2453 lines
144 KiB
XML
2453 lines
144 KiB
XML
<?xml version="1.0" ?>
|
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<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
|
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<channel>
|
||
<atom:link href="https://tilde.town/~dozens/quest/rss.xml" rel="self" type="application/rss+xml" />
|
||
<title>BASEMENT QWEST</title>
|
||
<link>https://tilde.town/~dozens/quest/rss.xml</link>
|
||
<description>Friends having ADVENTURES! Huzzah!</description>
|
||
<item>
|
||
<title>60</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
||
-0700</guid>
|
||
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00060">00060</h3>
|
||
<blockquote>
|
||
<p>Alex takes inventory of himself, this dream world is
|
||
definitely strange, but fortunately its decided to provide him
|
||
with his impecable fashion, trench coat and all. Unfortunately
|
||
the same can’t be said for his roguish good looks, as he’s
|
||
found himself 6 arms heavier, and a bit more octopus-y than he
|
||
remembers.</p>
|
||
<p>Nontheless this doesn’t appear to be much of an impediment,
|
||
and he promptly moves on with assessing the situation.</p>
|
||
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
||
terrible at fetching acrons, and at any rate, I have a
|
||
dreadfully important meeting across town.” turning to address
|
||
Inky, “We need to make a break for it, what’d the witch tell
|
||
you? Envision our goal or something? This is really a little
|
||
outside of my realm of mechanical magic expertise..
|
||
unless..”</p>
|
||
<p>Alex makes a gesture with his tentacles in the area and a
|
||
terminal prompt appears before him. His tentacles work at
|
||
blinding speed at the digital window, a quick bypass there, a
|
||
root access escalation there.</p>
|
||
<p>“Looks like this whole place runs on Linux, it’s an older
|
||
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
||
needed. Here I’m giving us sudo access, should we need
|
||
it.”</p>
|
||
<p>“Oh and squirrel, here’s your acorns”</p>
|
||
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
||
</blockquote>
|
||
<p>It takes Alectopus a couple tries, but he gets it. First he
|
||
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
||
the <em>chipmunk</em> instead of to the squirrel.</p>
|
||
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
||
squeals in delight.</p>
|
||
<p>In the distance, far below you, you hear the anguished yell
|
||
of what can only be a Red Squirrel whose giant stash of acorns
|
||
has just vanished.</p>
|
||
<p>The chipmunk rubs its hands together gleefully and starts
|
||
scooping up acorns by the armful and shoving them into its
|
||
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
||
says around a mouthful of nuts. “Here…” It tosses you a large
|
||
square silver coin with a round hole drilled in the center. On
|
||
one side is the number twenty-one next to a picture of a
|
||
curved, short-handled sickle. On the other side is the number
|
||
five and a picture of a flail.</p>
|
||
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
||
I have,” it apologizes as it scampers off, no doubt to hide
|
||
its nuts. Hopefully somewhere more secure this time.</p>
|
||
<p>If you hold the coin up to your eye and peer through the
|
||
hole, you see the dreamscape before you as though looking
|
||
through a cloudy film. All the same stuff is there, but it’s
|
||
hazy and shadowy.</p>
|
||
<p>Standing a fair distance from you on the branch, just out
|
||
of hailing distance, is a tall figure cloaked in black robes.
|
||
Dark shadows pool restlessly around its feet. Occasionally the
|
||
shadows leap up and take the form of demons the like of which
|
||
words cannot describe, before falling and returning to shadow
|
||
once more. The figure wears a large spherical helmet of
|
||
obsidian-like glass. You can see constant flashes of a rainbow
|
||
of colors crackle and splinter along the inside of the helmet
|
||
like lightning, but illuminating nothing within. You feel
|
||
sickened at the sight, but at the edge of your mind you feels
|
||
a tug, a familiarity. Something about this character is
|
||
familiar to you, but you cannot place it.</p>
|
||
<p>When you lower the coin, the figure and the dark landscape
|
||
both disappear. When you raise it again, the distorted
|
||
landscape reappears but the figure is gone.</p>
|
||
<p>You notice a pair of large ravens watching you rather
|
||
intently from the branches below.</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>59</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">59 - Mon, 30 Jan 2023 21:41:56
|
||
-0700</guid>
|
||
<pubDate>Mon, 30 Jan 2023 21:41:56 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00059">00059</h3>
|
||
<blockquote>
|
||
<p>Alex procures from a pocket of his trenchcoat a tiny vial.
|
||
On the vial is a small strip of parchment which reads:</p>
|
||
<pre><code>#!/bin/ash
|
||
sleepy=true
|
||
|
||
sleep() {
|
||
while sleepy; do
|
||
sleep(10)
|
||
done
|
||
}
|
||
|
||
trap sleep INT EXIT</code></pre>
|
||
<p>He empties the vial into a glass of warm milk and hands it
|
||
to bread.</p>
|
||
<p>“Drink up friend, this’ll relax and soothe you. You’ll
|
||
probably have the best night’s sleep you’ve ever had”</p>
|
||
<p>Over the radio Alex provides a quick reminder to
|
||
Marvelo.</p>
|
||
<p>“7, remember, should you need to wake bread to get us out
|
||
you can interrupt or cancel the sleep script, Ctrl + C should
|
||
work for the disruption work. Or if you need to you can set
|
||
sleepy=false, if it gets crazy and you need to modify the
|
||
metavarbalic properties of the enchantment.”</p>
|
||
<p>Turning to Inky, “Eight bells and all’s well, lets get this
|
||
show on the road”</p>
|
||
</blockquote>
|
||
<p>Bread smiles and thanks you for the milk. They down the
|
||
glass, smack their lips a few times, and wipe their mouth with
|
||
the back of their hand. Their eyelids grow heavy and close,
|
||
and they slump down on the cushions. They’re already asleep by
|
||
the time their head hits the pillow.</p>
|
||
<blockquote>
|
||
<p>Inky nods once at Alex’s words and finishes off their own
|
||
cuppa steeped with calea and thyme, and blended into osmanthus
|
||
matcha. Lucida, Protege, Aware, Perfume. A meaningless
|
||
mantra.</p>
|
||
<p>They glance to their owlish accomplice (who, she will
|
||
remind you, is well-trained and needs no sleeping aid, thank
|
||
you very much, unlike her impish charge) and silently mouth
|
||
the words “Dude 215R” with a wink. Then they settle for a nap,
|
||
chin pillowed on their forearms, which are propped atop
|
||
drawn-up knees. A walking stick rests on their lap. A herb
|
||
bouquet of pink blooms becomes an owl cushion.</p>
|
||
<p>Inky dreamforms of a cream noogle. Puko. And Fuko is, well,
|
||
still Fuko.</p>
|
||
</blockquote>
|
||
<p>You light the Nyxmaer. The flame crackles and dances. It
|
||
smokes darkly, and the scent it gives off is thick and
|
||
heady.</p>
|
||
<p>You breathe deeply of it and settle down to sleep.</p>
|
||
<p>When you open your eyes you are standing on the branch of
|
||
an enormous white tree. It’s as wide as a narrow street. Its
|
||
leaves are silver blades that uncurl in the dappled light from
|
||
below.</p>
|
||
<p>One of the first things you notice is that gravity is
|
||
reversed here. The branches below you reach down, grazing an
|
||
endless sky. Small iridescent jellyfish medusae drift lazily
|
||
far, far below, catching and reflecting the light. And the
|
||
trunk thickens as it reaches up overhead, where its roots
|
||
drill into the ceiling above.</p>
|
||
<p>Because of dream logic, you know that in some way this tree
|
||
represents Kelsun Peak, Bread’s home. And also because of
|
||
dream logic, you know that the branches furthest away from you
|
||
in some way represent the great dragon Lucin who lives deep in
|
||
the mountain. And they are just as dangerous. They sway in the
|
||
breeze and seem to be aware of you, and are for now satisfied
|
||
at the distance you keep from them.</p>
|
||
<p>There is a chipmunk sitting cross-legged before you on the
|
||
branch. It looks curiously up at you and says, “The Red
|
||
Squirrel stole my acorns! Are you going to get them back for
|
||
me?”</p>
|
||
<p>You can feel a metaphysical tug in your gut as your orient
|
||
yourself to dreamspace like the needle of a compass. “Inward”
|
||
you can feel a tug toward Bread’s deep unconscious. To their
|
||
core memories. “Outward” you can feel a tug away from Bread
|
||
toward the shores of the Sea of Dreams, where you may continue
|
||
your journey through the Collective Unconsciousness to the
|
||
pocket dimension of the Wandering Bazaar. You need not move
|
||
physically to travel in either direction. It’s more a matter
|
||
of choosing a destination, and letting the winds blow you in
|
||
that direction.</p>
|
||
<p>“My acorns!” insists the chipmunk, wringing its hands. “The
|
||
Red Squirrel has taken them all! Are you going to help
|
||
me?”</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>58</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45
|
||
-0700</guid>
|
||
<pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00058">00058</h3>
|
||
<blockquote>
|
||
<p><em>(A week prior)</em></p>
|
||
<p>The secretary collected the stack of papers that had
|
||
accumulated at one corner of the desk. “This might help,” she
|
||
said, setting down a bundle of herbs with white and pink
|
||
flowers in place of the papers.</p>
|
||
<p>Inky stared at the blooms, hands stilled over the owl’s
|
||
plumage. “Oh! Thanks. Good thinking, really. It’ll help make
|
||
the stench more bearable when they find the remains.”</p>
|
||
<p>The grey elf was confused for a moment, then mortified as
|
||
the words sank in. “That’s not what I meant! It’s for the
|
||
circle,” she clarified.</p>
|
||
<p>Seeing the imp’s preoccupied nod, she coughed lightly to
|
||
regain their attention, then spoke in a hushed voice.
|
||
“Beaker’s associates have picked up the empanada shop
|
||
proprietor and transported him to an undisclosed location.
|
||
There will be a retinue with him at all times.”</p>
|
||
<p>Inky seemed to visibly pull themselves back to the room
|
||
before responding, “Thank you, Salvia. One more thing — if I
|
||
do not return by the indicated time, please activate the
|
||
hitsuzen protocol. As precaution.”</p>
|
||
<p>The secretary looked at Inky in concern. “Is everything all
|
||
right? If you’re still troubled by the hotelier, accidents
|
||
happen. A single incident—”</p>
|
||
<p>“Third. An unidentified man was attacked at the docks. He
|
||
was probably sent to investigate the melon vendor. One of the
|
||
other stall owners heard him asking questions shortly after
|
||
the melon vendor disappeared.”</p>
|
||
<p>Salvia’s violet eyes narrowed. “What, the fruit vendor?
|
||
Didn’t the tabloids say it was an accident? He tried to get
|
||
rid of a neighbor’s nest of snakes.”</p>
|
||
<p>Inky only raised an eyebrow at her.</p>
|
||
<p>The secretary let out a low curse. “You didn’t tell her.
|
||
You didn’t want her to worry,” she said aloud in realization.
|
||
She sighed. “She’s going to be pretty angry with you when she
|
||
finds out, you know.”</p>
|
||
<p>Inky offered her a sardonic smile. “Making people angry is
|
||
my job. You of all people know this well. In the event of my
|
||
timely demise I’m sure the others would find it cause for a
|
||
grand celebration.” They replied matter-of-factly before
|
||
returning to smoothing the feathers of one bird wing.</p>
|
||
<p>Salvia shook her head vehemently. “That’s not true. You’ll
|
||
make it back, Ink. What then—”</p>
|
||
<p>“Then our fair Lady’s ire would be the least of the
|
||
problems.”</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>Alex stared morosely into his cup of coffee. He’d received
|
||
word of agent 5’s demise that morning, and had been the only
|
||
thing on his mind since. 5, no Be’tram knew the risks, we all
|
||
knew the risks defying HQ brought, but to happen so suddenly?
|
||
He’d snuck down to the wharf once he’d heard, making sure to
|
||
cover his tracks and dodge any potential witnesses. He even
|
||
managed to slip past the police cordon they’d setup around the
|
||
body. What he’d found wasn’t pretty, it looked like Be’Tram
|
||
had suffered in his final moments. The bruising around his
|
||
neck pointed to strangulation, with some sort of cloth,
|
||
perhaps a rope. The bruising was deep, and there wasn’t a cut,
|
||
burn, shot or something of the likes on his otherwise.</p>
|
||
<p>The kill had been intimate.</p>
|
||
<p>Alex had worked quickly that night, popping Be’Tram’s eye
|
||
had been hard, but he’d of wanted Alex to have it. Behind his
|
||
right eye was a recording device, it could only catch the last
|
||
15m or so of what he had seen, but it would give him a clear
|
||
look at what had happened. And potentially lead Alex to the
|
||
killer. Miserable business, but Be’Tram knew it could make a
|
||
difference.</p>
|
||
<p>Alex had planted a bomb on the body after he had extracted
|
||
the eye, and made his way well away from the area before it
|
||
went off obliterating the remains. A regrettable end for an
|
||
old friend, but it was too dangerous to leave.</p>
|
||
<p>And then there was the matter of the zabbix alert, a little
|
||
purple red critical for the sewer hideout. He’d had time to
|
||
send out a drone beetle. The smoldering slag that was left was
|
||
reassuring. Most of the equipment was utterly destroyed, racks
|
||
upon racks of servers reduced to twisted melted metal. The
|
||
effectively of the destruction was delightful, in a sick sort
|
||
of desperate way. Alex felt assured that most if not all of
|
||
the equipment was useless, but this spelled the end of a
|
||
valuable listening outpost. And whoever had done it wasn’t
|
||
part of the slag pile.</p>
|
||
<p>Alex stood up, his coffee untouched. The cafe around his
|
||
burbled in quiet excitement. The city had lit up since the
|
||
Melon vendor’s death. A thousand rumors abounded about it, but
|
||
none of them held true; some said the city had become
|
||
dangerous, a crime syndicate had arisen in the neighboring
|
||
city block another thought, and did you hear about the
|
||
explosion at the wharf the other night, the city was electric,
|
||
yet somehow ever so slightly off the pulse of the issue.</p>
|
||
<p>As Alex stepped away a woman with horn rimmed glasses
|
||
strode past the table he had just abandoned, deftly pulling
|
||
the note from beneath the coffee cup, left for her.</p>
|
||
<pre><code>4 -> 3
|
||
Daylight breaks on the morrow
|
||
The suns rays make chase
|
||
casting soft cloth
|
||
across the nap of nature's neck
|
||
|
||
So, night relents and gives way
|
||
biding time until
|
||
it can rule
|
||
in its own domain</code></pre>
|
||
<p>For the passerby, it was but a bit of poetry, scribbled
|
||
carelessly on the back of a napkin in a coffee near the wharf.
|
||
But for Agent 3 it was a warning, one part notes on Agent 5s
|
||
demise recovered from his eyecam, one part orders; stay low
|
||
and we’ll strike these bastards from the shadows, on our
|
||
terms, on our ground. Similar missives were delivered to
|
||
Agents 6 & 7. The numbers were dwindling rapidly, even
|
||
just one agent lost was hard to stomach.</p>
|
||
<p>Alex hand gripped the pistol in his coat pocket with a
|
||
white knuckled grip as he stepped from the coffee shop into
|
||
the city. Whatever was after him, whatever had gotten to
|
||
Be’Tram, it had better know he was coming, and he’d happily
|
||
send it straight to hell. HQ be damned, the rules be damned,
|
||
this little game of cat and mouse had just gotten
|
||
personal.</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves
|
||
in a dark backroom in a secluded corner of an old fish
|
||
processing plant on the wharf. The accommodations are rough,
|
||
and the stench is abhorrent, but it’s the best that could be
|
||
procured in a pinch. And it should provide enough
|
||
seclusion.</p>
|
||
<p>The backroom is like that of many factories, high up near
|
||
the ceiling, a single rusty rickety staircase winds its way
|
||
along the side of the building for what seems to be 3 flights,
|
||
before it reaches a metal room with dusty grimy windows, and a
|
||
single steel door. The windows on the interior overlook the
|
||
fish processing plant, where rows of belts and machinery stand
|
||
still, covered in dust and long forgotten blood. You’re glad
|
||
to know that the factory stopped operating years ago, hygiene
|
||
is lacking in every sense.</p>
|
||
<p>Alex stares forlornly out the exterior windows, the sky is
|
||
a grey overcast, it matches his mood perfectly. He didn’t like
|
||
what him and Inky were about to do, but they didn’t have much
|
||
they could do about it. They would be vulnerable for the
|
||
duration of the ritual. But Agent 7 and Confidence were there
|
||
to help mitigate that risk. Alex and Agent 7 had taken every
|
||
precaution they could think of.</p>
|
||
<p>The plant floor was scattered with booby traps, trip wires,
|
||
and alarms. The other agents were laying low, but kept drones
|
||
around the wharf feeding in a network of twtxt data back to
|
||
Agent 7 for recon. And that was on top of the double barred
|
||
steel doors, and reinforced glass box they’d chosen as their
|
||
hide out. Meticulously planned, Alex expected no less from
|
||
Agent 7.</p>
|
||
<p>See Marvelo had been at this as long as Alex had, and then
|
||
some. He was sharp as a tack, with an animal-like third sense
|
||
that came from years of close calls. He was, simply put, the
|
||
right man for the job, when that job was keeping your
|
||
unconscious ass alive.</p>
|
||
<p>Alex turns away from the window and addresses Inky.
