main
parent
cc199b35f1
commit
491b997d1e
|
@ -12,6 +12,7 @@ src/epistolary/00059.md
|
||||||
src/epistolary/00060.md
|
src/epistolary/00060.md
|
||||||
src/epistolary/00061.md
|
src/epistolary/00061.md
|
||||||
src/epistolary/00062.md
|
src/epistolary/00062.md
|
||||||
|
src/epistolary/00063.md
|
||||||
src/notes.md
|
src/notes.md
|
||||||
src/acknowledgements.md
|
src/acknowledgements.md
|
||||||
src/afterword.md
|
src/afterword.md
|
||||||
|
|
|
@ -0,0 +1,122 @@
|
||||||
|
---
|
||||||
|
title: 00063
|
||||||
|
created: Tue, 14 Feb 2023 07:01:53 -0700
|
||||||
|
updated: Tue, 14 Feb 2023 07:01:54 -0700
|
||||||
|
public: yes
|
||||||
|
syndicated: yes
|
||||||
|
---
|
||||||
|
### 00063 {#00063}
|
||||||
|
|
||||||
|
> "Greetings, Great One." Inky bows, back parallel to the ground while
|
||||||
|
> they stand on the branch, now a humanoid child in a black uniform and
|
||||||
|
> matching bookbag hanging under one arm. The banana boat is nowhere in
|
||||||
|
> sight. Fuko follows her errant charge and the cloaked figure from a
|
||||||
|
> nearby branch.
|
||||||
|
>
|
||||||
|
> "This lowly one wonders if they may be permitted to seek the Great
|
||||||
|
> Spirit's insight, whose wisdom endures before and beyond." Inky
|
||||||
|
> begins, staring down the blurry reflection of silver boughs overhead
|
||||||
|
> on the polished toes of their black shoes. They notice idly they do
|
||||||
|
> not see themselves in the reflection.
|
||||||
|
>
|
||||||
|
> Straightening from the bow, they look up at the figure and hold out a
|
||||||
|
> plate of taiyaki. After a moment, the child asks haltingly, "There
|
||||||
|
> may come a day when this one will be asked to choose between the
|
||||||
|
> chance to protect many and that which they desire to protect most.
|
||||||
|
> Should this one choose equally? Will the choice matter if both paths
|
||||||
|
> eventually lead to destruction? Could destruction and salvation be
|
||||||
|
> two sides of the same coin?"
|
||||||
|
|
||||||
|
You and the Dude are sitting in small upholstered chairs, across a
|
||||||
|
small half table from each other. There is a large sticky bun on a
|
||||||
|
white lacy doily on the table. Next to you is a small portal-sized
|
||||||
|
window, and outside you can see green rolling hills and small copses
|
||||||
|
of trees fly by. The other seats on the small train car are all
|
||||||
|
empty. The two of you are alone.
|
||||||
|
|
||||||
|
"I cannot give you advice," the Dude says. "But I can offer you
|
||||||
|
experience."
|
||||||
|
|
||||||
|
They raise a hand and hold a loosely closed fist out over the table.
|
||||||
|
The walls of the train become fuzzy and blurry, then translucent, and
|
||||||
|
finally transparent. They disappear and you have the sensation of
|
||||||
|
rocketing through space at dizzying speeds.
|
||||||
|
|
||||||
|
The track splits ahead you. To one side, bound to one track is that
|
||||||
|
which you desire to protect most. Bound to the other are the many.
|
||||||
|
|
||||||
|
"You can choose safely here. It's just a dream, after all." The Dude
|
||||||
|
opens their fist. The Twenty-one Fiver coin rests in their palm.
|
||||||
|
"Heads, you steer the train into the many, sparing that which you
|
||||||
|
love most. Tails, the opposite. You spare the many, and sacrifice
|
||||||
|
that which you hold dear." They hold the coin out to you.
|
||||||
|
|
||||||
|
The train barrels toward the fork. "But choose quickly, lest the
|
||||||
|
choice be made for you."
