forked from dozens/cleric-plus-thief
		
	
		
			
				
	
	
		
			358 lines
		
	
	
		
			14 KiB
		
	
	
	
		
			HTML
		
	
	
	
	
	
			
		
		
	
	
			358 lines
		
	
	
		
			14 KiB
		
	
	
	
		
			HTML
		
	
	
	
	
	
| <!DOCTYPE html>
 | ||
| <html xmlns="http://www.w3.org/1999/xhtml" lang="" xml:lang="">
 | ||
| <head>
 | ||
|   <meta charset="utf-8" />
 | ||
|   <meta name="generator" content="pandoc" />
 | ||
|   <meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=yes" />
 | ||
|   <title>00005. Dead Ringer</title>
 | ||
|   <style>
 | ||
|     html {
 | ||
|       line-height: 1.5;
 | ||
|       font-family: Georgia, serif;
 | ||
|       font-size: 20px;
 | ||
|       color: #1a1a1a;
 | ||
|       background-color: #fdfdfd;
 | ||
|     }
 | ||
|     body {
 | ||
|       margin: 0 auto;
 | ||
|       max-width: 36em;
 | ||
|       padding-left: 50px;
 | ||
|       padding-right: 50px;
 | ||
|       padding-top: 50px;
 | ||
|       padding-bottom: 50px;
 | ||
|       hyphens: auto;
 | ||
|       overflow-wrap: break-word;
 | ||
|       text-rendering: optimizeLegibility;
 | ||
|       font-kerning: normal;
 | ||
|     }
 | ||
|     @media (max-width: 600px) {
 | ||
|       body {
 | ||
|         font-size: 0.9em;
 | ||
|         padding: 1em;
 | ||
|       }
 | ||
|       h1 {
 | ||
|         font-size: 1.8em;
 | ||
|       }
 | ||
|     }
 | ||
|     @media print {
 | ||
|       body {
 | ||
|         background-color: transparent;
 | ||
|         color: black;
 | ||
|         font-size: 12pt;
 | ||
|       }
 | ||
|       p, h2, h3 {
 | ||
|         orphans: 3;
 | ||
|         widows: 3;
 | ||
|       }
 | ||
|       h2, h3, h4 {
 | ||
|         page-break-after: avoid;
 | ||
|       }
 | ||
|     }
 | ||
|     p {
 | ||
|       margin: 1em 0;
 | ||
|     }
 | ||
|     a {
 | ||
|       color: #1a1a1a;
 | ||
|     }
 | ||
|     a:visited {
 | ||
|       color: #1a1a1a;
 | ||
|     }
 | ||
|     img {
 | ||
|       max-width: 100%;
 | ||
|     }
 | ||
|     h1, h2, h3, h4, h5, h6 {
 | ||
|       margin-top: 1.4em;
 | ||
|     }
 | ||
|     h5, h6 {
 | ||
|       font-size: 1em;
 | ||
|       font-style: italic;
 | ||
|     }
 | ||
|     h6 {
 | ||
|       font-weight: normal;
 | ||
|     }
 | ||
|     ol, ul {
 | ||
|       padding-left: 1.7em;
 | ||
|       margin-top: 1em;
 | ||
|     }
 | ||
|     li > ol, li > ul {
 | ||
|       margin-top: 0;
 | ||
|     }
 | ||
|     blockquote {
 | ||
|       margin: 1em 0 1em 1.7em;
 | ||
|       padding-left: 1em;
 | ||
|       border-left: 2px solid #e6e6e6;
 | ||
|       color: #606060;
 | ||
|     }
 | ||
|     code {
 | ||
|       font-family: Menlo, Monaco, 'Lucida Console', Consolas, monospace;
 | ||
|       font-size: 85%;
 | ||
|       margin: 0;
 | ||
|     }
 | ||
|     pre {
 | ||
|       margin: 1em 0;
 | ||
|       overflow: auto;
 | ||
|     }
 | ||
|     pre code {
 | ||
|       padding: 0;
 | ||
|       overflow: visible;
 | ||
|       overflow-wrap: normal;
 | ||
|     }
 | ||
|     .sourceCode {
 | ||
|      background-color: transparent;
 | ||
|      overflow: visible;
 | ||
|     }
 | ||
|     hr {
 | ||
|       background-color: #1a1a1a;
 | ||
|       border: none;
 | ||
|       height: 1px;
 | ||
|       margin: 1em 0;
 | ||
|     }
 | ||
|     table {
 | ||
|       margin: 1em 0;
 | ||
|       border-collapse: collapse;
 | ||
|       width: 100%;
 | ||
|       overflow-x: auto;
 | ||
|       display: block;
 | ||
|       font-variant-numeric: lining-nums tabular-nums;
 | ||
|     }
 | ||
|     table caption {
 | ||
