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@ -20,6 +20,7 @@ src/chapter1.md
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src/chapter2.md
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src/chapter3.md
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src/epistolary/index.md
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src/epistolary/00054.md
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src/bestiary/index.md
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src/bestiary/aur.md
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src/bestiary/blahoblin.md
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@ -1,7 +1,7 @@
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---
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title: alex
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created: Fri, 18 Nov 2022 09:04:34 -0700
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updated: Thu, 22 Dec 2022 12:43:42 -0700
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updated: Tue, 03 Jan 2023 16:32:30 -0700
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public: yes
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---
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### Alex
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@ -18,5 +18,5 @@ Alex is like Corraidhin in some aspects, he’s younger, more brash, more given
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Paths:
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- Retriever: Contractual Obligation, An Auspicious Start, Two In The Hand
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- Retriever: Contractual Obligation, An Auspicious Start, Two In The Hand, The Triple Lindy
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@ -1,7 +1,7 @@
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---
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title: inky
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created: Tue, 26 Jul 2022 20:32:23 -0600
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updated: Fri, 18 Nov 2022 09:01:22 -0700
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updated: Tue, 03 Jan 2023 16:32:35 -0700
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public: yes
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---
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### Inky
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@ -22,6 +22,6 @@ What do you plan to do with your cut of the money? Buy lots of ink ingredients,
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Paths:
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- Retriever: Contractual Obligation, An Auspicious Start, Two In The Hand
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- Retriever: Contractual Obligation, An Auspicious Start, Two In The Hand, The Triple Lindy
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- Were-Hare: Lepusthropy, Beast Sense, Hybrid Form
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- Tasseomancer: Reading, Ceremony
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@ -0,0 +1,300 @@
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---
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title: 00054
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created: Tue, 03 Jan 2023 16:12:08 -0700
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updated: Wed, 04 Jan 2023 08:18:44 -0700
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public: yes
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syndicated: yes
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---
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### 00054 {#00054}
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> Once back in the Milk Bar, with the airship safely anchored to the
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> roof of the building, Alex finds himself amongst the old belongings
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> of his former uncle.
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>
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> *sigh* "Best get a request to HQ for this airship, maybe they'll
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> let us operate it for a bit, if not I suppose we have to impound
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> it.."
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>
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> ```
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> <- OP 2817 * LOC MB-A
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> -> OP 25120 * LOC ESPER
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>
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> CLEARANCE: INFORMATIONAL
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> REQUEST ENCLOSED.
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>
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> REQUESTING PERMISSION TO IMPOUND OR OPERATE.
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> ONE CYBERPLASM AIRSHIP "The Rusty Maiden"
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> ```
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>
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> "There's also the matter of this little hemogoblin.." Alex mutters
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> to himself while said hemogoblin happily dances around the room,
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> dripping little pools of blood hither and tither.
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>
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> ```
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> <- OP 2817 * LOC MB-A
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> -> OP 41154 * LOC ESPER
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>
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> CLEARANCE: TOP SECRET
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> REQUEST ENCLOSED
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> PACKET ENCLOSED
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>
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> REQUESTING ANALYSIS
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> ONE GDB @gdb-readout.dat
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> TWO BLOOD @blood-soaked-handkerchief
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> NOTE GDB INDICATES SOME ANOMALY
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> ```
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>
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> "Hey little guy, lets go get an empanade. Inky says they're
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> divine." Alex says as he scoops up the little goblin and gently
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> carries him downstairs."
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>
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> Striding into Enriques kitchen, and availing himself to the
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> empanadas, ignoring an indignant Enrique's protests that these were
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> for paying customers until a small bag of coins is tossed careless
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> over one shoulder. Alex stride through the kitchen and then out and
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> away into the garden to enjoy their pilfered treats.
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>
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> "I suppose this is more interesting than being on the force at
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> times"
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~
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> Inky stepped into the toques' cabin below deck with a tray of
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> turmeric ginger tea and lavender biscuits. After checking on
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> Bread's bandages and offering the toque reclined on the berth the
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> last bag of mango croutons — or at least the last one for the next
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> two hours — Inky perched on a wooden barrel across from where
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> Confidence sat on a creaking old chair next to the bunk and spoke.
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> "We'll be landing in about an hour and getting Bread to a medical
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> facility. You can stay with him while he heals and rest up."
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>
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> They paused to take a long sip from their cup, as if the liquid was
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> being used to summon their next words. "On behalf of myself and the
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> party, I apologise for the … disruption, and for what had befallen
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> the hotelier. As you may have already noticed, we're a fair
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> distance away from the Peak and will be arriving in Vay'Nullar
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> soon. This airship was taken over from the cyberplasms in the
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> course of getting the crystal out and the injured to a safe
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> location, and her new captain could hardly fly it back straight
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> into the pirates' hands now.
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>
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> What we propose is this: you and Bread may take as long as you need
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> to recover. We can arrange for lodgings and new posts in the city.
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> One of our party runs a Milk Market that could certainly use some
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> hired help, and a garden in the back that would benefit from more
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> attention. Pay will be double your current salary at the hotel.
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> Master Alex may also recruit you for other tasks. You don't need to
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> have an answer just yet — think on it for a bit while you rest and
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> let us know. Afterwards, if you find that you still wish to return
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> to Kelsun Peak, we will pay for travel."
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>
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> Inky winked at Bread conspiratorially. "You may be interested to
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> know there is a bakery on the Milk Market's first floor. If you
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> like the look of the place, perhaps we can convince the chef to
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> take on an assistant."
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>
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> ~
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>
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> Tess watched her adviser from her position on one end of the plush
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> chaise lounge in her office, who returned her stare impassively as
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> they sat in the adjoining armchair to her right. The ornate coffee
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> table before them had been laid out for tea, but the other cup
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> remained untouched, which was in itself unusual. Ink rarely turned
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> down tea when it was offered, which likely meant they were
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> preoccupied with something they were unwilling to discuss. This had
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> been happening more frequently since their plans to intercept the
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> Ginnarak Crystals, which was a little concerning, but she knew it
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> would be no use to question them directly. The missive she had
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> received this time through Piskin's people was brief, almost
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> annoyingly so, but they had returned earlier than expected with the
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> articles that production had requested, which had fortunately made
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> up for lost time from the previous delays.
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>
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> With this in mind, she settled on a lighter note as she picked up
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> her own teacup. "Salvia passed on the items to the production team.
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> Thank you for picking them up from the Runesocesius. I would send
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> my regular couriers but they are tied up with another event. One of
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> them had to care for their sick child and couldn't leave the city.
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> As usual, time and discretion are of the essence."
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>
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> When her adviser only nodded, she continued. "How is he? He
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> probably insisted on bringing the manuscripts out for you himself.
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> The man is cautious with valuables."
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>
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> "Quite dead but managing, or so I heard." Ink intoned drily.
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>
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> Tess caught on immediately. "Didn't you meet with him? The message
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> only mentioned the items had been obtained. Did something happen?"
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>
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> The imp shrugged. "We met, I delivered the letter and collected the
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> items. We didn't get a chance to talk."
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>
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> The hotel was slowly but steadily attracting visitors again,
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> especially after their last play had prominently featured the
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> Runesocesius Library as a research partner in the programme
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> credits, but Tess didn't think the hotelier was so busy as to
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> entrust this task to one of his underlings. The man was proud of
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> the first editions the library had amassed, and the notebooks of
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> Lucidieau that the playwright sought as a reference were no doubt
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> counted among the treasures, even if only an expensive commissioned
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> facsimile was permitted out of the library. Something had happened,
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> she was sure, but decided not to press further for the moment.
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>
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> "And the other matter?" she asked.
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>
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> "Someone already knew the crystal was at the hotel and retained a
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> crew of cyberplasmic pirates to storm the place." Ink replied
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> flatly. "And yes, your acquaintance is very much dead, shot by the
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> crew leader in the scuffle. As the rumour rags have it, his ghost
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> is now overseeing the building repairs."
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>
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> Tess was about to admonish the imp gently for the tasteless jest
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> when there was a knock at the door. At her response, the door
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> opened and her secretary entered with a box of pastries and two
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> sets of tableware, which she placed on the coffee table before
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> leaving and closing the door behind her.
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>
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> Noticing Ink's look of recognition, Tess smiled and ventured, "This
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> is the second time is as many months you awarded that empanada
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> place a glowing review in *The Tiny Toaster*. I can count the
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> ratings higher than a 10 you've ever given on one hand — of course
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> I had to try it. Why don't you have some as well?"
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>
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> Ink blinked. "I didn't write the latest review."
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>
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> Tess shot them an accusing mock-glare as she lifted a puffy golden
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> brown pastry onto a plate. "It has your inkprints all over it."
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>
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> "I don't know what you mean. Surely I'm allowed to treat a
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> colleague to lunch, and they are free to express their satisfaction
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> with a meal openly if they wish," Ink replied smoothly.
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>
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> Tess rolled her eyes. "There's a name for that. It's called
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> bribery."
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>
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> Ink smiled faintly. "Just so. However, the selection speaks for
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> itself."
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>
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> "Oh, absolutely! These mini ambrose apple empanadas are wonderful.
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> In fact," Tess prodded the open end of the pastry with her fork,
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> where a light yellow filling was visible, "they remind me a little
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> of the very crispy tortelli *someone* made several years ago just
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> for the opening reception of *The Two Genteelkin of Virdantha*."
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>
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> "Any resemblance is coincidental. The chef is very capable." Ink
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> said evenly.
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>
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> Tess sighed and returned her plate to the table. "We've talked
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> about this before, Ink. You don't have to hole up in some poor
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> scrub's excuse for a kitchen in a closet. If you need more room
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> downstairs then expand it. Just tell Salvia and she'll take care of
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> it."
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>
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> Ink lowered their gaze to the teacups. "I appreciate the offer, but
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> the answer is the same. There will be no rest until the crystals
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> are secured."
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Some time passes.
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The hemogoblin turns out to be a fine housemate and less of a problem
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than you thought it would be. Be it because its not in the excitement
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of battle onboard a pirate ship, or be it because it is maturing
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slightly, it seems in better control of its blood sacs. Barring a few
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small accidents, it doesn't make much of a mess. It has found and
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claimed as its own a few unused blankets, and has made a little
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burrow nest in an out of the way corner behind the furniture.
