<li>the (alcoholic beverages) bar called No. 5 Emerald Hill provides postcards, and mails them out to international addresses, free of charge. You can buy a drink if you feel paiseh. (Information accurate as of late 2019).</li>
</ul>
<p><em>this post first appeared at
<a href="https://community.postcrossing.com/t/where-to-find-postcards-in-singapore/222304">the forum of Postcrossing</a></em></p>
<p><em>P.S. Update, as of 23 December 2021: I’ve just terminated my account at https://www.postcrossing.com/ as I fear that sending postcards around the world may damage the environment.</em></p>
<contenttype="html"><p>I love reading interviews. Whether it is an interview of Kevin Ma, founder
of the magazine known as Hypebeast, or <a href="https://sivers.org/2015-12-ferriss">an interview of Derek Sivers</a>, entrepreneur
who reportedly said No to selling his business for millions of dollars,
I get to find out a bit more about these people.</p>
<p>So, one day, I thought, how about I interview myself? Then others can find
out more about me. [chuckles].</p>
<p>But… what would I ever ask myself?</p>
<p>Thankfully, I found some questions that were addressed to the public, on
the social-network web-site known as LinkedIn, and guess what, I answered them!</p>
<p>And now, I collect my answers to those questions, in this blog-post! Ta-dah!
I have an interview… of myself! (Although others asked those questions).</p>
<p>[clears throat]. Let’s start the interview!</p>
<p><strong>How are you challenging yourself in 2020? - Elisha</strong></p>
<p>My challenge for myself so far, in 2020, is to balance my time on social media - or, more broadly speaking, my time on an electronic computing device - with my time off the Internet. It would be interesting to see how I can do this in the light of a trend towards webinar(s) and work-from-home, set against a background of virus-news, virus-concerns, virus-fretting, virus-worrying and virus-scares.</p>
<p><strong>What has been one project or assignment in which you broke the rules and had fun in the creative process? - Joseph</strong></p>
<p>I once took an undergraduate-course on Composing Music in the Classical Style (for example, in the style of Mozart). For an assignment in that course, I wrote a musical work that appears to be thoroughly twentieth-century, instead of looking eighteenth-century. My course-instructor did not accept my work, but I still had fun. (I’ve realised the importance of surrounding myself with people who value creativity and innovation - which is not everyone, and I certainly don’t really appreciate flattery and/or smooth talk, either).</p>
<p><strong>Tell me what is your oops-boo-hoo moment this week, and what you learnt from it. - Phing</strong></p>
<p>An “oops-boo-hoo” of mine, as you call it? I run a blog where I post photos from my trips to art-galleries in Sg. Art-hunting, if you will. But I got a
little lost; something didn’t feel right (about such blogging) anymore. I
asked the person known, on LinkedIn.com , as Alin Sneha Abraham, for her perspective on the matter; I said I wasn’t sure if my blogging was adding value to the world. Alin said something to the effect that it is more important that I enjoy myself; that way, at least one person benefits. So my oops-boo-hoo was to overlook my own enjoyment of the activity in question. I concluded that I liked visiting galleries, but posting photos on social media? Not so much.</p>
</content>
</entry>
<entry>
<title>A challenge I face in pursuing excellence</title>
<contenttype="html"><p>A challenge I face in pursuing excellence is… <em>[drum roll]</em>… finding others who pursue excellence.</p>
<p>Okay, maybe that wasn’t such a surprising revelation. As the saying goes, “As iron sharpens iron, so one man another”.</p>
<p>For me, it is not satisfactory enough to look to my contemporaries - I have looked centuries back, hoping to appreciate greatness.</p>
<p>Without further ado, I share a list - off the top of my head - of works I look up to:</p>
<li>Alexander Pushkin’s novel in verse, “Eugene Onegin”</li>
</ul>
<p>In children’s literature,</p>
<ul>
<li>Tolkien’s “The Hobbit”</li>
</ul>
<p>Others:</p>
<ul>
<li>a fairly modern film, Wong Kar-Wai’s “In the mood for love”</li>
<li>A song by The Beatles, “Come together”</li>
</ul>
<p>In concluding, I note that if I have a small, puny mind, the world I see is a small, puny world. I wish for a mind that can see greatness in even the smallest thing - eyes that can see beauty and wonder.</p>
<p>For example, can I learn, from a dog, how to be happy, while being held on a leash? Or, from a cat, how to meditate?</p>
<p>I close with a quote from the classic tale, “The little prince”:</p>
<blockquote>
<p>“It is only with the heart that one can see rightly; what is essential is invisible to the eye.”</p>
</blockquote>
<p><em>This post first appeared <a href="https://www.linkedin.com/feed/update/urn:li:activity:6648108747728216064/">on LinkedIn</a>.</em></p>
</content>
</entry>
<entry>
<title>A brief analysis of the artistic merit of videos made by Peeping Toms/voyeurs</title>
<contenttype="html"><p>Maybe in the past it was more artistic (and consensual between
photographer/cameraman and subject)</p>
<p>I refer to Brassaï ‘s 1931 photo, “A suit for two in the magic city”, which
features some extent of (the suggestion of) male nudity.