|       margin-bottom: 0.75em;
 | ||
|     }
 | ||
|     tbody {
 | ||
|       margin-top: 0.5em;
 | ||
|       border-top: 1px solid #1a1a1a;
 | ||
|       border-bottom: 1px solid #1a1a1a;
 | ||
|     }
 | ||
|     th {
 | ||
|       border-top: 1px solid #1a1a1a;
 | ||
|       padding: 0.25em 0.5em 0.25em 0.5em;
 | ||
|     }
 | ||
|     td {
 | ||
|       padding: 0.125em 0.5em 0.25em 0.5em;
 | ||
|     }
 | ||
|     header {
 | ||
|       margin-bottom: 4em;
 | ||
|       text-align: center;
 | ||
|     }
 | ||
|     #TOC li {
 | ||
|       list-style: none;
 | ||
|     }
 | ||
|     #TOC ul {
 | ||
|       padding-left: 1.3em;
 | ||
|     }
 | ||
|     #TOC > ul {
 | ||
|       padding-left: 0;
 | ||
|     }
 | ||
|     #TOC a:not(:hover) {
 | ||
|       text-decoration: none;
 | ||
|     }
 | ||
|     code{white-space: pre-wrap;}
 | ||
|     span.smallcaps{font-variant: small-caps;}
 | ||
|     div.columns{display: flex; gap: min(4vw, 1.5em);}
 | ||
|     div.column{flex: auto; overflow-x: auto;}
 | ||
|     div.hanging-indent{margin-left: 1.5em; text-indent: -1.5em;}
 | ||
|     ul.task-list{list-style: none;}
 | ||
|     ul.task-list li input[type="checkbox"] {
 | ||
|       width: 0.8em;
 | ||
|       margin: 0 0.8em 0.2em -1.6em;
 | ||
|       vertical-align: middle;
 | ||
|     }
 | ||
|     .display.math{display: block; text-align: center; margin: 0.5rem auto;}
 | ||
|   </style>
 | ||
|   <link rel="alternate" type="application/rss+xml" title="episodes" href="http://tilde.town/~dozens/clericthief/episodes.xml">
 | ||
|   <link rel="alternate" type="application/rss+xml" title="journal" href="http://tilde.town/~dozens/clericthief/journal.xml">
 | ||
|   <!--[if lt IE 9]>
 | ||
|     <script src="//cdnjs.cloudflare.com/ajax/libs/html5shiv/3.7.3/html5shiv-printshiv.min.js"></script>
 | ||
|   <![endif]-->
 | ||
| </head>
 | ||
| <body>
 | ||
| Cleric + Thief
 | ||
| | <a href="index.html">Episodes</a>
 | ||
| | <a href="about.html">About</a>
 | ||
| | <a href="journal.html">Journal</a>
 | ||
| <header id="title-block-header">
 | ||
| <h1 class="title">00005. Dead Ringer</h1>
 | ||
| </header>
 | ||
| <p>The Index sits alone at the round, stone table. They skim over the
 | ||
| lines of a large book with the aide of with a small wand, a pointer
 | ||
| tapering into the shape of a small closed hand with an extended
 | ||
| finger.</p>
 | ||
| <p>They are dressed for the meeting in voluminous, jet-black robes lined
 | ||
| with fur. And a black velvet mask with gold trim. The face depicted on
 | ||
| the mask has large, owl-like eyes, and no mouth: they see all, and keep
 | ||
| all the Hand’s secrets.</p>
 | ||
| <p>They look up as the door opens and the other four file into the small
 | ||
| room beneath the wine cellar. All wear the same robes, and each wears a
 | ||
| unique mask.</p>
 | ||
| <p>The masks are mostly for ceremonial purposes at this point. The true
 | ||
| identities of the Hand are a fairly well-known secret within the inner
 | ||
| circle.</p>
 | ||
| <p>Except for the Dead Ringer, of course. The current spymaster, nor
 | ||
| their predecessor, have ever been unmasked.</p>
 | ||
| <p>The sit in order around the stone table. The Thumb to his right, the
 | ||
| Tall Man to his left, then the Dead Ringer and the Pinky.</p>
 | ||
| <p>The Index marks their place in the book, closes it and sets it aside.
 | ||
| They then produce another book from a bag under the table and opens it
 | ||
| up.</p>
 | ||
| <p>“We can begin,” they intone after finding their place.</p>