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Bread makes a full recovery and in fact is doing better than ever
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before. The blood goblin stays by their side during the first hours
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and days and keeps them pumped full of clean, synthetic blood.
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Afterwards the toque is flushed a healthy pink and has new vigor.
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Enrique takes them under his tutelage. And Bread ends up making a
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fine baker's apprentice. Dough seems to rise more and quicker after
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he kneads it. "The lad has solar hands," Enrique boasts of his new
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protegee.
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Confidence becomes enthralled with the semi-sentient Wandering
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Bazaar. The thirteen story building moves with glacial speed up and
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down the streets, vendors and stalls and shoppers following in its
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wake. But then also it will disappear in the blink of an eye only to
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reappear in a totally different part of the area known as the
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Wandering Bazaar District. Each floor of the tall, narrow tower is
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occupied entirely by a single shop. But which shop it is seems to
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vary from day to day. One day the seventh level will be occupied by
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Fedik's Butcher shop. And the next, Lario's Bakery. It might be days
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or weeks before one can once again buy hotlinks from Fedik's. Where
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the shops go when they're not here is one of Basmentaria's great
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mysteries.
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The toque studies the Bazaar's movements and are able to predict its
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route with more and more accuracy. They become a highly sought out
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guide. Tourists and visitors trust them to take them to the very spot
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the Bazaar will appear that day. Residents appreciate the heads up
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and not getting trapped in their houses when the Bazaar wedges its
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way into their narrow residential streets, blocking their front
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doors. And owners of traditional, less ambulatory shops are able to
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plan ahead for the crowds that will appear on "Bazaar Day".
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~
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Members of the Retrieval Team who sleep in Milk Market HQ start
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having dreams of the same mysterious figure. Of course at first
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nobody knows their dreams are shared by the others. Not until they
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become more frequent, more regular. By the time the figure has
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visited you every night for nearly a week, somebody speaks up and you
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realize the coincidence.
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The figure is clad in voluminous robes of deep purple. Long,
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straight, blonde hair falls around their shoulders. Their soft
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features are boyish and womanly. They wear a golden circlet on their
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head and a golden eye in the middle of their forehead. Their passive,
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neutral face betrays no emotion the entire time.
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The dream is always the same. They reach out to you with one hand and
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turn their palm up. And because of dream logic, in the palm of their
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hand you can hear the jingling of coins, mirthful laughter, and
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hushed stories told around a campfire. They curl their fingers into a
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loose first and the sounds stop. They spread their arms wide and in
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the folds of their robes you can see three siblings fighting,
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squabbling over a broken loom.
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Then you're standing next to them, and the two of you watch three
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friends, Snake, Owl, and Dolphin. Owl tells Snake that he is tired of
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flying and hooting, and doesn't want to be an owl any more, he wants
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to be flowers. And Snake laughs and tells him that he is Owl, and an
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owl he must remain. And she leaves him to go eat rodents and bake in
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the sun. So Owl tells Dolphin that he is tired of flying and hooting,
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and doesn't want to be an owl any more, he wants to be flowers.
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Dolphin doesn't want to help Owl, because if he is flowers, they
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won't be able to be together any longer. But Dolphin finally agrees
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to help even though they don't want to, because Dolphin loves Owl.
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With all their strength, they create a great waterspout that will
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turn Owl into flowers. But the waterspout is too strong, and Dolphin
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is too weak to control it. It sprays Owl but does not turn him into
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flowers. Owl's wing is broken and he falls to the ground in a heap of
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feathers. The waterspout shakes a great boulder from the earth and
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traps Snake under it. And Dolphin sinks to the bottom of the sea.
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And then you wake up.
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~
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Later you find a letter in the common area of Milk Market HQ. It is
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not addressed to anybody. When you open it up, it reads:
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> Time is running out, Retrieval Team 43. Things are starting to draw
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> to a close. We cannot delay our meeting any longer if we both are
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> to achieve our goals. We have information that you are looking for.
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> Meet us at the Harpoon Club next Selday. We will wear the sign.
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The letter is signed with a white iris and golden apple.
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Anyone in Vay'Nullar would be able to tell you that the Harpoon Club
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is a game room and fine dining club, and one of the rotating tenants
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of the Wandering Bazaar. But Confidence would tell you, were you to
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ask them, that the club won't be there next Selday. (When the Bazaar
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will appear at East and Lowland.) It is in fact not scheduled to
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appear until a week and a half after next Selday, on Third Tensday.
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(When the Bazaar will appear at Cathedral and Pine.)
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WHAT DO YOU DO
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68
src/notes.md
68
src/notes.md
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@ -9,8 +9,7 @@ updated: Sun, 27 Nov 2022 02:24:11 -0700
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<summary>SPOILERS!!</summary>
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**THREADS**
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- Lady in Red ???
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- Beaker (and Cio) trailing the BANDits?
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- Lady in Red ??? Tess, Piskin, Salvia ; Beaker (and Cio) trailing the BANDits?
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- Benefactor wants Crystals to kill a god
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- Golden Iris wants Crystals to make a new god
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- Gnu Zealots (aligned with Golden Iris) seek to open source godhood
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@ -70,5 +69,70 @@ todo:
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- [x] the BAND (Birds Are Not Dinosaurs) and the BATT (Birds Are Time Travelers) conspiracy
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- [x] ・゜゜・。。・゜゜\_o< QUACK!
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- [x] The gang has a rival: the gophers of Retrieval Team 70
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**CALENDAR**
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The period of Moonmoon's rotation is 10 days.
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This is a week.
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The period of Selene's rotation is 30 days (3 weeks).
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This is a month.
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The period of Lua's rotation is 360 days (12 months).
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This is a year.
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Days of the week are divided into godsdays, moondays, earthdays, and 'Tensday'.
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| Day of Month | Day of Week | Name | Moonmoon | Selene |
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|--------------|-------------|----------|-----------------|-----------------|
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| 1 | 1 | Nedsday | 1st quarter | 1st quarter |
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| 2 | 2 | Nullday | waxing gibbous | 1st quarter |
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| 3 | 3 | Lianday | full | 1st quarter |
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| 4 | 4 | Monday | full | 1st quarter |
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| 5 | 5 | Selday | waning gibbous | waxing gibbous |
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| 6 | 6 | Luday | 3rd quarter | waxing gibbous |
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| 7 | 7 | Primeday | waning crescent | waxing gibbous |
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| 8 | 8 | Agenday | new | full |
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| 9 | 9 | Ginnday | new | full |
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| 10 | 10 | Tensday | waxing crescent | full |
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| 11 | 1 | Nedsday | 1st quarter | full |
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| 12 | 2 | Nullday | waxing gibbous | full |
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| 13 | 3 | Lianday | full | waning gibbous |
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| 14 | 4 | Monday | full | waning gibbous |
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| 15 | 5 | Selday | waning gibbous | waning gibbous |
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| 16 | 6 | Luday | 3rd quarter | 3rd quarter |
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| 17 | 7 | Primeday | waning crescent | 3rd quarter |
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| 18 | 8 | Agenday | new | 3rd quarter |
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| 19 | 9 | Ginnday | new | 3rd quarter |
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| 20 | 10 | Tensday | waxing crescent | waning crescent |
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| 21 | 1 | Nedsday | 1st quarter | waning crescent |
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| 22 | 2 | Nullday | waxing gibbous | waning crescent |
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| 23 | 3 | Lianday | full | new |
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| 24 | 4 | Monday | full | new |
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| 25 | 5 | Selday | waning gibbous | new |
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| 26 | 6 | Luday | 3rd quarter | new |
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||||
| 27 | 7 | Primeday | waning crescent | new |
|
||||
| 28 | 8 | Agenday | new | waxing crescent |
|
||||
| 29 | 9 | Ginnday | new | waxing crescent |
|
||||
| 30 | 10 | Tensday | waxing crescent | waxing crescent |
|
||||
|
||||
|
||||
The year is defined by Lua, the Red Lady's phases:
|
||||
|
||||
| # | Name | Lua | Season |
|
||||
|------|-----------------|-----------------|--------|
|
||||
| 1 | Thawing | 1ST QUARTER | Spring |
|
||||
| 2 | Icebreak | waxing gibbous | Spring |
|
||||
| 3 | Springtide | waxing gibbous | Spring |
|
||||
| 4 | Ripeberry | FULL | Summer |
|
||||
| 5 | Fullhorn | waning gibbous | Summer |
|
||||
| 6 | Fallsrun | waning gibbous | Summer |
|
||||
| 7 | Cornreaping | 3RD QUATER | Autumn |
|
||||
| 8 | Hunters | waning crescent | Autumn |
|
||||
| 9 | Beaverlodge | waning crescent | Autumn |
|
||||
| 10 | Longnight | NEW | Winter |
|
||||
| 11 | Howling | waxing crescent | Winter |
|
||||
| 12 | Snowfall | waxing crescent | Winter |
|
||||
|
||||
</details>
|
||||
|
||||
|
|
|
|||
253
www/index.html
253
www/index.html
|
|
@ -309,8 +309,10 @@ of the Were-Hare</a></li>
|
|||
<li><a href="#chapter-1" id="toc-chapter-1">Chapter 1</a></li>
|
||||
<li><a href="#chapter-2" id="toc-chapter-2">Chapter 2</a></li>
|
||||
<li><a href="#chapter-3" id="toc-chapter-3">Chapter 3</a></li>
|
||||
<li><a href="#current-story" id="toc-current-story">Current
|
||||
Story</a></li>
|
||||
<li><a href="#current-story" id="toc-current-story">Current Story</a>
|
||||
<ul>
|
||||
<li><a href="#00054" id="toc-00054">00054</a></li>
|
||||
</ul></li>
|
||||
<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
|
||||
<li><a href="#geography" id="toc-geography">Geography</a></li>
|
||||
<li><a href="#cosmology" id="toc-cosmology">Cosmology</a></li>
|
||||
|
|
@ -342,10 +344,10 @@ Runesocesius</a></li>
|
|||
</ul>
|
||||
</nav>
|
||||
<h2 id="stats">Stats</h2>
|
||||
<p>Total length: 55744 words / 238 minute read. (Mind you, that’s the
|
||||
<p>Total length: 58151 words / 248 minute read. (Mind you, that’s the
|
||||
length of this entire page, including all the extra bits and bobs. Not
|
||||
just the story.)</p>
|
||||
<p>There have been 188 messages posted over 174 days since the first
|
||||
<p>There have been 189 messages posted over 175 days since the first
|
||||
post on July 13, 2022 for a daily post rate of 1.08.</p>
|
||||
<h2 id="about">About</h2>
|
||||
<p>This is a game that me and the kids in the basement are playing over
|
||||
|
|
@ -385,7 +387,7 @@ Sysorcery 2, Stabbing 2</li>
|
|||
<p>Paths:</p>
|
||||
<ul>
|
||||
<li>Retriever: Contractual Obligation, An Auspicious Start, Two In The
|
||||
Hand</li>
|
||||
Hand, The Triple Lindy</li>
|
||||
</ul>
|
||||
<h3 id="corraidhín">Corraidhín</h3>
|
||||
<p>Status: timestuck in a fork bomb</p>
|
||||
|
|
@ -509,7 +511,7 @@ Set, Mountain Range Glyph Ink, Bead of the Werehare</li>
|
|||
<p>Paths:</p>
|
||||
<ul>
|
||||
<li>Retriever: Contractual Obligation, An Auspicious Start, Two In The
|
||||
Hand</li>
|
||||
Hand, The Triple Lindy</li>
|
||||
<li>Were-Hare: Lepusthropy, Beast Sense, Hybrid Form</li>
|
||||
<li>Tasseomancer: Reading, Ceremony</li>
|
||||
</ul>
|
||||
|
|
@ -5858,6 +5860,245 @@ href="https://framalistes.org/sympa/arc/tildepals/2023-01/msg00019.html">www</a>
|
|||
<p>You can subscribe to these updates with the rss feed.</p>
|
||||
<p><a href="https://tilde.town/~dozens/quest/rss.xml"
|
||||
class="uri">https://tilde.town/~dozens/quest/rss.xml</a></p>
|
||||
<h3 id="00054">00054</h3>
|
||||
<blockquote>
|
||||
<p>Once back in the Milk Bar, with the airship safely anchored to the
|
||||
roof of the building, Alex finds himself amongst the old belongings of
|
||||
his former uncle.</p>
|
||||
<p><em>sigh</em> “Best get a request to HQ for this airship, maybe
|
||||
they’ll let us operate it for a bit, if not I suppose we have to impound
|
||||
it..”</p>
|
||||
<pre><code><- OP 2817 * LOC MB-A
|
||||
-> OP 25120 * LOC ESPER
|
||||
|
||||
CLEARANCE: INFORMATIONAL
|
||||
REQUEST ENCLOSED.