|
||
“Apologies for the smell, it turns out there’s a strong
|
||
correlation between disgust and seclusion, but I believe we
|
||
should at least be safe here. Safer than we would have been
|
||
back home. I’m ready if you are, as ready as I’ll ever be that
|
||
is.”</p>
|
||
</blockquote>
|
||
<p>The Golden Iris have summoned you to appear at the Harpoon
|
||
Club this evening. But the Harpoon Club is nowhere to be found
|
||
on this plane of existence. It won’t appear until a week and a
|
||
half from now, on the last day of the month.</p>
|
||
<p>Confidence the Guide has predicted exactly where the
|
||
Wandering Bazaar will be on that day. With a small bucket of
|
||
red paint and a large brush, he has drawn a Linking Sigil on
|
||
the ground at the location. He sits nearby, making sure
|
||
careless passersby and mischievous kids don’t disturb it, but
|
||
otherwise letting the sigil absorb the energies of the bustle
|
||
of shopping and commerce.</p>
|
||
<p>At the fish market, Marvelo is posted outside. He keeps
|
||
vigilant watch, alert to every movement and disturbance.</p>
|
||
<p>And inside, Bread, Inky, Fuko, and Alex are huddled up in
|
||
the office in the back near the ceiling. They all sit inside a
|
||
dark circle that has been smudged on the floor with a paste
|
||
made of ash and salt. Painted on the ground is a second
|
||
Linking Sigil, connecting this spot to Confidence’s, allowing
|
||
the energies of the two locations to co-mingle. There is also
|
||
the Dream Sigil, which will connect this place to the
|
||
Dreaming.</p>
|
||
<p>Bread the Host is propped up on some pillows and cushions
|
||
in the center of the circle, next to the Nyxmaer. The candle
|
||
is alleged to be made of the flesh and fat of a certain
|
||
nightmare. Its hand and eye bound in the wax. The Dream Sigil
|
||
is the door, but the Nyxmaer is the key. The catalyst that
|
||
will cause all of the otherwise inert metaphysical particles
|
||
to become volatile and reactive. It is what will allow you to
|
||
actually pass over and arrive on the shores of the Sea of
|
||
Dreams.</p>
|
||
<p>Per the shop witch’s instructions, the Nyxmaer has been
|
||
placed on a thin, hard tin plate. As the candle burns, the wax
|
||
will soften and eventually allow the large metal nail in its
|
||
side to fall. When it strikes the plate, you will awaken,
|
||
exiting the Dreaming. You expect hours may pass in the realm
|
||
of sleep. But only about thirty minutes will pass here.</p>
|
||
<p>Inky and Alex sit inside the circle, near the perimeter,
|
||
facing Bread in the center. Fuko the owl sits at Inky’s
|
||
side.</p>
|
||
<p>It is dim. You are illuminated by mundane, non-magical
|
||
candles set around the edges of the circle. Outside, a steady
|
||
rain beats on the roof and the windows of the building. The
|
||
smell of fish is faint but ever-present. A constant reminder
|
||
of the small creatures that have left their bodies in a
|
||
fashion far more permanent and irreversible than the
|
||
separation of spirit and body you are about to experience. You
|
||
hope.</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
<ul>
|
||
<li><p>How do you induce a deep and powerful slumber in
|
||
Bread?</p></li>
|
||
<li><p>What shape or form will you take when you arrive in the
|
||
Dreaming?</p></li>
|
||
<li><p>What are you secretly worried or hopeful about being
|
||
exposed in the dreamland, the realm of metaphor?</p></li>
|
||
</ul>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>67</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">67 - Tue, 28 Feb 2023 07:24:28
|
||
-0700</guid>
|
||
<pubDate>Tue, 28 Feb 2023 07:24:28 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00067">00067</h3>
|
||
<p>In the fish market, the dreamers continue to sleep soundly
|
||
through the ringing claxon alarms with nothing but maybe the
|
||
twitch of a finger to indicate that they hear anything at
|
||
all.</p>
|
||
<p>During the commotion with Marvelo and Gliftwirp, nobody but
|
||
Rind noticed the thick rusty nail in the side of the candle
|
||
wiggle its way out of the soft wax and clatter onto the plate
|
||
at the base of the candle, the ringing of tin masked by the
|
||
ringing of the claxon alarm.</p>
|
||
<p>Still the dreamers sleep.</p>
|
||
<p>Rind watches as the candle burns dangerously low. The
|
||
mummified hand of the Nyxmaer in the base of the candle starts
|
||
to wriggle, struggle, and strain against the softening wax. It
|
||
stretches and reaches for the eye in the center of the
|
||
candle.</p>
|
||
<p>Rind continues to soothe the duck and stroke its feathers.
|
||
The child looks at the space where Gliftwirp and the
|
||
hemogoblin stumbled into the circle, smudging the line of salt
|
||
and ash, breaking the circle and severing its continuity.
|
||
Making a small space for something to get in. Or out.</p>
|
||
<blockquote>
|
||
<p>“Yo! Little cavatappi dude, where the hell are we?!” Alex’s
|
||
eyes scan the room rapidly. There’s no water, aside from what
|
||
he dragged in with his abrupt departure from the pier. The
|
||
dark sky stretches into the nothingness of the void. Asthe
|
||
robed figure begins speaks Alex takes note of his
|
||
situation.</p>
|
||
<p>‘Nowhere to hide, zero cover. A whole lot of nothing
|
||
actually. It’s one thing after another with this dream
|
||
thing.’</p>
|
||
<p>As the figure finishes his address Alex nods politely.
|
||
“I’ll be honest my guy, I haven’t the foggiest what you’re
|
||
talking about. Looks to me you’ve got the whole sword thing,
|
||
all I’ve got is my trusty AK. I guess back top side, in umm I
|
||
guess the real world, I did find a wonky dagger my uncle tried
|
||
to hide. But I’m pretty sure that got eaten by a cute little
|
||
hemogoblin while I was busy murdering ghost pirates. Anyways
|
||
more to the point, I’m not quite sure I follow.”</p>
|
||
<p>Alex pauses briefly and then continues, “You say you need
|
||
to get out of here? Now that part I follow, me the hell too. I
|
||
just got attacked by some freaky sadist mushroom that called
|
||
itself katsuva. Cut its head clean off just so it could try
|
||
and chuck me in the drink. Right unpleasant fella, but I think
|
||
I lost him when, well, I got here, wherever that is.”</p>
|
||
<p>“Now I don’t know much, but I’m not much for trust after
|
||
getting attacked by a talking mushroom monster. So if you’ll
|
||
excuse me, I reckon the exit is right about that way (Alex
|
||
jabs his finger over his back away from the figure), and I’m
|
||
inclined to head out unless you know a better way.”</p>
|
||
</blockquote>
|
||
<p>You weren’t in the kobit caves with the rest of Retrieval
|
||
Team 43, so you didn’t see the reliefs. But every Basmentarian
|
||
is familiar with the iconography of the Trine. This figure is
|
||
dressed in the traditional rainments of Neddas, god of sages
|
||
and starlight. Furthermore you recognize them from your dreams
|
||
in the Milk Market.</p>
|
||
<p>Kasutva the small mushroom meeps and hides behind your
|
||
leg.</p>
|
||
<p>“You know, we each of us loved you in our own way,” Neddas
|
||
says. “But of the three of us, I alone gave away pieces of my
|
||
divinity. I wanted to see you thrive and grow strong.</p>
|
||
<p>“You’ve already found several pieces of my essence.
|
||
<em>Coin</em> in the treasure hoard below the earth.
|
||
<em>Mirth</em> in the shipwreck under the sea. And
|
||
<em>lore</em> in the clouds atop Kelsun Peak.</p>
|
||
<p>“And of course you found <em>justice</em>,” they say,
|
||
looking at the sword. “This one got a little weird.” The
|
||
frown. “Became a little sentient, didn’t it?” They press the
|
||
blade of the sword to their chest and absorb it into their
|
||
being. They sigh happily.</p>
|
||
<p>“You have found enough of my essence that I am able to
|
||
start to materialize again. Not quite in Basmentaria yet. But
|
||
here, a little bit.</p>
|
||
<p>“There are still two more pieces out there. If you can
|
||
reunite all five crystals, I will be able to cross over into
|
||
Basmentaria again.</p>
|
||
<p>“So yes, Alex. You are correct. It is time you head out.
|
||
Return to Basmentaria. Find the remaining crystals, so that I
|
||
may return and right the wrongs of the past. I will do what I
|
||
can to assist you.”</p>
|
||
<blockquote>
|
||
<p>Inky waves back once, twice in greeting, before crossing
|
||
their forefingers twice, touching a hand briefly to their
|
||
chest, and strolling towards the restrooms.</p>
|
||
<p>Leaning against a wall outside of the rest area, out of
|
||
sight from the main dining hall, Inky pulls out the message
|
||
from Master Alex and reads it. Engagement confirmed, it seems.
|
||
Also in the envelope is a smooth oval grey pebble with the
|
||
letters “sh” carved onto it. A mini dousojin. How considerate
|
||
of him.</p>
|
||
<p>Putting the envelope and pebble into a shorts pocket, Inky
|
||
holds up a chewy blood berry biscuit, which they offer to the
|
||
great horned owl patiently perched on their shoulder. “What if
|
||
we just zip out now and have a walk around the towers? Do you
|
||
think it will cause offence to the Grand Master of the realm?”
|
||
Inky asks her. Fuko looks up from her treat and gives them a
|
||
short series of disapproving clicks of her beak.</p>
|
||
<p>“He wants more ‘intel’,” Inky says. It isn’t even a
|
||
question.</p>
|
||
<p>On another occasion they would be glad to see Master
|
||
Corraidhn animated and well — when there wasn’t a demanding
|
||
curmudgeon on the other end of an absurd fishing expedition.
|
||
The elder sysorcerer’s presence in the Dreaming, illusion or
|
||
otherwise, has effectively dashed any prospect of an early
|
||
night out.</p>
|
||
<p>“Thirteen minutes. Only because Scoops likes you.” Inky
|
||
tells the owl.</p>
|
||
<p>They look down at their shirt with orange horizontal
|
||
stripes, blue knee-length shorts, blue running shoes, and
|
||
wordlessly declare the change of clothes suitable for fine
|
||
non-dining. The noogle’s drawstring pouch is knotted to a
|
||
metal hoop on a pocket flap to one side of their shorts,
|
||
having let loose a short mop of tousled red hair. A plush
|
||
floofy duck keychain dangles next to the pouch.</p>
|
||
<p>Emerging from the hallway, the awkward, skinny youth with
|
||
an owl approaches the far corner table.</p>
|
||
</blockquote>
|
||
<p>You approach the far corner table, weaving your way through
|
||
the crowded tables of the Harpoon Club.</p>
|
||
<p>“Inky!” Blavin chorttles merrily as you pull up a chair.
|
||
The cat person nods politely at you and starts rebuilding the
|
||
block tower.</p>
|
||
<p>Corraidhín watches the archway behind you as you enter.
|
||
When nobody follows you into the Harpoon Club he frowns, tugs
|
||
on his beard, and sits up straighter in his chair.</p>
|
||
<p>“You’re alone?” Blavin observes. “No matter. Thank you so
|
||
much for meeting us here! I trust it wasn’t too much trouble?
|
||
A little bit out of the way, I know. But it is so very hard to
|
||
find a place away from prying eyes, isn’t it?”</p>
|
||
<p>“Get to the point, Blavin.” snaps Corraidhín.</p>
|
||
<p>“Quite right!” laughs Blavin, taking a sip of his drink.
|
||
“Listen,” he says, suddenly very serious. “It’s time I came
|
||
clean to you. You deserve that much. And besides, I think we
|
||
can help each other. While it is true that I work for the
|
||
Benefactor, I don’t actually serve their interests. You see, I
|
||
represent another party. A <em>double agent</em> they would
|
||
call me in the spy novels.” He waves his hand dismissively, as
|
||
though somebody were making a fuss over him and he were
|
||
embarrassed.</p>
|
||
<p>“As I’m sure you already know, our organization is called
|
||
the Golden Iris. Like the Benefactor, our goal is to collect
|
||
the Ginnarak Cystals. I know you’ve heard all the old stories.
|
||
<em>Together they could kill a god</em>, blah blah blah.” He
|
||
sloshes his drink as the gestures. “But we think they’ve got
|
||
it all wrong, Inky. That is, they have it <em>backwards</em>
|
||
at least!”</p>
|
||
<p>Blavin leans in, his eyes shining. “The Golden Iris intends
|
||
nothing less than <em>creating a new god!</em>”</p>
|
||
<p>“The Trine has been absent for years. We’re going to
|
||
restore the balance. Now you see why the mission is so
|
||
important, Inky. We need the crystals.”</p>
|
||
<p>“Now I know what you’re going to say! It all sounds too
|
||
fantastic. Yes well, that’s why I brought along somebody whose
|
||
credibility I know you’ll trust!” He beams at Corraidhín.</p>
|
||
<p>The wizard sighs. “As far as I can tell, the hobbit is
|
||
telling the truth.”</p>
|
||
<p>Blavin grins as Corraidhín continues.</p>
|
||
<p>“The Golden Iris is trying to elevate Sitopotnia, the Corn
|
||
Mother, to godhood. Which I admit makes a certain kind of
|
||
sense. She’s the only mortal to have created life after all.
|
||
Kind of the ideal candidate for the job to be honest.</p>
|
||
<p>They’ve hitched an odd team of mules to their buggy to help
|
||
them. And they’re managing to drag the thing forward despite
|
||
all pulling in slightly different directions. The Cyberplasms
|
||
want new bodies. The Gnu Zealots want to open source the
|
||
process so everybody can create new gods. And I don’t actually
|
||
know what the BAND wackos want.”</p>
|
||
<p>Corraidhín shrugs, “I don’t have a particular dog in this
|
||
fight. The Benefactor was able to excise the, ahem, ‘anomaly’
|
||
that happened at the SS RSS. Including the second crystal,
|
||
which is currently in his possession, and my body, which is
|
||
still technically back at the institute and still under the
|
||
care of Felixe here.” The black cat gives another polite nod.
|
||
Having completed building the tumbling tower, it is now
|
||
shuffling the tumbrot cards, face down, around on the
|
||
table.</p>
|
||
<p>“Felixe is Basmentaria’s preeminent expert in preserving
|
||
entities that happen to exist between two states. Or that
|
||
happen to exist in two states at the same time.. Bah, it’s
|
||
complicated,” Corraidhín huffs.</p>
|
||
<p>“Yes!” interrupts Blavin. “Now! Despite working closely
|
||
with him all this time, I am actually none the wiser as to the
|
||
Benefactor’s actual plans for the crystals. I just know we
|
||
need them more.</p>
|
||
<p>“Inky, you must retrieve the remaining crystals. And also
|
||
the one in the Benefactor’s possession. And deliver them to us
|
||
so we may usher in a new age for Basmentaria!”</p>
|
||
<p>Felixe the cat deals the cards out to the center of the
|
||
table, face down, in a cross. Three across, three high. It
|
||
sets the remainder of the deck aside and looks at you
|
||
expectantly.</p>
|
||
<p>WHAT DO YOU DO?</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>54</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">54 - Tue, 03 Jan 2023 16:12:08
|
||
-0700</guid>
|
||
<pubDate>Wed, 04 Jan 2023 08:18:44 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00054">00054</h3>
|
||
<blockquote>
|
||
<p>Once back in the Milk Bar, with the airship safely anchored
|
||
to the roof of the building, Alex finds himself amongst the
|
||
old belongings of his former uncle.</p>
|
||
<p><em>sigh</em> “Best get a request to HQ for this airship,
|
||
maybe they’ll let us operate it for a bit, if not I suppose we
|
||
have to impound it..”</p>
|
||
<pre><code><- OP 2817 * LOC MB-A
|
||
-> OP 25120 * LOC ESPER
|
||
|
||
CLEARANCE: INFORMATIONAL
|
||
REQUEST ENCLOSED.