in it,
clearly there are homosexual themes
and there is some expression of
intimacy as well</p>
<p>Nowadays, if I were to
use a popular expression, people are “going from bad to worse”</p>
<p>And Peeping Toms/voyeurs who arrive later in history, in their “artistic work” - if it could be so termed - seem to demonstrate a clear lack of what the writer Edgar Allan Poe calls the Poetic Principle: their works do not “elevate the soul”, as a poetic work should</p>
</content>
</entry>
<entry>
<title>An opera; International Women's Day</title>
<contenttype="html"><p>Somewhat belatedly, on the occasion of Women’s Day - it is refreshing for me to encounter, in literature, a wife saving her husband in distress (instead of the other way round).</p>
<p>I’m referring to Beethoven’s only completed opera, “Fidelio”.</p>
<p>Fidelio is the alias of a character named Leonore, who gets employed by the jailer, Rocco - and even cross-dresses as a man - so that she can gain access to the inner-most section of the jail; she wants to see if her husband, Florestan, is indeed imprisoned there.</p>
<p>I think I’ve revealed enough about the plot, so I’ll stop relating the details here.</p>
<p>Let me end with the (German) words from the finale of the opera:</p>
<blockquote>
<p>“Nie wird es zu hoch besungen, Retterin des Gatten sein.” (Never can we over-praise a wife who saves her husband.) Translator: Lionel Salter.</p>
</blockquote>
<p>Details for lovers of classical music: I listened to a 1995 recording, featuring Nikolaus Harnoncourt as conductor, and Chamber Orchestra of Europe.</p>
<p>I believe well-deserved honour goes to National Library Board (of Singapore)
for stocking both CD and CD-player at the public library known as
Library@Esplanade .</p>
<p><em>this post first appeared in its original form,
I present five photos that I do have, instead; they were taken in the past two years (all on the island of Singapore ); I hope you enjoy them.</p>
<contenttype="html"><p>Reading a book by David Ulrich, “Zen camera: creative awakening with a daily practice in photography”.</p>
<p>Found words (or the vocabulary) to describe what I spend a significant amount of energy on nowadays: creating the necessary conditions for “the arrival of the muse… - what artists call inspiration and many call the ‘aha’ moment […] the creative intelligence occurring when the artist or seeker is open, taking place through the cracks of the ordinary, rational brain”. (Page 94).</p>
<p>Here I share a photo (I have) taken on 26th December, around the time of a supposed eclipse. It draws me somehow… I stay open to where it calls me.</p>
<p>As Ulrich says (on Page 88), the famous figure in spirituality, Rumi, has a quote/poem:</p>
<blockquote>
<p>“Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray “</p>
</blockquote>
<p><img src="https://live.staticflickr.com/65535/49276833901_9abbf0a9a7_o.jpg" alt="a photo of shadows, of trees, on a the ground. Human feet is visible on the left-most one-third of the photo." /></p>
</content>
</entry>
<entry>
<title>recent Art News: artists selling art without dealers</title>
<contenttype="html"><p>Just to share, I’ve recently heard of at least two artists who make their works accessible to the public without involving a gallery or a dealer.</p>
<ol>
<li>
<p>William Powhida invites the public to be his Friend; the perks of being such a Friend include free (as in gratis) ownership of his artwork, if you have taken care of it (at your place) for five years.
Source: Taylor Dafoe ‘s article on the web-site Artnet, published on 28th Feb 2020:
“Artist William Powhida Doesn’t Have Room to Store All His Work—So He Wants You to Borrow It, For Free”. URL:
https://lnkd.in/fcyYJRe</p>
</li>
<li>
<p>Tsuyumi Miwa is having an exhibition at Maduro Jazz Club, Singapore ( http://www.maduro.sg/ ) . Tsuyumi says her paintings will be on sale, at a lower price than usual, because there is no “gallery commission fee”.</p>
</li>
</ol>
<ul>
<li>Time: 6.30 PM onwards , on 24th April</li>
<li>Price of a ticket: SGD$25</li>
<li>Tsuyumi is contactable at her web-site,
( http://www.heymiwa.com/ )</li>
</ul>
<p>What’s in the price of a ticket? Her friend, the composer-singer-actor James Flynn ( http://www.flynnjazz.com/ ) has composed songs that interpret Tsuyumi’s paintings , which he is scheduled to perform, with his trio, on the evening of Tsuyumi’s exhibition.
