281 lines
12 KiB
Plaintext
281 lines
12 KiB
Plaintext
SESSION #25 - THE REAL FOLK BLUES (PART I)
|
|
Written By Keiko Nobumoto
|
|
Dialogue Translation By Bandai Entertainment, INC.
|
|
Transcript By RFBlues
|
|
---------------------------------------------------------------------------
|
|
OPENING CREDITS
|
|
Mars. Julia walks into an apartment. A recorded messege from her informant,
|
|
Shin plays.
|
|
SHIN: The elders are going to be on the move. It is dangerous over there as
|
|
well. Please hurry.
|
|
Session #25
|
|
THE REAL FOLK BLUES (PART I)
|
|
Red Dragon Headquarters. Vicious and a group of thugs enter the dark main
|
|
chamber. The thugs fire machine guns. Suddenly the lights turn on.
|
|
WANG LONG: What a foolish act you have done. The fortune-teller told us
|
|
thus. "The night of the red moon, the snake will slither
|
|
horribly quickly to make use of its venomous fangs."
|
|
PING LONG: You look so pitiful, Vicious.
|
|
SOU LONG: We have informed you of our decision that you cannot be our
|
|
successor.
|
|
VICIOUS: The syndicate does not need corpses who cannot even fight.
|
|
WANG LONG: That arrogance of yours will ruin everything in the end. Take
|
|
him to the punishment chamber.
|
|
VICIOUS: Kill me. Right now.
|
|
WANG LONG: You cannot choose how you will die. After we let you have a good
|
|
taste of humiliation we will send you into the underworld.
|
|
Vicious is taken away.
|
|
VICIOUS: Don't forget a snake's venom poisons slowly after the bite.
|
|
Loser Bar, somewhere on Mars. Jet and Spike sit at the counter, depressed.
|
|
JET: Sheesh, that was the first time we screwed up so badly. We never had
|
|
anything like that before when we were all alone. All told, they
|
|
screwed up our plans right to the end. They really were like
|
|
troublesome babies. I completely understand why you hate women and
|
|
kids now.
|
|
Jet and Spike sense danger from outside. They duck and gunfire enters from
|
|
outside, killing the unsuspecting bartender. Spike grabs his drink from the
|
|
bartender and takes a sip.
|
|
SPIKE: Too much vermouth.
|
|
Spike fires back and guns down a thug.
|
|
JET: Who are they?
|
|
Jet is shot in the thigh. Shin enters.
|
|
SPIKE: Lin?!
|
|
SHIN: I'm Shin, his younger brother.
|
|
SPIKE: Shin... That's right, you two were -
|
|
Shin shoots a thug.
|
|
SPIKE: If you change sides, you won't be able to return to the syndicate.
|
|
What happened?
|
|
SHIN: Vicious is to be executed. He failed to pull off the coup, and has
|
|
been put under restraints by the elders. You are in danger as well.
|
|
And Miss Julia...
|
|
SPIKE: Julia is?
|
|
SHIN: They're in the city of Tharsis. I'll hold them off here. Please go!
|
|
SPIKE: I'll owe you one, Shin!
|
|
Spike and Jet escape.
|
|
At the doctor's office. The doctor fixes up Jet's wound. Spike is in deep
|
|
thought.
|
|
JET: I don't know what happened to Red Dragon but it's not really your
|
|
problem now, right? Vicious, Julia... To me, both those names sound
|
|
nothing but ominous. Just like a magic spell that opens a door that
|
|
shouldn't be opened. You're -
|
|
The doctor takes the bullet out of Jet's thigh. Jet writhes in pain.
|
|
DOCTOR: Hold still.
|
|
JET: You are no longer a member of the syndicate...
|
|
SPIKE: I know.
|
|
Jet looks at the doctor.
|
|
JET: You too... Forget everything, including the fact that we came here.