|
||
|
||
REQUESTING PERMISSION TO IMPOUND OR OPERATE.
|
||
ONE CYBERPLASM AIRSHIP "The Rusty Maiden"</code></pre>
|
||
<p>“There’s also the matter of this little hemogoblin..” Alex
|
||
mutters to himself while said hemogoblin happily dances around
|
||
the room, dripping little pools of blood hither and
|
||
tither.</p>
|
||
<pre><code><- OP 2817 * LOC MB-A
|
||
-> OP 41154 * LOC ESPER
|
||
|
||
CLEARANCE: TOP SECRET
|
||
REQUEST ENCLOSED
|
||
PACKET ENCLOSED
|
||
|
||
REQUESTING ANALYSIS
|
||
ONE GDB @gdb-readout.dat
|
||
TWO BLOOD @blood-soaked-handkerchief
|
||
NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
||
<p>“Hey little guy, lets go get an empanade. Inky says they’re
|
||
divine.” Alex says as he scoops up the little goblin and
|
||
gently carries him downstairs.”</p>
|
||
<p>Striding into Enriques kitchen, and availing himself to the
|
||
empanadas, ignoring an indignant Enrique’s protests that these
|
||
were for paying customers until a small bag of coins is tossed
|
||
careless over one shoulder. Alex stride through the kitchen
|
||
and then out and away into the garden to enjoy their pilfered
|
||
treats.</p>
|
||
<p>“I suppose this is more interesting than being on the force
|
||
at times”</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>Inky stepped into the toques’ cabin below deck with a tray
|
||
of turmeric ginger tea and lavender biscuits. After checking
|
||
on Bread’s bandages and offering the toque reclined on the
|
||
berth the last bag of mango croutons — or at least the last
|
||
one for the next two hours — Inky perched on a wooden barrel
|
||
across from where Confidence sat on a creaking old chair next
|
||
to the bunk and spoke. “We’ll be landing in about an hour and
|
||
getting Bread to a medical facility. You can stay with him
|
||
while he heals and rest up.”</p>
|
||
<p>They paused to take a long sip from their cup, as if the
|
||
liquid was being used to summon their next words. “On behalf
|
||
of myself and the party, I apologise for the … disruption, and
|
||
for what had befallen the hotelier. As you may have already
|
||
noticed, we’re a fair distance away from the Peak and will be
|
||
arriving in Vay’Nullar soon. This airship was taken over from
|
||
the cyberplasms in the course of getting the crystal out and
|
||
the injured to a safe location, and her new captain could
|
||
hardly fly it back straight into the pirates’ hands now.</p>
|
||
<p>What we propose is this: you and Bread may take as long as
|
||
you need to recover. We can arrange for lodgings and new posts
|
||
in the city. One of our party runs a Milk Market that could
|
||
certainly use some hired help, and a garden in the back that
|
||
would benefit from more attention. Pay will be double your
|
||
current salary at the hotel. Master Alex may also recruit you
|
||
for other tasks. You don’t need to have an answer just yet —
|
||
think on it for a bit while you rest and let us know.
|
||
Afterwards, if you find that you still wish to return to
|
||
Kelsun Peak, we will pay for travel.”</p>
|
||
<p>Inky winked at Bread conspiratorially. “You may be
|
||
interested to know there is a bakery on the Milk Market’s
|
||
first floor. If you like the look of the place, perhaps we can
|
||
convince the chef to take on an assistant.”</p>
|
||
<p>~</p>
|
||
<p>Tess watched her adviser from her position on one end of
|
||
the plush chaise lounge in her office, who returned her stare
|
||
impassively as they sat in the adjoining armchair to her
|
||
right. The ornate coffee table before them had been laid out
|
||
for tea, but the other cup remained untouched, which was in
|
||
itself unusual. Ink rarely turned down tea when it was
|
||
offered, which likely meant they were preoccupied with
|
||
something they were unwilling to discuss. This had been
|
||
happening more frequently since their plans to intercept the
|
||
Ginnarak Crystals, which was a little concerning, but she knew
|
||
it would be no use to question them directly. The missive she
|
||
had received this time through Piskin’s people was brief,
|
||
almost annoyingly so, but they had returned earlier than
|
||
expected with the articles that production had requested,
|
||
which had fortunately made up for lost time from the previous
|
||
delays.</p>
|
||
<p>With this in mind, she settled on a lighter note as she
|
||
picked up her own teacup. “Salvia passed on the items to the
|
||
production team. Thank you for picking them up from the
|
||
Runesocesius. I would send my regular couriers but they are
|
||
tied up with another event. One of them had to care for their
|
||
sick child and couldn’t leave the city. As usual, time and
|
||
discretion are of the essence.”</p>
|
||
<p>When her adviser only nodded, she continued. “How is he? He
|
||
probably insisted on bringing the manuscripts out for you
|
||
himself. The man is cautious with valuables.”</p>
|
||
<p>“Quite dead but managing, or so I heard.” Ink intoned
|
||
drily.</p>
|
||
<p>Tess caught on immediately. “Didn’t you meet with him? The
|
||
message only mentioned the items had been obtained. Did
|
||
something happen?”</p>
|
||
<p>The imp shrugged. “We met, I delivered the letter and
|
||
collected the items. We didn’t get a chance to talk.”</p>
|
||
<p>The hotel was slowly but steadily attracting visitors
|
||
again, especially after their last play had prominently
|
||
featured the Runesocesius Library as a research partner in the
|
||
programme credits, but Tess didn’t think the hotelier was so
|
||
busy as to entrust this task to one of his underlings. The man
|
||
was proud of the first editions the library had amassed, and
|
||
the notebooks of Lucidieau that the playwright sought as a
|
||
reference were no doubt counted among the treasures, even if
|
||
only an expensive commissioned facsimile was permitted out of
|
||
the library. Something had happened, she was sure, but decided
|
||
not to press further for the moment.</p>
|
||
<p>“And the other matter?” she asked.</p>
|
||
<p>“Someone already knew the crystal was at the hotel and
|
||
retained a crew of cyberplasmic pirates to storm the place.”
|
||
Ink replied flatly. “And yes, your acquaintance is very much
|
||
dead, shot by the crew leader in the scuffle. As the rumour
|
||
rags have it, his ghost is now overseeing the building
|
||
repairs.”</p>
|
||
<p>Tess was about to admonish the imp gently for the tasteless
|
||
jest when there was a knock at the door. At her response, the
|
||
door opened and her secretary entered with a box of pastries
|
||
and two sets of tableware, which she placed on the coffee
|
||
table before leaving and closing the door behind her.</p>
|
||
<p>Noticing Ink’s look of recognition, Tess smiled and
|
||
ventured, “This is the second time is as many months you
|
||
awarded that empanada place a glowing review in <em>The Tiny
|
||
Toaster</em>. I can count the ratings higher than a 10 you’ve
|
||
ever given on one hand — of course I had to try it. Why don’t
|
||
you have some as well?”</p>
|
||
<p>Ink blinked. “I didn’t write the latest review.”</p>
|
||
<p>Tess shot them an accusing mock-glare as she lifted a puffy
|
||
golden brown pastry onto a plate. “It has your inkprints all
|
||
over it.”</p>
|
||
<p>“I don’t know what you mean. Surely I’m allowed to treat a
|
||
colleague to lunch, and they are free to express their
|
||
satisfaction with a meal openly if they wish,” Ink replied
|
||
smoothly.</p>
|
||
<p>Tess rolled her eyes. “There’s a name for that. It’s called
|
||
bribery.”</p>
|
||
<p>Ink smiled faintly. “Just so. However, the selection speaks
|
||
for itself.”</p>
|
||
<p>“Oh, absolutely! These mini ambrose apple empanadas are
|
||
wonderful. In fact,” Tess prodded the open end of the pastry
|
||
with her fork, where a light yellow filling was visible, “they
|
||
remind me a little of the very crispy tortelli
|
||
<em>someone</em> made several years ago just for the opening
|
||
reception of <em>The Two Genteelkin of Virdantha</em>.”</p>
|
||
<p>“Any resemblance is coincidental. The chef is very
|
||
capable.” Ink said evenly.</p>
|
||
<p>Tess sighed and returned her plate to the table. “We’ve
|
||
talked about this before, Ink. You don’t have to hole up in
|
||
some poor scrub’s excuse for a kitchen in a closet. If you
|
||
need more room downstairs then expand it. Just tell Salvia and
|
||
she’ll take care of it.”</p>
|
||
<p>Ink lowered their gaze to the teacups. “I appreciate the
|
||
offer, but the answer is the same. There will be no rest until
|
||
the crystals are secured.”</p>
|
||
</blockquote>
|
||
<p>Some time passes.</p>
|
||
<p>The hemogoblin turns out to be a fine housemate and less of
|
||
a problem than you thought it would be. Be it because its not
|
||
in the excitement of battle onboard a pirate ship, or be it
|
||
because it is maturing slightly, it seems in better control of
|
||
its blood sacs. Barring a few small accidents, it doesn’t make
|
||
much of a mess. It has found and claimed as its own a few
|
||
unused blankets, and has made a little burrow nest in an out
|
||
of the way corner behind the furniture.</p>
|
||
<p>Bread makes a full recovery and in fact is doing better
|
||
than ever before. The blood goblin stays by their side during
|
||
the first hours and days and keeps them pumped full of clean,
|
||
synthetic blood. Afterwards the toque is flushed a healthy
|
||
pink and has new vigor. Enrique takes them under his tutelage.
|
||
And Bread ends up making a fine baker’s apprentice. Dough
|
||
seems to rise more and quicker after he kneads it. “The lad
|
||
has solar hands,” Enrique boasts of his new protegee.</p>
|
||
<p>Confidence becomes enthralled with the semi-sentient
|
||
Wandering Bazaar. The thirteen story building moves with
|
||
glacial speed up and down the streets, vendors and stalls and
|
||
shoppers following in its wake. But then also it will
|
||
disappear in the blink of an eye only to reappear in a totally
|
||
different part of the area known as the Wandering Bazaar
|
||
District. Each floor of the tall, narrow tower is occupied
|
||
entirely by a single shop. But which shop it is seems to vary
|
||
from day to day. One day the seventh level will be occupied by
|
||
Fedik’s Butcher shop. And the next, Lario’s Bakery. It might
|
||
be days or weeks before one can once again buy hotlinks from
|
||
Fedik’s. Where the shops go when they’re not here is one of
|
||
Basmentaria’s great mysteries.</p>
|
||
<p>The toque studies the Bazaar’s movements and are able to
|
||
predict its route with more and more accuracy. They become a
|
||
highly sought out guide. Tourists and visitors trust them to
|
||
take them to the very spot the Bazaar will appear that day.
|
||
Residents appreciate the heads up and not getting trapped in
|
||
their houses when the Bazaar wedges its way into their narrow
|
||
residential streets, blocking their front doors. And owners of
|
||
traditional, less ambulatory shops are able to plan ahead for
|
||
the crowds that will appear on “Bazaar Day”.</p>
|
||
<p>~</p>
|
||
<p>Members of the Retrieval Team who sleep in Milk Market HQ
|
||
start having dreams of the same mysterious figure. Of course
|
||
at first nobody knows their dreams are shared by the others.
|
||
Not until they become more frequent, more regular. By the time
|
||
the figure has visited you every night for nearly a week,
|
||
somebody speaks up and you realize the coincidence.</p>
|
||
<p>The figure is clad in voluminous robes of deep purple.
|
||
Long, straight, blonde hair falls around their shoulders.
|
||
Their soft features are boyish and womanly. They wear a golden
|
||
circlet on their head and a golden eye in the middle of their
|
||
forehead. Their passive, neutral face betrays no emotion the
|
||
entire time.</p>
|
||
<p>The dream is always the same. They reach out to you with
|
||
one hand and turn their palm up. And because of dream logic,
|
||
in the palm of their hand you can hear the jingling of coins,
|
||
mirthful laughter, and hushed stories told around a campfire.
|
||
They curl their fingers into a loose first and the sounds
|
||
stop. They spread their arms wide and in the folds of their
|
||
robes you can see three siblings fighting, squabbling over a
|
||
broken loom.</p>
|
||
<p>Then you’re standing next to them, and the two of you watch
|
||
three friends, Snake, Owl, and Dolphin. Owl tells Snake that
|
||
he is tired of flying and hooting, and doesn’t want to be an
|
||
owl any more, he wants to be flowers. And Snake laughs and
|
||
tells him that he is Owl, and an owl he must remain. And she
|
||
leaves him to go eat rodents and bake in the sun. So Owl tells
|
||
Dolphin that he is tired of flying and hooting, and doesn’t
|
||
want to be an owl any more, he wants to be flowers. Dolphin
|
||
doesn’t want to help Owl, because if he is flowers, they won’t
|
||
be able to be together any longer. But Dolphin finally agrees
|
||
to help even though they don’t want to, because Dolphin loves
|
||
Owl. With all their strength, they create a great waterspout
|
||
that will turn Owl into flowers. But the waterspout is too
|
||
strong, and Dolphin is too weak to control it. It sprays Owl
|
||
but does not turn him into flowers. Owl’s wing is broken and
|
||
he falls to the ground in a heap of feathers. The waterspout
|
||
shakes a great boulder from the earth and traps Snake under
|
||
it. And Dolphin sinks to the bottom of the sea.</p>
|
||
<p>And then you wake up.</p>
|
||
<p>~</p>
|
||
<p>Later you find a letter in the common area of Milk Market
|
||
HQ. It is not addressed to anybody. When you open it up, it
|
||
reads:</p>
|
||
<blockquote>
|
||
<p>Time is running out, Retrieval Team 43. Things are starting
|
||
to draw to a close. We cannot delay our meeting any longer if
|
||
we both are to achieve our goals. We have information that you
|
||
are looking for. Meet us at the Harpoon Club next Selday. We
|
||
will wear the sign.</p>
|
||
</blockquote>
|
||
<p>The letter is signed with a white iris and golden
|
||
apple.</p>
|
||
<p>Anyone in Vay’Nullar would be able to tell you that the
|
||
Harpoon Club is a game room and fine dining club, and one of
|
||
the rotating tenants of the Wandering Bazaar. But Confidence
|
||
would tell you, were you to ask them, that the club won’t be
|
||
there next Selday. (When the Bazaar will appear at East and
|
||
Lowland.) It is in fact not scheduled to appear until a week
|
||
and a half after next Selday, on Third Tensday. (When the
|
||
Bazaar will appear at Cathedral and Pine.)</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>57</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">57 - Mon, 16 Jan 2023 20:30:44
|
||
-0700</guid>
|
||
<pubDate>Fri, 20 Jan 2023 14:58:46 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00057">00057</h3>
|
||
<blockquote>
|
||
<p>Alex lifts his teacup and sips the fragrantly tea,
|
||
“perfumed of rosehips, and cardamum? An interesting choice. I
|
||
appreciate it Inky, these past few days have been terribly
|
||
rough, and I’m rather tired of field rations.” Alex takes a
|
||
sip, and then continues hurridly. “I’ve been monitoring the
|
||
Bazar, we are in grave danger. It started with just me, but I
|
||
fear it’s bled over to everyone here at the Milk Market. I
|
||
can’t be entirely certain.”</p>
|
||
<p>Alex looks worriedly at Inky. “There’s a lot going on here.
|
||
As soon as we got back from Kelsun I was sent on an
|
||
assignment, normally not an issue, but they wanted me to level
|
||
3 of the busiest coffee shops in the bazar. I planted those
|
||
bombs, alongside listening devices, and then I bugged out. My
|
||
team appears to have been assigned equally bizarre
|
||
assignments, all rather violent messy things. A lot of
|
||
innocent lives are on the line here.”</p>
|
||
<p>“We dropped off the grid, I’ve got an isolated listening
|
||
post in the sewers here, it’s heavily reinforced and that’s
|
||
where I’ve been hiding out, but I’m not certain it’s safe.