|
||||
|
||||
REQUESTING PERMISSION TO IMPOUND OR OPERATE.
|
||||
ONE CYBERPLASM AIRSHIP "The Rusty Maiden"</code></pre>
|
||||
<p>“There’s also the matter of this little hemogoblin..” Alex mutters to
|
||||
himself while said hemogoblin happily dances around the room, dripping
|
||||
little pools of blood hither and tither.</p>
|
||||
<pre><code><- OP 2817 * LOC MB-A
|
||||
-> OP 41154 * LOC ESPER
|
||||
|
||||
CLEARANCE: TOP SECRET
|
||||
REQUEST ENCLOSED
|
||||
PACKET ENCLOSED
|
||||
|
||||
REQUESTING ANALYSIS
|
||||
ONE GDB @gdb-readout.dat
|
||||
TWO BLOOD @blood-soaked-handkerchief
|
||||
NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
||||
<p>“Hey little guy, lets go get an empanade. Inky says they’re divine.”
|
||||
Alex says as he scoops up the little goblin and gently carries him
|
||||
downstairs.”</p>
|
||||
<p>Striding into Enriques kitchen, and availing himself to the
|
||||
empanadas, ignoring an indignant Enrique’s protests that these were for
|
||||
paying customers until a small bag of coins is tossed careless over one
|
||||
shoulder. Alex stride through the kitchen and then out and away into the
|
||||
garden to enjoy their pilfered treats.</p>
|
||||
<p>“I suppose this is more interesting than being on the force at
|
||||
times”</p>
|
||||
</blockquote>
|
||||
<p>~</p>
|
||||
<blockquote>
|
||||
<p>Inky stepped into the toques’ cabin below deck with a tray of
|
||||
turmeric ginger tea and lavender biscuits. After checking on Bread’s
|
||||
bandages and offering the toque reclined on the berth the last bag of
|
||||
mango croutons — or at least the last one for the next two hours — Inky
|
||||
perched on a wooden barrel across from where Confidence sat on a
|
||||
creaking old chair next to the bunk and spoke. “We’ll be landing in
|
||||
about an hour and getting Bread to a medical facility. You can stay with
|
||||
him while he heals and rest up.”</p>
|
||||
<p>They paused to take a long sip from their cup, as if the liquid was
|
||||
being used to summon their next words. “On behalf of myself and the
|
||||
party, I apologise for the … disruption, and for what had befallen the
|
||||
hotelier. As you may have already noticed, we’re a fair distance away
|
||||
from the Peak and will be arriving in Vay’Nullar soon. This airship was
|
||||
taken over from the cyberplasms in the course of getting the crystal out
|
||||
and the injured to a safe location, and her new captain could hardly fly
|
||||
it back straight into the pirates’ hands now.</p>
|
||||
<p>What we propose is this: you and Bread may take as long as you need
|
||||
to recover. We can arrange for lodgings and new posts in the city. One
|
||||
of our party runs a Milk Market that could certainly use some hired
|
||||
help, and a garden in the back that would benefit from more attention.
|
||||
Pay will be double your current salary at the hotel. Master Alex may
|
||||
also recruit you for other tasks. You don’t need to have an answer just
|
||||
yet — think on it for a bit while you rest and let us know. Afterwards,
|
||||
if you find that you still wish to return to Kelsun Peak, we will pay
|
||||
for travel.”</p>
|
||||
<p>Inky winked at Bread conspiratorially. “You may be interested to know
|
||||
there is a bakery on the Milk Market’s first floor. If you like the look
|
||||
of the place, perhaps we can convince the chef to take on an
|
||||
assistant.”</p>
|
||||
<p>~</p>
|
||||
<p>Tess watched her adviser from her position on one end of the plush
|
||||
chaise lounge in her office, who returned her stare impassively as they
|
||||
sat in the adjoining armchair to her right. The ornate coffee table
|
||||
before them had been laid out for tea, but the other cup remained
|
||||
untouched, which was in itself unusual. Ink rarely turned down tea when
|
||||
it was offered, which likely meant they were preoccupied with something
|
||||
they were unwilling to discuss. This had been happening more frequently
|
||||
since their plans to intercept the Ginnarak Crystals, which was a little
|
||||
concerning, but she knew it would be no use to question them directly.
|
||||
The missive she had received this time through Piskin’s people was
|
||||
brief, almost annoyingly so, but they had returned earlier than expected
|
||||
with the articles that production had requested, which had fortunately
|
||||
made up for lost time from the previous delays.</p>
|
||||
<p>With this in mind, she settled on a lighter note as she picked up her
|
||||
own teacup. “Salvia passed on the items to the production team. Thank
|
||||
you for picking them up from the Runesocesius. I would send my regular
|
||||
couriers but they are tied up with another event. One of them had to
|
||||
care for their sick child and couldn’t leave the city. As usual, time
|
||||
and discretion are of the essence.”</p>
|
||||
<p>When her adviser only nodded, she continued. “How is he? He probably
|
||||
insisted on bringing the manuscripts out for you himself. The man is
|
||||
cautious with valuables.”</p>
|
||||
<p>“Quite dead but managing, or so I heard.” Ink intoned drily.</p>
|
||||
<p>Tess caught on immediately. “Didn’t you meet with him? The message
|
||||
only mentioned the items had been obtained. Did something happen?”</p>
|
||||
<p>The imp shrugged. “We met, I delivered the letter and collected the
|
||||
items. We didn’t get a chance to talk.”</p>
|
||||
<p>The hotel was slowly but steadily attracting visitors again,
|
||||
especially after their last play had prominently featured the
|
||||
Runesocesius Library as a research partner in the programme credits, but
|
||||
Tess didn’t think the hotelier was so busy as to entrust this task to
|
||||
one of his underlings. The man was proud of the first editions the
|
||||
library had amassed, and the notebooks of Lucidieau that the playwright
|
||||
sought as a reference were no doubt counted among the treasures, even if
|
||||
only an expensive commissioned facsimile was permitted out of the
|
||||
library. Something had happened, she was sure, but decided not to press
|
||||
further for the moment.</p>
|
||||
<p>“And the other matter?” she asked.</p>
|
||||
<p>“Someone already knew the crystal was at the hotel and retained a
|
||||
crew of cyberplasmic pirates to storm the place.” Ink replied flatly.