|
|
DOCTOR: What are you talking about? I'm just treating stray cats that
|
|
wandered into the office. Stray cats that I can't ever get rid
|
|
of...
|
|
Spike recalls a moment in Julia's apartment three years ago.
|
|
SPIKE: When this is over, I'm leaving the syndicate.
|
|
JULIA: You'll be killed.
|
|
SPIKE: I'll let them say I'm dead. I'll be waiting at the graveyard. Of
|
|
course, I will be alive.
|
|
JULIA: I... can't come with you.
|
|
SPIKE: Come with me. We'll leave here... We'll escape from this world.
|
|
JULIA: And then what are we going to do?
|
|
SPIKE: We'll just live a life of freedom somewhere. Just like watching a
|
|
dream...
|
|
On the road in a red convertible, Julia recalls another moment.
|
|
VICIOUS: Are you going to betray me? Are you going to leave this world...?
|
|
JULIA: Vicious.
|
|
VICIOUS: Even if it's a dream, that's an impossibility.
|
|
JULIA: Are you going to kill him?
|
|
VICIOUS: Yeah... with your hands. You stay alive... or you both die. You
|
|
can choose.
|
|
The chamber. Vicious is chained to the wall.
|
|
At a spaceport on Mars. Faye overhears an old woman talking to herself.
|
|
WOMAN: So there is no place for me after all. I won't go no matter who
|
|
comes to pick me up. Never. I don't want to live a life where I'm
|
|
always in someone's way.
|
|
A familiar-looking man runs to the woman.
|
|
MAN: Mom! I've been looking for you!
|
|
WOMAN: A-Alfred...
|
|
MAN: I told you to wait in front of the curry restaurant!
|
|
WOMAN: Sorry.
|
|
MAN: It's all right. I'm glad you came.
|
|
WOMAN: It sounds too good to be true that you can take care of me now.
|
|
MAN: Mom, I want to live with you.
|
|
WOMAN: You found a job?
|
|
MAN: Don't worry about that.
|
|
WOMAN: What about your female co-host?
|
|
MAN: I heard she's getting married.
|
|
The two walk away.
|
|
FAYE: Something about this...
|
|
The garage at the spaceport. Faye walks to Red Tail and receives a call.
|
|
SPIKE: Where are you now?
|
|
FAYE: What is it?
|
|
SPIKE: I'm heading out to the city of Tharsis. You should head that way,
|
|
too.
|
|
FAYE: Why?
|
|
SPIKE: It's hard for Jet to get around on his own. Especially after getting
|
|
shot in the leg. I'm telling ya to stop wandering around so much,
|
|
and just come back.
|
|
FAYE: Don't just assume that I'm coming back! You've got to be kidding! I
|
|
have a place to go back to!
|
|
Faye hangs up.
|
|
FAYE: What's with that attitude? Like he's all high-and-mighty. What does
|
|
he mean, Jet's by himself? HE's there... Ed and Ein too...
|
|
Suddenly, Julia's convertible speeds down the street. A syndicate car
|
|
Chases her, firing. Faye shoots one of the cars' tires flat. Julia gives
|
|
her a lift. Another car continues chasing the convertible. Faye shoots the
|
|
hubcap off the car. The car spins out of control and flips over.
|
|
EYECATCH
|
|
Julia and Faye take a break on the side of the road.
|
|
JULIA: You saved me.
|
|
FAYE: Same here.
|
|
JULIA: You're a good shot.
|
|
FAYE: I was getting bounties with it.
|
|
Julia looks at Faye.
|
|
JULIA: A bounty hunter...?
|
|
FAYE: Although now I'm kind off on a break 'cause there's something going
|
|
on. You look like you have something going on, too. It might be good
|
|
to pair up with another woman. How about it? Wanna be my partner?
|
|
JULIA: I have... something to do.
|
|
FAYE: Oh. Too bad.
|
|
JULIA: Do you know any bounty hunter hangouts?