|
||
Agent 5 found a melon vendor dead in the market, and this
|
||
vendor was specifically seeking out the Milk Market, looking
|
||
for us. I believe it may be an assassin, could be from HQ,
|
||
could be from Blavin. It’s entirely opaque to me.”</p>
|
||
<p>“As far as I can tell, my agents are all loyal to me,
|
||
there’s 5 of them in total, 6 if you count me. We could man
|
||
the ship and get the hell out of here in a few hours, and it
|
||
may be our best chance. But there’s the iris letter we need to
|
||
attend to, and I cannot for the life of me find anything, not
|
||
a damn trace, of Blavin. And I think all of this bodes very
|
||
poorly for us.”</p>
|
||
<p>Alex looks worriedly at Inky, and you’re telling me we have
|
||
a ritual we have to perform, to find the iris group’s meeting
|
||
place.. I’m leery Ink, I have to be you see. But my uncle
|
||
trusted you, and I do as well. If you think this is our best
|
||
shot, we can hole up in the sewers and try to perform this
|
||
dream walk of your witch friend’s. But if this iris business
|
||
turns out to be a trap, well, how well can you handle a
|
||
gun?</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>“Your courage and concern are admirable, Master Alex.
|
||
Caution is likewise advisable.” Inky nods seriously.</p>
|
||
<p>The next moment, they gave the sysorcerer a slightly
|
||
deranged grin. “I’m sure you have already seen many grave
|
||
dangers. What’s another one for the bucket list? What’s life
|
||
if not violent and messy? So many melons dismembered and laid
|
||
waste daily—”</p>
|
||
<p>As if suddenly recalling a detail, Inky pauses and blinks.
|
||
“Melon vendor? Oh, poor Pepo. He has been complaining about
|
||
his neighbour’s boa constrictors for years. The serpents were
|
||
drawn to the rodents his fruits typically attracted, which
|
||
might not have been a problem were it not for them hanging out
|
||
at his stall and scaring off his customers. Maybe he finally
|
||
took matters into his own hands, with tragic results.” They
|
||
look at an empty mixing bowl across the table glumly. “He had
|
||
offered to bring over a few of the new variety as soon as they
|
||
arrived, as he was already delivering to a household the next
|
||
district over.”</p>
|
||
<p>They send Master Alex a sidelong glance. “Someone is after
|
||
you? You didn’t do something horrid like help an old
|
||
grandmother cross the street on sockless skates, for
|
||
instance?” Refilling the sysorcerer’s cup, Inky continues, “As
|
||
for Blavin, only 3 of the crystals have been recovered. Blavin
|
||
knows Team 43 is his best chance of obtaining the others.
|
||
Until he has all the crystals, he will stay his hand. If he
|
||
doesn’t know that, then he is hardly a threat.”</p>
|
||
<p>Setting down the teapot, Inky shrugs. “They seem eager to
|
||
get our attention. I suppose I could spare them their twelve
|
||
minutes of fame, for the right price. Enlightenment would
|
||
probably be too much to ask of a nightmare. If you’d rather
|
||
take your team and make a run for it instead, that’s fine too.
|
||
If they come knocking I’ll just tell them you missed the hotel
|
||
fondue at Kelsun Peak.”</p>
|
||
<p>Their gaze skips to one of the cups before they shake their
|
||
head. “No gun.” They turn around and take down a bamboo
|
||
walking stick hanging from a hook on a wall next to a worn
|
||
coat. Inky grasps the handle and pulls. It slides out quietly
|
||
to reveal a long, thin, tapered surgical steel tube which, if
|
||
someone were to lean in for a closer inspection, is sparsely
|
||
covered in tiny, needle-like protrusions along the surface. On
|
||
the underside, a transparent sliver ran the length of the tube
|
||
to end about a forefinger’s length from the handle. Visible
|
||
through the narrow window is a colourless liquid, most likely
|
||
a sedative or toxin, fills the reinforced steel interior.</p>
|
||
<p>They smile mirthlessly at Master Alex. “I don’t know that
|
||
Master Corraidhín trusted me, because if he did, it would have
|
||
been the most foolhardy thing the wise man has ever done. You
|
||
would do well to not make that mistake.”</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>“It doesn’t sound like we have all too much of an option”,
|
||
Alex says, as a little Scarab beetle in his pocket chimes,
|
||
“that’ll be the dead man’s trigger going off in my
|
||
hideout.”</p>
|
||
<p>Alex frowns, shame to lose all of that data, those systems,
|
||
that hideout.. but I hope whoever broke in enjoys thermite,
|
||
assuming they don’t asphyxiate quickly enough to miss the
|
||
fun..</p>
|
||
<p>Inky, you’re right, life is a bit violent and messy, so
|
||
lets bring the violent mess to these bastards. If you’ve got a
|
||
lead on this with this dream ritual, then fuck it, lets take
|
||
the risk. I won’t run from this fight, my uncle sure as hell
|
||
wouldn’t. And at worst, he’d go out with a magnificient bang.
|
||
Lets give it back tenfold, for poor Pepo.</p>
|
||
<p>Nodding his own approval Alex continues, I have another
|
||
hideout in the eastern quandrant, near the sysorcerer’s guild.
|
||
It’s a little risky to head out that way, but none of my
|
||
Zabbix alerts indicate it was compromised. It has automated
|
||
IDS and IPS systems, so we should be safe enough in there once
|
||
we whole up. At very least we’ll know if someone comes for us,
|
||
and we’ll have a little bit of time to react on it. We should
|
||
bring the Toques with us, and little blod clot, and the
|
||
duck.</p>
|
||
<p>Looking sorrowfully at Enrique, “I think it might be best
|
||
if you got the hell out of dodge too friend, it isn’t safe,
|
||
and I don’t want to see you become collateral here. Head down
|
||
to the wharf, I’ll have agent 5 meet you there, he’ll help you
|
||
and your family lay low until all of this blows over.”</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>At Enrique’s deep frown, Inky sighs and adds, “Might as
|
||
well do as Master Alex says. He can spot danger twelve blocks
|
||
away, and turtle soup is really out of fashion these
|
||
days.”</p>
|
||
<p>Then they excuse themselves to pack a few items, returning
|
||
about fifteen minutes later with a knapsack and a cross-strap
|
||
carrier draped in a black cloth cover. Inky says, “I hope you
|
||
don’t mind if I bring along a guest as well.”</p>
|
||
<p>The cover is pulled back to expose a dome-shaped birdhouse,
|
||
with transparent circular rings at the top partially obscured
|
||
by sliding shutters of the same shape. A wooden hoop with a
|
||
woven, web-like pattern and adorned with a string of feathers
|
||
hangs from one side. On the opposite side is a double door
|
||
with a miniature knob over each door. Inky lightly taps on one
|
||
of the doors, and at a low click coming from within in
|
||
response, swings the doors wide enough for the kitchen lamps
|
||
to illuminate the great horned owl resting on a pillow inside.
|
||
The bird opens one amber eye for a moment, gaze sweeping idly
|
||
across the occupants in the room before dozing off again.</p>
|
||
<p>“This is Fuko. She and her twin brother Futa have certain
|
||
shared connections. What one sees, the other will also know. I
|
||
asked their caretaker if I could borrow them for a while. Fuko
|
||
will accompany me for the ritual. Her brother is at another
|
||
location and can send a message if a need arises.” Inky
|
||
explains with a wry expression. “Think of it as a minor
|
||
indulgence of sorts. I was told their kind, along with eagle
|
||
owls, are very good at negotiating with those of the
|
||
ravens.”</p>
|
||
<p>They give the owl a small smile. “She may be a little
|
||
temperamental, but she is well-trained.” Closing the birdhouse
|
||
doors, Inky turns back to Master Alex. “I suppose you’d rather
|
||
not reveal the location of your hideout to any more people
|
||
than necessary. Her carrier will remain covered on the way in
|
||
and out.”</p>
|
||
</blockquote>
|
||
<p>Gliftwirp stands under the branches of a tree, pooled in
|
||
shadow, far from the small gathering. He has been to plenty of
|
||
funerals. Often under these very circumstances, in fact. And
|
||
he always keeps his distance out of respect.</p>
|
||
<p>For one, he owns no clothes but his vest, sash, and
|
||
trousers. And his bright red colors would be a sign of
|
||
disrespect among the mourners. Secondly and most importantly,
|
||
he himself is the one who put the man in the ground.</p>
|
||
<p>Sadly, he had little choice. He had underestimated the
|
||
sysorcer. Didn’t realize he had his own agents working for
|
||
him. When he realized that one of the agents had been in
|
||
contact with the melon vendor, he knew that Popplewick could
|
||
and would identify the warpwefter if pressured.</p>
|
||
<p>Gliftwirp had grown to enjoy his daily chats with the melon
|
||
vendor. Popplewick was a kind, determined man. A refugee from
|
||
the Cinderlands, his family came to Vay’Nullar following the
|
||
Artifice Wars when he was just a boy. He grew up poor, and
|
||
often relied on the generosity of others. But eventually he
|
||
was able to support himself and his small family. He was proud
|
||
of the life he had built.</p>
|
||
<p>So Gliftwirp took no pleasure in what came next. Late one
|
||
night when Popplewick was on his way home from the market, the
|
||
assassin slipped a bag over his head and dragged him into a
|
||
dark alley. He cinched the bag tight, cutting off his air.
|
||
There was a brief struggle before Popplewick passed out and
|
||
Gliftwirp lowered him down to the ground. He held him there,
|
||
unconscious and not breathing, until he was gone. In only took
|
||
but a moment. And then Gliftwirp stood up and left.</p>
|
||
<p>Now at the funeral, the mourners leave one by one. Until
|
||
only the widow is left, cradling a small sleeping child to her
|
||
chest. “Oh, Pepo,” she whispers to the headstone. “What can I
|
||
do now?”</p>
|
||
<p>When she leaves, she does not return to the main path. She
|
||
meanders slowly as though in a daze toward the back of the
|
||
graveyard and down the hill. She steps into the wood. A flash
|
||
of red follows her at a distance.</p>
|
||
<p>She kneels on the banks of the forest river and sets the
|
||
child down on wide flat rock. It is awake now and looks up at
|
||
her with solemn eyes. “I am sorry, made-of-me,” she says to
|
||
the child. And that is all the explanation it gets.</p>
|
||
<p>She stands and turns and walks away. The child watches her
|
||
go.</p>
|
||
<p>When she has been gone for some minutes, Gliftwirp steps
|
||
out of the shadows and crouches down beside the child. It
|
||
looks up and reaches for him. “Look at you,” he says to the
|
||
child as he scoops it up. “Who would throw you away? A
|
||
perfectly good baby!” He stands and bounces the child. “A
|
||
sweet little melon rind is what you are. Ha! Very well. Come,
|
||
Rind, we have work to do.”</p>
|
||
<p>The assassin, child in his arms, walks back toward the
|
||
city.</p>
|
||
<p>~</p>
|
||
<p>In the aftermath, Agent 5 is found down by the docks. They
|
||
clearly struggled in death. The assassin blamed him for
|
||
Popplewick’s death and the widow’s weakness.</p>
|
||
<p>Down in the sewers, two tiny mittened hands reach up and
|
||
awkwardly turn the doorknob to Alex’s hideout. The bolt clears
|
||
the latch with a faint click. Two tiny cloth hands struggle
|
||
against the heavy iron door, pushing it slowly open, inch by
|
||
inch. A mechanism clicks inside and there is a whoosh of air
|
||
and then a boom as the bunker violently ignites. The tiny
|
||
figure is incinerated, and blown back into the sewer
|
||
tunnel.</p>
|
||
<p>Gliftwirp steps forward into the light of the blaze and
|
||
crouches down by the tiny figure. He picks it up, a tattered
|
||
and burned bundle of cloth. “Look, Rind,” he says to the small
|
||
child standing at his elbow. “You must always acknowledge and
|
||
be grateful for those who sacrifice for you.” He starts to
|
||
untie and unfold the cloth puppet as he speaks. It unfurls and
|
||
smooths out and stitches itself back together under his touch.
|
||
Even the burn marks fade, and soon Gliftwirp is once again
|
||
holding his red sash.</p>
|
||
<p>“Now, Rind,” he says standing up and taking the child’s
|
||
hand, squinting into the fire. “Let’s see what we can salvage
|
||
here.”</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
<ul>
|
||
<li>The time of the ritual is at hand.</li>
|
||
<li>What final preparations do you make before entering
|
||
Dreamspace?</li>
|
||
</ul>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>63</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">63 - Tue, 14 Feb 2023 07:01:53
|
||
-0700</guid>
|
||
<pubDate>Tue, 14 Feb 2023 07:01:54 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00063">00063</h3>
|
||
<blockquote>
|
||
<p>“Greetings, Great One.” Inky bows, back parallel to the
|
||
ground while they stand on the branch, now a humanoid child in
|
||
a black uniform and matching bookbag hanging under one arm.
|
||
The banana boat is nowhere in sight. Fuko follows her errant
|
||
charge and the cloaked figure from a nearby branch.</p>
|
||
<p>“This lowly one wonders if they may be permitted to seek
|
||
the Great Spirit’s insight, whose wisdom endures before and
|
||
beyond.” Inky begins, staring down the blurry reflection of
|
||
silver boughs overhead on the polished toes of their black
|
||
shoes. They notice idly they do not see themselves in the
|
||
reflection.</p>
|
||
<p>Straightening from the bow, they look up at the figure and
|
||
hold out a plate of taiyaki. After a moment, the child asks
|
||
haltingly, “There may come a day when this one will be asked
|
||
to choose between the chance to protect many and that which
|
||
they desire to protect most. Should this one choose equally?
|
||
Will the choice matter if both paths eventually lead to
|
||
destruction? Could destruction and salvation be two sides of
|
||
the same coin?”</p>
|
||
</blockquote>
|
||
<p>You and the Dude are sitting in small upholstered chairs,
|
||
across a small half table from each other. There is a large
|
||
sticky bun on a white lacy doily on the table. Next to you is
|
||
a small portal-sized window, and outside you can see green
|
||
rolling hills and small copses of trees fly by. The other
|
||
seats on the small train car are all empty. The two of you are
|
||
alone.</p>
|
||
<p>“I cannot give you advice,” the Dude says. “But I can offer
|
||
you experience.”</p>
|
||
<p>They raise a hand and hold a loosely closed fist out over
|
||
the table. The walls of the train become fuzzy and blurry,
|
||
then translucent, and finally transparent. They disappear and
|
||
you have the sensation of rocketing through space at dizzying
|
||
speeds.</p>
|
||
<p>The track splits ahead you. To one side, bound to one track
|
||
is that which you desire to protect most. Bound to the other
|
||
are the many.</p>
|
||
<p>“You can choose safely here. It’s just a dream, after all.”
|
||
The Dude opens their fist. The Twenty-one Fiver coin rests in
|
||
their palm. “Heads, you steer the train into the many, sparing
|
||
that which you love most. Tails, the opposite. You spare the
|
||
many, and sacrifice that which you hold dear.” They hold the
|
||
coin out to you.</p>
|
||
<p>The train barrels toward the fork. “But choose quickly,
|
||
lest the choice be made for you.”</p>
|
||
<blockquote>
|
||
<p>Alex scrambles from the wreckage of his mech, or what
|
||
remained from the gore portal he’d just experienced. The
|
||
thought of what had occurred made him grimace, which was an
|
||
unusual state of affairs for an octopus, that is until Alex
|
||
realized he seemed to be back in his own body.</p>
|
||
<p>“Sunset, or perhaps rise? It’s hard to tell. Pretty
|
||
though.. could be prettier without the creepy knife dude.”
|
||
Alex mutters to himself while he rummages through the
|
||
destroyed cockpit of the mech. He makes quick work, detaches a
|
||
side panel, pulls a couple of wires, and a compartment in the
|
||
back opens revealing the smooth dark blue metal and wood grain
|
||
of an ak74u sub machine gun. Amused Alex pulls the weapon from
|
||
the compartment and notices a distinct lack of additional
|
||
magazines, just the one large drum attached to the weapon with
|
||
large red letters emblazoned on it [INFINITE AMMO].
