
|  |           and I don’t want to see you become collateral here. Head down | ||||||
|  |           to the wharf, I’ll have agent 5 meet you there, he’ll help you | ||||||
|  |           and your family lay low until all of this blows over.”</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>~</p> | ||||||
|  |           <blockquote> | ||||||
|  |           <p>At Enrique’s deep frown, Inky sighs and adds, “Might as | ||||||
|  |           well do as Master Alex says. He can spot danger twelve blocks | ||||||
|  |           away, and turtle soup is really out of fashion these | ||||||
|  |           days.”</p> | ||||||
|  |           <p>Then they excuse themselves to pack a few items, returning | ||||||
|  |           about fifteen minutes later with a knapsack and a cross-strap | ||||||
|  |           carrier draped in a black cloth cover. Inky says, “I hope you | ||||||
|  |           don’t mind if I bring along a guest as well.”</p> | ||||||
|  |           <p>The cover is pulled back to expose a dome-shaped birdhouse, | ||||||
|  |           with transparent circular rings at the top partially obscured | ||||||
|  |           by sliding shutters of the same shape. A wooden hoop with a | ||||||
|  |           woven, web-like pattern and adorned with a string of feathers | ||||||
|  |           hangs from one side. On the opposite side is a double door | ||||||
|  |           with a miniature knob over each door. Inky lightly taps on one | ||||||
|  |           of the doors, and at a low click coming from within in | ||||||
|  |           response, swings the doors wide enough for the kitchen lamps | ||||||
|  |           to illuminate the great horned owl resting on a pillow inside. | ||||||
|  |           The bird opens one amber eye for a moment, gaze sweeping idly | ||||||
|  |           across the occupants in the room before dozing off again.</p> | ||||||
|  |           <p>“This is Fuko. She and her twin brother Futa have certain | ||||||
|  |           shared connections. What one sees, the other will also know. I | ||||||
|  |           asked their caretaker if I could borrow them for a while. Fuko | ||||||
|  |           will accompany me for the ritual. Her brother is at another | ||||||
|  |           location and can send a message if a need arises.” Inky | ||||||
|  |           explains with a wry expression. “Think of it as a minor | ||||||
|  |           indulgence of sorts. I was told their kind, along with eagle | ||||||
|  |           owls, are very good at negotiating with those of the | ||||||
|  |           ravens.”</p> | ||||||
|  |           <p>They give the owl a small smile. “She may be a little | ||||||
|  |           temperamental, but she is well-trained.” Closing the birdhouse | ||||||
|  |           doors, Inky turns back to Master Alex. “I suppose you’d rather | ||||||
|  |           not reveal the location of your hideout to any more people | ||||||
|  |           than necessary. Her carrier will remain covered on the way in | ||||||
|  |           and out.”</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>Gliftwirp stands under the branches of a tree, pooled in | ||||||
|  |           shadow, far from the small gathering. He has been to plenty of | ||||||
|  |           funerals. Often under these very circumstances, in fact. And | ||||||
|  |           he always keeps his distance out of respect.</p> | ||||||
|  |           <p>For one, he owns no clothes but his vest, sash, and | ||||||
|  |           trousers. And his bright red colors would be a sign of | ||||||
|  |           disrespect among the mourners. Secondly and most importantly, | ||||||
|  |           he himself is the one who put the man in the ground.</p> | ||||||
|  |           <p>Sadly, he had little choice. He had underestimated the | ||||||
|  |           sysorcer. Didn’t realize he had his own agents working for | ||||||
|  |           him. When he realized that one of the agents had been in | ||||||
|  |           contact with the melon vendor, he knew that Popplewick could | ||||||
|  |           and would identify the warpwefter if pressured.</p> | ||||||
|  |           <p>Gliftwirp had grown to enjoy his daily chats with the melon | ||||||
|  |           vendor. Popplewick was a kind, determined man. A refugee from | ||||||
|  |           the Cinderlands, his family came to Vay’Nullar following the | ||||||
|  |           Artifice Wars when he was just a boy. He grew up poor, and | ||||||
|  |           often relied on the generosity of others. But eventually he | ||||||
|  |           was able to support himself and his small family. He was proud | ||||||
|  |           of the life he had built.</p> | ||||||
|  |           <p>So Gliftwirp took no pleasure in what came next. Late one | ||||||
|  |           night when Popplewick was on his way home from the market, the | ||||||
|  |           assassin slipped a bag over his head and dragged him into a | ||||||
|  |           dark alley. He cinched the bag tight, cutting off his air. | ||||||
|  |           There was a brief struggle before Popplewick passed out and | ||||||
|  |           Gliftwirp lowered him down to the ground. He held him there, | ||||||
|  |           unconscious and not breathing, until he was gone. In only took | ||||||
|  |           but a moment. And then Gliftwirp stood up and left.</p> | ||||||
|  |           <p>Now at the funeral, the mourners leave one by one. Until | ||||||
|  |           only the widow is left, cradling a small sleeping child to her | ||||||
|  |           chest. “Oh, Pepo,” she whispers to the headstone. “What can I | ||||||
|  |           do now?”</p> | ||||||
|  |           <p>When she leaves, she does not return to the main path. She | ||||||
|  |           meanders slowly as though in a daze toward the back of the | ||||||
|  |           graveyard and down the hill. She steps into the wood. A flash | ||||||
|  |           of red follows her at a distance.</p> | ||||||
|  |           <p>She kneels on the banks of the forest river and sets the | ||||||
|  |           child down on wide flat rock. It is awake now and looks up at | ||||||
|  |           her with solemn eyes. “I am sorry, made-of-me,” she says to | ||||||
|  |           the child. And that is all the explanation it gets.</p> | ||||||
|  |           <p>She stands and turns and walks away. The child watches her | ||||||
|  |           go.</p> | ||||||
|  |           <p>When she has been gone for some minutes, Gliftwirp steps | ||||||
|  |           out of the shadows and crouches down beside the child. It | ||||||
|  |           looks up and reaches for him. “Look at you,” he says to the | ||||||
|  |           child as he scoops it up. “Who would throw you away? A | ||||||
|  |           perfectly good baby!” He stands and bounces the child. “A | ||||||
|  |           sweet little melon rind is what you are. Ha! Very well. Come, | ||||||
|  |           Rind, we have work to do.”</p> | ||||||
|  |           <p>The assassin, child in his arms, walks back toward the | ||||||
|  |           city.</p> | ||||||
|  |           <p>~</p> | ||||||
|  |           <p>In the aftermath, Agent 5 is found down by the docks. They | ||||||
|  |           clearly struggled in death. The assassin blamed him for | ||||||
|  |           Popplewick’s death and the widow’s weakness.</p> | ||||||
|  |           <p>Down in the sewers, two tiny mittened hands reach up and | ||||||
|  |           awkwardly turn the doorknob to Alex’s hideout. The bolt clears | ||||||
|  |           the latch with a faint click. Two tiny cloth hands struggle | ||||||
|  |           against the heavy iron door, pushing it slowly open, inch by | ||||||
|  |           inch. A mechanism clicks inside and there is a whoosh of air | ||||||