|
||||||
|
|
||||||
|
|
||||||
|
> Alex scrambles from the wreckage of his mech, or what remained from
|
||||||
|
> the gore portal he'd just experienced. The thought of what had
|
||||||
|
> occurred made him grimace, which was an unusual state of affairs for
|
||||||
|
> an octopus, that is until Alex realized he seemed to be back in his
|
||||||
|
> own body.
|
||||||
|
>
|
||||||
|
> "Sunset, or perhaps rise? It's hard to tell. Pretty though.. could be
|
||||||
|
> prettier without the creepy knife dude." Alex mutters to himself
|
||||||
|
> while he rummages through the destroyed cockpit of the mech. He makes
|
||||||
|
> quick work, detaches a side panel, pulls a couple of wires, and a
|
||||||
|
> compartment in the back opens revealing the smooth dark blue metal
|
||||||
|
> and wood grain of an ak74u sub machine gun. Amused Alex pulls the
|
||||||
|
> weapon from the compartment and notices a distinct lack of additional
|
||||||
|
> magazines, just the one large drum attached to the weapon with large
|
||||||
|
> red letters emblazoned on it [INFINITE AMMO]. "Neat."
|
||||||
|
>
|
||||||
|
> Alex pulls himself from the wreck, and jumps down behind one of the
|
||||||
|
> fallen tentacles taking a firing position behind cover, ak74u aimed
|
||||||
|
> down range at the faceless figure.
|
||||||
|
>
|
||||||
|
> "I don't know who you are, but I don't trust anyone who approaches
|
||||||
|
> with a weapon. Let's both stand down and talk this through! I'm not
|
||||||
|
> supposed to be here, and I reckon you don't want me here either. I'd
|
||||||
|
> be happy to oblige and skidaddle if you'd be so kind as to point the
|
||||||
|
> way out!" Alex pauses waiting for a reply.
|
||||||
|
|
||||||
|
The tall figure halts a short distance away. It raises a hand and
|
||||||
|
waves. In greeting? Surrender? In a fluid motion it continues to lift
|
||||||
|
the same hand and grabs a hold of its trunk, a little less than a
|
||||||
|
foot from the tip. It squeezes its fist tightly and the tip begins to
|
||||||
|
swell. It raises its other hand, and the knife, and starts to saw
|
||||||
|
into the flesh of the trunk behind its fist. The blade cuts cleanly
|
||||||
|
as though through a loaf of bread. There is no blood or gore.
|
||||||
|
|
||||||
|
When the creature lowers its hand, you can see that the center of the
|
||||||
|
trunk is a solid, bright pink fleshy material like a grapefruit, in
|
||||||
|
the center of which are two pin-prick eyes and a wide thin gash of a
|
||||||
|
mouth.
|
||||||
|
|
||||||
|
It still holds the tip of its severed trunk in its hand, a thin stalk
|
||||||
|
and a bulging cap looking for all the world like a large white button
|
||||||
|
mushroom. Peering up from the stem of the mushroom, an identical pink
|
||||||
|
face regards you stoically.
|
||||||
|
|
||||||
|
Both faces speak at the exact same time, one high pitched and one a
|
||||||
|
deep baritone. "Welcome, Dreamer, to Ousia, the Sea of Dreams. We are
|
||||||
|
Kasutva."
|
||||||
|
|
||||||
|
Big Kasutva stoops down to set the small mushroom Kasutva down on the
|
||||||
|
ground. If they're both Kasutva, that is. If that's the way their
|
||||||
|
biology and sense of self actually works. Mushroom Kasutva wobbles
|
||||||
|
side to side a little bit and waggles its stalk as it looks around.
|
||||||
|
Big Kasutva places its knife back in its satchel and takes a few
|
||||||
|
small steps closer to you.
|
||||||
|
|
||||||
|
"We did not mean to offend you," the two say, still perfectly in
|
||||||
|
sync. "As for the way out, that depends only somewhat on your
|
||||||
|
destination. Whatever the answer, we can assure you that it lies
|
||||||
|
across the sea." Large Kasutva gestures broadly toward the expanse of
|
||||||
|
ocean. Small Kasutva lacks any limbs and cannot gesture, but smiles
|
||||||
|
softly at you.
|
||||||
|
|
||||||
|
"But tell us what it is you seek. Perhaps we can be of help."
|
||||||
|
|
||||||
|
WHAT DO YOU DO
|
Binary file not shown.