 | ||
| <p>Pinky has been compromised again,” rumbles Tall Man. His mask depicts
 | ||
| a face twisted by anger, or in anguish. He is an imposing figure. Many
 | ||
| enemies have assumed that his large physique must mean a lack of smarts.
 | ||
| They were wrong.</p>
 | ||
| <p>Pinky’s mask has hooded eyes and a smile, a face of indulgence and
 | ||
| merriment. “It’s to be expected,” she retorts. “I’m the most public
 | ||
| member of this organization. My businesses operate in the open.”</p>
 | ||
| <p>“When they come back,” interrupts the Thumb. “They can contend with
 | ||
| the Ringer.”</p>
 | ||
| <p>The Thumb is a fat man. His mask has plain, straight lines for the
 | ||
| eyes, mouth, and nose. A study in neutrality.</p>
 | ||
| <p>Dead Ringer sits back in their chair, half in the shadows. Their mask
 | ||
| is unique in that it has no facial features. It is blank, with gold trim
 | ||
| only around the neckline, uncomfortably like a noose. They don’t speak
 | ||
| in meetings.</p>
 | ||
| <p>They nod to the Thumb.</p>
 | ||
| <p>It is settled.</p>
 | ||
| <p>“We’ll up your protection in the meantime,” the Thumb says, turning
 | ||
| to Tall Man, who grunts and agrees to allocate some muscle.</p>
 | ||
| <p>The Index makes some notes in their ledger. “Very good. I think that
 | ||
| concludes unfinished business, yes? Very good, on to new business…”</p>
 | ||
| <pre><code>                                 ~ * ~</code></pre>
 | ||
| <p>Iofi makes herself busy building little shrines to Janice. Small
 | ||
| altars with incense and dried flowers and tiny stone carvings of
 | ||
| two-headed turtles. She leaves little offerings of brass hinges, keys
 | ||
| with no locks, locks with no keys, bits of shell, small vials of colored
 | ||
| sand, and bits of dried seaweed. She is fasting in preparation for the
 | ||
| first of the month and the rites she will perform.</p>
 | ||
| <p>There seems to be a perpetual secret scrum of Maddoxes in this corner
 | ||
| or that, whispering intently amongst themselves.</p>
 | ||
| <p>Meadowgloom has given up on trying to serve them tea after they keep
 | ||
| emphatically passing their illusory hands through the cup. He almost
 | ||
| spilled the entire tea set once, expecting some of the weight to shift
 | ||
| from the tray to them. “Let them just come and get the tea if they want
 | ||
| it,” he grumbles to himself. “Assuming they can even lift the cup and
 | ||
| saucer!”</p>
 | ||
| <p>Soon it is time to return to Madam Walker’s Supper Club.</p>
 | ||
| <pre><code>                                 ~ * ~</code></pre>
 | ||
| <p>Her information network is comprehensive.</p>
 | ||
| <p>Even if one doesn’t actually use her services, it is possible to
 | ||
| construct a basic profile based on the “you” shaped hole in the
 | ||
| information provided by her existing customers and her runners and
 | ||
| spies.</p>
 | ||
| <p>Nothing is really private.</p>
 | ||
| <p>It doesn’t take long to build a basic profile on Blackguard. He is an
 | ||
| importer of goods, and an investor in trades and ventures. Which can
 | ||
| mean good money in a busy port city like Kriteach. He doesn’t frequent
 | ||
| any of the brothels. Never married. No children. Has a cousin in Coopers
 | ||
| Kettle that he writes. Usually takes supper at the Yeoman’s Club.</p>
 | ||
| <p>Recently gone missing. House recently burned down.</p>
 | ||
| <p>She puzzles over that last detail, not for the first time. Each of
 | ||
| her colleagues has assured her that they played no part in the arson.