|
||
“Neat.”</p>
|
||
<p>Alex pulls himself from the wreck, and jumps down behind
|
||
one of the fallen tentacles taking a firing position behind
|
||
cover, ak74u aimed down range at the faceless figure.</p>
|
||
<p>“I don’t know who you are, but I don’t trust anyone who
|
||
approaches with a weapon. Let’s both stand down and talk this
|
||
through! I’m not supposed to be here, and I reckon you don’t
|
||
want me here either. I’d be happy to oblige and skidaddle if
|
||
you’d be so kind as to point the way out!” Alex pauses waiting
|
||
for a reply.</p>
|
||
</blockquote>
|
||
<p>The tall figure halts a short distance away. It raises a
|
||
hand and waves. In greeting? Surrender? In a fluid motion it
|
||
continues to lift the same hand and grabs a hold of its trunk,
|
||
a little less than a foot from the tip. It squeezes its fist
|
||
tightly and the tip begins to swell. It raises its other hand,
|
||
and the knife, and starts to saw into the flesh of the trunk
|
||
behind its fist. The blade cuts cleanly as though through a
|
||
loaf of bread. There is no blood or gore.</p>
|
||
<p>When the creature lowers its hand, you can see that the
|
||
center of the trunk is a solid, bright pink fleshy material
|
||
like a grapefruit, in the center of which are two pin-prick
|
||
eyes and a wide thin gash of a mouth.</p>
|
||
<p>It still holds the tip of its severed trunk in its hand, a
|
||
thin stalk and a bulging cap looking for all the world like a
|
||
large white button mushroom. Peering up from the stem of the
|
||
mushroom, an identical pink face regards you stoically.</p>
|
||
<p>Both faces speak at the exact same time, one high pitched
|
||
and one a deep baritone. “Welcome, Dreamer, to Ousia, the Sea
|
||
of Dreams. We are Kasutva.”</p>
|
||
<p>Big Kasutva stoops down to set the small mushroom Kasutva
|
||
down on the ground. If they’re both Kasutva, that is. If
|
||
that’s the way their biology and sense of self actually works.
|
||
Mushroom Kasutva wobbles side to side a little bit and waggles
|
||
its stalk as it looks around. Big Kasutva places its knife
|
||
back in its satchel and takes a few small steps closer to
|
||
you.</p>
|
||
<p>“We did not mean to offend you,” the two say, still
|
||
perfectly in sync. “As for the way out, that depends only
|
||
somewhat on your destination. Whatever the answer, we can
|
||
assure you that it lies across the sea.” Large Kasutva
|
||
gestures broadly toward the expanse of ocean. Small Kasutva
|
||
lacks any limbs and cannot gesture, but smiles softly at
|
||
you.</p>
|
||
<p>“But tell us what it is you seek. Perhaps we can be of
|
||
help.”</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>62</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">62 - Sun, 12 Feb 2023 08:57:51
|
||
-0700</guid>
|
||
<pubDate>Sun, 12 Feb 2023 08:57:51 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00062">00062</h3>
|
||
<blockquote>
|
||
<p>One moment, Inky is half-asleep on their feet in the middle
|
||
of Branch Avenue. In the next, they are reclining in a banana
|
||
boat that resembles a canoe painted with long stripes of
|
||
yellow and white with deep brown swipes. The s’more interior
|
||
padding is soft, yet with the suppleness of fruit leather. A
|
||
few round, matching brown mini-cushions are strewn across the
|
||
boat interior. Also in the boat are two silver spoon paddles,
|
||
more for looks than cooks.</p>
|
||
<p>They don’t know where the boat came from. Things just
|
||
appear. Like that Red Squirrel. Inky moves to holler a
|
||
greeting, but instead recites:</p>
|
||
<pre><code>"sgb rpthqqbk hr qba sgb fgnrsr dktb
|
||
sgb qnkkr rwbbs uma rn uqb ynt
|
||
sgnt uqs ly fthahmf rsuq ul h sghmb
|
||
h rbb vbqhky ly utrohehntr rhfm
|
||
sgb kns wur snrra uma sgbm h aqbw
|
||
uma cnqstmb ruha hs rgnta db ynt ott"[1]</code></pre>
|
||
<pre><code>[1]:
|
||
"The squirrel is red, the ghost's blue,
|
||
The roll's sweet, and so are you.
|
||
Thou art my guiding star, am I thine?
|
||
I see verily my auspicious sign:
|
||
The lot was toss'd and then I drew,
|
||
And Fortune said it shou'd be you. Puu."</code></pre>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>While Inky boards her banana boat and recites poetry to the
|
||
maddened squirrel, Alex springs to action leaping blithely
|
||
from the branch towards the squirrel. Beneath him manifests a
|
||
cockpit, sleek and futuristic. Around this materializes a
|
||
large robotic weapon, octopus-oid in shape. The many tentacles
|
||
bristle with weapons both fearsome and deadly.</p>
|
||
<p>Alex grabs the controls, in one tentacle he latches onto
|
||
the banana boat, that way he won’t accidentally get separated
|
||
from Inky. With the other seven a series of feathers appear in
|
||
every brilliant hue. The tentacle attached to the boat unfurls
|
||
allowing Alex to draw closer to the squirrel. As the gap
|
||
closes the most intense tickle fight the dream world has ever
|
||
seen ensues, bringing joyous laughter to the faces of
|
||
many.</p>
|
||
<p>“Inky, if we need to get out of here, just jet it! That
|
||
tentacle will yank the control pod and me with it!”</p>
|
||
</blockquote>
|
||
<p>Alex basically becomes a Mech pilot, and confronts the Red
|
||
Squirrel head on with the Octopod.</p>
|
||
<p>You engage in the tickle fight to end all tickle
|
||
fights!</p>
|
||
<p>Its eight arms are more than a match for the squirrels
|
||
eight legs. You have the advantage of reach, entanglement, and
|
||
sucker pads. It struggles in your grasp, gnashing its terrible
|
||
teeth, but cannot reach you. Its long tail whips around
|
||
ineffectively, battering you softly.</p>
|
||
<p>The agitated squirrel squeals and swells like a red
|
||
balloon. The mech’s tentacles struggle to contain it. Just as
|
||
the strain on the machine is about to become unbearable, the
|
||
rodent violently deflates. It collapses in on itself with such
|
||
ferocity that it turns itself inside out. The octopod, all
|
||
tangled up in the collapsing squirrel, is pulled along as it
|
||
folds in on itself until it becomes a hungry void the size of
|
||
a marble, floating in space and sucking at the air.</p>
|
||
<p>Inky watches from the banana boat as Alex and the squirrel
|
||
disappear from the Silver Forest. The squirrel portal finally
|
||
closes in on itself, severing the banana boat from the octopus
|
||
mecha at the last possible second. Inky on this side. Alex on
|
||
the other.</p>
|
||
<p>Alex, you and the wreckage of the octopod are vomited out
|
||
onto a sandy beach. Red mist and vapors dissipate from your
|
||
entry point. Before you is a vast ocean, lapping lazily at the
|
||
beach. The shoreline extends endlessly in both directions.
|
||
Behind you are endless sand dunes. Though there is no sun, the
|
||
sky seems to hover at sunset, all brilliant, swirling oranges
|
||
and purples.</p>
|
||
<p>A lone humanoid figure can be seen standing atop a nearby
|
||
dune. It is tall. It has legs like a goat or fawn, and a
|
||
paunchy belly. Its long neck protrudes into a kind of trunk
|
||
that eventually folds over and hangs down in front of the
|
||
creature, about chest height. It terminates in a smooth, round
|
||
nub. No face. It wears a small satchel at its hip, its strap
|
||
slung over one shoulder and across its chest. Its long arms
|
||
hand loosely at its sides. Despite the lack of a face and any
|
||
sensory organs, it seems to be watching you. Slowly, it
|
||
descends the dune and starts walking toward you. It reaches
|
||
into its satchel and draws a long, sharp knife as it
|
||
approaches.</p>
|
||
<p>Inky, you are in the banana boat in the Silver Forest. The
|
||
turtle that was a chipmunk has holed up in its shell,
|
||
effectively just a sticky bun.</p>
|
||
<p>“You wanted to see me,” intones a slightly muffled voice
|
||
behind you. A statement, not a question. You turn to see a
|
||
figure cloaked in shadows and demons. They wear a domed helmet
|
||
of black obsidian glass, flashes of rainbow colored light
|
||
crackling along the inside illuminating very little of the
|
||
smoke-filled interior.</p>
|
||
<p>“What is it you seek from Dude 215R?”</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>66</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">66 - Sun, 26 Feb 2023 12:08:16
|
||
-0700</guid>
|
||
<pubDate>Sun, 26 Feb 2023 12:08:16 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00066">00066</h3>
|
||
<blockquote>
|
||
<p>“Thank you. May your search brings you good tidings.” Inky
|
||
replies with a smile and nod towards the sea.</p>
|
||
<p>“As to what brings me here, another traveller and myself
|
||
have been summoned to the Harpoon Club at a Wandering Bazaar.
|
||
However, despite uncovering the occasional biscuit tin or
|
||
cotton candy wheel, my knack for thing-finding doesn’t really
|
||
extend to sentient bazaars in pocket dimensions.” Inky
|
||
chuckles wryly. “Might you happen to know the way?”</p>
|
||
<p>As they end their question, Inky slips their hands into the
|
||
pockets of their hooded vest and is met with an envelope
|
||
nestled within one of them. A message from Master Alex. The
|
||
packet is a bit lumpy to the touch, as though there is a small
|
||
round object inside. The sysorcerer may have decided to spend
|
||
some quality time with his stalker after all. Must be lovely
|
||
to have a dedicated fan. The two wouldn’t mind if Inky went on
|
||
a spot of sightseeing.</p>
|
||
<p>“Also, did you say the Throne of Konsu?” They glance in the
|
||
direction of the large tower and back to the figure before
|
||
them.</p>
|
||
</blockquote>
|
||
<p>“Ah, you don’t know the story of Lord Konsu?” The ravenfolk
|
||
beckons you to walk with him as you talk. “In the beginning,
|
||
nobody knew how to dream. There were no real <em>people</em>
|
||
then. Just beasts and creatures and horrors.</p>
|
||
<p>“So at that point, every creature visited Ousia only twice:
|
||
at the moment of birth, and at the moment of death. And all
|
||
the time in between was spent longing to return to the
|
||
sea.”</p>
|
||
<p>At the ravenfolk’s side, the world spins under your feet.
|
||
In mere steps, you have made it to the base of the mountain
|
||
jutting from the center of the island.</p>
|
||
<p>“And one day, Konsu did. He dreamed. He was the first. Each
|
||
night he returned to the sea, and it swallowed his madness and
|
||
his wildness. It evolved his mind. It is dreaming, you see,
|
||
that makes you human.</p>
|
||
<p>“The sea claims everything though eventually. But you know
|
||
this already. You crossed the sea. Surely you saw how it can
|
||
work on dreamers who have tarried here too long.”</p>
|
||
<p>Still the ravenfolk guides you onward until you arrive at
|
||
the base of the fractal tower, all purple and yellow
|
||
stones.</p>
|
||
<p>You step inside and find voluminous halls, walls lined with
|
||
statues of all subjects. Fawns in revelry, elegant women in
|
||
repose, terrible giants in agony, warriors standing at
|
||
attention, leaping fish, and roaring lions.</p>
|
||
<p>He leads you through a labyrinth of empty halls, up grand
|
||
stairs, across yawning vestibules and dizzying bridges
|
||
suspended between towers as he continues to talk.</p>
|
||
<p>“Ousia works even on Konsu the Lord of All Dreams.
|
||
Ephermeris is his throne, it’s true. But it is also his
|
||
prison. The island <em>is</em> Konsu, you see. He is no longer
|
||
at liberty to roam his domain himself, in his own flesh. But
|
||
perhaps you have already met one of his avatars? Morpheus? The
|
||
Dude 215R? Kilroy? Hmm, yes, I see that you have.</p>
|
||
<p>“Well,” he says pulling up short of an archway. You can
|
||
hear voices and laughter and the clinking of dinnerware on the
|
||
other side. “I believe we have arrived at your destination. I
|
||
thank you for the company, and will leave you here.”</p>
|
||
<p>The ravenfolk withdraws, disappearing once more into the
|
||
maze of the tower.</p>
|
||
<p>You look through the archway and see a plush dinner club
|
||
absolutely packed with patrons of all possible shapes and
|
||
sizes. The Harpoon Club.</p>
|
||
<p>You catch somebody waving at you from a table in the far
|
||
corner. Blavin Blandfoot. He grins and beckons you
|
||
forward.</p>
|
||
<p>Joining him is a tall, slender cat person. Its facial
|
||
features mostly obscured by its jet-black fur. And with their
|
||
back to you, a wizened old man. The three of them are in the
|
||
middle of a round of tumbrot, a complicated game of
|
||
wagers—overly complicated, some would say—involving a special
|
||
deck of cards, a set of dice, and a tumbling tower of
|
||
blocks.</p>
|
||
<p>You watch as the cat reaches out and carefully removes a
|
||
block from the middle of the tower. It places it on top, and
|
||
the tower sways. The group at the table excitedly holds its
|
||
breath, and when the tower falls, the cat holds its head in
|
||
its hands in exaggerated dismay. The old man whoops and
|
||
gathers up his winnings and then turns and looks over his
|
||
shoulder in the direction that Blavin is waving.</p>
|
||
<p>Corraidhín the Sysorcerer grins and waves at you.</p>
|
||
<blockquote>
|
||
<p>Alex pulls at the trigger of the ak and he plummets towards
|
||
the waves sending a wave of cold lead towards the bigger
|
||
Katsuva. “Son of a bitch, never trust someone who has to hide
|
||
their face, agent 7, marvelo, always was right on that one.”
|
||
Hell, dunno if magical dream guns work on mushrooms, but to
|
||
hell with it, Alex thought.</p>
|
||
<p>He plunges into the water gripping tightly to his weapon,
|
||
the little katsuva clinging to him. As the water wraps around
|
||
him he kicks at the little mushroom breaking its grasp on his
|
||
leg, and begins to swim back up to the surface. “Like hell
|
||
we’re doing this your way cavatappi dude.”</p>
|
||
<p>Back in the real world..</p>
|
||
<p>Marvelo stares bleakly at the child and his assailant. “Who
|
||
the fuck do you think you are? And what the hell are you doing
|
||
with the kid, Rind, ain’t nothin good to come from some shady
|
||
bloke like you. The hell do you think you’re teaching
|
||
him?”</p>
|
||
<p>As Marvelo hurls insults as demands at his assailant he
|
||
slyly presses his thumb and forefinger into the palm of his
|
||
left hand, breaking a small resistor embedded in his palm
|
||
which activates as feint electrical pulse inside his body.
|
||
Just enough to trigger a Zabbix alarm, which kicks off a
|
||
series out automated correction scripts. A dose of adrenaline
|
||
here, a quick alaert to the remaining agents with a broadcast
|
||
LAT/LONG details via encrypted twtxt feed, but most
|
||
importantly something special Alex had each agent prepare,
|
||
just in case their luck ran out, an alarm only the damned
|
||
could sleep through.</p>
|
||
<p>The screech of heavy metal music blares throughout the
|
||
audio system of the warehouse, every alarm and speaker comes
|
||
alive blaring heavy riffs of guitar and wicked drums fill the
|
||
air while screaming echos around the building. Marvelo laughs
|
||
maniacly as his uninvited guest reels at the unexpected turn
|
||
of events.</p>
|
||
<p>“Alex! We caught him!” Marvelo yells through his laughing
|
||
fit.</p>
|
||
</blockquote>
|
||
<p>Gliftwirp frowns as the sirens wail in the fish market. He
|
||
tightens the rope around Marvelo’s neck. Deprived of oxygen,
|
||
Marvelo struggles and then goes limp.</p>
|
||
<p>The hemogoblin in the corner trembles as an overpowering
|
||
sense of JUSTICE sings in its veins. It gnashes its teeth and
|
||
its bloodshoot eyes become pupil-less pools of red. A single
|
||
word dances on the tip of its tongue.</p>
|
||
<p>It watches as Gliftwirp stands at the edge of the ritual
|
||
circle, looking in. Pillows and blankets creep slowly toward
|
||
the dreamers like slugs intent on smothering them.</p>
|
||
<p>The hemogoblin launches itself into the air with a cry of
|
||
“EEEEE! VULL!” and lands on the assassin’s back, sinking its
|
||
teeth into the nape of his neck and reaching its claws around
|
||
for his face.</p>
|
||
<p>Gliftwirp cries out in pain and surprise. His hands shoot
|
||
back to pry the thing from his back even as he is propelled
|
||
forward by the force of the attack.</p>
|
||
<p>Gliftwirp and the hemogoblin cross the circle of salt and
|
||
ash and spill into the pillows in a heap and instantly both of
|
||
them fall fast asleep.</p>
|
||
<p>An observer would almost think they were cuddling each
|
||
other in their sleep. If it weren’t, that is, for the goblin’s
|
||
claws, still sunk into the side of the warpwefter’s face.</p>
|
||
<p>Rind, sired by the melon seller, abandoned by his own
|
||
mother, and adopted by the assassin, watches all of this
|
||
unfold. And sits down and strokes the duck’s feathers.</p>
|
||
<p>~</p>
|
||
<p>Alex’s ascent into the waking world is interrupted by a
|
||
surge that tugs him sideways and off track. The presence of
|
||
new arrivals in the stream, the tenuous connection between the
|
||
waking and dreaming worlds held open by the Dream Sigil.