|
|
FAYE: I can help if you want to put a bounty on someone.
|
|
JULIA: I'm looking for a bounty hunter. I'll drive you back.
|
|
On the road.
|
|
JULIA: What's your name?
|
|
FAYE: Faye...
|
|
Julia looks up.
|
|
JULIA: Faye...?!
|
|
FAYE: Faye Valentine. A common name. What's yours?
|
|
JULIA: Julia.
|
|
Faye looks up.
|
|
FAYE: Julia...?!
|
|
JULIA: It's a common name.
|
|
Julia stops at the spaceport garage.
|
|
JULIA: I'm glad I met you.
|
|
FAYE: Me too. Um, have I seen you somewhere...?
|
|
JULIA: If... you see Spike again... Tell him that I will be waiting there.
|
|
He'll know what I mean. Tell him that I'll keep waiting...
|
|
FAYE: Why...?
|
|
JULIA: Good-bye, Faye Valentine.
|
|
Julia drives off.
|
|
FAYE: Why? Why do you know?!
|
|
The Bebop. Jet wakes up in an empty living room. Walking on a crutch, he
|
|
finds Spike in the control room.
|
|
SPIKE: Does it still hurt?
|
|
JET: Do you know a story that goes like this? A man injured his leg during
|
|
a hunt. In the middle of the savanna with no means to treat the wound,
|
|
the leg rots, and death approaches. The man got onto the airplane that
|
|
finally arrived and there he sees a land of pure white below him. The
|
|
place glistening in the light was the summit of a snow-covered
|
|
mountain. The name of the mountain was Kilimanjaro. The man thinks
|
|
"That was where he was headed..."
|
|
SPIKE: And?
|
|
JET: I hate this story. Men only think about the past right before their
|
|
death, as if they were searching frantically for proof that they were
|
|
alive. Turn back. You told me when we first met that you were a man
|
|
who had already died once. Just forget the past, okay?
|
|
They look down at the surface of Mars.
|
|
SPIKE: There was a woman. For the first time in my life I saw a woman that
|
|
was truly alive. That's what I believed. She was a piece of me I had
|
|
lost. She is my other half that I had longed for.
|
|
Jet stares at Spike.
|
|
SPIKE: She's back.
|
|
JET: Hm? Who...?
|
|
Faye in Redtail returns.
|
|
JET: Oh, man...We're not a repair shop. Don't come back just when you broke something -
|
|
FAYE: Where is he?
|
|
JET: He?
|
|
FAYE: The one with the fluffy hair.
|
|
JET: What, can't you just say you're looking for Spike?
|
|
FAYE: Where is he?
|
|
JET: He's in the workshop. What are you trying to hide? You came back here
|
|
just to see Spike?
|
|
FAYE: I was asked to relay a message from Julia.
|
|
JET: Hey, wait!!
|
|
Jet receives a call.
|
|
BOB: Jet, it's me.
|
|
JET: What, I don't have any information now. We're not really able to -
|
|
BOB: I'm glad you're all right. I was worried. It's getting to be pretty
|
|
bad, you know...
|
|
JET: About Red Dragon?
|
|
BOB: Yeah... There was apparently a coup two days ago concerning who was
|
|
going to be the syndicate's successor. In the end the elders won, and
|
|
they're now out to annihilate anyone who was involved in the coup.
|
|
Your partner will also -
|
|
JET: Been there. But why are they trying to get rid of those that already
|
|
left the syndicate?
|
|
BOB: Anything against them will be annihilated, down to the very last seed.
|
|
That's how they do it.
|
|
JET: That's the worst logic I've ever heard.
|
|
BOB: Just run. The police can't handle all of it. Leave Mars.
|
|
JET: Too late for that.
|
|
The workshop. Faye stands at the doorway. She tries to speak to Spike but
|
|
no words would come out. Spike notices her.
|
|
SPIKE: You have something? You look like you have some information.