Binary file not shown.
103
www/index.html
103
www/index.html
|
@ -286,6 +286,7 @@
|
||||||
<li><a href="#00060" id="toc-00060">00060</a></li>
|
<li><a href="#00060" id="toc-00060">00060</a></li>
|
||||||
<li><a href="#00061" id="toc-00061">00061</a></li>
|
<li><a href="#00061" id="toc-00061">00061</a></li>
|
||||||
<li><a href="#00062" id="toc-00062">00062</a></li>
|
<li><a href="#00062" id="toc-00062">00062</a></li>
|
||||||
|
<li><a href="#00063" id="toc-00063">00063</a></li>
|
||||||
</ul></li>
|
</ul></li>
|
||||||
<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
|
<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
|
||||||
<li><a href="#appendix-a-dramatis-personae"
|
<li><a href="#appendix-a-dramatis-personae"
|
||||||
|
@ -359,11 +360,11 @@ into the <a href="#current-story">current story arc</a>.</p>
|
||||||
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
||||||
the rss feed</a>.</p>
|
the rss feed</a>.</p>
|
||||||
<h2 id="stats">Stats</h2>
|
<h2 id="stats">Stats</h2>
|
||||||
<p>Total length: 80312 words / 343 minute read. (Mind you, that’s the
|
<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
|
||||||
length of this entire page, including all the extra bits and bobs. Not
|
length of this entire page, including all the extra bits and bobs. Not
|
||||||
just the story.)</p>
|
just the story.)</p>
|
||||||
<p>There have been 217 messages posted over 215 days since the first
|
<p>There have been 221 messages posted over 217 days since the first
|
||||||
post on July 13, 2022 for a daily post rate of 1.00.</p>
|
post on July 13, 2022 for a daily post rate of 1.01.</p>
|
||||||
<h2 id="chapter-1">Chapter 1</h2>
|
<h2 id="chapter-1">Chapter 1</h2>
|
||||||
<p>This is the first installment of BASEMENT QUEST.</p>
|
<p>This is the first installment of BASEMENT QUEST.</p>
|
||||||
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
||||||
|
@ -6630,6 +6631,102 @@ rainbow colored light crackling along the inside illuminating very
|
||||||
little of the smoke-filled interior.</p>
|
little of the smoke-filled interior.</p>
|
||||||
<p>“What is it you seek from Dude 215R?”</p>
|
<p>“What is it you seek from Dude 215R?”</p>
|
||||||
<p>WHAT DO YOU DO</p>
|
<p>WHAT DO YOU DO</p>
|
||||||
|
<h3 id="00063">00063</h3>
|
||||||
|
<blockquote>
|
||||||
|
<p>“Greetings, Great One.” Inky bows, back parallel to the ground while
|
||||||
|
they stand on the branch, now a humanoid child in a black uniform and
|
||||||
|
matching bookbag hanging under one arm. The banana boat is nowhere in
|
||||||
|
sight. Fuko follows her errant charge and the cloaked figure from a
|
||||||
|
nearby branch.</p>
|
||||||
|
<p>“This lowly one wonders if they may be permitted to seek the Great
|
||||||
|
Spirit’s insight, whose wisdom endures before and beyond.” Inky begins,
|
||||||
|
staring down the blurry reflection of silver boughs overhead on the
|
||||||
|
polished toes of their black shoes. They notice idly they do not see
|
||||||
|
themselves in the reflection.</p>
|
||||||
|
<p>Straightening from the bow, they look up at the figure and hold out a
|
||||||
|
plate of taiyaki. After a moment, the child asks haltingly, “There may
|
||||||
|
come a day when this one will be asked to choose between the chance to
|
||||||
|
protect many and that which they desire to protect most. Should this one
|
||||||
|
choose equally? Will the choice matter if both paths eventually lead to
|
||||||
|
destruction? Could destruction and salvation be two sides of the same
|
||||||
|
coin?”</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>You and the Dude are sitting in small upholstered chairs, across a
|
||||||
|
small half table from each other. There is a large sticky bun on a white
|
||||||
|
lacy doily on the table. Next to you is a small portal-sized window, and
|
||||||
|
outside you can see green rolling hills and small copses of trees fly
|
||||||
|
by. The other seats on the small train car are all empty. The two of you
|
||||||
|
are alone.</p>
|
||||||
|
<p>“I cannot give you advice,” the Dude says. “But I can offer you
|
||||||
|
experience.”</p>
|
||||||
|
<p>They raise a hand and hold a loosely closed fist out over the table.