|  |           and then a boom as the bunker violently ignites. The tiny | ||||||
|  |           figure is incinerated, and blown back into the sewer | ||||||
|  |           tunnel.</p> | ||||||
|  |           <p>Gliftwirp steps forward into the light of the blaze and | ||||||
|  |           crouches down by the tiny figure. He picks it up, a tattered | ||||||
|  |           and burned bundle of cloth. “Look, Rind,” he says to the small | ||||||
|  |           child standing at his elbow. “You must always acknowledge and | ||||||
|  |           be grateful for those who sacrifice for you.” He starts to | ||||||
|  |           untie and unfold the cloth puppet as he speaks. It unfurls and | ||||||
|  |           smooths out and stitches itself back together under his touch. | ||||||
|  |           Even the burn marks fade, and soon Gliftwirp is once again | ||||||
|  |           holding his red sash.</p> | ||||||
|  |           <p>“Now, Rind,” he says standing up and taking the child’s | ||||||
|  |           hand, squinting into the fire. “Let’s see what we can salvage | ||||||
|  |           here.”</p> | ||||||
|  |           <p>WHAT DO YOU DO</p> | ||||||
|  |           <ul> | ||||||
|  |           <li>The time of the ritual is at hand.</li> | ||||||
|  |           <li>What final preparations do you make before entering | ||||||
|  |           Dreamspace?</li> | ||||||
|  |           </ul> | ||||||
|  |         ]]> | ||||||
|  |       </description> | ||||||
|  |     </item> | ||||||
|  |     <item> | ||||||
|  |       <title>58</title> | ||||||
|  |       <author>dozens@tilde.team (dozens)</author> | ||||||
|  |       <guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45 | ||||||
|  | -0700</guid> | ||||||
|  |       <pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate> | ||||||
|  |       <description> | ||||||
|  |         <![CDATA[ | ||||||
|  |           <h3 id="00058">00058</h3> | ||||||
|  |           <blockquote> | ||||||
|  |           <p><em>(A week prior)</em></p> | ||||||
|  |           <p>The secretary collected the stack of papers that had | ||||||
|  |           accumulated at one corner of the desk. “This might help,” she | ||||||
|  |           said, setting down a bundle of herbs with white and pink | ||||||
|  |           flowers in place of the papers.</p> | ||||||
|  |           <p>Inky stared at the blooms, hands stilled over the owl’s | ||||||
|  |           plumage. “Oh! Thanks. Good thinking, really. It’ll help make | ||||||
|  |           the stench more bearable when they find the remains.”</p> | ||||||
|  |           <p>The grey elf was confused for a moment, then mortified as | ||||||
|  |           the words sank in. “That’s not what I meant! It’s for the | ||||||
|  |           circle,” she clarified.</p> | ||||||
|  |           <p>Seeing the imp’s preoccupied nod, she coughed lightly to | ||||||
|  |           regain their attention, then spoke in a hushed voice. | ||||||
|  |           “Beaker’s associates have picked up the empanada shop | ||||||
|  |           proprietor and transported him to an undisclosed location. | ||||||
|  |           There will be a retinue with him at all times.”</p> | ||||||
|  |           <p>Inky seemed to visibly pull themselves back to the room | ||||||
|  |           before responding, “Thank you, Salvia. One more thing — if I | ||||||
|  |           do not return by the indicated time, please activate the | ||||||
|  |           hitsuzen protocol. As precaution.”</p> | ||||||
|  |           <p>The secretary looked at Inky in concern. “Is everything all | ||||||
|  |           right? If you’re still troubled by the hotelier, accidents | ||||||
|  |           happen. A single incident—”</p> | ||||||
|  |           <p>“Third. An unidentified man was attacked at the docks. He | ||||||
|  |           was probably sent to investigate the melon vendor. One of the | ||||||
|  |           other stall owners heard him asking questions shortly after | ||||||
|  |           the melon vendor disappeared.”</p> | ||||||
|  |           <p>Salvia’s violet eyes narrowed. “What, the fruit vendor? | ||||||
|  |           Didn’t the tabloids say it was an accident? He tried to get | ||||||
|  |           rid of a neighbor’s nest of snakes.”</p> | ||||||
|  |           <p>Inky only raised an eyebrow at her.</p> | ||||||
|  |           <p>The secretary let out a low curse. “You didn’t tell her. | ||||||
|  |           You didn’t want her to worry,” she said aloud in realization. | ||||||
|  |           She sighed. “She’s going to be pretty angry with you when she | ||||||
|  |           finds out, you know.”</p> | ||||||
|  |           <p>Inky offered her a sardonic smile. “Making people angry is | ||||||
|  |           my job. You of all people know this well. In the event of my | ||||||
|  |           timely demise I’m sure the others would find it cause for a | ||||||
|  |           grand celebration.” They replied matter-of-factly before | ||||||
|  |           returning to smoothing the feathers of one bird wing.</p> | ||||||
|  |           <p>Salvia shook her head vehemently. “That’s not true. You’ll | ||||||
|  |           make it back, Ink. What then—”</p> | ||||||
|  |           <p>“Then our fair Lady’s ire would be the least of the | ||||||
|  |           problems.”</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>~</p> | ||||||
|  |           <blockquote> | ||||||
|  |           <p>Alex stared morosely into his cup of coffee. He’d received | ||||||
|  |           word of agent 5’s demise that morning, and had been the only | ||||||
|  |           thing on his mind since. 5, no Be’tram knew the risks, we all | ||||||
|  |           knew the risks defying HQ brought, but to happen so suddenly? | ||||||
|  |           He’d snuck down to the wharf once he’d heard, making sure to | ||||||
|  |           cover his tracks and dodge any potential witnesses. He even | ||||||
|  |           managed to slip past the police cordon they’d setup around the | ||||||
|  |           body. What he’d found wasn’t pretty, it looked like Be’Tram | ||||||
|  |           had suffered in his final moments. The bruising around his | ||||||
|  |           neck pointed to strangulation, with some sort of cloth, | ||||||
|  |           perhaps a rope. The bruising was deep, and there wasn’t a cut, | ||||||
|  |           burn, shot or something of the likes on his otherwise.</p> | ||||||
|  |           <p>The kill had been intimate.</p> | ||||||
|  |           <p>Alex had worked quickly that night, popping Be’Tram’s eye | ||||||
|  |           had been hard, but he’d of wanted Alex to have it. Behind his | ||||||
|  |           right eye was a recording device, it could only catch the last | ||||||
|  |           15m or so of what he had seen, but it would give him a clear | ||||||
|  |           look at what had happened. And potentially lead Alex to the | ||||||
|  |           killer. Miserable business, but Be’Tram knew it could make a | ||||||
|  |           difference.</p> | ||||||
|  |           <p>Alex had planted a bomb on the body after he had extracted | ||||||
|  |           the eye, and made his way well away from the area before it | ||||||
|  |           went off obliterating the remains. A regrettable end for an | ||||||
|  |           old friend, but it was too dangerous to leave.</p> | ||||||
|  |           <p>And then there was the matter of the zabbix alert, a little | ||||||
|  |           purple red critical for the sewer hideout. He’d had time to | ||||||
|  |           send out a drone beetle. The smoldering slag that was left was | ||||||
|  |           reassuring. Most of the equipment was utterly destroyed, racks | ||||||
|  |           upon racks of servers reduced to twisted melted metal. The | ||||||