 | ||
| This suggests there may be another player with stakes in this game. She
 | ||
| taps a pencil pensively on her desk.</p>
 | ||
| <p>Early last year Blackguard appeared to divest himself of most of his
 | ||
| portfolio. It is assumed that he subsequently focused his full attenion
 | ||
| and all of his capital in a single venture, but it remains to be known
 | ||
| what that venture is. He went completely below ground around the same
 | ||
| time. Stopped going out. Ceased correspondance. Refused visitors.</p>
 | ||
| <p>Some things, after all, do remain secret.</p>
 | ||
| <p>Madam Walker sits at the desk in her library trying in vain to
 | ||
| concentrate on the memo in her hands. She keeps glancing up at the door
 | ||
| and resisting the urge to get up and look out into the hall.</p>
 | ||
| <p>As an experiment, she kept the door open. Light from the reading
 | ||
| lamps in the library spills out into the hall on the other side. Until
 | ||
| suddenly it doesn’t.</p>
 | ||
| <p>The hallway goes dark, as though a curtain has been drawn across the
 | ||
| doorway. Walker stiffens. The darkness recedes and she catches a glimpse
 | ||
| of an unfurnished room on the other side as the short thief walks in,
 | ||
| closing the door behind themself.</p>
 | ||
| <p>“You have the information we were promised?” they ask in a quiet
 | ||
| voice.</p>
 | ||
| <p>Walker nods and slides a folder across the desk to them. They glance
 | ||
| at it but make no move to pick it up.</p>
 | ||
| <p>“Will you read it to me?” they ask.</p>
 | ||
| <p>Walker raises an eyebrow and smirks a little, and tells them a
 | ||
| summary.</p>
 | ||
| <p>“He’s not one of my customers,” Walker concludes. “As I told you when
 | ||
| we first met, I don’t know him. And I don’t know where he is.”</p>
 | ||
| <p>“Is that true for the rest of the Hand? None of you know where he
 | ||
| is?”</p>
 | ||
| <p>Walker presses her lips together and smiles. “I don’t know what the
 | ||
| rest of the Hand does and doesn’t know. That’s not how we operate.”</p>
 | ||
| <p>Maddox grunts. “Sure, I–” but the they cut themself off abruptly with
 | ||
| a sudden intense look, and they snap out of existence.</p>
 | ||
| <p>Madam Walker blinks a few times in surprise at the abrupt departure.
 | ||
| She stands up and crosses the library and opens the door to the hallway,
 | ||
| only to see the hallway.</p>
 | ||
| <pre><code>                                 ~ * ~</code></pre>
 | ||
| <p>Meadowgloom is walking back from the grocer clutching a bag of bread
 | ||
| and fruit for dinner.</p>
 | ||
| <p>He passes under the etched wooden sign of the Bone and Feather
 | ||
| bookstore and cafe: a rook perching on top of a skull. He turns the
 | ||
| corner of the shop into the alley and walks up to the side entrance, the
 | ||
| stairway that goes up to the apartment above the bookstore where he’s
 | ||
| been living with the cleric and the thief.</p>
 | ||
| <p>He reaches into his coat pocket and fumbles around for the key. It
 | ||
| took a while to even get him a key to the place. Not because they didn’t
 | ||
| trust him, but because neither of them uses the front door. Iofi seems
 | ||
| to be able to connect arbitrary doors, so she can walk into the upstairs
 | ||
| closet and arrive at her destination. Maddox either uses Iofi’s doors,
 | ||
| or else they just teleport around between their different illusory
 | ||
| selves.</p>
 | ||
| <p>“Meadowgloom?” a voice from behind him asks.</p>
 | ||