|
||||
“And yes, your acquaintance is very much dead, shot by the crew leader
|
||||
in the scuffle. As the rumour rags have it, his ghost is now overseeing
|
||||
the building repairs.”</p>
|
||||
<p>Tess was about to admonish the imp gently for the tasteless jest when
|
||||
there was a knock at the door. At her response, the door opened and her
|
||||
secretary entered with a box of pastries and two sets of tableware,
|
||||
which she placed on the coffee table before leaving and closing the door
|
||||
behind her.</p>
|
||||
<p>Noticing Ink’s look of recognition, Tess smiled and ventured, “This
|
||||
is the second time is as many months you awarded that empanada place a
|
||||
glowing review in <em>The Tiny Toaster</em>. I can count the ratings
|
||||
higher than a 10 you’ve ever given on one hand — of course I had to try
|
||||
it. Why don’t you have some as well?”</p>
|
||||
<p>Ink blinked. “I didn’t write the latest review.”</p>
|
||||
<p>Tess shot them an accusing mock-glare as she lifted a puffy golden
|
||||
brown pastry onto a plate. “It has your inkprints all over it.”</p>
|
||||
<p>“I don’t know what you mean. Surely I’m allowed to treat a colleague
|
||||
to lunch, and they are free to express their satisfaction with a meal
|
||||
openly if they wish,” Ink replied smoothly.</p>
|
||||
<p>Tess rolled her eyes. “There’s a name for that. It’s called
|
||||
bribery.”</p>
|
||||
<p>Ink smiled faintly. “Just so. However, the selection speaks for
|
||||
itself.”</p>
|
||||
<p>“Oh, absolutely! These mini ambrose apple empanadas are wonderful. In
|
||||
fact,” Tess prodded the open end of the pastry with her fork, where a
|
||||
light yellow filling was visible, “they remind me a little of the very
|
||||
crispy tortelli <em>someone</em> made several years ago just for the
|
||||
opening reception of <em>The Two Genteelkin of Virdantha</em>.”</p>
|
||||
<p>“Any resemblance is coincidental. The chef is very capable.” Ink said
|
||||
evenly.</p>
|
||||
<p>Tess sighed and returned her plate to the table. “We’ve talked about
|
||||
this before, Ink. You don’t have to hole up in some poor scrub’s excuse
|
||||
for a kitchen in a closet. If you need more room downstairs then expand
|
||||
it. Just tell Salvia and she’ll take care of it.”</p>
|
||||
<p>Ink lowered their gaze to the teacups. “I appreciate the offer, but
|
||||
the answer is the same. There will be no rest until the crystals are
|
||||
secured.”</p>
|
||||
</blockquote>
|
||||
<p>Some time passes.</p>
|
||||
<p>The hemogoblin turns out to be a fine housemate and less of a problem
|
||||
than you thought it would be. Be it because its not in the excitement of
|
||||
battle onboard a pirate ship, or be it because it is maturing slightly,
|
||||
it seems in better control of its blood sacs. Barring a few small
|
||||
accidents, it doesn’t make much of a mess. It has found and claimed as
|
||||
its own a few unused blankets, and has made a little burrow nest in an
|
||||
out of the way corner behind the furniture.</p>
|
||||
<p>Bread makes a full recovery and in fact is doing better than ever
|
||||
before. The blood goblin stays by their side during the first hours and
|
||||
days and keeps them pumped full of clean, synthetic blood. Afterwards
|
||||
the toque is flushed a healthy pink and has new vigor. Enrique takes
|
||||
them under his tutelage. And Bread ends up making a fine baker’s
|
||||
apprentice. Dough seems to rise more and quicker after he kneads it.
|
||||
“The lad has solar hands,” Enrique boasts of his new protegee.</p>
|
||||
<p>Confidence becomes enthralled with the semi-sentient Wandering
|
||||
Bazaar. The thirteen story building moves with glacial speed up and down
|
||||
the streets, vendors and stalls and shoppers following in its wake. But
|
||||
then also it will disappear in the blink of an eye only to reappear in a
|
||||
totally different part of the area known as the Wandering Bazaar
|
||||
District. Each floor of the tall, narrow tower is occupied entirely by a
|
||||
single shop. But which shop it is seems to vary from day to day. One day
|
||||
the seventh level will be occupied by Fedik’s Butcher shop. And the
|
||||
next, Lario’s Bakery. It might be days or weeks before one can once
|
||||
again buy hotlinks from Fedik’s. Where the shops go when they’re not
|
||||
here is one of Basmentaria’s great mysteries.</p>
|
||||
<p>The toque studies the Bazaar’s movements and are able to predict its
|
||||
route with more and more accuracy. They become a highly sought out
|
||||
guide. Tourists and visitors trust them to take them to the very spot
|
||||
the Bazaar will appear that day. Residents appreciate the heads up and
|
||||
not getting trapped in their houses when the Bazaar wedges its way into
|
||||
their narrow residential streets, blocking their front doors. And owners
|
||||
of traditional, less ambulatory shops are able to plan ahead for the
|
||||
crowds that will appear on “Bazaar Day”.</p>
|
||||
<p>~</p>
|
||||
<p>Members of the Retrieval Team who sleep in Milk Market HQ start
|
||||
having dreams of the same mysterious figure. Of course at first nobody
|
||||
knows their dreams are shared by the others. Not until they become more
|
||||
frequent, more regular. By the time the figure has visited you every
|
||||
night for nearly a week, somebody speaks up and you realize the
|
||||
coincidence.</p>
|
||||
<p>The figure is clad in voluminous robes of deep purple. Long,
|
||||
straight, blonde hair falls around their shoulders. Their soft features
|
||||
are boyish and womanly. They wear a golden circlet on their head and a
|
||||
golden eye in the middle of their forehead. Their passive, neutral face
|
||||
betrays no emotion the entire time.</p>
|
||||
<p>The dream is always the same. They reach out to you with one hand and
|
||||
turn their palm up. And because of dream logic, in the palm of their
|
||||
hand you can hear the jingling of coins, mirthful laughter, and hushed
|
||||
stories told around a campfire. They curl their fingers into a loose
|
||||
first and the sounds stop. They spread their arms wide and in the folds
|
||||
of their robes you can see three siblings fighting, squabbling over a
|
||||
broken loom.</p>
|
||||
<p>Then you’re standing next to them, and the two of you watch three
|
||||
friends, Snake, Owl, and Dolphin. Owl tells Snake that he is tired of
|
||||
flying and hooting, and doesn’t want to be an owl any more, he wants to
|
||||
be flowers. And Snake laughs and tells him that he is Owl, and an owl he
|
||||
must remain. And she leaves him to go eat rodents and bake in the sun.
|
||||
So Owl tells Dolphin that he is tired of flying and hooting, and doesn’t
|
||||
want to be an owl any more, he wants to be flowers. Dolphin doesn’t want
|
||||
to help Owl, because if he is flowers, they won’t be able to be together
|
||||
any longer. But Dolphin finally agrees to help even though they don’t
|
||||
want to, because Dolphin loves Owl. With all their strength, they create
|
||||
a great waterspout that will turn Owl into flowers. But the waterspout
|
||||
is too strong, and Dolphin is too weak to control it. It sprays Owl but
|
||||
does not turn him into flowers. Owl’s wing is broken and he falls to the
|
||||
ground in a heap of feathers. The waterspout shakes a great boulder from
|
||||
the earth and traps Snake under it. And Dolphin sinks to the bottom of
|
||||
the sea.</p>
|
||||
<p>And then you wake up.</p>
|
||||
<p>~</p>
|
||||
<p>Later you find a letter in the common area of Milk Market HQ. It is
|
||||
not addressed to anybody. When you open it up, it reads:</p>
|
||||
<blockquote>
|
||||
<p>Time is running out, Retrieval Team 43. Things are starting to draw
|
||||
to a close. We cannot delay our meeting any longer if we both are to
|
||||
achieve our goals. We have information that you are looking for. Meet us
|
||||
at the Harpoon Club next Selday. We will wear the sign.</p>
|
||||
</blockquote>
|
||||
<p>The letter is signed with a white iris and golden apple.</p>
|
||||
<p>Anyone in Vay’Nullar would be able to tell you that the Harpoon Club
|
||||
is a game room and fine dining club, and one of the rotating tenants of
|
||||
the Wandering Bazaar. But Confidence would tell you, were you to ask
|
||||
them, that the club won’t be there next Selday. (When the Bazaar will
|
||||
appear at East and Lowland.) It is in fact not scheduled to appear until
|
||||
a week and a half after next Selday, on Third Tensday. (When the Bazaar
|
||||
will appear at Cathedral and Pine.)</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
<h2 id="bestiary">Bestiary</h2>
|
||||
<p>Some of the creatures who inhabit the world of Basmentaria</p>
|
||||
<dt>
|
||||
|
|
|
|||
281
www/rss.xml
281
www/rss.xml
|
|
@ -5,5 +5,286 @@
|
|||
<title>BASEMENT QWEST</title>
|
||||
<link>https://tilde.town/~dozens/quest/rss.xml</link>
|
||||
<description>Friends having ADVENTURES! Huzzah!</description>
|
||||
<item>
|
||||
<title>54</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">54 - Tue, 03 Jan 2023 16:12:08
|
||||
-0700</guid>
|
||||
<pubDate>Wed, 04 Jan 2023 08:18:44 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00054">00054</h3>
|
||||
<blockquote>
|
||||
<p>Once back in the Milk Bar, with the airship safely anchored
|
||||
to the roof of the building, Alex finds himself amongst the
|
||||
old belongings of his former uncle.</p>
|
||||
<p><em>sigh</em> “Best get a request to HQ for this airship,
|
||||
maybe they’ll let us operate it for a bit, if not I suppose we
|
||||
have to impound it..”</p>
|
||||
<pre><code><- OP 2817 * LOC MB-A
|
||||
-> OP 25120 * LOC ESPER
|
||||
|
||||
CLEARANCE: INFORMATIONAL
|
||||
REQUEST ENCLOSED.
|
||||
|
||||
REQUESTING PERMISSION TO IMPOUND OR OPERATE.
|
||||
ONE CYBERPLASM AIRSHIP "The Rusty Maiden"</code></pre>
|
||||
<p>“There’s also the matter of this little hemogoblin..” Alex
|
||||
mutters to himself while said hemogoblin happily dances around
|
||||
the room, dripping little pools of blood hither and
|
||||
tither.</p>
|
||||
<pre><code><- OP 2817 * LOC MB-A
|
||||
-> OP 41154 * LOC ESPER
|
||||
|
||||
CLEARANCE: TOP SECRET
|
||||
REQUEST ENCLOSED
|
||||
PACKET ENCLOSED
|
||||
|
||||
REQUESTING ANALYSIS
|
||||
ONE GDB @gdb-readout.dat
|
||||
TWO BLOOD @blood-soaked-handkerchief
|
||||
NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
||||
<p>“Hey little guy, lets go get an empanade. Inky says they’re
|
||||
divine.” Alex says as he scoops up the little goblin and
|
||||
gently carries him downstairs.”</p>
|
||||
<p>Striding into Enriques kitchen, and availing himself to the
|
||||
empanadas, ignoring an indignant Enrique’s protests that these
|
||||
were for paying customers until a small bag of coins is tossed
|
||||
careless over one shoulder. Alex stride through the kitchen
|
||||
and then out and away into the garden to enjoy their pilfered
|
||||
treats.</p>
|
||||
<p>“I suppose this is more interesting than being on the force
|
||||
at times”</p>
|
||||
</blockquote>
|
||||
<p>~</p>
|
||||
<blockquote>
|
||||
<p>Inky stepped into the toques’ cabin below deck with a tray
|
||||
of turmeric ginger tea and lavender biscuits. After checking
|
||||
on Bread’s bandages and offering the toque reclined on the
|
||||
berth the last bag of mango croutons — or at least the last
|
||||
one for the next two hours — Inky perched on a wooden barrel
|
||||
across from where Confidence sat on a creaking old chair next
|
||||
to the bunk and spoke. “We’ll be landing in about an hour and
|
||||
getting Bread to a medical facility. You can stay with him
|
||||
while he heals and rest up.”</p>
|
||||
<p>They paused to take a long sip from their cup, as if the
|
||||
liquid was being used to summon their next words. “On behalf
|
||||
of myself and the party, I apologise for the … disruption, and
|
||||
for what had befallen the hotelier. As you may have already
|
||||
noticed, we’re a fair distance away from the Peak and will be
|
||||
arriving in Vay’Nullar soon. This airship was taken over from
|
||||
the cyberplasms in the course of getting the crystal out and
|
||||
the injured to a safe location, and her new captain could
|
||||
hardly fly it back straight into the pirates’ hands now.</p>
|
||||
<p>What we propose is this: you and Bread may take as long as
|
||||
you need to recover. We can arrange for lodgings and new posts
|
||||
in the city. One of our party runs a Milk Market that could
|
||||
certainly use some hired help, and a garden in the back that
|
||||
would benefit from more attention. Pay will be double your
|
||||
current salary at the hotel. Master Alex may also recruit you
|
||||
for other tasks. You don’t need to have an answer just yet —
|
||||
think on it for a bit while you rest and let us know.