|  |           effectively of the destruction was delightful, in a sick sort | ||||||
|  |           of desperate way. Alex felt assured that most if not all of | ||||||
|  |           the equipment was useless, but this spelled the end of a | ||||||
|  |           valuable listening outpost. And whoever had done it wasn’t | ||||||
|  |           part of the slag pile.</p> | ||||||
|  |           <p>Alex stood up, his coffee untouched. The cafe around his | ||||||
|  |           burbled in quiet excitement. The city had lit up since the | ||||||
|  |           Melon vendor’s death. A thousand rumors abounded about it, but | ||||||
|  |           none of them held true; some said the city had become | ||||||
|  |           dangerous, a crime syndicate had arisen in the neighboring | ||||||
|  |           city block another thought, and did you hear about the | ||||||
|  |           explosion at the wharf the other night, the city was electric, | ||||||
|  |           yet somehow ever so slightly off the pulse of the issue.</p> | ||||||
|  |           <p>As Alex stepped away a woman with horn rimmed glasses | ||||||
|  |           strode past the table he had just abandoned, deftly pulling | ||||||
|  |           the note from beneath the coffee cup, left for her.</p> | ||||||
|  |           <pre><code>4 -> 3 | ||||||
|  | Daylight breaks on the morrow | ||||||
|  | The suns rays make chase | ||||||
|  | casting soft cloth | ||||||
|  | across the nap of nature's neck | ||||||
|  | 
 | ||||||
|  | So, night relents and gives way | ||||||
|  | biding time until | ||||||
|  | it can rule | ||||||
|  | in its own domain</code></pre> | ||||||
|  |           <p>For the passerby, it was but a bit of poetry, scribbled | ||||||
|  |           carelessly on the back of a napkin in a coffee near the wharf. | ||||||
|  |           But for Agent 3 it was a warning, one part notes on Agent 5s | ||||||
|  |           demise recovered from his eyecam, one part orders; stay low | ||||||
|  |           and we’ll strike these bastards from the shadows, on our | ||||||
|  |           terms, on our ground. Similar missives were delivered to | ||||||
|  |           Agents 6 & 7. The numbers were dwindling rapidly, even | ||||||
|  |           just one agent lost was hard to stomach.</p> | ||||||
|  |           <p>Alex hand gripped the pistol in his coat pocket with a | ||||||
|  |           white knuckled grip as he stepped from the coffee shop into | ||||||
|  |           the city. Whatever was after him, whatever had gotten to | ||||||
|  |           Be’Tram, it had better know he was coming, and he’d happily | ||||||
|  |           send it straight to hell. HQ be damned, the rules be damned, | ||||||
|  |           this little game of cat and mouse had just gotten | ||||||
|  |           personal.</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>~</p> | ||||||
|  |           <blockquote> | ||||||
|  |           <p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves | ||||||
|  |           in a dark backroom in a secluded corner of an old fish | ||||||
|  |           processing plant on the wharf. The accommodations are rough, | ||||||
|  |           and the stench is abhorrent, but it’s the best that could be | ||||||
|  |           procured in a pinch. And it should provide enough | ||||||
|  |           seclusion.</p> | ||||||
|  |           <p>The backroom is like that of many factories, high up near | ||||||
|  |           the ceiling, a single rusty rickety staircase winds its way | ||||||
|  |           along the side of the building for what seems to be 3 flights, | ||||||
|  |           before it reaches a metal room with dusty grimy windows, and a | ||||||
|  |           single steel door. The windows on the interior overlook the | ||||||
|  |           fish processing plant, where rows of belts and machinery stand | ||||||
|  |           still, covered in dust and long forgotten blood. You’re glad | ||||||
|  |           to know that the factory stopped operating years ago, hygiene | ||||||
|  |           is lacking in every sense.</p> | ||||||
|  |           <p>Alex stares forlornly out the exterior windows, the sky is | ||||||
|  |           a grey overcast, it matches his mood perfectly. He didn’t like | ||||||
|  |           what him and Inky were about to do, but they didn’t have much | ||||||
|  |           they could do about it. They would be vulnerable for the | ||||||
|  |           duration of the ritual. But Agent 7 and Confidence were there | ||||||
|  |           to help mitigate that risk. Alex and Agent 7 had taken every | ||||||
|  |           precaution they could think of.</p> | ||||||
|  |           <p>The plant floor was scattered with booby traps, trip wires, | ||||||
|  |           and alarms. The other agents were laying low, but kept drones | ||||||
|  |           around the wharf feeding in a network of twtxt data back to | ||||||
|  |           Agent 7 for recon. And that was on top of the double barred | ||||||
|  |           steel doors, and reinforced glass box they’d chosen as their | ||||||
|  |           hide out. Meticulously planned, Alex expected no less from | ||||||
|  |           Agent 7.</p> | ||||||
|  |           <p>See Marvelo had been at this as long as Alex had, and then | ||||||
|  |           some. He was sharp as a tack, with an animal-like third sense | ||||||
|  |           that came from years of close calls. He was, simply put, the | ||||||
|  |           right man for the job, when that job was keeping your | ||||||
|  |           unconscious ass alive.</p> | ||||||
|  |           <p>Alex turns away from the window and addresses Inky. | ||||||
|  |           “Apologies for the smell, it turns out there’s a strong | ||||||
|  |           correlation between disgust and seclusion, but I believe we | ||||||
|  |           should at least be safe here. Safer than we would have been | ||||||
|  |           back home. I’m ready if you are, as ready as I’ll ever be that | ||||||
|  |           is.”</p> | ||||||
|  |           </blockquote> | ||||||
|  |           <p>The Golden Iris have summoned you to appear at the Harpoon | ||||||
|  |           Club this evening. But the Harpoon Club is nowhere to be found | ||||||
|  |           on this plane of existence. It won’t appear until a week and a | ||||||
|  |           half from now, on the last day of the month.</p> | ||||||
|  |           <p>Confidence the Guide has predicted exactly where the | ||||||
|  |           Wandering Bazaar will be on that day. With a small bucket of | ||||||
|  |           red paint and a large brush, he has drawn a Linking Sigil on | ||||||
|  |           the ground at the location. He sits nearby, making sure | ||||||
|  |           careless passersby and mischievous kids don’t disturb it, but | ||||||
|  |           otherwise letting the sigil absorb the energies of the bustle | ||||||
|  |           of shopping and commerce.</p> | ||||||
|  |           <p>At the fish market, Marvelo is posted outside. He keeps | ||||||
|  |           vigilant watch, alert to every movement and disturbance.</p> | ||||||
|  |           <p>And inside, Bread, Inky, Fuko, and Alex are huddled up in | ||||||
|  |           the office in the back near the ceiling. They all sit inside a | ||||||
|  |           dark circle that has been smudged on the floor with a paste | ||||||
|  |           made of ash and salt. Painted on the ground is a second | ||||||
|  |           Linking Sigil, connecting this spot to Confidence’s, allowing | ||||||
|  |           the energies of the two locations to co-mingle. There is also | ||||||
|  |           the Dream Sigil, which will connect this place to the | ||||||
|  |           Dreaming.</p> | ||||||
|  |           <p>Bread the Host is propped up on some pillows and cushions | ||||||