|
||||||
|
The walls of the train become fuzzy and blurry, then translucent, and
|
||||||
|
finally transparent. They disappear and you have the sensation of
|
||||||
|
rocketing through space at dizzying speeds.</p>
|
||||||
|
<p>The track splits ahead you. To one side, bound to one track is that
|
||||||
|
which you desire to protect most. Bound to the other are the many.</p>
|
||||||
|
<p>“You can choose safely here. It’s just a dream, after all.” The Dude
|
||||||
|
opens their fist. The Twenty-one Fiver coin rests in their palm. “Heads,
|
||||||
|
you steer the train into the many, sparing that which you love most.
|
||||||
|
Tails, the opposite. You spare the many, and sacrifice that which you
|
||||||
|
hold dear.” They hold the coin out to you.</p>
|
||||||
|
<p>The train barrels toward the fork. “But choose quickly, lest the
|
||||||
|
choice be made for you.”</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Alex scrambles from the wreckage of his mech, or what remained from
|
||||||
|
the gore portal he’d just experienced. The thought of what had occurred
|
||||||
|
made him grimace, which was an unusual state of affairs for an octopus,
|
||||||
|
that is until Alex realized he seemed to be back in his own body.</p>
|
||||||
|
<p>“Sunset, or perhaps rise? It’s hard to tell. Pretty though.. could be
|
||||||
|
prettier without the creepy knife dude.” Alex mutters to himself while
|
||||||
|
he rummages through the destroyed cockpit of the mech. He makes quick
|
||||||
|
work, detaches a side panel, pulls a couple of wires, and a compartment
|
||||||
|
in the back opens revealing the smooth dark blue metal and wood grain of
|
||||||
|
an ak74u sub machine gun. Amused Alex pulls the weapon from the
|
||||||
|
compartment and notices a distinct lack of additional magazines, just
|
||||||
|
the one large drum attached to the weapon with large red letters
|
||||||
|
emblazoned on it [INFINITE AMMO]. “Neat.”</p>
|
||||||
|
<p>Alex pulls himself from the wreck, and jumps down behind one of the
|
||||||
|
fallen tentacles taking a firing position behind cover, ak74u aimed down
|
||||||
|
range at the faceless figure.</p>
|
||||||
|
<p>“I don’t know who you are, but I don’t trust anyone who approaches
|
||||||
|
with a weapon. Let’s both stand down and talk this through! I’m not
|
||||||
|
supposed to be here, and I reckon you don’t want me here either. I’d be
|
||||||
|
happy to oblige and skidaddle if you’d be so kind as to point the way
|
||||||
|
out!” Alex pauses waiting for a reply.</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>The tall figure halts a short distance away. It raises a hand and
|
||||||
|
waves. In greeting? Surrender? In a fluid motion it continues to lift
|
||||||
|
the same hand and grabs a hold of its trunk, a little less than a foot
|
||||||
|
from the tip. It squeezes its fist tightly and the tip begins to swell.