|
||||
Afterwards, if you find that you still wish to return to
|
||||
Kelsun Peak, we will pay for travel.”</p>
|
||||
<p>Inky winked at Bread conspiratorially. “You may be
|
||||
interested to know there is a bakery on the Milk Market’s
|
||||
first floor. If you like the look of the place, perhaps we can
|
||||
convince the chef to take on an assistant.”</p>
|
||||
<p>~</p>
|
||||
<p>Tess watched her adviser from her position on one end of
|
||||
the plush chaise lounge in her office, who returned her stare
|
||||
impassively as they sat in the adjoining armchair to her
|
||||
right. The ornate coffee table before them had been laid out
|
||||
for tea, but the other cup remained untouched, which was in
|
||||
itself unusual. Ink rarely turned down tea when it was
|
||||
offered, which likely meant they were preoccupied with
|
||||
something they were unwilling to discuss. This had been
|
||||
happening more frequently since their plans to intercept the
|
||||
Ginnarak Crystals, which was a little concerning, but she knew
|
||||
it would be no use to question them directly. The missive she
|
||||
had received this time through Piskin’s people was brief,
|
||||
almost annoyingly so, but they had returned earlier than
|
||||
expected with the articles that production had requested,
|
||||
which had fortunately made up for lost time from the previous
|
||||
delays.</p>
|
||||
<p>With this in mind, she settled on a lighter note as she
|
||||
picked up her own teacup. “Salvia passed on the items to the
|
||||
production team. Thank you for picking them up from the
|
||||
Runesocesius. I would send my regular couriers but they are
|
||||
tied up with another event. One of them had to care for their
|
||||
sick child and couldn’t leave the city. As usual, time and
|
||||
discretion are of the essence.”</p>
|
||||
<p>When her adviser only nodded, she continued. “How is he? He
|
||||
probably insisted on bringing the manuscripts out for you
|
||||
himself. The man is cautious with valuables.”</p>
|
||||
<p>“Quite dead but managing, or so I heard.” Ink intoned
|
||||
drily.</p>
|
||||
<p>Tess caught on immediately. “Didn’t you meet with him? The
|
||||
message only mentioned the items had been obtained. Did
|
||||
something happen?”</p>
|
||||
<p>The imp shrugged. “We met, I delivered the letter and
|
||||
collected the items. We didn’t get a chance to talk.”</p>
|
||||
<p>The hotel was slowly but steadily attracting visitors
|
||||
again, especially after their last play had prominently
|
||||
featured the Runesocesius Library as a research partner in the
|
||||
programme credits, but Tess didn’t think the hotelier was so
|
||||
busy as to entrust this task to one of his underlings. The man
|
||||
was proud of the first editions the library had amassed, and
|
||||
the notebooks of Lucidieau that the playwright sought as a
|
||||
reference were no doubt counted among the treasures, even if
|
||||
only an expensive commissioned facsimile was permitted out of
|
||||
the library. Something had happened, she was sure, but decided
|
||||
not to press further for the moment.</p>
|
||||
<p>“And the other matter?” she asked.</p>
|
||||
<p>“Someone already knew the crystal was at the hotel and
|
||||
retained a crew of cyberplasmic pirates to storm the place.”
|
||||
Ink replied flatly. “And yes, your acquaintance is very much
|
||||
dead, shot by the crew leader in the scuffle. As the rumour
|
||||
rags have it, his ghost is now overseeing the building
|
||||
repairs.”</p>
|
||||
<p>Tess was about to admonish the imp gently for the tasteless
|
||||
jest when there was a knock at the door. At her response, the
|
||||
door opened and her secretary entered with a box of pastries
|
||||
and two sets of tableware, which she placed on the coffee
|
||||
table before leaving and closing the door behind her.</p>
|
||||
<p>Noticing Ink’s look of recognition, Tess smiled and
|
||||
ventured, “This is the second time is as many months you
|
||||
awarded that empanada place a glowing review in <em>The Tiny
|
||||
Toaster</em>. I can count the ratings higher than a 10 you’ve
|
||||
ever given on one hand — of course I had to try it. Why don’t
|
||||
you have some as well?”</p>
|
||||
<p>Ink blinked. “I didn’t write the latest review.”</p>
|
||||
<p>Tess shot them an accusing mock-glare as she lifted a puffy
|
||||
golden brown pastry onto a plate. “It has your inkprints all
|
||||
over it.”</p>
|
||||
<p>“I don’t know what you mean. Surely I’m allowed to treat a
|
||||
colleague to lunch, and they are free to express their
|
||||
satisfaction with a meal openly if they wish,” Ink replied
|
||||
smoothly.</p>
|
||||
<p>Tess rolled her eyes. “There’s a name for that. It’s called
|
||||
bribery.”</p>
|
||||
<p>Ink smiled faintly. “Just so. However, the selection speaks
|
||||
for itself.”</p>
|
||||
<p>“Oh, absolutely! These mini ambrose apple empanadas are
|
||||
wonderful. In fact,” Tess prodded the open end of the pastry
|
||||
with her fork, where a light yellow filling was visible, “they
|
||||
remind me a little of the very crispy tortelli
|
||||
<em>someone</em> made several years ago just for the opening
|
||||
reception of <em>The Two Genteelkin of Virdantha</em>.”</p>
|
||||
<p>“Any resemblance is coincidental. The chef is very
|
||||
capable.” Ink said evenly.</p>
|
||||
<p>Tess sighed and returned her plate to the table. “We’ve
|
||||
talked about this before, Ink. You don’t have to hole up in
|
||||
some poor scrub’s excuse for a kitchen in a closet. If you
|
||||
need more room downstairs then expand it. Just tell Salvia and
|
||||
she’ll take care of it.”</p>
|
||||
<p>Ink lowered their gaze to the teacups. “I appreciate the
|
||||
offer, but the answer is the same. There will be no rest until
|
||||
the crystals are secured.”</p>
|
||||
</blockquote>
|
||||
<p>Some time passes.</p>
|
||||
<p>The hemogoblin turns out to be a fine housemate and less of
|
||||
a problem than you thought it would be. Be it because its not
|
||||
in the excitement of battle onboard a pirate ship, or be it
|
||||
because it is maturing slightly, it seems in better control of
|
||||
its blood sacs. Barring a few small accidents, it doesn’t make
|
||||
much of a mess. It has found and claimed as its own a few
|
||||
unused blankets, and has made a little burrow nest in an out
|
||||
of the way corner behind the furniture.</p>
|
||||
<p>Bread makes a full recovery and in fact is doing better
|
||||
than ever before. The blood goblin stays by their side during
|
||||
the first hours and days and keeps them pumped full of clean,
|
||||
synthetic blood. Afterwards the toque is flushed a healthy
|
||||
pink and has new vigor. Enrique takes them under his tutelage.
|
||||
And Bread ends up making a fine baker’s apprentice. Dough
|
||||
seems to rise more and quicker after he kneads it. “The lad
|
||||
has solar hands,” Enrique boasts of his new protegee.</p>
|
||||
<p>Confidence becomes enthralled with the semi-sentient
|
||||
Wandering Bazaar. The thirteen story building moves with
|
||||
glacial speed up and down the streets, vendors and stalls and
|
||||
shoppers following in its wake. But then also it will
|
||||
disappear in the blink of an eye only to reappear in a totally
|
||||
different part of the area known as the Wandering Bazaar
|
||||
District. Each floor of the tall, narrow tower is occupied
|
||||
entirely by a single shop. But which shop it is seems to vary
|
||||
from day to day. One day the seventh level will be occupied by
|
||||
Fedik’s Butcher shop. And the next, Lario’s Bakery. It might
|
||||
be days or weeks before one can once again buy hotlinks from
|
||||
Fedik’s. Where the shops go when they’re not here is one of
|
||||
Basmentaria’s great mysteries.</p>
|
||||
<p>The toque studies the Bazaar’s movements and are able to
|
||||
predict its route with more and more accuracy. They become a
|
||||
highly sought out guide. Tourists and visitors trust them to
|
||||
take them to the very spot the Bazaar will appear that day.
|
||||
Residents appreciate the heads up and not getting trapped in
|
||||
their houses when the Bazaar wedges its way into their narrow
|
||||
residential streets, blocking their front doors. And owners of
|
||||
traditional, less ambulatory shops are able to plan ahead for
|
||||
the crowds that will appear on “Bazaar Day”.</p>
|
||||
<p>~</p>
|
||||
<p>Members of the Retrieval Team who sleep in Milk Market HQ
|
||||
start having dreams of the same mysterious figure. Of course
|
||||
at first nobody knows their dreams are shared by the others.
|
||||
Not until they become more frequent, more regular. By the time
|
||||
the figure has visited you every night for nearly a week,
|
||||
somebody speaks up and you realize the coincidence.</p>
|
||||
<p>The figure is clad in voluminous robes of deep purple.
|
||||
Long, straight, blonde hair falls around their shoulders.