|  |           in the center of the circle, next to the Nyxmaer. The candle | ||||||
|  |           is alleged to be made of the flesh and fat of a certain | ||||||
|  |           nightmare. Its hand and eye bound in the wax. The Dream Sigil | ||||||
|  |           is the door, but the Nyxmaer is the key. The catalyst that | ||||||
|  |           will cause all of the otherwise inert metaphysical particles | ||||||
|  |           to become volatile and reactive. It is what will allow you to | ||||||
|  |           actually pass over and arrive on the shores of the Sea of | ||||||
|  |           Dreams.</p> | ||||||
|  |           <p>Per the shop witch’s instructions, the Nyxmaer has been | ||||||
|  |           placed on a thin, hard tin plate. As the candle burns, the wax | ||||||
|  |           will soften and eventually allow the large metal nail in its | ||||||
|  |           side to fall. When it strikes the plate, you will awaken, | ||||||
|  |           exiting the Dreaming. You expect hours may pass in the realm | ||||||
|  |           of sleep. But only about thirty minutes will pass here.</p> | ||||||
|  |           <p>Inky and Alex sit inside the circle, near the perimeter, | ||||||
|  |           facing Bread in the center. Fuko the owl sits at Inky’s | ||||||
|  |           side.</p> | ||||||
|  |           <p>It is dim. You are illuminated by mundane, non-magical | ||||||
|  |           candles set around the edges of the circle. Outside, a steady | ||||||
|  |           rain beats on the roof and the windows of the building. The | ||||||
|  |           smell of fish is faint but ever-present. A constant reminder | ||||||
|  |           of the small creatures that have left their bodies in a | ||||||
|  |           fashion far more permanent and irreversible than the | ||||||
|  |           separation of spirit and body you are about to experience. You | ||||||
|  |           hope.</p> | ||||||
|  |           <p>WHAT DO YOU DO</p> | ||||||
|  |           <ul> | ||||||
|  |           <li><p>How do you induce a deep and powerful slumber in | ||||||
|  |           Bread?</p></li> | ||||||
|  |           <li><p>What shape or form will you take when you arrive in the | ||||||
|  |           Dreaming?</p></li> | ||||||
|  |           <li><p>What are you secretly worried or hopeful about being | ||||||
|  |           exposed in the dreamland, the realm of metaphor?</p></li> | ||||||
|  |           </ul> | ||||||
|  |         ]]> | ||||||
|  |       </description> | ||||||
|  |     </item> | ||||||
|     <item> |     <item> | ||||||
|       <title>54</title> |       <title>54</title> | ||||||
|       <author>dozens@tilde.team (dozens)</author> |       <author>dozens@tilde.team (dozens)</author> | ||||||
| @ -484,258 +966,6 @@ NOTE GDB INDICATES SOME ANOMALY</code></pre> | |||||||
|         ]]> |         ]]> | ||||||
|       </description> |       </description> | ||||||
|     </item> |     </item> | ||||||
|     <item> |  | ||||||
|       <title>57</title> |  | ||||||
|       <author>dozens@tilde.team (dozens)</author> |  | ||||||
|       <guid isPermaLink="false">57 - Mon, 16 Jan 2023 20:30:44 |  | ||||||
| -0700</guid> |  | ||||||
|       <pubDate>Fri, 20 Jan 2023 14:58:46 -0700</pubDate> |  | ||||||
|       <description> |  | ||||||
|         <![CDATA[ |  | ||||||
|           <h3 id="00057">00057</h3> |  | ||||||
|           <blockquote> |  | ||||||
|           <p>Alex lifts his teacup and sips the fragrantly tea, |  | ||||||
|           “perfumed of rosehips, and cardamum? An interesting choice. I |  | ||||||
|           appreciate it Inky, these past few days have been terribly |  | ||||||
|           rough, and I’m rather tired of field rations.” Alex takes a |  | ||||||
|           sip, and then continues hurridly. “I’ve been monitoring the |  | ||||||
|           Bazar, we are in grave danger. It started with just me, but I |  | ||||||
|           fear it’s bled over to everyone here at the Milk Market. I |  | ||||||
|           can’t be entirely certain.”</p> |  | ||||||
|           <p>Alex looks worriedly at Inky. “There’s a lot going on here. |  | ||||||
|           As soon as we got back from Kelsun I was sent on an |  | ||||||
|           assignment, normally not an issue, but they wanted me to level |  | ||||||
|           3 of the busiest coffee shops in the bazar. I planted those |  | ||||||
|           bombs, alongside listening devices, and then I bugged out. My |  | ||||||
|           team appears to have been assigned equally bizarre |  | ||||||
|           assignments, all rather violent messy things. A lot of |  | ||||||
|           innocent lives are on the line here.”</p> |  | ||||||
|           <p>“We dropped off the grid, I’ve got an isolated listening |  | ||||||
|           post in the sewers here, it’s heavily reinforced and that’s |  | ||||||
|           where I’ve been hiding out, but I’m not certain it’s safe. |  | ||||||
|           Agent 5 found a melon vendor dead in the market, and this |  | ||||||
|           vendor was specifically seeking out the Milk Market, looking |  | ||||||
|           for us. I believe it may be an assassin, could be from HQ, |  | ||||||
|           could be from Blavin. It’s entirely opaque to me.”</p> |  | ||||||
|           <p>“As far as I can tell, my agents are all loyal to me, |  | ||||||
|           there’s 5 of them in total, 6 if you count me. We could man |  | ||||||
|           the ship and get the hell out of here in a few hours, and it |  | ||||||
|           may be our best chance. But there’s the iris letter we need to |  | ||||||
|           attend to, and I cannot for the life of me find anything, not |  | ||||||
|           a damn trace, of Blavin. And I think all of this bodes very |  | ||||||
|           poorly for us.”</p> |  | ||||||
|           <p>Alex looks worriedly at Inky, and you’re telling me we have |  | ||||||
|           a ritual we have to perform, to find the iris group’s meeting |  | ||||||
|           place.. I’m leery Ink, I have to be you see. But my uncle |  | ||||||
|           trusted you, and I do as well. If you think this is our best |  | ||||||
|           shot, we can hole up in the sewers and try to perform this |  | ||||||
|           dream walk of your witch friend’s. But if this iris business |  | ||||||
|           turns out to be a trap, well, how well can you handle a |  | ||||||
|           gun?</p> |  | ||||||
|           </blockquote> |  | ||||||
|           <p>~</p> |  | ||||||
|           <blockquote> |  | ||||||
|           <p>“Your courage and concern are admirable, Master Alex. |  | ||||||
|           Caution is likewise advisable.” Inky nods seriously.</p> |  | ||||||
|           <p>The next moment, they gave the sysorcerer a slightly |  | ||||||
|           deranged grin. “I’m sure you have already seen many grave |  | ||||||
|           dangers. What’s another one for the bucket list? What’s life |  | ||||||
|           if not violent and messy? So many melons dismembered and laid |  | ||||||
|           waste daily—”</p> |  | ||||||
|           <p>As if suddenly recalling a detail, Inky pauses and blinks. |  | ||||||
|           “Melon vendor? Oh, poor Pepo. He has been complaining about |  | ||||||
|           his neighbour’s boa constrictors for years. The serpents were |  | ||||||
|           drawn to the rodents his fruits typically attracted, which |  | ||||||
|           might not have been a problem were it not for them hanging out |  | ||||||
|           at his stall and scaring off his customers. Maybe he finally |  | ||||||
|           took matters into his own hands, with tragic results.” They |  | ||||||
|           look at an empty mixing bowl across the table glumly. “He had |  | ||||||
|           offered to bring over a few of the new variety as soon as they |  | ||||||