|
||||||
|
It raises its other hand, and the knife, and starts to saw into the
|
||||||
|
flesh of the trunk behind its fist. The blade cuts cleanly as though
|
||||||
|
through a loaf of bread. There is no blood or gore.</p>
|
||||||
|
<p>When the creature lowers its hand, you can see that the center of the
|
||||||
|
trunk is a solid, bright pink fleshy material like a grapefruit, in the
|
||||||
|
center of which are two pin-prick eyes and a wide thin gash of a
|
||||||
|
mouth.</p>
|
||||||
|
<p>It still holds the tip of its severed trunk in its hand, a thin stalk
|
||||||
|
and a bulging cap looking for all the world like a large white button
|
||||||
|
mushroom. Peering up from the stem of the mushroom, an identical pink
|
||||||
|
face regards you stoically.</p>
|
||||||
|
<p>Both faces speak at the exact same time, one high pitched and one a
|
||||||
|
deep baritone. “Welcome, Dreamer, to Ousia, the Sea of Dreams. We are
|
||||||
|
Kasutva.”</p>
|
||||||
|
<p>Big Kasutva stoops down to set the small mushroom Kasutva down on the
|
||||||
|
ground. If they’re both Kasutva, that is. If that’s the way their
|
||||||
|
biology and sense of self actually works. Mushroom Kasutva wobbles side
|
||||||
|
to side a little bit and waggles its stalk as it looks around. Big
|
||||||
|
Kasutva places its knife back in its satchel and takes a few small steps
|
||||||
|
closer to you.</p>
|
||||||
|
<p>“We did not mean to offend you,” the two say, still perfectly in
|
||||||
|
sync. “As for the way out, that depends only somewhat on your
|
||||||
|
destination. Whatever the answer, we can assure you that it lies across
|
||||||
|
the sea.” Large Kasutva gestures broadly toward the expanse of ocean.
|
||||||
|
Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
|
||||||
|
you.</p>
|
||||||
|
<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
<h2 id="afterword">Afterword</h2>
|
<h2 id="afterword">Afterword</h2>
|
||||||
<p>I don’t know what I’m going to put here, but I didn’t want this
|
<p>I don’t know what I’m going to put here, but I didn’t want this
|
||||||
document to just abruptly end. So here you go: a kind farewell and a
|
document to just abruptly end. So here you go: a kind farewell and a
|
||||||
|
|
1115
www/rss.xml
1115
www/rss.xml
File diff suppressed because it is too large
Load Diff
|
@ -286,6 +286,7 @@
|
||||||
<li><a href="#00060" id="toc-00060">00060</a></li>
|
<li><a href="#00060" id="toc-00060">00060</a></li>
|
||||||
<li><a href="#00061" id="toc-00061">00061</a></li>
|
<li><a href="#00061" id="toc-00061">00061</a></li>
|
||||||
<li><a href="#00062" id="toc-00062">00062</a></li>
|
<li><a href="#00062" id="toc-00062">00062</a></li>
|
||||||
|
<li><a href="#00063" id="toc-00063">00063</a></li>
|
||||||
</ul></li>
|
</ul></li>
|
||||||
<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
|
<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
|
||||||
<li><a href="#acknowledgements"
|
<li><a href="#acknowledgements"
|
||||||
|
@ -362,11 +363,11 @@ into the <a href="#current-story">current story arc</a>.</p>
|
||||||
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
||||||
the rss feed</a>.</p>
|
the rss feed</a>.</p>
|
||||||
<h2 id="stats">Stats</h2>
|
<h2 id="stats">Stats</h2>
|
||||||
<p>Total length: 80312 words / 343 minute read. (Mind you, that’s the
|
<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
|
||||||
length of this entire page, including all the extra bits and bobs. Not
|
length of this entire page, including all the extra bits and bobs. Not