|
||
Somebody beckoning him, summoning him.</p>
|
||
<p>He emerges from the void into an endless, featureless
|
||
expanse. Plain, loose, dark soil as far as the eye can see,
|
||
with only a small rock or two here and there to break up the
|
||
monotony. The black empty sky looms ominously overhead.</p>
|
||
<p>Before you is a tall, slender person in voluminous robes of
|
||
deep purple. Their soft, smooth face framed by curtains of
|
||
long, straight, blonde hair. They wear a golden circlet on
|
||
their head and a golden eye in the middle of their forehead.
|
||
And in their hands they wield a resplendent longsword.</p>
|
||
<p>Shreds of a tattered red cloth lie strewn about their
|
||
feet.</p>
|
||
<p>They lift their head at your appearance. “Alex,” they say.
|
||
“It is good that we finally meet. You have done me a great
|
||
service in gathering pieces of my essence—including this, the
|
||
Sword of Y’aml!—so that I may finally start to return to
|
||
Basmentaria. You have done so much already, but I am afraid I
|
||
must ask more of you still.”</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>56</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
|
||
-0700</guid>
|
||
<pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00056">00056</h3>
|
||
<blockquote>
|
||
<p>The agitation Alex feels bubbles just beneath the surface.
|
||
Patterns where patterns shouldn’t be, strange orders from HQ,
|
||
indifference where once was ample aide as well. It was
|
||
maddening. Combine it all with the haunting suspicion that
|
||
there was constantly someone just around the next corner, and
|
||
it was enough to truly drive Alex mad.</p>
|
||
<p>That uneasiness takes its toll on a long enough time line,
|
||
but Alex wasn’t about to let it get to him. Or so he thought
|
||
to himself as he cast a furtive look at his monitoring
|
||
equipment. This paranoia had served him well in the past, very
|
||
well in fact. It’s a sort of sixth sense in a way, always kept
|
||
Alex off the edge of the cliff, especially when someone
|
||
stepped close enough to push him off. Those were the types of
|
||
skills HQ sought after in the first place.</p>
|
||
<p>Alex closes the iron door on his bunker, leaving his
|
||
monitoring equipment running, dead man’s trigger set to blow
|
||
the place shoul anyone enter it. Can’t be too careful these
|
||
days..</p>
|
||
<p>Emerging from the sewer grate, sticking to the shadows,
|
||
Alex makes his way down an alley, then another, and yet
|
||
another, finally emerging a few blocks from the Milk Market.
|
||
Across the street, as he had expected, was Marvelo’s Marvelous
|
||
MurderSticks, a quaint place should one needed something, well
|
||
you get the picture, they don’t really sell anything but
|
||
weaponry here.</p>
|
||
<p>Alex ducked into the entrance of the shop and strode
|
||
towards the back rack, where a collection of knives was on
|
||
display. A rough looking fellow, ruddy red beard, thinning
|
||
hair, moved from the counter as he saw Alex approach. “Fine
|
||
sampling of knives we have, could I interest you in one?”
|
||
Marvelo says. Alex reaches for a thin stilleto style dagger,
|
||
and hands it to Marvelo “This one seems about right, but I’d
|
||
like an extra sharp edge put on it, if you don’t mind”.
|
||
Marvelo takes the stilleto from Alex say “Not a problem at all
|
||
sir”, and he heads into the back.</p>
|
||
<p>He sets to work honing the edge, and once complete he
|
||
places it on his work bench. Grabbing a velvet lined case from
|
||
a stack, he deftly removes the bottom and places a rolled
|
||
piece of paper into the bottom, alongside an m1911 style
|
||
pistol, and a couple of clips of ammo. He then places the
|
||
velvet bottom back over the equipment, and places the stilleto
|
||
on top, bringing the entire package back to the front. “An
|
||
extra fine edge on this one sir, that’ll be 15 gold, plus
|
||
another 5 to cover the service.</p>
|
||
<p>Alex pays, and nips out the shop and heads back to the back
|
||
alley. Paranoia begets what it requets, Alex mutters to
|
||
himself as he disassembles the box holstering the pistol and
|
||
ammo, and sheathing the dagger. Can’t keep going unarmed like
|
||
I’m some kind of beat cop, not anymore.. Alex discards the
|
||
case and unfurls the message, quickly deciphering the
|
||
encryption set on it by Marvelo.</p>
|
||
<pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
|
||
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
|
||
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
|
||
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
|
||
Agent 4 monitoring feeds still present glitches, something abnormal
|
||
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
|
||
<p>Alex burned the note, striding rapidly away from the alley,
|
||
taking a meandering route away from the Milk Market, looping
|
||
back around, and heading back towards it by yet another.
|
||
Nobody appeared to be following him, yet he paused at each
|
||
corner and turn, waiting for the footsteps of a pursuant.</p>
|
||
<p>Noting nothing, he made his way through the back entrance
|
||
of Enrique’s Empanadas greeting the cook quietly, but jovial.
|
||
“Enrique, where’s Inky? We’ve got a problem.”</p>
|
||
</blockquote>
|
||
<p>~</p>
|
||
<blockquote>
|
||
<p>Inky skims the page. They thank the witch, pay for the
|
||
items and exit the shop, promptly discarding all notions of
|
||
meeting Bother at the place stipulated on the note.</p>
|
||
<p><em>(Half and one hour later)</em></p>
|
||
<p>One-sixths into a caramel cantaloupe cream cornet, Inky
|
||
runs into Confidence outside the Wandering Bazaar and obtains
|
||
some of their new pamphlets, minted with luminescent ink for
|
||
the convenience of late-night tourists. These are subsequently
|
||
hare-mailed to every editor at the <em>Niuewstijl</em> office,
|
||
which is almost certain to earn another chiding remark from
|
||
Tess about etiquette and the handling of unsolicited bulk mail
|
||
to parent editorial teams.</p>
|
||
<p><em>(Half and two hours later)</em></p>
|
||
<p>The installation on display at the Milk Market was
|
||
grotesque — that is to say, a work of beauty. Inky steps
|
||
carefully through the rooms to not disturb the piece.
|
||
Afterwards, they sign the guestbook set up on an upturned milk
|
||
crate by the door, delightedly pasting rows of horse head and
|
||
thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
|
||
the unedible”.</p>
|
||
<p><em>(Half and three hours earlier)</em></p>
|
||
<p>Thanking Agate for her time, Inky passes her a sheet of
|
||
paper on which were written a few questions about the
|
||
prescribed ritual, with some space after each question should
|
||
the witch prefer to scribble a response:</p>
|
||
<ul>
|
||
<li><p>What do guides in the Sea of Dreams and the Ravenfolk
|
||
typically seek in return for directing travellers to the
|
||
correct pocket dimension?</p></li>
|
||
<li><p>An establishment inside the Bazaar is only open in the
|
||
evenings whenever it appears in the city. How long does travel
|
||
to a pocket dimension typically take, allowing for time to
|
||
seek out a guide? Is there a way travellers can estimate the
|
||
time to set out on their journey, in order to arrive at the
|
||
establishment while it is open?</p></li>
|
||
<li><p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||
ritual? How can travellers avoid summoning them?</p></li>
|
||
<li><p>Would anything happen to the travellers if any of the
|
||
sigils were removed during the ritual before they wake
|
||
up?</p></li>
|
||
</ul>
|
||
<p><em>(Half and four hours later)</em></p>
|
||
<p>Two sets of eyes peer down at the contents of an open tin.
|
||
One accompanied by a focused look and a little trepidation,
|
||
following the pinkish, flesh-like chunks speckled with white
|
||
pockets of fat as they tumble into a hot pan and almost
|
||
immediately begin to move of their own accord. The moving
|
||
mounds resemble small round mouths opening, each with a rim of
|
||
sharp teeth. The other pair of eyes belongs to a grinning face
|
||
that beams when the mounds bloom into bright red flat caps,
|
||
the edges beneath about to soften in the olive oil.</p>
|
||
<p>Minutes after, The slices are ready. Inky accepts the plate
|
||
of tostada with spicy pickled artichoke mushrooms and tomatoes
|
||
with a murmur of thanks. Reassembling the recipe for the
|
||
tinned spicy artichoke mushrooms had been a tedious process —
|
||
someone had ripped out the pages from an old pickling book
|
||
that had long ceased publication. Eventually Inky found a
|
||
former nomad who had eaten them for two years in their youth
|
||
and could recall or somewhat describe the taste. Flowery and
|
||
savoury, they said. Many taste tests later, it turned out to
|
||
be closer to partially decomposed cheese in ponderosa lemon
|
||
juice. Canning was fortuitously easier with the increasing
|
||
portability of sealers. Rather than telling the empanada chef
|
||
any of this, Inky watches satisfaction slowly spread across
|
||
his face. The tale that follows is far more entertaining.</p>
|
||
<p><em>(Half and five hours later)</em></p>
|
||
<p>While measuring out ingredients for the forty-second tea
|
||
infusion since the start of the missions, not that Inky was
|
||
keeping a close count, they hear a familiar voice a short
|
||
distance outside the door asking for their whereabouts.
|
||
Without pausing in their whisking, Inky simply informs the
|
||
owner of the voice they’re not here, obviously, before
|
||
emerging from the storage pantry with a fresh pot and bowls on
|
||
a wooden tray, and greets the returning sysorcerer.</p>
|
||
</blockquote>
|
||
<p>Agate writes back quickly:</p>
|
||
<blockquote>
|
||
<p>What do guides in the Sea of Dreams and the Ravenfolk
|
||
typically seek in return for directing travellers to the
|
||
correct pocket dimension?</p>
|
||
</blockquote>
|
||
<p>Intangibles. Usually memories, hopes, or dreams.</p>
|
||
<blockquote>
|
||
<p>An establishment inside the Bazaar is only open in the
|
||
evenings whenever it appears in the city. How long does travel
|
||
to a pocket dimension typically take, allowing for time to
|
||
seek out a guide? Is there a way travellers can estimate the
|
||
time to set out on their journey, in order to arrive at the
|
||
establishment while it is open?</p>
|
||
</blockquote>
|
||
<p>You’ll find that time is rather malleable on the Otherside.
|
||
You’ll likely arrive exactly when you’re meant to. No need to
|
||
worry too much about it.</p>
|
||
<blockquote>
|
||
<p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||
ritual? How can travellers avoid summoning them?</p>
|
||
</blockquote>
|
||
<p>Godforms manifested by the Linking Sigil and the Dream
|
||
Sigil, respectively. It’s not <em>terrible</em> if they show
|
||
up. But it’s definitely not ideal. You shouldn’t register on
|
||
their radar as long as you don’t pump too much energy into, or
|
||
siphon to much energy out of, the sigils. If they do show up,
|
||
just know that you’re in the presence of a godlike power, and
|
||
behave accordingly.</p>
|
||
<blockquote>
|
||
<p>Would anything happen to the travellers if any of the
|
||
sigils were removed during the ritual before they wake up?</p>
|
||
</blockquote>
|
||
<p>If the sigils are removed or if the circle is broken,
|
||
you’ll likely just wake up before you wanted to. Same goes for
|
||
if your dreamform is destroyed while in the Dreaming. The only
|
||
real danger you may encounter is the Scissormen and their ilk.
|
||
They will attempt to permanently sever your dreamform from
|
||
your waking body. Which would leave your body a soulless husk,
|
||
and leave your consciousness adrift in the Sea of Dreams. But
|
||
that probably won’t happen! Okay good luck, have fun!</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>64</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">64 - Wed, 15 Feb 2023 17:58:35
|
||
-0700</guid>
|
||
<pubDate>Wed, 15 Feb 2023 17:58:35 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00064">00064</h3>
|
||
<p>Back at the fish market, Marvelo squints into the pouring
|
||
rain and swears under his breath, frustrated at the limited
|
||
visibility.</p>
|
||
<p>His colleague is lying on the floor behind him in some kind
|
||
of state of deeply altered consciousness, along with an
|
||
inkling, a toque, and an owl. In fact, the only waking beings
|
||
left inside the market are himself, a fluffy little duck, and
|
||
a sticky hemogoblin.</p>
|
||
<p>“I’ve seen stranger things,” he shrugs and admits to
|
||
himself.</p>
|
||
<p>The duck and the goblin are both fluffed up and huddled up
|
||
next to each other softly quacking and chirping to
|
||
themselves.</p>
|
||
<p>He pauses and holds his breath as something indistinct
|
||
catches his attention. Years of training have produced an
|
||
instinct he has learned not to question. It has saved his butt
|
||
more times than he can count. Sometimes it screams at him and
|
||
the danger is apparent. Like that time with the Permian
|
||
Raiders off the southern tip of Harshwind Glade. Other times,
|
||
such as this, all he gets is the vague feeling that something
|
||
is off. He waits. He’s been here before. His subconscious has
|
||
spotted something, noticed some pattern that doesn’t fit its
|
||
surroundings. He knows if he’s patient, his conscious mind
|
||
will catch up and realize what it was.</p>
|
||
<p>He squints out into the pouring rain. There! A flash of red
|
||
close to the ground.</p>
|
||
<p>“What in the world,” he wonders as a small child wearing a
|
||
bright red dress toddles into view. It looks up at him blankly
|
||
as the rain beats down on its head and shoulders.</p>
|
||
<p>“What are you doing out here, little guy? You’re getting
|
||
soaked!” Marvelo, concerned, rushes forward to comfort the
|
||
child.</p>
|
||
<blockquote>
|
||
<p>Inky gingerly takes the coin with both hands, small digits
|
||
clamping onto the straight edges. They look at the Twenty-one
|
||
Fiver nestled against the fuzzy outlines of one palm before
|
||
peering up again at the figure seated before them. “Thank you,
|
||
Great Spirit.” Inky says. “If truly allowed to choose, then,
|
||
this one accepts the price.”</p>
|
||
<p>They toss the coin up into the air. A beat, and they are
|
||
hovering a few feet above the tracks, between the fork and the
|
||
oncoming train with no walls. Inky watches as the child’s body
|
||
begins to shrink as rapidly as the black uniform expands, the
|
||
entire apparition thinning and becoming translucent. The shirt
|
||
continues to grow until the hem brushes the train tracks and
|
||
the collar peeks over the invisible tops of the train, the
|
||
trousers and shoes having been pushed into the stones and
|
||
earth below.</p>
|
||
<p>A portal, the child’s voice supplies distantly. At the back
|
||
of their awareness, Inky homes in on the coin as it continues
|
||
to spin. When the train thunders down upon the oversized shirt
|
||
doorway-apparent, they brace for the force of the impact.
|
||
Instead, all they could feel is a creeping weariness, like
|
||
water draining through tea leaves in a sieve, while being
|
||
suddenly surrounded by and staring into a deep reflectionless
|
||
pool.</p>
|
||
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
||
<p>The last thing within their consciousness is a gleam of
|
||
silver as the coin lands on one of its corners mid-spin,
|
||
bounces off the small half table and falls into the
|
||
shadows.</p>
|
||
</blockquote>
|
||
<p>You sink into the dark reflectionless pool, letting its
|
||
waters close over you and pull you under. You ponder its
|
||
depths from within in its embrace, mindless of the passage of
|
||
time.</p>
|
||
<p>After a few minutes, or a few days, you notice faint light
|
||
rising up here and there from below. Fuzzy, cobwebby human
|
||
shapes float suspended in the waters. Some far away, distant
|
||
as stars. Some drift close enough that you would be able to
|
||
discern their features, if they had any.</p>
|
||
<p>You realize all at once that these are the dream forms of
|
||
sleeping Basmentarians everywhere, and that you are floating
|
||
in Ousia, a solitary awakened dreamer in a literal sea of the
|
||
passive slumbering.</p>
|
||
<p>As though responding to your realization, the waters bear
|
||
you up and you pierce the weak membrane between water and air.