|           arrived, as he was already delivering to a household the next |  | ||||||
|           district over.”</p> |  | ||||||
|           <p>They send Master Alex a sidelong glance. “Someone is after |  | ||||||
|           you? You didn’t do something horrid like help an old |  | ||||||
|           grandmother cross the street on sockless skates, for |  | ||||||
|           instance?” Refilling the sysorcerer’s cup, Inky continues, “As |  | ||||||
|           for Blavin, only 3 of the crystals have been recovered. Blavin |  | ||||||
|           knows Team 43 is his best chance of obtaining the others. |  | ||||||
|           Until he has all the crystals, he will stay his hand. If he |  | ||||||
|           doesn’t know that, then he is hardly a threat.”</p> |  | ||||||
|           <p>Setting down the teapot, Inky shrugs. “They seem eager to |  | ||||||
|           get our attention. I suppose I could spare them their twelve |  | ||||||
|           minutes of fame, for the right price. Enlightenment would |  | ||||||
|           probably be too much to ask of a nightmare. If you’d rather |  | ||||||
|           take your team and make a run for it instead, that’s fine too. |  | ||||||
|           If they come knocking I’ll just tell them you missed the hotel |  | ||||||
|           fondue at Kelsun Peak.”</p> |  | ||||||
|           <p>Their gaze skips to one of the cups before they shake their |  | ||||||
|           head. “No gun.” They turn around and take down a bamboo |  | ||||||
|           walking stick hanging from a hook on a wall next to a worn |  | ||||||
|           coat. Inky grasps the handle and pulls. It slides out quietly |  | ||||||
|           to reveal a long, thin, tapered surgical steel tube which, if |  | ||||||
|           someone were to lean in for a closer inspection, is sparsely |  | ||||||
|           covered in tiny, needle-like protrusions along the surface. On |  | ||||||
|           the underside, a transparent sliver ran the length of the tube |  | ||||||
|           to end about a forefinger’s length from the handle. Visible |  | ||||||
|           through the narrow window is a colourless liquid, most likely |  | ||||||
|           a sedative or toxin, fills the reinforced steel interior.</p> |  | ||||||
|           <p>They smile mirthlessly at Master Alex. “I don’t know that |  | ||||||
|           Master Corraidhín trusted me, because if he did, it would have |  | ||||||
|           been the most foolhardy thing the wise man has ever done. You |  | ||||||
|           would do well to not make that mistake.”</p> |  | ||||||
|           </blockquote> |  | ||||||
|           <p>~</p> |  | ||||||
|           <blockquote> |  | ||||||
|           <p>“It doesn’t sound like we have all too much of an option”, |  | ||||||
|           Alex says, as a little Scarab beetle in his pocket chimes, |  | ||||||
|           “that’ll be the dead man’s trigger going off in my |  | ||||||
|           hideout.”</p> |  | ||||||
|           <p>Alex frowns, shame to lose all of that data, those systems, |  | ||||||
|           that hideout.. but I hope whoever broke in enjoys thermite, |  | ||||||
|           assuming they don’t asphyxiate quickly enough to miss the |  | ||||||
|           fun..</p> |  | ||||||
|           <p>Inky, you’re right, life is a bit violent and messy, so |  | ||||||
|           lets bring the violent mess to these bastards. If you’ve got a |  | ||||||
|           lead on this with this dream ritual, then fuck it, lets take |  | ||||||
|           the risk. I won’t run from this fight, my uncle sure as hell |  | ||||||
|           wouldn’t. And at worst, he’d go out with a magnificient bang. |  | ||||||
|           Lets give it back tenfold, for poor Pepo.</p> |  | ||||||
|           <p>Nodding his own approval Alex continues, I have another |  | ||||||
|           hideout in the eastern quandrant, near the sysorcerer’s guild. |  | ||||||
|           It’s a little risky to head out that way, but none of my |  | ||||||
|           Zabbix alerts indicate it was compromised. It has automated |  | ||||||
|           IDS and IPS systems, so we should be safe enough in there once |  | ||||||
|           we whole up. At very least we’ll know if someone comes for us, |  | ||||||
|           and we’ll have a little bit of time to react on it. We should |  | ||||||
|           bring the Toques with us, and little blod clot, and the |  | ||||||
|           duck.</p> |  | ||||||
|           <p>Looking sorrowfully at Enrique, “I think it might be best |  | ||||||
|           if you got the hell out of dodge too friend, it isn’t safe, |  | ||||||
|           and I don’t want to see you become collateral here. Head down |  | ||||||
|           to the wharf, I’ll have agent 5 meet you there, he’ll help you |  | ||||||
|           and your family lay low until all of this blows over.”</p> |  | ||||||
|           </blockquote> |  | ||||||
|           <p>~</p> |  | ||||||
|           <blockquote> |  | ||||||
|           <p>At Enrique’s deep frown, Inky sighs and adds, “Might as |  | ||||||
|           well do as Master Alex says. He can spot danger twelve blocks |  | ||||||
|           away, and turtle soup is really out of fashion these |  | ||||||
|           days.”</p> |  | ||||||
|           <p>Then they excuse themselves to pack a few items, returning |  | ||||||
|           about fifteen minutes later with a knapsack and a cross-strap |  | ||||||
|           carrier draped in a black cloth cover. Inky says, “I hope you |  | ||||||
|           don’t mind if I bring along a guest as well.”</p> |  | ||||||
|           <p>The cover is pulled back to expose a dome-shaped birdhouse, |  | ||||||
|           with transparent circular rings at the top partially obscured |  | ||||||
|           by sliding shutters of the same shape. A wooden hoop with a |  | ||||||
|           woven, web-like pattern and adorned with a string of feathers |  | ||||||
|           hangs from one side. On the opposite side is a double door |  | ||||||
|           with a miniature knob over each door. Inky lightly taps on one |  | ||||||
|           of the doors, and at a low click coming from within in |  | ||||||
|           response, swings the doors wide enough for the kitchen lamps |  | ||||||
|           to illuminate the great horned owl resting on a pillow inside. |  | ||||||
|           The bird opens one amber eye for a moment, gaze sweeping idly |  | ||||||
|           across the occupants in the room before dozing off again.</p> |  | ||||||
|           <p>“This is Fuko. She and her twin brother Futa have certain |  | ||||||
|           shared connections. What one sees, the other will also know. I |  | ||||||
|           asked their caretaker if I could borrow them for a while. Fuko |  | ||||||
|           will accompany me for the ritual. Her brother is at another |  | ||||||
|           location and can send a message if a need arises.” Inky |  | ||||||
|           explains with a wry expression. “Think of it as a minor |  | ||||||
|           indulgence of sorts. I was told their kind, along with eagle |  | ||||||
|           owls, are very good at negotiating with those of the |  | ||||||
|           ravens.”</p> |  | ||||||
|           <p>They give the owl a small smile. “She may be a little |  | ||||||
|           temperamental, but she is well-trained.” Closing the birdhouse |  | ||||||
|           doors, Inky turns back to Master Alex. “I suppose you’d rather |  | ||||||
|           not reveal the location of your hideout to any more people |  | ||||||
|           than necessary. Her carrier will remain covered on the way in |  | ||||||
|           and out.”</p> |  | ||||||
|           </blockquote> |  | ||||||