|
||||
Their soft features are boyish and womanly. They wear a golden
|
||||
circlet on their head and a golden eye in the middle of their
|
||||
forehead. Their passive, neutral face betrays no emotion the
|
||||
entire time.</p>
|
||||
<p>The dream is always the same. They reach out to you with
|
||||
one hand and turn their palm up. And because of dream logic,
|
||||
in the palm of their hand you can hear the jingling of coins,
|
||||
mirthful laughter, and hushed stories told around a campfire.
|
||||
They curl their fingers into a loose first and the sounds
|
||||
stop. They spread their arms wide and in the folds of their
|
||||
robes you can see three siblings fighting, squabbling over a
|
||||
broken loom.</p>
|
||||
<p>Then you’re standing next to them, and the two of you watch
|
||||
three friends, Snake, Owl, and Dolphin. Owl tells Snake that
|
||||
he is tired of flying and hooting, and doesn’t want to be an
|
||||
owl any more, he wants to be flowers. And Snake laughs and
|
||||
tells him that he is Owl, and an owl he must remain. And she
|
||||
leaves him to go eat rodents and bake in the sun. So Owl tells
|
||||
Dolphin that he is tired of flying and hooting, and doesn’t
|
||||
want to be an owl any more, he wants to be flowers. Dolphin
|
||||
doesn’t want to help Owl, because if he is flowers, they won’t
|
||||
be able to be together any longer. But Dolphin finally agrees
|
||||
to help even though they don’t want to, because Dolphin loves
|
||||
Owl. With all their strength, they create a great waterspout
|
||||
that will turn Owl into flowers. But the waterspout is too
|
||||
strong, and Dolphin is too weak to control it. It sprays Owl
|
||||
but does not turn him into flowers. Owl’s wing is broken and
|
||||
he falls to the ground in a heap of feathers. The waterspout
|
||||
shakes a great boulder from the earth and traps Snake under
|
||||
it. And Dolphin sinks to the bottom of the sea.</p>
|
||||
<p>And then you wake up.</p>
|
||||
<p>~</p>
|
||||
<p>Later you find a letter in the common area of Milk Market
|
||||
HQ. It is not addressed to anybody. When you open it up, it
|
||||
reads:</p>
|
||||
<blockquote>
|
||||
<p>Time is running out, Retrieval Team 43. Things are starting
|
||||
to draw to a close. We cannot delay our meeting any longer if
|
||||
we both are to achieve our goals. We have information that you
|
||||
are looking for. Meet us at the Harpoon Club next Selday. We
|
||||
will wear the sign.</p>
|
||||
</blockquote>
|
||||
<p>The letter is signed with a white iris and golden
|
||||
apple.</p>
|
||||
<p>Anyone in Vay’Nullar would be able to tell you that the
|
||||
Harpoon Club is a game room and fine dining club, and one of
|
||||
the rotating tenants of the Wandering Bazaar. But Confidence
|
||||
would tell you, were you to ask them, that the club won’t be
|
||||
there next Selday. (When the Bazaar will appear at East and
|
||||
Lowland.) It is in fact not scheduled to appear until a week
|
||||
and a half after next Selday, on Third Tensday. (When the
|
||||
Bazaar will appear at Cathedral and Pine.)</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
</item>
|
||||
</channel>
|
||||
</rss>
|
||||
|
|
|
|||
|
|
@ -309,8 +309,10 @@ of the Were-Hare</a></li>
|
|||
<li><a href="#chapter-1" id="toc-chapter-1">Chapter 1</a></li>
|
||||
<li><a href="#chapter-2" id="toc-chapter-2">Chapter 2</a></li>
|
||||
<li><a href="#chapter-3" id="toc-chapter-3">Chapter 3</a></li>
|
||||
<li><a href="#current-story" id="toc-current-story">Current
|
||||
Story</a></li>
|
||||
<li><a href="#current-story" id="toc-current-story">Current Story</a>
|
||||
<ul>
|
||||
<li><a href="#00054" id="toc-00054">00054</a></li>
|
||||
</ul></li>
|
||||
<li><a href="#bestiary" id="toc-bestiary">Bestiary</a></li>
|
||||
<li><a href="#geography" id="toc-geography">Geography</a></li>
|
||||
<li><a href="#cosmology" id="toc-cosmology">Cosmology</a></li>
|
||||
|
|
@ -345,10 +347,10 @@ Runesocesius</a></li>
|
|||
</ul>
|
||||
</nav>
|
||||
<h2 id="stats">Stats</h2>
|
||||
<p>Total length: 55744 words / 238 minute read. (Mind you, that’s the
|
||||
<p>Total length: 58151 words / 248 minute read. (Mind you, that’s the
|
||||
length of this entire page, including all the extra bits and bobs. Not
|
||||
just the story.)</p>
|
||||
<p>There have been 188 messages posted over 174 days since the first
|
||||
<p>There have been 189 messages posted over 175 days since the first
|
||||
post on July 13, 2022 for a daily post rate of 1.08.</p>
|
||||
<h2 id="about">About</h2>
|
||||
<p>This is a game that me and the kids in the basement are playing over
|
||||
|
|
@ -388,7 +390,7 @@ Sysorcery 2, Stabbing 2</li>
|
|||
<p>Paths:</p>
|
||||
<ul>
|
||||
<li>Retriever: Contractual Obligation, An Auspicious Start, Two In The
|
||||
Hand</li>
|
||||
Hand, The Triple Lindy</li>
|
||||
</ul>
|
||||
<h3 id="corraidhín">Corraidhín</h3>
|
||||
<p>Status: timestuck in a fork bomb</p>
|
||||
|
|
@ -512,7 +514,7 @@ Set, Mountain Range Glyph Ink, Bead of the Werehare</li>
|
|||
<p>Paths:</p>
|
||||
<ul>
|
||||
<li>Retriever: Contractual Obligation, An Auspicious Start, Two In The
|
||||
Hand</li>
|
||||
Hand, The Triple Lindy</li>
|
||||
<li>Were-Hare: Lepusthropy, Beast Sense, Hybrid Form</li>
|
||||
<li>Tasseomancer: Reading, Ceremony</li>
|
||||
</ul>
|
||||
|
|
@ -5861,6 +5863,245 @@ href="https://framalistes.org/sympa/arc/tildepals/2023-01/msg00019.html">www</a>
|
|||
<p>You can subscribe to these updates with the rss feed.</p>
|
||||
<p><a href="https://tilde.town/~dozens/quest/rss.xml"
|
||||
class="uri">https://tilde.town/~dozens/quest/rss.xml</a></p>
|
||||
<h3 id="00054">00054</h3>
|
||||
<blockquote>
|
||||
<p>Once back in the Milk Bar, with the airship safely anchored to the
|
||||
roof of the building, Alex finds himself amongst the old belongings of
|
||||
his former uncle.</p>
|
||||
<p><em>sigh</em> “Best get a request to HQ for this airship, maybe
|
||||
they’ll let us operate it for a bit, if not I suppose we have to impound
|
||||
it..”</p>
|
||||
<pre><code><- OP 2817 * LOC MB-A
|
||||
-> OP 25120 * LOC ESPER
|
||||
|
||||
CLEARANCE: INFORMATIONAL
|
||||
REQUEST ENCLOSED.
|
||||
|
||||
REQUESTING PERMISSION TO IMPOUND OR OPERATE.
|
||||
ONE CYBERPLASM AIRSHIP "The Rusty Maiden"</code></pre>
|
||||
<p>“There’s also the matter of this little hemogoblin..” Alex mutters to
|
||||
himself while said hemogoblin happily dances around the room, dripping
|
||||
little pools of blood hither and tither.</p>
|
||||
<pre><code><- OP 2817 * LOC MB-A
|
||||
-> OP 41154 * LOC ESPER
|
||||
|
||||
CLEARANCE: TOP SECRET
|
||||
REQUEST ENCLOSED
|
||||
PACKET ENCLOSED
|
||||
|
||||
REQUESTING ANALYSIS
|
||||
ONE GDB @gdb-readout.dat
|
||||
TWO BLOOD @blood-soaked-handkerchief
|
||||
NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
||||
<p>“Hey little guy, lets go get an empanade. Inky says they’re divine.”
|
||||
Alex says as he scoops up the little goblin and gently carries him
|
||||
downstairs.”</p>
|
||||
<p>Striding into Enriques kitchen, and availing himself to the
|
||||
empanadas, ignoring an indignant Enrique’s protests that these were for
|
||||
paying customers until a small bag of coins is tossed careless over one
|
||||
shoulder. Alex stride through the kitchen and then out and away into the
|
||||
garden to enjoy their pilfered treats.</p>
|
||||
<p>“I suppose this is more interesting than being on the force at
|
||||
times”</p>
|
||||
</blockquote>
|
||||
<p>~</p>
|
||||
<blockquote>
|
||||
<p>Inky stepped into the toques’ cabin below deck with a tray of
|
||||
turmeric ginger tea and lavender biscuits. After checking on Bread’s
|
||||
bandages and offering the toque reclined on the berth the last bag of
|
||||
mango croutons — or at least the last one for the next two hours — Inky
|
||||
perched on a wooden barrel across from where Confidence sat on a
|
||||
creaking old chair next to the bunk and spoke. “We’ll be landing in
|
||||
about an hour and getting Bread to a medical facility. You can stay with
|
||||
him while he heals and rest up.”</p>
|
||||
<p>They paused to take a long sip from their cup, as if the liquid was
|
||||
being used to summon their next words. “On behalf of myself and the
|
||||
party, I apologise for the … disruption, and for what had befallen the
|
||||
hotelier. As you may have already noticed, we’re a fair distance away
|
||||
from the Peak and will be arriving in Vay’Nullar soon. This airship was
|
||||
taken over from the cyberplasms in the course of getting the crystal out
|
||||
and the injured to a safe location, and her new captain could hardly fly
|
||||
it back straight into the pirates’ hands now.</p>
|
||||
<p>What we propose is this: you and Bread may take as long as you need
|
||||
to recover. We can arrange for lodgings and new posts in the city. One
|
||||
of our party runs a Milk Market that could certainly use some hired
|
||||
help, and a garden in the back that would benefit from more attention.