|
||
You float effortlessly and the gentle waves nudge you ever
|
||
onward toward some unknown shore. Or merely farther out to
|
||
sea. You’re not sure.</p>
|
||
<p>You continue to see the dreamers all around you. You watch
|
||
curiously as you float by two that seem to have bumped into
|
||
one another and fused together, their cobwebby bodies
|
||
sprouting hard crystalline growths and spreading like creeping
|
||
vines, forming a lattice and creating a small floating
|
||
island.</p>
|
||
<p>After a few hours, or a few weeks, you wash up on the beach
|
||
of a large island. There is a steep rock, a pillar of a
|
||
mountain, jutting straight up from the center of the island
|
||
some distance ahead. And jutting from the pillar is a fractal
|
||
structure of interconnected towers, all sprouting and
|
||
branching from one large central tower. The top of the tower
|
||
disappears far overhead, obscured by a rippling aurora of
|
||
green and pink lights in the sky.</p>
|
||
<p>Some distance down the beach, just out of hailing distance,
|
||
a lone figure stands gazing at the sea, their back to the
|
||
tower.</p>
|
||
<p>The figure waits.</p>
|
||
<p>The tower’s strange geometry beckons.</p>
|
||
<blockquote>
|
||
<p>Kasutva, how can I know that I can trust you? What do you
|
||
gain in helping me, and was there really no way for you to
|
||
communicate with me without beheading yourself? That seems a
|
||
little bit distraughting. Like, do you need a bandage or some
|
||
headache medicine or something? I feel like if I yanked my
|
||
face off I’d need an ibuprofen. I have some if you want? (alex
|
||
rummages in a coat pocket and finds a bottle of pain killers,
|
||
and offers them to the being).</p>
|
||
<p>Right anyways, answers questions. I’m looking for my Uncle
|
||
first and foremost. He dropped off the map a few days ago, and
|
||
I can’t find hide nor hair of him. Then the murders started.
|
||
Shit at HQ when wild, hit the wall literally, and now I’m in
|
||
some sort of fever dream talking to what can only be a
|
||
manifestation of my own subconscious, or perhaps someone
|
||
else’s. Look. I need to get back to Inky, we’re trying to meet
|
||
someone and we’re running late, and in the scheme of things my
|
||
problems aren’t so big if the world’s going to end because
|
||
some mad hatter is after these blasted crystal’s we’ve been
|
||
collecting..</p>
|
||
</blockquote>
|
||
<p>Even as you speak, you notice the edges of Big Kasutva’s
|
||
“wounds” start to close until its flesh begins to once more
|
||
envelop and enclose its face.</p>
|
||
<p>The creature courteously accepts a few pills from you, but
|
||
simply deposits them in its satchel.</p>
|
||
<p>“No, it doesn’t hurt us,” say the two voices together. “And
|
||
little matter if it did. It is necessary for us to speak.”</p>
|
||
<p>They listen to your story. Big Kasutva’s voice starts to
|
||
become muffled as its skin now grows over its mouth. Only its
|
||
eyes are visible as the two of them continue. “If your Inky
|
||
has come to this place, then there is only one place they can
|
||
have gone.” They gesture to the sea. “And that place is
|
||
Ephemeris. The Heart of the Dreaming at the center of
|
||
Ousia.”</p>
|
||
<p>Big Kasutva finally falls silent as it heals completely. It
|
||
guides you to the shoreline, where a long pier has suddenly
|
||
appeared. Mushroom Kasutva continues to speak for both of
|
||
them.</p>
|
||
<p>“We only ask to accompany you as you go. We wish to see
|
||
Ephemeris ourselves. But we cannot abandon our post here on
|
||
the dunes,” it says looking at Big Kasutva. “And we,” it says
|
||
gesturing to itself, “are too small to brave the sea
|
||
alone.”</p>
|
||
<p>Big Kasutva stops short of the end of the pier. The little
|
||
mushroom hops right up to the edge and peers down at the
|
||
water.</p>
|
||
<p>“All that is left is to jump, Alex. And let the waters of
|
||
Ousia bear you up and carry you to Ephemeris.”</p>
|
||
<p>It hops up to you and extends itself in a clear request,
|
||
despite its lack of limbs, that it wants you to pick it
|
||
up.</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>61</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
|
||
-0700</guid>
|
||
<pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00061">00061</h3>
|
||
<p>Alex the Octopus and Inky the Noogle stand on a tree branch
|
||
as wide a street in the heart of the great white upside-down
|
||
forest.</p>
|
||
<p>A cry of anguish and anger echoes through the forest, and
|
||
the branches below you sway and rustle as something rises up
|
||
from the depths. You keep catching a glimpse of scarlet
|
||
between the silvery white leaves.</p>
|
||
<p>The large black ravens perched below you scream in
|
||
agitation and fly up past you to the thicker branches up
|
||
above, where they hop side to side and loudly scold and
|
||
protest the disturbance. A single black feather the length of
|
||
your hand settles to the ground at your feet, knocked loose
|
||
during their flight.</p>
|
||
<p>You finally see the fearsome beast crashing through the
|
||
branches below you. Its crazed, yellow eyes as large and round
|
||
as dinner plates, a great eight-legged rodent leaps from
|
||
branch to branch as it swiftly ascends. It is a bloody,
|
||
crimson red. Its long tufted ears lay flat against its
|
||
elongated, grinning skull. Its ribbon-like tail twitches as it
|
||
trails along behind it like a river of blood. It cries out
|
||
again in anger, showing its overgrown incisors, and grinds and
|
||
gnashes its back teeth.</p>
|
||
<p>Its eyes bore into you with wild fury and blind madness as
|
||
it climbs.</p>
|
||
<p>“She’s not herself,” sighs the chipmunk, suddenly at your
|
||
side once more. When you look down at the chipmunk, however,
|
||
it has suddenly turned into a small featureless black turtle
|
||
with a sticky sweet roll instead of a shell. Its smooth little
|
||
head pokes timidly out of the roll.</p>
|
||
<p>“The Red Squirrel,” laments the turtle. “She’s being ridden
|
||
by a ghost. An angry ghost who isn’t from here. Somebody left
|
||
the door open, and it blew in on the breeze.” The turtle’s
|
||
voice trails off until its final words are barely a
|
||
whisper.</p>
|
||
<p>You can still feel two currents tugging at you and trying
|
||
to pull you under. One inward toward your host’s deep, core
|
||
memories. And the second pulling you outward toward the Sea of
|
||
Dreams.</p>
|
||
<p>You have but a moment before the Red Squirrel is upon
|
||
you.</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>65</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">65 - Tue, 21 Feb 2023 14:02:22
|
||
-0700</guid>
|
||
<pubDate>Tue, 21 Feb 2023 14:02:22 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00065">00065</h3>
|
||
<p>Marvelo fetched a fluffy blanket from the piles of blankets
|
||
and pillows in the ritual room where the dreamers continue to
|
||
sleep. He has wrapped up the child and is drying them off. The
|
||
sound of rain continues to drum incessantly outside.</p>
|
||
<p>“Poor thing, you’re chilled to the bone. Don’t worry, Uncle
|
||
Marv will take care of you. There we go. Fix you right
|
||
up!”</p>
|
||
<p>The child is still and silent. It has not made a noise this
|
||
whole time. Nor has it acted on its own to actually do
|
||
anything besides stare up at Marvelo with wide, dark eyes.</p>
|
||
<p>“How did you end up outside by yourself in the rain, hmm?
|
||
No? That’s okay. What about your name? Have you got a
|
||
name?”</p>
|
||
<p>“Rind,” says a voice behind Marvelo. At the sound of its
|
||
name, the child’s eyes flick over Marvelo’s shoulder. The
|
||
mercenary starts to spin around even as the blanket writhes in
|
||
his hands, wrapping itself around his wrists and binding them
|
||
tightly together.</p>
|
||
<p>“Hungh!” he cries out wordlessly and tucks into a roll,
|
||
turning to face his assailant and—he hopes—dodging any
|
||
potential attack from behind. And also putting some distance
|
||
between himself and the child to get it out of harms way.</p>
|
||
<p>Marvelo tries to push up to his knees as cords of rope
|
||
snake their way out of the shadows and coil around his knees
|
||
and elbows. He struggles to pull free of them. A thicker rope
|
||
wraps around his waist, and another squeezes around his chest
|
||
and back. The ropes contract and pull Marvelo into a ball. He
|
||
groans and falls to his side. He looks up into the eyes of a
|
||
man wearing a bright red sash.</p>
|
||
<p>The child has tottled over to the man and reaches its arms
|
||
up. The man scoops the child up and holds it in the crook of
|
||
one arm. The child puts its arms around the man’s neck and
|
||
looks down at Marvelo while resting its cheek on the man’s
|
||
chest.</p>
|
||
<p>“His name is Rind,” the man smiles.</p>
|
||
<blockquote>
|
||
<p>Feeling bedraggled yet dry despite having been submerged
|
||
under water, Inky lays on the beach, staring up at the sky
|
||
before sitting up and looking around the landscape. They are
|
||
now attired in a hooded azure blue vest over red shirt and
|
||
shorts, and blue shoes over mismatched knee-high stockings.
|
||
Their auburn hair is tied back with the drawstrings from an
|
||
attached small pouch. A plush toy resembling a certain floofy
|
||
duck peeks out from the hood.</p>
|
||
<p>They sense a soft weight land on one shoulder, and smile as
|
||
Fuko nips at their ear, no doubt partly in reproach for
|
||
wandering off again without her, and maybe partly meant to be
|
||
reassuring. This is followed several moments later by a low
|
||
hiss and a series of light taps next to Inky’s ear with her
|
||
beak. Inky murmurs, “Is that so … we should call it a wrap
|
||
soon. Master Alex would probably be happy having Big Bother to
|
||
himself anyway, to grill as he likes.”</p>
|
||
<p>After a very long minute, Inky sighs and taking out a piece
|
||
of paper and pencil from their suitcase, scribbles a
|
||
“pome”:</p>
|
||
<pre><code>Island tower of towers
|
||
Nowhere everywhere the sea
|
||
Keep your apples and flowers
|
||
Your suitor has come for thee</code></pre>
|
||
<p>They roll up the paper and tuck it into a small and clear
|
||
glass bottle with a cork stopper. Murmuring the sysorcerer’s
|
||
name to the bottle, they lower it into the water and watch as
|
||
the bottle drifts into the distance.</p>
|
||
<p>Walking along the shoreline and stopping a short distance
|
||
from the lone figure, Inky says casually, “Good day, fellow
|
||
thing-finder.”</p>
|
||
</blockquote>
|
||
<p>The figure turns in your direction and lowers their hood
|
||
revealing a long, hooked, black beak and a face covered in
|
||
black feathers. Beady black eyes regard you without
|
||
blinking.</p>
|
||
<p>The feathers around its throat bristle when it speaks like
|
||
a thick bristling beard.</p>
|
||
<p>“Greetings, Dreamer, and welcome to Ephemeris, the Heart of
|
||
the Dreaming. What brings you to the Throne of Konsu?”</p>
|
||
<blockquote>
|
||
<p>Well Kasutva, I may as well trust you. I imagine if you
|
||
meant me harm there are more direct and interesting ways to
|
||
harm me than to misguide me. Give me a moment to collect
|
||
myself, I’ve never been much for swimming you see, learned
|
||
late and was always deathly afraid as a child. Dreadful stuff
|
||
really.</p>
|
||
<p>Alex steps away briefly to the edge of the pier and looks
|
||
into the Azure blue ocean, a swirl of unending blue depth.
|
||
Still not my thing, Alex mutters to himself. As he steels
|
||
himself he notices a bottle adrift, nearing the pier. As it
|
||
comes closer, he plucks it from the water, decorks it and
|
||
inspects the note inside.</p>
|
||
<p>“What does it say” the little Kasutva inquires.</p>
|
||
<p>“Oh nothing, just someone trying to get in contact about
|
||
our floating pirateships extended warranty” Alex replies
|
||
bruskly. This definitely must have come from Inky Alex thinks
|
||
to himself. They must have found the way.</p>
|
||
<p>“Look Kasutva, this has been great fun, but I really think
|
||
I ought to be going, not really sure that a sea of anyones
|
||
dreams is my sort of thing and all that. And I seem ot have
|
||
done not but create a mess of things” Alex says as he gestures
|
||
to the wreckage of the Mech. Alex gestures in the air before
|
||
him, a small split keyboard appears in front of him and he
|
||
types out a few short commands.</p>
|
||
<blockquote>
|
||
<pre><code>cat > /home/inky/messages/urgent <<EOF
|
||
Got your message
|
||
In a bit of a bind, wrapped up with some weird mushroom guy who wants to go for a swim.
|
||
Not sure how to handle it, but I might have to dip back to the real world and let you finish here.
|
||
I've made a write mess of things, but I trust you can finish this.
|
||
|
||
Oh, see attached, if you get into a pinch just use this spell, it'll get you what you need.
|
||
|
||
grep -A4 AID ~/messages/urgent | sed 's/AID//' | sh
|
||
|
||
AID
|
||
4b1af3fcf4ce005ef86d83c45713ba1a548b4e79da09a6d44632cdb6c5917489
|
||
d7d500fa37b986d931b70e114b4e67375b10b373aa6649641e7132e8b3dc7d18
|
||
ef6efe98ffd070f486c00b4f50d8bf1448414ef9c2fabe0cacd40bebafba8a02
|
||
1d0d1bf0188b842d9ae08b9b37b0f266936ef38b8f07e5c90e4a9351bf018898
|
||
EOF</code></pre>
|
||
</blockquote>
|
||
<p>“Right!” Alex exclaims startling the little Kasutva
|
||
accidentally. “Time for me to head back to the real world.
|
||
Anything you need from me before I head out? Oh also, can I
|
||
take the ak74u? I think I might need it.”</p>
|
||
</blockquote>
|
||
<p>“Back … back to the waking world?” Mushroom Kasutva
|
||
stammers. “But…”</p>
|
||
<p>It looks out at the sea with a look of longing, confusion,
|
||
and frustration. “But we were finally going to see Ephemeris,”
|
||
they say almost wistfully.</p>
|
||
<p>“You were going to take us to Ephemeris!” they shout at
|
||
you, suddenly angry.</p>
|
||
<p>Mushroom Kasutva screws up its face and roars in rage as it
|
||
rushes at you and tries to shove you over the edge of the pier
|
||
into the waters below.</p>
|
||
<p>But Kasutva is less than a foot tall and quite ineffective
|
||
at shoving a human-sized person such as Alex.</p>
|
||
<p>Big Kasutva, on the otherhand, is roughly twelve feet tall
|
||
and quite capable of manhandling a human-sized person.</p>
|
||
<p>You look up in time to jerk back out of the way as they
|
||
swipe at your chest with their face-removing knife. It was all
|
||
a feint though. As soon as you are slightly off balance from
|
||
dodging their attack, they reach out with their other hand and
|
||
give you a shove.</p>
|
||
<p>You trip over Mushroom Kasutva, who has positioned themself
|
||
in just such a way to best tangle up your feet. You stumble
|
||
backwards a few steps until one of your feet steps out into
|
||
open air. You twist and and look behind you as Ousia rises up
|
||
to meet you.</p>
|
||
<p>Kasutva clings to your leg as you fall, crying. “We’re
|
||
sorry. We’re sorry,” they say over and over as you are pulled
|
||
below the waves.</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
</description>
|
||
</item>
|
||
<item>
|
||
<title>55</title>
|
||
<author>dozens@tilde.team (dozens)</author>
|
||
<guid isPermaLink="false">55 - Thu, 05 Jan 2023 08:21:34
|
||
-0700</guid>
|
||
<pubDate>Thu, 05 Jan 2023 08:21:34 -0700</pubDate>
|
||
<description>
|
||
<![CDATA[
|
||
<h3 id="00055">00055</h3>
|
||
<blockquote>
|
||
<p>The nibs had disappeared.</p>
|
||
<p>Inky had spotted the small ceramic and wicker teapot among
|
||
a long row of boxes and bowls at the antique shop on the
|
||
thirteenth floor of the Wandering Bazaar while looking for a
|
||
Near-weightless Verifying Matter enclosure (NVMe) to their
|
||
Handy Duffer Discette as a primary storage. The witch
|
||
shopkeeper, Agate, had helpfully mentioned the teapot could be
|
||
used to steep very acidic or alkaline solutions, as well as
|
||
distil solubles. The box it was subsequently packed in did not
|
||
include instructions on activating the precipitation feature.