|           <p>Gliftwirp stands under the branches of a tree, pooled in |  | ||||||
|           shadow, far from the small gathering. He has been to plenty of |  | ||||||
|           funerals. Often under these very circumstances, in fact. And |  | ||||||
|           he always keeps his distance out of respect.</p> |  | ||||||
|           <p>For one, he owns no clothes but his vest, sash, and |  | ||||||
|           trousers. And his bright red colors would be a sign of |  | ||||||
|           disrespect among the mourners. Secondly and most importantly, |  | ||||||
|           he himself is the one who put the man in the ground.</p> |  | ||||||
|           <p>Sadly, he had little choice. He had underestimated the |  | ||||||
|           sysorcer. Didn’t realize he had his own agents working for |  | ||||||
|           him. When he realized that one of the agents had been in |  | ||||||
|           contact with the melon vendor, he knew that Popplewick could |  | ||||||
|           and would identify the warpwefter if pressured.</p> |  | ||||||
|           <p>Gliftwirp had grown to enjoy his daily chats with the melon |  | ||||||
|           vendor. Popplewick was a kind, determined man. A refugee from |  | ||||||
|           the Cinderlands, his family came to Vay’Nullar following the |  | ||||||
|           Artifice Wars when he was just a boy. He grew up poor, and |  | ||||||
|           often relied on the generosity of others. But eventually he |  | ||||||
|           was able to support himself and his small family. He was proud |  | ||||||
|           of the life he had built.</p> |  | ||||||
|           <p>So Gliftwirp took no pleasure in what came next. Late one |  | ||||||
|           night when Popplewick was on his way home from the market, the |  | ||||||
|           assassin slipped a bag over his head and dragged him into a |  | ||||||
|           dark alley. He cinched the bag tight, cutting off his air. |  | ||||||
|           There was a brief struggle before Popplewick passed out and |  | ||||||
|           Gliftwirp lowered him down to the ground. He held him there, |  | ||||||
|           unconscious and not breathing, until he was gone. In only took |  | ||||||
|           but a moment. And then Gliftwirp stood up and left.</p> |  | ||||||
|           <p>Now at the funeral, the mourners leave one by one. Until |  | ||||||
|           only the widow is left, cradling a small sleeping child to her |  | ||||||
|           chest. “Oh, Pepo,” she whispers to the headstone. “What can I |  | ||||||
|           do now?”</p> |  | ||||||
|           <p>When she leaves, she does not return to the main path. She |  | ||||||
|           meanders slowly as though in a daze toward the back of the |  | ||||||
|           graveyard and down the hill. She steps into the wood. A flash |  | ||||||
|           of red follows her at a distance.</p> |  | ||||||
|           <p>She kneels on the banks of the forest river and sets the |  | ||||||
|           child down on wide flat rock. It is awake now and looks up at |  | ||||||
|           her with solemn eyes. “I am sorry, made-of-me,” she says to |  | ||||||
|           the child. And that is all the explanation it gets.</p> |  | ||||||
|           <p>She stands and turns and walks away. The child watches her |  | ||||||
|           go.</p> |  | ||||||
|           <p>When she has been gone for some minutes, Gliftwirp steps |  | ||||||
|           out of the shadows and crouches down beside the child. It |  | ||||||
|           looks up and reaches for him. “Look at you,” he says to the |  | ||||||
|           child as he scoops it up. “Who would throw you away? A |  | ||||||
|           perfectly good baby!” He stands and bounces the child. “A |  | ||||||
|           sweet little melon rind is what you are. Ha! Very well. Come, |  | ||||||
|           Rind, we have work to do.”</p> |  | ||||||
|           <p>The assassin, child in his arms, walks back toward the |  | ||||||
|           city.</p> |  | ||||||
|           <p>~</p> |  | ||||||
|           <p>In the aftermath, Agent 5 is found down by the docks. They |  | ||||||
|           clearly struggled in death. The assassin blamed him for |  | ||||||
|           Popplewick’s death and the widow’s weakness.</p> |  | ||||||
|           <p>Down in the sewers, two tiny mittened hands reach up and |  | ||||||
|           awkwardly turn the doorknob to Alex’s hideout. The bolt clears |  | ||||||
|           the latch with a faint click. Two tiny cloth hands struggle |  | ||||||
|           against the heavy iron door, pushing it slowly open, inch by |  | ||||||
|           inch. A mechanism clicks inside and there is a whoosh of air |  | ||||||
|           and then a boom as the bunker violently ignites. The tiny |  | ||||||
|           figure is incinerated, and blown back into the sewer |  | ||||||
|           tunnel.</p> |  | ||||||
|           <p>Gliftwirp steps forward into the light of the blaze and |  | ||||||
|           crouches down by the tiny figure. He picks it up, a tattered |  | ||||||
|           and burned bundle of cloth. “Look, Rind,” he says to the small |  | ||||||
|           child standing at his elbow. “You must always acknowledge and |  | ||||||
|           be grateful for those who sacrifice for you.” He starts to |  | ||||||
|           untie and unfold the cloth puppet as he speaks. It unfurls and |  | ||||||
|           smooths out and stitches itself back together under his touch. |  | ||||||
|           Even the burn marks fade, and soon Gliftwirp is once again |  | ||||||
|           holding his red sash.</p> |  | ||||||
|           <p>“Now, Rind,” he says standing up and taking the child’s |  | ||||||
|           hand, squinting into the fire. “Let’s see what we can salvage |  | ||||||
|           here.”</p> |  | ||||||
|           <p>WHAT DO YOU DO</p> |  | ||||||
|           <ul> |  | ||||||
|           <li>The time of the ritual is at hand.</li> |  | ||||||
|           <li>What final preparations do you make before entering |  | ||||||
|           Dreamspace?</li> |  | ||||||
|           </ul> |  | ||||||
|         ]]> |  | ||||||
|       </description> |  | ||||||
|     </item> |  | ||||||
|     <item> |     <item> | ||||||
|       <title>55</title> |       <title>55</title> | ||||||
|       <author>dozens@tilde.team (dozens)</author> |       <author>dozens@tilde.team (dozens)</author> | ||||||
|  | |||||||
| @ -318,6 +318,7 @@ Master</a></li> | |||||||
| <li><a href="#00055" id="toc-00055">00055</a></li> | <li><a href="#00055" id="toc-00055">00055</a></li> | ||||||
| <li><a href="#00056" id="toc-00056">00056</a></li> | <li><a href="#00056" id="toc-00056">00056</a></li> | ||||||
| <li><a href="#00057" id="toc-00057">00057</a></li> | <li><a href="#00057" id="toc-00057">00057</a></li> | ||||||
|  | <li><a href="#00058" id="toc-00058">00058</a></li> | ||||||
| </ul></li> | </ul></li> | ||||||
| <li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li> | <li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li> | ||||||
| <li><a href="#geography" id="toc-geography">Geography</a></li> | <li><a href="#geography" id="toc-geography">Geography</a></li> | ||||||
| @ -357,11 +358,11 @@ Teale</a></li> | |||||||
| </ul> | </ul> | ||||||
| </nav> | </nav> | ||||||
| <h2 id="stats">Stats</h2> | <h2 id="stats">Stats</h2> | ||||||
| <p>Total length: 75661 words / 323 minute read. (Mind you, that’s the | <p>Total length: 77599 words / 331 minute read. (Mind you, that’s the | ||||||
| length of this entire page, including all the extra bits and bobs. Not | length of this entire page, including all the extra bits and bobs. Not | ||||||
| just the story.)</p> | just the story.)</p> | ||||||
| <p>There have been 202 messages posted over 192 days since the first | <p>There have been 206 messages posted over 200 days since the first | ||||||