| <p>Meadowgloom startles, and fumbles and drops the key just as he pulls
 | ||
| it out of his pocket.</p>
 | ||
| <p>Standing behind him, between him and the entrance to the alley, is a
 | ||
| backlit figure wearing a coat and scarf and a flat crown hat with a
 | ||
| brim. The figure is backlit, its face hidden in shadow.</p>
 | ||
| <p>“Yes? Who’s there?” Meadowgloom answers, and stoops down to fetch the
 | ||
| key.</p>
 | ||
| <p>The figure steps forward out of the shadow revealing a lined,
 | ||
| determined face wearing glasses and a mustache and goatee.</p>
 | ||
| <p>Still crouched down, Meadowgloom stops with his hand hovering over
 | ||
| the key. He says in surprise, “Mister Blackguard?”</p>
 | ||
| <p>Blackguard’s seems about to break into a smile, but instead raises
 | ||
| his hand in alarm and shouts, “Meadowgloom!”</p>
 | ||
| <p>For when Meadowgloom bent down to retrieve the dropped key,
 | ||
| Blackguard was able to see a shadowy figure clad all in black with a
 | ||
| black mask over their face step out of the gloom. It lifts an arm up
 | ||
| over its head, a long bladed dagger gripped in its hand.</p>
 | ||
| <p>When it hears Blackguard’s name spoken out loud, it pauses for a
 | ||
| fraction of a second, blade suspended in air, and tilts its head
 | ||
| slightly. And then it plunges the blade into Meadowgloom’s back.</p>
 | ||
| <pre><code>                                 ~ * ~</code></pre>
 | ||
| <p>Upstairs in the apartment Iofi and Maddox hear a man scream in
 | ||
| anguish outside in the alley. They look at each other and leap up and
 | ||
| rush toward the stairs. Two other Maddoxes appear at their side as they
 | ||
| go, running alongside them.</p>
 | ||
| <p>Iofi quickly unlocks the door and throws it open and a bunch of
 | ||
| Maddoxes flow through the opening out into the alley.</p>
 | ||
| <p>They find a man sitting hunched over on the ground cradling
 | ||
| Meadowgloom in his arms, rocking back and forth, both of them in a pool
 | ||
| of blood.</p>
 | ||
| <p>Two Maddoxes dash away toward either end of the alley as the third
 | ||
| steps forward, daggers in hand, surveying the immediate area. There is
 | ||
| no assailant to be found.</p>
 | ||
| <p>Iofi stoops down and touches Meadowgloom. His face is frozen in one
 | ||
| of curious surprise. He doesn’t respond or react. He doesn’t breathe.
 | ||
| There is no pulse.</p>
 | ||
| <p>The man is crying. He looks up at Iofi and takes a couple breaths to
 | ||
| compose himself.</p>
 | ||
| <p>Iofi squeezes her eyes shut and, hands on Meadowglooms chest,
 | ||
| whispers forcefully, “<span class="smallcaps">The tide goes in, the tide
 | ||
| goes out. All things come to an end, but not for you. Not here, not now.
 | ||
| Your story isn’t over yet. Come back to us.</span>”</p>
 | ||
| <p>She opens her eyes and peers expectantly at Meadowgloom’s face. Her
 | ||
| countenance falls in defeat when nothing happens. But then his eyes go
 | ||
| wide and he takes a violent gasp of air.</p>
 | ||
| <p>She sighs with relief. “Get him upstairs,” she commands the strange
 | ||
| man. “He’s still gravely injured. We must tend to him if he is to
 | ||
| live.”</p>
 | ||
| <p>The man nods and together the two of them lift Meadowgloom up to his
 | ||
| feet.</p>
 | ||
| <p>“Who are you?” Iofi asks.</p>
 | ||
| <p>“My name is Dedric Blackguard. I heard you were looking for me. I
 | ||
| need your help. I’m in danger and there’s nobody I can trust.”</p>
 | ||
| <p>EOF</p>
 | ||
| </body>
 | ||
| </html>
 |