|
||||
Pay will be double your current salary at the hotel. Master Alex may
|
||||
also recruit you for other tasks. You don’t need to have an answer just
|
||||
yet — think on it for a bit while you rest and let us know. Afterwards,
|
||||
if you find that you still wish to return to Kelsun Peak, we will pay
|
||||
for travel.”</p>
|
||||
<p>Inky winked at Bread conspiratorially. “You may be interested to know
|
||||
there is a bakery on the Milk Market’s first floor. If you like the look
|
||||
of the place, perhaps we can convince the chef to take on an
|
||||
assistant.”</p>
|
||||
<p>~</p>
|
||||
<p>Tess watched her adviser from her position on one end of the plush
|
||||
chaise lounge in her office, who returned her stare impassively as they
|
||||
sat in the adjoining armchair to her right. The ornate coffee table
|
||||
before them had been laid out for tea, but the other cup remained
|
||||
untouched, which was in itself unusual. Ink rarely turned down tea when
|
||||
it was offered, which likely meant they were preoccupied with something
|
||||
they were unwilling to discuss. This had been happening more frequently
|
||||
since their plans to intercept the Ginnarak Crystals, which was a little
|
||||
concerning, but she knew it would be no use to question them directly.
|
||||
The missive she had received this time through Piskin’s people was
|
||||
brief, almost annoyingly so, but they had returned earlier than expected
|
||||
with the articles that production had requested, which had fortunately
|
||||
made up for lost time from the previous delays.</p>
|
||||
<p>With this in mind, she settled on a lighter note as she picked up her
|
||||
own teacup. “Salvia passed on the items to the production team. Thank
|
||||
you for picking them up from the Runesocesius. I would send my regular
|
||||
couriers but they are tied up with another event. One of them had to
|
||||
care for their sick child and couldn’t leave the city. As usual, time
|
||||
and discretion are of the essence.”</p>
|
||||
<p>When her adviser only nodded, she continued. “How is he? He probably
|
||||
insisted on bringing the manuscripts out for you himself. The man is
|
||||
cautious with valuables.”</p>
|
||||
<p>“Quite dead but managing, or so I heard.” Ink intoned drily.</p>
|
||||
<p>Tess caught on immediately. “Didn’t you meet with him? The message
|
||||
only mentioned the items had been obtained. Did something happen?”</p>
|
||||
<p>The imp shrugged. “We met, I delivered the letter and collected the
|
||||
items. We didn’t get a chance to talk.”</p>
|
||||
<p>The hotel was slowly but steadily attracting visitors again,
|
||||
especially after their last play had prominently featured the
|
||||
Runesocesius Library as a research partner in the programme credits, but
|
||||
Tess didn’t think the hotelier was so busy as to entrust this task to
|
||||
one of his underlings. The man was proud of the first editions the
|
||||
library had amassed, and the notebooks of Lucidieau that the playwright
|
||||
sought as a reference were no doubt counted among the treasures, even if
|
||||
only an expensive commissioned facsimile was permitted out of the
|
||||
library. Something had happened, she was sure, but decided not to press
|
||||
further for the moment.</p>
|
||||
<p>“And the other matter?” she asked.</p>
|
||||
<p>“Someone already knew the crystal was at the hotel and retained a
|
||||
crew of cyberplasmic pirates to storm the place.” Ink replied flatly.
|
||||
“And yes, your acquaintance is very much dead, shot by the crew leader
|
||||
in the scuffle. As the rumour rags have it, his ghost is now overseeing
|
||||
the building repairs.”</p>
|
||||
<p>Tess was about to admonish the imp gently for the tasteless jest when
|
||||
there was a knock at the door. At her response, the door opened and her
|
||||
secretary entered with a box of pastries and two sets of tableware,
|
||||
which she placed on the coffee table before leaving and closing the door
|
||||
behind her.</p>
|
||||
<p>Noticing Ink’s look of recognition, Tess smiled and ventured, “This
|
||||
is the second time is as many months you awarded that empanada place a
|
||||
glowing review in <em>The Tiny Toaster</em>. I can count the ratings
|
||||
higher than a 10 you’ve ever given on one hand — of course I had to try
|
||||
it. Why don’t you have some as well?”</p>
|
||||
<p>Ink blinked. “I didn’t write the latest review.”</p>
|
||||
<p>Tess shot them an accusing mock-glare as she lifted a puffy golden
|
||||
brown pastry onto a plate. “It has your inkprints all over it.”</p>
|
||||
<p>“I don’t know what you mean. Surely I’m allowed to treat a colleague
|
||||
to lunch, and they are free to express their satisfaction with a meal
|
||||
openly if they wish,” Ink replied smoothly.</p>
|
||||
<p>Tess rolled her eyes. “There’s a name for that. It’s called
|
||||
bribery.”</p>
|
||||
<p>Ink smiled faintly. “Just so. However, the selection speaks for
|
||||
itself.”</p>
|
||||
<p>“Oh, absolutely! These mini ambrose apple empanadas are wonderful. In
|
||||
fact,” Tess prodded the open end of the pastry with her fork, where a
|
||||
light yellow filling was visible, “they remind me a little of the very
|
||||
crispy tortelli <em>someone</em> made several years ago just for the
|
||||
opening reception of <em>The Two Genteelkin of Virdantha</em>.”</p>
|
||||
<p>“Any resemblance is coincidental. The chef is very capable.” Ink said
|
||||
evenly.</p>
|
||||
<p>Tess sighed and returned her plate to the table. “We’ve talked about
|
||||
this before, Ink. You don’t have to hole up in some poor scrub’s excuse
|
||||
for a kitchen in a closet. If you need more room downstairs then expand
|
||||
it. Just tell Salvia and she’ll take care of it.”</p>
|
||||
<p>Ink lowered their gaze to the teacups. “I appreciate the offer, but
|
||||
the answer is the same. There will be no rest until the crystals are
|
||||
secured.”</p>
|
||||
</blockquote>
|
||||
<p>Some time passes.</p>
|
||||
<p>The hemogoblin turns out to be a fine housemate and less of a problem
|
||||
than you thought it would be. Be it because its not in the excitement of
|
||||
battle onboard a pirate ship, or be it because it is maturing slightly,
|
||||
it seems in better control of its blood sacs. Barring a few small
|
||||
accidents, it doesn’t make much of a mess. It has found and claimed as
|
||||
its own a few unused blankets, and has made a little burrow nest in an
|
||||
out of the way corner behind the furniture.</p>
|
||||
<p>Bread makes a full recovery and in fact is doing better than ever
|
||||
before. The blood goblin stays by their side during the first hours and
|
||||
days and keeps them pumped full of clean, synthetic blood. Afterwards
|
||||
the toque is flushed a healthy pink and has new vigor. Enrique takes
|
||||
them under his tutelage. And Bread ends up making a fine baker’s
|
||||
apprentice. Dough seems to rise more and quicker after he kneads it.
|
||||
“The lad has solar hands,” Enrique boasts of his new protegee.</p>
|
||||
<p>Confidence becomes enthralled with the semi-sentient Wandering
|
||||
Bazaar. The thirteen story building moves with glacial speed up and down
|
||||
the streets, vendors and stalls and shoppers following in its wake. But
|
||||
then also it will disappear in the blink of an eye only to reappear in a
|
||||
totally different part of the area known as the Wandering Bazaar
|
||||
District. Each floor of the tall, narrow tower is occupied entirely by a
|
||||
single shop. But which shop it is seems to vary from day to day. One day
|
||||
the seventh level will be occupied by Fedik’s Butcher shop. And the
|
||||
next, Lario’s Bakery. It might be days or weeks before one can once
|
||||
again buy hotlinks from Fedik’s. Where the shops go when they’re not
|
||||
here is one of Basmentaria’s great mysteries.</p>
|
||||
<p>The toque studies the Bazaar’s movements and are able to predict its
|
||||
route with more and more accuracy. They become a highly sought out
|
||||
guide. Tourists and visitors trust them to take them to the very spot
|
||||
the Bazaar will appear that day. Residents appreciate the heads up and
|
||||
not getting trapped in their houses when the Bazaar wedges its way into
|
||||
their narrow residential streets, blocking their front doors. And owners
|
||||
of traditional, less ambulatory shops are able to plan ahead for the
|
||||
crowds that will appear on “Bazaar Day”.</p>
|
||||
<p>~</p>
|
||||
<p>Members of the Retrieval Team who sleep in Milk Market HQ start
|
||||
having dreams of the same mysterious figure. Of course at first nobody
|
||||
knows their dreams are shared by the others. Not until they become more
|
||||
frequent, more regular. By the time the figure has visited you every
|
||||
night for nearly a week, somebody speaks up and you realize the
|
||||
coincidence.</p>
|
||||
<p>The figure is clad in voluminous robes of deep purple. Long,
|
||||
straight, blonde hair falls around their shoulders. Their soft features
|
||||
are boyish and womanly. They wear a golden circlet on their head and a
|
||||
golden eye in the middle of their forehead. Their passive, neutral face
|
||||
betrays no emotion the entire time.</p>
|
||||
<p>The dream is always the same. They reach out to you with one hand and
|
||||
turn their palm up. And because of dream logic, in the palm of their
|
||||
hand you can hear the jingling of coins, mirthful laughter, and hushed
|
||||
stories told around a campfire. They curl their fingers into a loose
|
||||
first and the sounds stop. They spread their arms wide and in the folds
|
||||
of their robes you can see three siblings fighting, squabbling over a
|
||||
broken loom.</p>
|
||||
<p>Then you’re standing next to them, and the two of you watch three
|
||||
friends, Snake, Owl, and Dolphin. Owl tells Snake that he is tired of
|
||||
flying and hooting, and doesn’t want to be an owl any more, he wants to
|
||||
be flowers. And Snake laughs and tells him that he is Owl, and an owl he
|
||||
must remain. And she leaves him to go eat rodents and bake in the sun.