| post on July 13, 2022 for a daily post rate of 1.05.</p> | post on July 13, 2022 for a daily post rate of 1.03.</p> | ||||||
| <h2 id="about">About</h2> | <h2 id="about">About</h2> | ||||||
| <p>This is a game that me and the kids in the basement are playing over | <p>This is a game that me and the kids in the basement are playing over | ||||||
| email.</p> | email.</p> | ||||||
| @ -6839,6 +6840,202 @@ squinting into the fire. “Let’s see what we can salvage here.”</p> | |||||||
| <li>The time of the ritual is at hand.</li> | <li>The time of the ritual is at hand.</li> | ||||||
| <li>What final preparations do you make before entering Dreamspace?</li> | <li>What final preparations do you make before entering Dreamspace?</li> | ||||||
| </ul> | </ul> | ||||||
|  | <h3 id="00058">00058</h3> | ||||||
|  | <blockquote> | ||||||
|  | <p><em>(A week prior)</em></p> | ||||||
|  | <p>The secretary collected the stack of papers that had accumulated at | ||||||
|  | one corner of the desk. “This might help,” she said, setting down a | ||||||
|  | bundle of herbs with white and pink flowers in place of the papers.</p> | ||||||
|  | <p>Inky stared at the blooms, hands stilled over the owl’s plumage. “Oh! | ||||||
|  | Thanks. Good thinking, really. It’ll help make the stench more bearable | ||||||
|  | when they find the remains.”</p> | ||||||
|  | <p>The grey elf was confused for a moment, then mortified as the words | ||||||
|  | sank in. “That’s not what I meant! It’s for the circle,” she | ||||||
|  | clarified.</p> | ||||||
|  | <p>Seeing the imp’s preoccupied nod, she coughed lightly to regain their | ||||||
|  | attention, then spoke in a hushed voice. “Beaker’s associates have | ||||||
|  | picked up the empanada shop proprietor and transported him to an | ||||||
|  | undisclosed location. There will be a retinue with him at all | ||||||
|  | times.”</p> | ||||||
|  | <p>Inky seemed to visibly pull themselves back to the room before | ||||||
|  | responding, “Thank you, Salvia. One more thing — if I do not return by | ||||||
|  | the indicated time, please activate the hitsuzen protocol. As | ||||||
|  | precaution.”</p> | ||||||
|  | <p>The secretary looked at Inky in concern. “Is everything all right? If | ||||||
|  | you’re still troubled by the hotelier, accidents happen. A single | ||||||
|  | incident—”</p> | ||||||
|  | <p>“Third. An unidentified man was attacked at the docks. He was | ||||||
|  | probably sent to investigate the melon vendor. One of the other stall | ||||||
|  | owners heard him asking questions shortly after the melon vendor | ||||||
|  | disappeared.”</p> | ||||||
|  | <p>Salvia’s violet eyes narrowed. “What, the fruit vendor? Didn’t the | ||||||
|  | tabloids say it was an accident? He tried to get rid of a neighbor’s | ||||||
|  | nest of snakes.”</p> | ||||||
|  | <p>Inky only raised an eyebrow at her.</p> | ||||||
|  | <p>The secretary let out a low curse. “You didn’t tell her. You didn’t | ||||||
|  | want her to worry,” she said aloud in realization. She sighed. “She’s | ||||||
|  | going to be pretty angry with you when she finds out, you know.”</p> | ||||||
|  | <p>Inky offered her a sardonic smile. “Making people angry is my job. | ||||||
|  | You of all people know this well. In the event of my timely demise I’m | ||||||
|  | sure the others would find it cause for a grand celebration.” They | ||||||
|  | replied matter-of-factly before returning to smoothing the feathers of | ||||||
|  | one bird wing.</p> | ||||||
|  | <p>Salvia shook her head vehemently. “That’s not true. You’ll make it | ||||||
|  | back, Ink. What then—”</p> | ||||||
|  | <p>“Then our fair Lady’s ire would be the least of the problems.”</p> | ||||||
|  | </blockquote> | ||||||
|  | <p>~</p> | ||||||
|  | <blockquote> | ||||||
|  | <p>Alex stared morosely into his cup of coffee. He’d received word of | ||||||
|  | agent 5’s demise that morning, and had been the only thing on his mind | ||||||
|  | since. 5, no Be’tram knew the risks, we all knew the risks defying HQ | ||||||
|  | brought, but to happen so suddenly? He’d snuck down to the wharf once | ||||||
|  | he’d heard, making sure to cover his tracks and dodge any potential | ||||||
|  | witnesses. He even managed to slip past the police cordon they’d setup | ||||||
|  | around the body. What he’d found wasn’t pretty, it looked like Be’Tram | ||||||
|  | had suffered in his final moments. The bruising around his neck pointed | ||||||
|  | to strangulation, with some sort of cloth, perhaps a rope. The bruising | ||||||
|  | was deep, and there wasn’t a cut, burn, shot or something of the likes | ||||||
|  | on his otherwise.</p> | ||||||
|  | <p>The kill had been intimate.</p> | ||||||
|  | <p>Alex had worked quickly that night, popping Be’Tram’s eye had been | ||||||
|  | hard, but he’d of wanted Alex to have it. Behind his right eye was a | ||||||
|  | recording device, it could only catch the last 15m or so of what he had | ||||||
|  | seen, but it would give him a clear look at what had happened. And | ||||||
|  | potentially lead Alex to the killer. Miserable business, but Be’Tram | ||||||
|  | knew it could make a difference.</p> | ||||||
|  | <p>Alex had planted a bomb on the body after he had extracted the eye, | ||||||
|  | and made his way well away from the area before it went off obliterating | ||||||
|  | the remains. A regrettable end for an old friend, but it was too | ||||||
|  | dangerous to leave.</p> | ||||||
|  | <p>And then there was the matter of the zabbix alert, a little purple | ||||||
|  | red critical for the sewer hideout. He’d had time to send out a drone | ||||||
|  | beetle. The smoldering slag that was left was reassuring. Most of the | ||||||
|  | equipment was utterly destroyed, racks upon racks of servers reduced to | ||||||
|  | twisted melted metal. The effectively of the destruction was delightful, | ||||||
|  | in a sick sort of desperate way. Alex felt assured that most if not all | ||||||
|  | of the equipment was useless, but this spelled the end of a valuable | ||||||
|  | listening outpost. And whoever had done it wasn’t part of the slag | ||||||
|  | pile.</p> | ||||||
|  | <p>Alex stood up, his coffee untouched. The cafe around his burbled in | ||||||
|  | quiet excitement. The city had lit up since the Melon vendor’s death. A | ||||||
|  | thousand rumors abounded about it, but none of them held true; some said | ||||||
|  | the city had become dangerous, a crime syndicate had arisen in the | ||||||
|  | neighboring city block another thought, and did you hear about the | ||||||
|  | explosion at the wharf the other night, the city was electric, yet | ||||||
|  | somehow ever so slightly off the pulse of the issue.</p> | ||||||
|  | <p>As Alex stepped away a woman with horn rimmed glasses strode past the | ||||||
|  | table he had just abandoned, deftly pulling the note from beneath the | ||||||
|  | coffee cup, left for her.</p> | ||||||
|  | <pre><code>4 -> 3 | ||||||
|  | Daylight breaks on the morrow | ||||||
|  | The suns rays make chase | ||||||
|  | casting soft cloth | ||||||
|  | across the nap of nature's neck | ||||||
|  | 
 | ||||||
|  | So, night relents and gives way | ||||||
|  | biding time until | ||||||
|  | it can rule | ||||||
|  | in its own domain</code></pre> | ||||||
|  | <p>For the passerby, it was but a bit of poetry, scribbled carelessly on | ||||||
|  | the back of a napkin in a coffee near the wharf. But for Agent 3 it was | ||||||
|  | a warning, one part notes on Agent 5s demise recovered from his eyecam, | ||||||
|  | one part orders; stay low and we’ll strike these bastards from the | ||||||
|  | shadows, on our terms, on our ground. Similar missives were delivered to | ||||||