|
||||||
just the story.)</p>
|
just the story.)</p>
|
||||||
<p>There have been 217 messages posted over 215 days since the first
|
<p>There have been 221 messages posted over 217 days since the first
|
||||||
post on July 13, 2022 for a daily post rate of 1.00.</p>
|
post on July 13, 2022 for a daily post rate of 1.01.</p>
|
||||||
<h2 id="chapter-1">Chapter 1</h2>
|
<h2 id="chapter-1">Chapter 1</h2>
|
||||||
<p>This is the first installment of BASEMENT QUEST.</p>
|
<p>This is the first installment of BASEMENT QUEST.</p>
|
||||||
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
||||||
|
@ -6633,6 +6634,102 @@ rainbow colored light crackling along the inside illuminating very
|
||||||
little of the smoke-filled interior.</p>
|
little of the smoke-filled interior.</p>
|
||||||
<p>“What is it you seek from Dude 215R?”</p>
|
<p>“What is it you seek from Dude 215R?”</p>
|
||||||
<p>WHAT DO YOU DO</p>
|
<p>WHAT DO YOU DO</p>
|
||||||
|
<h3 id="00063">00063</h3>
|
||||||
|
<blockquote>
|
||||||
|
<p>“Greetings, Great One.” Inky bows, back parallel to the ground while
|
||||||
|
they stand on the branch, now a humanoid child in a black uniform and
|
||||||
|
matching bookbag hanging under one arm. The banana boat is nowhere in
|
||||||
|
sight. Fuko follows her errant charge and the cloaked figure from a
|
||||||
|
nearby branch.</p>
|
||||||
|
<p>“This lowly one wonders if they may be permitted to seek the Great
|
||||||
|
Spirit’s insight, whose wisdom endures before and beyond.” Inky begins,
|
||||||
|
staring down the blurry reflection of silver boughs overhead on the
|
||||||
|
polished toes of their black shoes. They notice idly they do not see
|
||||||
|
themselves in the reflection.</p>
|
||||||
|
<p>Straightening from the bow, they look up at the figure and hold out a
|
||||||
|
plate of taiyaki. After a moment, the child asks haltingly, “There may
|
||||||
|
come a day when this one will be asked to choose between the chance to
|
||||||
|
protect many and that which they desire to protect most. Should this one
|
||||||
|
choose equally? Will the choice matter if both paths eventually lead to
|
||||||
|
destruction? Could destruction and salvation be two sides of the same
|
||||||
|
coin?”</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>You and the Dude are sitting in small upholstered chairs, across a
|
||||||
|
small half table from each other. There is a large sticky bun on a white
|
||||||
|
lacy doily on the table. Next to you is a small portal-sized window, and
|
||||||
|
outside you can see green rolling hills and small copses of trees fly
|
||||||
|
by. The other seats on the small train car are all empty. The two of you
|
||||||
|
are alone.</p>
|
||||||
|
<p>“I cannot give you advice,” the Dude says. “But I can offer you
|
||||||
|
experience.”</p>
|
||||||
|
<p>They raise a hand and hold a loosely closed fist out over the table.
|
||||||
|
The walls of the train become fuzzy and blurry, then translucent, and
|
||||||
|
finally transparent. They disappear and you have the sensation of
|
||||||
|
rocketing through space at dizzying speeds.</p>
|
||||||
|
<p>The track splits ahead you. To one side, bound to one track is that
|
||||||
|
which you desire to protect most. Bound to the other are the many.</p>
|
||||||
|
<p>“You can choose safely here. It’s just a dream, after all.” The Dude
|
||||||
|
opens their fist. The Twenty-one Fiver coin rests in their palm. “Heads,
|
||||||
|
you steer the train into the many, sparing that which you love most.