|
|
FAYE: How much will you pay for it?
|
|
SPIKE: I don't have any money. (ie, I don't have anything to offer you)
|
|
Syndicate ships from outside shoot at the Bebop. The entire ship shakes.
|
|
SPIKE: You sure came back at the worst time...
|
|
FAYE: Weren't you the one who called me here?
|
|
SPIKE: Or... maybe they followed you here? Oh, well. It was gonna happen
|
|
sooner or later.
|
|
FAYE: Wait!
|
|
Faye chases Spike into the hanger. Spike hops onboard Swordfish.
|
|
FAYE: Wait a minute!
|
|
SPIKE: I don't have any money.
|
|
FAYE: She said she'll be waiting there. She said you'd understand.
|
|
SPIKE: I don't get it.
|
|
FAYE: It was from a woman named Julia. Someone was after her... They were
|
|
chasing her...
|
|
SPIKE: Jet, I can go at any time.
|
|
Spike takes off.
|
|
The Chamber. The elders and a firing squad stand before Vicious.
|
|
WANG LONG: You who caused a disturbance in our clan's affairs. By the will
|
|
of the clan, you shall be executed.
|
|
Spike struggles to defend the Bebop from the syndicate ships.
|
|
FAYE: Let me out too!
|
|
JET: Wait! Your right thruster isn't working yet!
|
|
FAYE: The end is the same if we go down ship and all! (compare to Boogie Woogie Feng Shui)
|
|
SOU LONG: Will you leave words?
|
|
PING LONG: Or leave something material?
|
|
VICIOUS: Nothing.
|
|
The firing squad members raise their guns.
|
|
The Bebop. Spike continues defending the ship. Red Tail takes off.
|
|
The Chamber. Vicious bird enters emerges from the darkness and explodes,
|
|
launching smoke bombs. Vicious is freed.
|
|
The Bebop. Spike and Faye continue defending the Bebop.
|
|
The Chamber. Sou Long and Ping Long are killed by gunfire. Vicious receives
|
|
his sword, approaches Wang Long and puts his blade to Wang Long's eyes. The
|
|
thugs pause.
|
|
VICIOUS: You shall shed red tears.
|
|
Vicious stashes.
|
|
The Bebop. Spike destroys the last of the syndicate fighters.
|
|
JET: Spike, can you still fly? Don't worry about us. Just go! Go grasp that
|
|
thing you had lost. GO!
|
|
Spike flies away.
|
|
The Chamber.
|
|
VICIOUS: As of now, the leadership has changed hands. From now on, I will
|
|
dictate all authority and symbolism of this syndicate.
|
|
A graveyard. Spike finds Julia waiting for him. She points a gun at him.
|
|
TO BE CONTINUED
|
|
CLOSING CREDITS
|
|
COMING EPISODE
|
|
SPIKE: A lot of things have happened, but the next episode is the last.
|
|
JET: It sure was long...
|
|
FAYE: The past is the past...
|
|
SPIKE: No use doing this...
|
|
FAYE: ...and the future is the future.
|
|
SPIKE: So how was it, Jet?
|
|
FAYE: A man is a man, and a woman is a woman.
|
|
JET: Because of you, I ended up raising Ein.
|
|
FAYE: I am who I am, and you are who you are.
|
|
JET: Dogs are really cute after all...
|
|
FAYE: Like it really matters any...
|
|
SPIKE: Hey, Jet. Come on, you aren't...
|
|
JET: I wonder why we gave him away...
|
|
SPIKE: ...listening to what I'm saying at all!
|
|
JET: Oh... What was it?
|
|
SPIKE: Never mind. Anyway... Next episode: "The Real Folk Blues (Part II)."
|
|
We'll see you again, somewhere.
|
|
FAYE: What? This is the end?
|
|
Next Session
|
|
THE REAL FOLK BLUES (PART II)
|
|
|