|
||
With the shop not returning for another week by Confidence’s
|
||
reckoning, Inky had used the teapot in the meantime to rinse
|
||
off any impurities from an old set of nibs — the very first
|
||
functional set they had made as an apprentice inkling — except
|
||
the nibs were nowhere to be found when they poured out the
|
||
citronella solution and removed the lid. Inky supposed it was
|
||
to be expected — some witches liked to go on about equal
|
||
payment for wishes, as if it were as easy as reading off a
|
||
price tag, and it was difficult to stay irritated at a cute
|
||
teapot for long. Inky wrote it off as a gift for what would
|
||
hopefully thereafter be a cutely functional teapot. The shop
|
||
had a no-refunds policy.</p>
|
||
<p>Then came the dream. At first Inky had attributed them to
|
||
reading the book on the mythology of The Trine that they had
|
||
slipped out of the Runesocesius Library, along with an obscure
|
||
cactus leather-bound manuscript containing first-hand accounts
|
||
of the Artifice Wars. When the dream repeated itself on the
|
||
third night, Inky suspected it had something to do with the
|
||
crystals under the Milk Market’s roof. While not horrifically
|
||
bloody in the way Master Corraidhín’s description of the
|
||
vision he had from the first crystal had been, it was
|
||
haplessly boring when lucid intervention didn’t seem to have
|
||
any effect. It ran on like a low-budget B-Grade play that had
|
||
only three scenes with a few props each. By the fourth night,
|
||
the dream had become worse than a nib-nibbling teapot that
|
||
they stayed up entire nights for the rest of that week while
|
||
they were camping at the Milk Market.</p>
|
||
<p>It was mostly an excuse to drop into the kitchens
|
||
downstairs — which they could now enter on the pretext of
|
||
visiting Bread to observe the apprentice’s progress — in the
|
||
early morning hours and push new tea blends onto its
|
||
unfortunate occupants. Most of the three dozen or so infusions
|
||
had been full of fruits and spices, six of which would go well
|
||
with items on the empanada shop’s current menu. A handful were
|
||
medicinal after procuring a herb illustrated on one
|
||
moth-bitten page snatched on the hotel steps back on the Peak.
|
||
A few others were teas in the loosest sense of the word. These
|
||
were as tasteless and colourless as tap water, only the scent
|
||
offering a faint clue as to their ingredients. They had other
|
||
applications, least of which was in a prank on one empanada
|
||
chef. (Inky left him a box of zephyl tea — another Kelsun Peak
|
||
speciality besides mulled wine — before he could too riled up,
|
||
though.)</p>
|
||
<p>The note left at the Milk Market was the black cherry atop
|
||
the hassle cake. Confidence was fairly sure that the fine
|
||
establishment mentioned in the note wouldn’t appear on the day
|
||
indicated. Couldn’t “Mother” have chosen to meet somewhere a
|
||
little more convenient? So it was that despite the shop having
|
||
a no-refunds policy, or because of it, Inky found themselves
|
||
returning to the antique shop inside the Wandering Bazaar a
|
||
week later looking for another item. “Do you sell flight
|
||
vessels that could transport people to and from specific
|
||
places … such as the Harpoon Club?” they asked the witch.</p>
|
||
</blockquote>
|
||
<p>You and the witch go back and forth a few times before she
|
||
realizes that you want to visit a place where it is when it
|
||
isn’t there.</p>
|
||
<p>“Transdimensional extratemporal colocation?” Agate claps
|
||
her hands in delight. “This is going to be fun! A witchy
|
||
problem wants a witchy solution. That’s what my Auntie
|
||
Tenfingers always said!”</p>
|
||
<p>“Why bother with flying contraptions when you yourself are
|
||
a perfectly adequate vessel? I’m going to prescribe you a
|
||
dream ritual,” she says, scribbling in a notebook. “It’s
|
||
complex. But only because it’s a lot of steps. And the timing
|
||
is kind of particular in a couple places. But if you follow
|
||
the directions, you shouldn’t have any trouble.” She rips the
|
||
page out of the notebook and hands it you.</p>
|
||
<p>“Basically, you’ll enter a host’s dreams, and then delve
|
||
into the Collective Unconsciousness. From there you should be
|
||
able to find the Wandering Bazaar’s pocket dimension. Of
|
||
course you’ll need to find a guide to take you there. You’ll
|
||
have to find one in the Sea of Dreams.”</p>
|
||
<p>“And you’ll need this!” She ducks behind the counter and
|
||
reappears with a smoke-gray box bound with thick black ribbon.
|
||
It’s about as long as her forearm. She unwraps the box and
|
||
opens it and pulls out a thick, round candle. It is an
|
||
unhealthy, sickening translucent yellow. In the base of the
|
||
candle is a large, blackened, withered, and shriveled hand. It
|
||
is within and without the candle. As though it is grasping the
|
||
base of the candle, but also like it has been molded into the
|
||
candle on purpose. As though the hand is imprisoned in the
|
||
wax. You can just make out a hazy small round object in the
|
||
center of the candle through the wax. A large nut or marble.
|
||
The hand looks like it is reaching for it. The candle has been
|
||
burned down a fair bit. The wick is low and trimmed, and the
|
||
edges are black and warped where the fatty wax has melted and
|
||
hardened. You guess there’s only about two-thirds left of the
|
||
candle.</p>
|
||
<p>The witch measures down from the top of the candle with a
|
||
length of string and bores a small hole in its side. She
|
||
wedges a large nail into the hole, leaving half of it jutting
|
||
out. “A crude clock,” she winks at you. “Place the candle on a
|
||
hard metal plate. When it burns down enough for the wax here
|
||
to soften, the nail will fall out and strike the plate and
|
||
wake you up.”</p>
|
||
<p>She pushes it across the counter toward you and frowns.
|
||
“Eh, should be okay,” she shrugs. “But if at any point it
|
||
looks like the base gets soft enough that the hand might be
|
||
able to grasp the eye,” she cautions pointing toward the round
|
||
object in the center of the candle, “smash the thing. As hard
|
||
as you can. Destroy the hand, and run.”</p>
|
||
<p>“The rest of the instructions should be pretty self
|
||
explanatory!” she exclaims, perking up. “Let me know if you
|
||
have any questions!”</p>
|
||
<details>
|
||
<summary>
|
||
Ritual Details
|
||
</summary>
|
||
<figure>
|
||
<img src="https://tilde.town/~dozens/quest/ritual.png"
|
||
alt="ritual outline" />
|
||
<figcaption aria-hidden="true">ritual outline</figcaption>
|
||
</figure>
|
||
<p>Ritual Steps In Brief:</p>
|
||
<ol type="1">
|
||
<li><p>Find a volunteer to be the Dream Host.</p></li>
|
||
<li><p>Link your sanctum to the place where the Bazaar will be
|
||
on the appointed date. (You can’t just do your ceremony out in
|
||
the open in the middle of the street! Find somewhere you can
|
||
safely leave your bodies for a few hours.)</p></li>
|
||
<li><p>Draw a circle of salt.</p></li>
|
||
<li><p>At the appointed time, put the Dream Host in the
|
||
circle. Also the Travelers (you), the Dream Sigil, and the
|
||
Nyxmaer Candle.</p></li>
|
||
<li><p>Once the Host is asleep (Sleep spell not included),
|
||
light the candle and enter the Host’s dream.</p></li>
|
||
<li><p>Turn “away” from the dream, cross the Sea of Dreams to
|
||
the Collective Unconsciousness.</p></li>
|
||
<li><p>Find the Bazaar’s pocket dimension.</p></li>
|
||
</ol>
|
||
</details>
|
||
<blockquote>
|
||
<p>The day the letter arrived Alex was nowhere to be found. It
|
||
was a bit strange, somewhat chilling even, that he’d disappear
|
||
like that. Ever since they had arrived back at the Milk Maid
|
||
he’d been seen skulking about his uncle’s study, or pacing the
|
||
garden out back somewhat agitatedly. Unbeknownst to the party,
|
||
Alex had anticipated the arrival of the letter, HQ had been
|
||
following every lead they could pull in since he began with
|
||
the Ginnarak recovery team. Not that they really had much to
|
||
go off of, but the courier who left the letter wasn’t hard to
|
||
track. That was, until he slipped inside one of the ever
|
||
changing shops right as it was moving along.</p>
|
||
<p>The trail went cold after that. Which meant Alex had to get
|
||
it moving again, or at least the crumpled communique he’d
|
||
received said as much. Things were moving too quickly to think
|
||
too hard on the how, all that was needed was action, something
|
||
drastic to flush things out.</p>
|
||
<p>That’s why Alex finds himself on the east side of the
|
||
market, skulk about the back alley behind The Temporal
|
||
Cup.</p>
|
||
<p>“Gotta get this shit ready, there’s no other options here”
|
||
Alex thought to himself. He loathed this type of work, it was
|
||
messy, abhorrently vile in his mind, but what choice did he
|
||
have? His hands worked deftly at the wires in the small
|
||
package hidden inside the recess of a loose brick. Once
|
||
finished, the little packet came to life, muted lights
|
||
blicking away happily as the brick slid back over it.</p>
|
||
<p>This was the 3rd and final eavesdropping device, all placed
|
||
at the busiest cafes in market, all rigged with self destruct
|
||
mechanisms large enough to level the building if they’re
|
||
found.. The eavesdropping Alex could abide by, but the wanton
|
||
destruction for the sake of security was painful to
|
||
swallow.</p>
|
||
<p>But once again, it wasn’t much like Alex had a say in the
|
||
matter. The first sign of objection, an inclination that he’d
|
||
refuse orders, and they’d have an assassin on him before he
|
||
could leave the alley. And if he took it out, they’d send
|
||
double, there’d be no rest.</p>
|
||
<p>— Later that day</p>
|
||
<p>Alex watched twtxt feeds scroll through from his monitoring
|
||
devices. Most of it unimportant gossip. So and so haves an
|
||
affair, what’s for lunch, where to find good empanadas in the
|
||
market, so on and so forth. An endless stream on the pulse of
|
||
the market.</p>
|
||
<p>It was errant curiosity to watch these, the Magic Lichen in
|
||
the monitoring system was trained to hunt for any hint of what
|
||
the courier was up to, any twinge from Blavin and his ilk.
|
||
It’d send alerts straight to him as soon as something came up,
|
||
but it was interesting to see the pulse of the city trail by.
|
||
And what else could he do? It was too dangerous to go back to
|
||
the Milk Maid, any hint he was there could blow his cover.
|
||
Best to lay low for the time being, let the scrapers scrape
|
||
and the agents comb the streets until they get a bead on their
|
||
target.</p>
|
||
</blockquote>
|
||
<p>Milk Market HQ ought to be quiet. Alex has been
|
||
conspicuously absent. Missing in action. Inky seems to be out
|
||
making rounds delivering tea, or spending more time than usual
|
||
at the empenadaria. So Milk Market HQ ought to be quiet.</p>
|
||
<p>Instead, a certain young hemogoblin and a certain yellow
|
||
duck (both of whom have yet to be named, by the way) are
|
||
squealing as they rampage through the rooms on the top floor
|
||
of the building, upsetting the furniture in their wake and in
|
||
general making a huge mess.</p>
|
||
<p>It took some coaxing on the hemogoblin’s part. The duck was
|
||
determinedly uninterested in anything besides a soak in its
|
||
tub and a nap on its cushion. And it did a good job of
|
||
ignoring the persistent, pestering goblin for most of the
|
||
afternoon. But jumping into a wooden tub full of blood cracked
|
||
the foul’s disinterested facade. It gave furious chase to the
|
||
goblin until the heat of the moment cooled down. At which
|
||
point the two of them simply enjoyed the thrill of chasing
|
||
each other through the apartments.</p>
|
||
<p>Confidence is actually the first one to stumble across the
|
||
carnage. They were just popping by to drop off some new
|
||
pamphlets, but froze in the doorway when they saw the suite in
|
||
disarray and the walls plastered with blood and feathers.
|
||
“What the toque…” And then they quietly closed the door and
|
||
left without going in after all.</p>
|
||
<p>~</p>
|
||
<p>Gliftwirp browses the stalls trailing behind the Wandering
|
||
Bazaar. He is bare chested save for a sleeveless vest. He
|
||
wears long, baggy, striped trousers bunched at the ankle, and
|
||
a bright red sash tied loosely around his waist. He grins a
|
||
wide, gap-toothed grin as he thumps a melon.</p>
|
||
<p>“Look at the size of this melon! And perfectly ripe!” he
|
||
beams at the stall vendor. “You’ll be here next week? With
|
||
more like this?”</p>
|
||
<p>Very few people would be able to tell Gliftwirp’s
|
||
profession from his attire. For those who can, one look at his
|
||
red sash would immediately cause them to give him a wide
|
||
berth. Because Gliftwirp is a warpwefter. A master assassin
|
||
trained in the ancient art of sarong-fu. That is, the deadly
|
||
application of soft and flexible weapons. Whips, chains,
|
||
garrotes, nunchucks. And most famously—and most
|
||
effectively—sashes, sarongs, scarves, and the like. The saying
|
||
goes that a clothed warpwefter is never unarmed. Nor even is a
|
||
nude one if they can get their hands on <em>your</em> clothes.
|
||
And a warpwefter can sneak their weapons into the most secure
|
||
of locations.</p>
|
||
<p>“I am a visitor here, and don’t know my way around,” he
|
||
keeps up the small-talk with the vendor, having paid for the
|
||
melon. “Do you know if there is a building around here called
|
||
‘Milk Market?’ I’m supposed to meet someone there. No, they’re
|
||
not expecting me. It’s going to be a surprise!”</p>
|
||
<p>He grins his wide toothy grin.</p>
|
||
<p>~</p>
|
||
<p>The twtxt feed from the listening devices is dull and
|
||
quiet. The monitoring software is designed to only deliver
|
||
messages containing certain buzzwords. And those messages are
|
||
few and far between.</p>
|
||
<p>You decide to tap into the unfiltered stream and let the
|
||
endless waves of blather wash over you. It’s inane. Idle
|
||
gossip and mindless chitter-chatter.</p>
|
||
<p>After a day or two of this, you notice yourself getting
|
||
uncharacteristically agitated. You squint at the lines of
|
||
messages coming in and notice a few transposed characters in
|
||
some of them, forming new nonsensical words. A couple messages
|
||
are missing some whitespace, squishing words together in
|
||
maddening run-ons. Glitchy. There’s no reason the listening
|
||
devices should be returning errors like this.</p>
|
||
<p>Later still, the feeds have gotten worse. Some words seem
|
||
to be written backwards. Entire messages are garbled word
|
||
soup, devoid of any meaning or sense whatsoever. Some of the
|
||
timestamps are invalid datetimes. But you prefer them to the
|
||
ones that are valid, but which are stamped years ago. And you
|
||
far prefer them to the ones that are stamped far in the
|
||
future.</p>
|
||
<p>The anomalies are overall infrequent. On their own, they
|
||
don’t amount to much. And when you show them, nobody at HQ
|
||
gives you with much more than a slightly patronizing,
|
||
indulgent shrug. But the glitches shouldn’t be happening at
|
||
all, is the thing. And when you compile them all together, you
|
||
start to notice things. Patterns insinuating themselves,
|
||
maddeningly just short of reason or meaning. Like a song stuck
|
||
in your head when you can’t remember the lyrics or the melody.
|
||
But there’s something there nonetheless. The promise of
|
||
something, at least. Something bigger. A wide tapestry of
|
||
links and connections, wanting to be known.</p>
|
||
<p>There are names. Ellis, the lady in red who sits at the
|
||
center of a tangled web. Ousia, a sea of endless knowledge. A
|
||
sea of magic. The 215R Dude, a denizen of the other side who
|
||
can deliver you to its shores. Other strange beings who lurk
|
||
just out of sight, just beyond the veil of perception. The
|
||
veil that you are now beginning to pierce with the snippets
|
||
and snatches of information you pluck from your feeds.</p>
|
||
<p>You start to see signs of the veil elsewhere. Of the
|
||
conspiracy. Whatever. You can’t decide what to call it. Street
|
||
graffiti outside of a red spider spinning a red web. Phrases
|
||
like “215R” show up in random articles in the paper. As though
|
||
the secret world is trying to cross over. Or to draw you into
|
||
it.</p>
|
||
<p>WHAT DO YOU DO</p>
|
||
]]>
|
||
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|
||
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|
||
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|
||
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|