|
||||||
|
Tails, the opposite. You spare the many, and sacrifice that which you
|
||||||
|
hold dear.” They hold the coin out to you.</p>
|
||||||
|
<p>The train barrels toward the fork. “But choose quickly, lest the
|
||||||
|
choice be made for you.”</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Alex scrambles from the wreckage of his mech, or what remained from
|
||||||
|
the gore portal he’d just experienced. The thought of what had occurred
|
||||||
|
made him grimace, which was an unusual state of affairs for an octopus,
|
||||||
|
that is until Alex realized he seemed to be back in his own body.</p>
|
||||||
|
<p>“Sunset, or perhaps rise? It’s hard to tell. Pretty though.. could be
|
||||||
|
prettier without the creepy knife dude.” Alex mutters to himself while
|
||||||
|
he rummages through the destroyed cockpit of the mech. He makes quick
|
||||||
|
work, detaches a side panel, pulls a couple of wires, and a compartment
|
||||||
|
in the back opens revealing the smooth dark blue metal and wood grain of
|
||||||
|
an ak74u sub machine gun. Amused Alex pulls the weapon from the
|
||||||
|
compartment and notices a distinct lack of additional magazines, just
|
||||||
|
the one large drum attached to the weapon with large red letters
|
||||||
|
emblazoned on it [INFINITE AMMO]. “Neat.”</p>
|
||||||
|
<p>Alex pulls himself from the wreck, and jumps down behind one of the
|
||||||
|
fallen tentacles taking a firing position behind cover, ak74u aimed down
|
||||||
|
range at the faceless figure.</p>
|
||||||
|
<p>“I don’t know who you are, but I don’t trust anyone who approaches
|
||||||
|
with a weapon. Let’s both stand down and talk this through! I’m not
|
||||||
|
supposed to be here, and I reckon you don’t want me here either. I’d be
|
||||||
|
happy to oblige and skidaddle if you’d be so kind as to point the way
|
||||||
|
out!” Alex pauses waiting for a reply.</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>The tall figure halts a short distance away. It raises a hand and
|
||||||
|
waves. In greeting? Surrender? In a fluid motion it continues to lift
|
||||||
|
the same hand and grabs a hold of its trunk, a little less than a foot
|
||||||
|
from the tip. It squeezes its fist tightly and the tip begins to swell.
|
||||||
|
It raises its other hand, and the knife, and starts to saw into the
|
||||||
|
flesh of the trunk behind its fist. The blade cuts cleanly as though
|
||||||
|
through a loaf of bread. There is no blood or gore.</p>
|
||||||
|
<p>When the creature lowers its hand, you can see that the center of the
|
||||||
|
trunk is a solid, bright pink fleshy material like a grapefruit, in the
|
||||||
|
center of which are two pin-prick eyes and a wide thin gash of a
|
||||||
|
mouth.</p>
|
||||||
|
<p>It still holds the tip of its severed trunk in its hand, a thin stalk
|
||||||
|
and a bulging cap looking for all the world like a large white button
|
||||||
|
mushroom. Peering up from the stem of the mushroom, an identical pink
|
||||||
|
face regards you stoically.</p>
|
||||||
|
<p>Both faces speak at the exact same time, one high pitched and one a
|
||||||
|
deep baritone. “Welcome, Dreamer, to Ousia, the Sea of Dreams. We are
|
||||||
|
Kasutva.”</p>
|
||||||
|
<p>Big Kasutva stoops down to set the small mushroom Kasutva down on the
|
||||||
|
ground. If they’re both Kasutva, that is. If that’s the way their
|
||||||
|
biology and sense of self actually works. Mushroom Kasutva wobbles side
|
||||||
|
to side a little bit and waggles its stalk as it looks around. Big
|
||||||
|
Kasutva places its knife back in its satchel and takes a few small steps
|
||||||
|
closer to you.</p>
|
||||||
|
<p>“We did not mean to offend you,” the two say, still perfectly in
|
||||||
|
sync. “As for the way out, that depends only somewhat on your
|
||||||
|
destination. Whatever the answer, we can assure you that it lies across
|
||||||
|
the sea.” Large Kasutva gestures broadly toward the expanse of ocean.
|
||||||
|
Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
|
||||||
|
you.</p>
|
||||||
|
<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
<h2 id="spoilers">Spoilers</h2>
|
<h2 id="spoilers">Spoilers</h2>
|
||||||
<details>
|
<details>
|
||||||
<summary>
|
<summary>
|
||||||
|
|
Loading…
Reference in New Issue