|
||||
So Owl tells Dolphin that he is tired of flying and hooting, and doesn’t
|
||||
want to be an owl any more, he wants to be flowers. Dolphin doesn’t want
|
||||
to help Owl, because if he is flowers, they won’t be able to be together
|
||||
any longer. But Dolphin finally agrees to help even though they don’t
|
||||
want to, because Dolphin loves Owl. With all their strength, they create
|
||||
a great waterspout that will turn Owl into flowers. But the waterspout
|
||||
is too strong, and Dolphin is too weak to control it. It sprays Owl but
|
||||
does not turn him into flowers. Owl’s wing is broken and he falls to the
|
||||
ground in a heap of feathers. The waterspout shakes a great boulder from
|
||||
the earth and traps Snake under it. And Dolphin sinks to the bottom of
|
||||
the sea.</p>
|
||||
<p>And then you wake up.</p>
|
||||
<p>~</p>
|
||||
<p>Later you find a letter in the common area of Milk Market HQ. It is
|
||||
not addressed to anybody. When you open it up, it reads:</p>
|
||||
<blockquote>
|
||||
<p>Time is running out, Retrieval Team 43. Things are starting to draw
|
||||
to a close. We cannot delay our meeting any longer if we both are to
|
||||
achieve our goals. We have information that you are looking for. Meet us
|
||||
at the Harpoon Club next Selday. We will wear the sign.</p>
|
||||
</blockquote>
|
||||
<p>The letter is signed with a white iris and golden apple.</p>
|
||||
<p>Anyone in Vay’Nullar would be able to tell you that the Harpoon Club
|
||||
is a game room and fine dining club, and one of the rotating tenants of
|
||||
the Wandering Bazaar. But Confidence would tell you, were you to ask
|
||||
them, that the club won’t be there next Selday. (When the Bazaar will
|
||||
appear at East and Lowland.) It is in fact not scheduled to appear until
|
||||
a week and a half after next Selday, on Third Tensday. (When the Bazaar
|
||||
will appear at Cathedral and Pine.)</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
<h2 id="bestiary">Bestiary</h2>
|
||||
<p>Some of the creatures who inhabit the world of Basmentaria</p>
|
||||
<dt>
|
||||
|
|
@ -6233,8 +6474,8 @@ embers.</p>
|
|||
</summary>
|
||||
<p><strong>THREADS</strong></p>
|
||||
<ul>
|
||||
<li>Lady in Red ???</li>
|
||||
<li>Beaker (and Cio) trailing the BANDits?</li>
|
||||
<li>Lady in Red ??? Tess, Piskin, Salvia ; Beaker (and Cio) trailing the
|
||||
BANDits?</li>
|
||||
<li>Benefactor wants Crystals to kill a god</li>
|
||||
<li>Golden Iris wants Crystals to make a new god</li>
|
||||
<li>Gnu Zealots (aligned with Golden Iris) seek to open source
|
||||
|
|
@ -6354,6 +6595,327 @@ checked="" />・゜゜・。。・゜゜_o< QUACK!</li>
|
|||
<li><input type="checkbox" disabled="" checked="" />The gang has a
|
||||
rival: the gophers of Retrieval Team 70</li>
|
||||
</ul>
|
||||
<p><strong>CALENDAR</strong></p>
|
||||
<p>The period of Moonmoon’s rotation is 10 days. This is a week. The
|
||||
period of Selene’s rotation is 30 days (3 weeks). This is a month. The
|
||||
period of Lua’s rotation is 360 days (12 months). This is a year.</p>
|
||||
<p>Days of the week are divided into godsdays, moondays, earthdays, and
|
||||
‘Tensday’.</p>
|
||||
<table style="width:97%;">
|
||||
<colgroup>
|
||||
<col style="width: 18%" />
|
||||
<col style="width: 18%" />
|
||||
<col style="width: 14%" />
|
||||
<col style="width: 23%" />
|
||||
<col style="width: 23%" />
|
||||
</colgroup>
|
||||
<thead>
|
||||
<tr class="header">
|
||||
<th style="text-align: left;">Day of Month</th>
|
||||
<th style="text-align: left;">Day of Week</th>
|
||||
<th style="text-align: left;">Name</th>
|
||||
<th style="text-align: left;">Moonmoon</th>
|
||||
<th style="text-align: left;">Selene</th>
|
||||
</tr>
|
||||
</thead>
|
||||
<tbody>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">1</td>
|
||||
<td style="text-align: left;">1</td>
|
||||
<td style="text-align: left;">Nedsday</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">2</td>
|
||||
<td style="text-align: left;">2</td>
|
||||
<td style="text-align: left;">Nullday</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">3</td>
|
||||
<td style="text-align: left;">3</td>
|
||||
<td style="text-align: left;">Lianday</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">4</td>
|
||||
<td style="text-align: left;">4</td>
|
||||
<td style="text-align: left;">Monday</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">5</td>
|
||||
<td style="text-align: left;">5</td>
|
||||
<td style="text-align: left;">Selday</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">6</td>
|
||||
<td style="text-align: left;">6</td>
|
||||
<td style="text-align: left;">Luday</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">7</td>
|
||||
<td style="text-align: left;">7</td>
|
||||
<td style="text-align: left;">Primeday</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">8</td>
|
||||
<td style="text-align: left;">8</td>
|
||||
<td style="text-align: left;">Agenday</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">9</td>
|
||||
<td style="text-align: left;">9</td>
|
||||
<td style="text-align: left;">Ginnday</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">10</td>
|
||||
<td style="text-align: left;">10</td>
|
||||
<td style="text-align: left;">Tensday</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">11</td>
|
||||
<td style="text-align: left;">1</td>
|
||||
<td style="text-align: left;">Nedsday</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">12</td>
|
||||
<td style="text-align: left;">2</td>
|
||||
<td style="text-align: left;">Nullday</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">13</td>
|
||||
<td style="text-align: left;">3</td>
|
||||
<td style="text-align: left;">Lianday</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">14</td>
|
||||
<td style="text-align: left;">4</td>
|
||||
<td style="text-align: left;">Monday</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">15</td>
|
||||
<td style="text-align: left;">5</td>
|
||||
<td style="text-align: left;">Selday</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">16</td>
|
||||
<td style="text-align: left;">6</td>
|
||||
<td style="text-align: left;">Luday</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">17</td>
|
||||
<td style="text-align: left;">7</td>
|
||||
<td style="text-align: left;">Primeday</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">18</td>
|
||||
<td style="text-align: left;">8</td>
|
||||
<td style="text-align: left;">Agenday</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">19</td>
|
||||
<td style="text-align: left;">9</td>
|
||||
<td style="text-align: left;">Ginnday</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">20</td>
|
||||
<td style="text-align: left;">10</td>
|
||||
<td style="text-align: left;">Tensday</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">21</td>
|
||||
<td style="text-align: left;">1</td>
|
||||
<td style="text-align: left;">Nedsday</td>
|
||||
<td style="text-align: left;">1st quarter</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">22</td>
|
||||
<td style="text-align: left;">2</td>
|
||||
<td style="text-align: left;">Nullday</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">23</td>
|
||||
<td style="text-align: left;">3</td>
|
||||
<td style="text-align: left;">Lianday</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">24</td>
|
||||
<td style="text-align: left;">4</td>
|
||||
<td style="text-align: left;">Monday</td>
|
||||
<td style="text-align: left;">full</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">25</td>
|
||||
<td style="text-align: left;">5</td>
|
||||
<td style="text-align: left;">Selday</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">26</td>
|
||||
<td style="text-align: left;">6</td>
|
||||
<td style="text-align: left;">Luday</td>
|
||||
<td style="text-align: left;">3rd quarter</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">27</td>
|
||||
<td style="text-align: left;">7</td>
|
||||
<td style="text-align: left;">Primeday</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">28</td>
|
||||
<td style="text-align: left;">8</td>
|
||||
<td style="text-align: left;">Agenday</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">29</td>
|
||||
<td style="text-align: left;">9</td>
|
||||
<td style="text-align: left;">Ginnday</td>
|
||||
<td style="text-align: left;">new</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">30</td>
|
||||
<td style="text-align: left;">10</td>
|
||||
<td style="text-align: left;">Tensday</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
</tr>
|
||||
</tbody>
|
||||
</table>
|
||||
<p>The year is defined by Lua, the Red Lady’s phases:</p>
|
||||
<table>
|
||||
<thead>
|
||||
<tr class="header">
|
||||
<th style="text-align: left;">#</th>
|
||||
<th style="text-align: left;">Name</th>
|
||||
<th style="text-align: left;">Lua</th>
|
||||
<th style="text-align: left;">Season</th>
|
||||
</tr>
|
||||
</thead>
|
||||
<tbody>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">1</td>
|
||||
<td style="text-align: left;">Thawing</td>
|
||||
<td style="text-align: left;">1ST QUARTER</td>
|
||||
<td style="text-align: left;">Spring</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">2</td>
|
||||
<td style="text-align: left;">Icebreak</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
<td style="text-align: left;">Spring</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">3</td>
|
||||
<td style="text-align: left;">Springtide</td>
|
||||
<td style="text-align: left;">waxing gibbous</td>
|
||||
<td style="text-align: left;">Spring</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">4</td>
|
||||
<td style="text-align: left;">Ripeberry</td>
|
||||
<td style="text-align: left;">FULL</td>
|
||||
<td style="text-align: left;">Summer</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">5</td>
|
||||
<td style="text-align: left;">Fullhorn</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
<td style="text-align: left;">Summer</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">6</td>
|
||||
<td style="text-align: left;">Fallsrun</td>
|
||||
<td style="text-align: left;">waning gibbous</td>
|
||||
<td style="text-align: left;">Summer</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">7</td>
|
||||
<td style="text-align: left;">Cornreaping</td>
|
||||
<td style="text-align: left;">3RD QUATER</td>
|
||||
<td style="text-align: left;">Autumn</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">8</td>
|
||||
<td style="text-align: left;">Hunters</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
<td style="text-align: left;">Autumn</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">9</td>
|
||||
<td style="text-align: left;">Beaverlodge</td>
|
||||
<td style="text-align: left;">waning crescent</td>
|
||||
<td style="text-align: left;">Autumn</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">10</td>
|
||||
<td style="text-align: left;">Longnight</td>
|
||||
<td style="text-align: left;">NEW</td>
|
||||
<td style="text-align: left;">Winter</td>
|
||||
</tr>
|
||||
<tr class="odd">
|
||||
<td style="text-align: left;">11</td>
|
||||
<td style="text-align: left;">Howling</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
<td style="text-align: left;">Winter</td>
|
||||
</tr>
|
||||
<tr class="even">
|
||||
<td style="text-align: left;">12</td>
|
||||
<td style="text-align: left;">Snowfall</td>
|
||||
<td style="text-align: left;">waxing crescent</td>
|
||||
<td style="text-align: left;">Winter</td>
|
||||
</tr>
|
||||
</tbody>
|
||||
</table>
|
||||
</details>
|
||||
<h2 id="acknowledgements">Acknowledgements</h2>
|
||||
<p>The setting, plot, and major non-player characters of Basement Quest
|
||||
|
|
|
|||
Loading…
Reference in New Issue