|  | Agents 6 & 7. The numbers were dwindling rapidly, even just one | ||||||
|  | agent lost was hard to stomach.</p> | ||||||
|  | <p>Alex hand gripped the pistol in his coat pocket with a white knuckled | ||||||
|  | grip as he stepped from the coffee shop into the city. Whatever was | ||||||
|  | after him, whatever had gotten to Be’Tram, it had better know he was | ||||||
|  | coming, and he’d happily send it straight to hell. HQ be damned, the | ||||||
|  | rules be damned, this little game of cat and mouse had just gotten | ||||||
|  | personal.</p> | ||||||
|  | </blockquote> | ||||||
|  | <p>~</p> | ||||||
|  | <blockquote> | ||||||
|  | <p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves in a dark | ||||||
|  | backroom in a secluded corner of an old fish processing plant on the | ||||||
|  | wharf. The accommodations are rough, and the stench is abhorrent, but | ||||||
|  | it’s the best that could be procured in a pinch. And it should provide | ||||||
|  | enough seclusion.</p> | ||||||
|  | <p>The backroom is like that of many factories, high up near the | ||||||
|  | ceiling, a single rusty rickety staircase winds its way along the side | ||||||
|  | of the building for what seems to be 3 flights, before it reaches a | ||||||
|  | metal room with dusty grimy windows, and a single steel door. The | ||||||
|  | windows on the interior overlook the fish processing plant, where rows | ||||||
|  | of belts and machinery stand still, covered in dust and long forgotten | ||||||
|  | blood. You’re glad to know that the factory stopped operating years ago, | ||||||
|  | hygiene is lacking in every sense.</p> | ||||||
|  | <p>Alex stares forlornly out the exterior windows, the sky is a grey | ||||||
|  | overcast, it matches his mood perfectly. He didn’t like what him and | ||||||
|  | Inky were about to do, but they didn’t have much they could do about it. | ||||||
|  | They would be vulnerable for the duration of the ritual. But Agent 7 and | ||||||
|  | Confidence were there to help mitigate that risk. Alex and Agent 7 had | ||||||
|  | taken every precaution they could think of.</p> | ||||||
|  | <p>The plant floor was scattered with booby traps, trip wires, and | ||||||
|  | alarms. The other agents were laying low, but kept drones around the | ||||||
|  | wharf feeding in a network of twtxt data back to Agent 7 for recon. And | ||||||
|  | that was on top of the double barred steel doors, and reinforced glass | ||||||
|  | box they’d chosen as their hide out. Meticulously planned, Alex expected | ||||||
|  | no less from Agent 7.</p> | ||||||
|  | <p>See Marvelo had been at this as long as Alex had, and then some. He | ||||||
|  | was sharp as a tack, with an animal-like third sense that came from | ||||||
|  | years of close calls. He was, simply put, the right man for the job, | ||||||
|  | when that job was keeping your unconscious ass alive.</p> | ||||||
|  | <p>Alex turns away from the window and addresses Inky. “Apologies for | ||||||
|  | the smell, it turns out there’s a strong correlation between disgust and | ||||||
|  | seclusion, but I believe we should at least be safe here. Safer than we | ||||||
|  | would have been back home. I’m ready if you are, as ready as I’ll ever | ||||||
|  | be that is.”</p> | ||||||
|  | </blockquote> | ||||||
|  | <p>The Golden Iris have summoned you to appear at the Harpoon Club this | ||||||
|  | evening. But the Harpoon Club is nowhere to be found on this plane of | ||||||
|  | existence. It won’t appear until a week and a half from now, on the last | ||||||
|  | day of the month.</p> | ||||||
|  | <p>Confidence the Guide has predicted exactly where the Wandering Bazaar | ||||||
|  | will be on that day. With a small bucket of red paint and a large brush, | ||||||
|  | he has drawn a Linking Sigil on the ground at the location. He sits | ||||||
|  | nearby, making sure careless passersby and mischievous kids don’t | ||||||
|  | disturb it, but otherwise letting the sigil absorb the energies of the | ||||||
|  | bustle of shopping and commerce.</p> | ||||||
|  | <p>At the fish market, Marvelo is posted outside. He keeps vigilant | ||||||
|  | watch, alert to every movement and disturbance.</p> | ||||||
|  | <p>And inside, Bread, Inky, Fuko, and Alex are huddled up in the office | ||||||
|  | in the back near the ceiling. They all sit inside a dark circle that has | ||||||
|  | been smudged on the floor with a paste made of ash and salt. Painted on | ||||||
|  | the ground is a second Linking Sigil, connecting this spot to | ||||||
|  | Confidence’s, allowing the energies of the two locations to co-mingle. | ||||||
|  | There is also the Dream Sigil, which will connect this place to the | ||||||
|  | Dreaming.</p> | ||||||
|  | <p>Bread the Host is propped up on some pillows and cushions in the | ||||||
|  | center of the circle, next to the Nyxmaer. The candle is alleged to be | ||||||
|  | made of the flesh and fat of a certain nightmare. Its hand and eye bound | ||||||
|  | in the wax. The Dream Sigil is the door, but the Nyxmaer is the key. The | ||||||
|  | catalyst that will cause all of the otherwise inert metaphysical | ||||||
|  | particles to become volatile and reactive. It is what will allow you to | ||||||
|  | actually pass over and arrive on the shores of the Sea of Dreams.</p> | ||||||
|  | <p>Per the shop witch’s instructions, the Nyxmaer has been placed on a | ||||||
|  | thin, hard tin plate. As the candle burns, the wax will soften and | ||||||
|  | eventually allow the large metal nail in its side to fall. When it | ||||||
|  | strikes the plate, you will awaken, exiting the Dreaming. You expect | ||||||
|  | hours may pass in the realm of sleep. But only about thirty minutes will | ||||||
|  | pass here.</p> | ||||||
|  | <p>Inky and Alex sit inside the circle, near the perimeter, facing Bread | ||||||
|  | in the center. Fuko the owl sits at Inky’s side.</p> | ||||||
|  | <p>It is dim. You are illuminated by mundane, non-magical candles set | ||||||
|  | around the edges of the circle. Outside, a steady rain beats on the roof | ||||||
|  | and the windows of the building. The smell of fish is faint but | ||||||
|  | ever-present. A constant reminder of the small creatures that have left | ||||||
|  | their bodies in a fashion far more permanent and irreversible than the | ||||||
|  | separation of spirit and body you are about to experience. You hope.</p> | ||||||
|  | <p>WHAT DO YOU DO</p> | ||||||
|  | <ul> | ||||||
|  | <li><p>How do you induce a deep and powerful slumber in Bread?</p></li> | ||||||
|  | <li><p>What shape or form will you take when you arrive in the | ||||||
|  | Dreaming?</p></li> | ||||||
|  | <li><p>What are you secretly worried or hopeful about being exposed in | ||||||
|  | the dreamland, the realm of metaphor?</p></li> | ||||||
|  | </ul> | ||||||
| <h2 id="bestiary">Bestiary</h2> | <h2 id="bestiary">Bestiary</h2> | ||||||
| <p>Some of the creatures who inhabit the world of Basmentaria</p> | <p>Some of the creatures who inhabit the world of Basmentaria</p> | ||||||
| <dt> | <dt> | ||||||
| @ -7236,7 +7433,8 @@ embers.</p> | |||||||
| </summary> | </summary> | ||||||
| <p><strong>THREADS</strong></p> | <p><strong>THREADS</strong></p> | ||||||
| <ul> | <ul> | ||||||
| <li>scissormen, huskies, dreamforms, gliftwirp the warpwefter</li> | <li>scissormen, huskies, dreamforms, gliftwirp the warpwefter, | ||||||
|  | Ephermeris</li> | ||||||
| <li>Lady in Red ??? Tess, Piskin, Salvia ; Beaker (and Cio) trailing the | <li>Lady in Red ??? Tess, Piskin, Salvia ; Beaker (and Cio) trailing the | ||||||
| BANDits?</li> | BANDits?</li> | ||||||
| <li>Benefactor wants Crystals to kill a god</li> | <li>Benefactor wants Crystals to kill a god</li> | ||||||
|  | |||||||
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