Source: my recent chat(s) with Tsuyumi</p>
</content>
</entry>
<entry>
<title>Pay-off(s) of my little investment of sorts: attending a talk</title>
on the topic “Invest”, began with questions for the audience. Then: “I want you to think how you have invested in yourself, and the great feeling you had when you did that. Then take 5 minutes to share it with your neighbour.”</p>
<p>If I think about it now, attending her talk was an investment in myself, too. And I think this investment has paid off already - at the talk’s venue, I met people, who not only seemed to share similar interests with me, but also seem to be better than myself at it. For example,</p>
<ul>
<li><a href="https://www.linkedin.com/in/eugeneseancheng/">Eugene Cheng</a> has done photography at weddings, something I haven’t done (yet), but it’s something which Eugene asserts will provide lots of opportunities to develop photographic skills</li>
<li>Tsuyumi Miwa ‘s name-cards feature her paintings on the reverse side - an idea I can consider if I do start making name-cards for my artistic practice. (Tsuyumi-san’s website: http://heymiwa.com/ )</li>
<li>I met someone who talked about one’s posture, in relation to pain in one’s knees, while running. Now I am thinking about whether my posture, while I use my laptop, is the best for my body.</li>
</ul>
<p>Lots of food for thought, to say the least!</p>
<p><em>This post has appeared in a slightly altered form,
<contenttype="html"><p>I was at a screening that is open to the public, at the co-working space The Hive (Facebook: https://facebook.com/thehivecarpenter/ )</p>
<p>In his talk, Mr. Brown highlighted a number of exercises/techniques, that designers use, and which are modelled on, or inspired by, how little children play:</p>
<ol>
<li>The technique called “thinking with your hands”. Its analogue among children is so-called “construction play”, such as building towers from little blocks, knocking the towers down, and building them again, over and over. An example of this technique, among designers, is building prototypes of an idea quickly, even if the prototype looks like a crude hotch-potch of everyday objects: plasticine, small bottles of deodorant, and so on.</li>
<li>Role play. How children role-play need not be elaborated, I believe: playing House, playing Tea-time, and so on. From what Mr. Brown says, designers can use role play to switch perspective(s) from the designer (of a service) to the user (of that service).</li>
</ol>
<p>It seems worth mentioning that Mr. Brown said that play is not anarchy. Play has rules. For example, if little children play Cops &amp; Robbers, they are acting out a socially agreed script.</p>
<p>Definitely interesting to think about - for me, at least. I hope it’s interesting for you, too.</p>
<contenttype="html"><p>Years ago, I read a book by <a href="https://www.linkedin.com/in/steven-d-souza-5351712/">Steven D’Souza</a>
and <a href="https://www.linkedin.com/in/diana-renner-24895232/">Diana Renner</a>, titled
“Not knowing: The art of turning uncertainty into opportunity”.</p>
<p>If you want to know more about that book, you can check out its page on
Goodreads.com (because the rest of this post is not going to talk much about that book) :</p>
<contenttype="html"><p>A certain Homeless Kodo has said, “we only say something is good when
it goes our way”, or something to that effect. I quote,</p>
<blockquote>
<p>Sooner or later everyone starts thinking of nothing besides themselves. You say, “That was good!” But what was good? It was only good for you personally, that’s all.</p>
<contenttype="html"><p>On 12 December 2019, during the afternoon, Sebastian and I met at the
Singapore office of Minglabs, an organisation in which Sebastian is
Co-founder and COO. Let me briefly recall the approximately
one-hour-long chat, using a format of
Question-and-Answer (Q&amp;A) below - I asked most of the questions, as I recall.</p>
<p><em>Q: “Why are you interested in ethics?”</em></p>
<p>A: “I do not have [an academic] background in ethics or philosophy. I studied Computer Science in Germany. My thinking changed after I had a son - he is three years old now - and I have done much more reading since.”</p>
<p><em>Q: “I don’t mean to offend you personally, but if we talk about ethics, there is the danger of being a hypocrite, that is, saying one thing and doing another. How do you ensure you are not a hypocrite?”</em></p>
<p>A: “Humans are fallible. If someone says something, and does what he says - if he walks the talk - he is an angel. [Having said that,] I try to be better today than I was yesterday.”</p>
<p><em>Q: “About Andrew Yang… [in the U.S., who proposed a Department of the Attention Economy]”</em></p>
<p>A: “Algorithm Oversight. Right now, there is a gap: the regulation-authorities have to figure out what is happening in these algorithms. It takes time to come up with regulations, and meanwhile, technology keeps moving on and on and on. They have to be paid well, because they are the best of the best of the best [that is, those who are, or might be, recruited, into The Government, to regulate algorithms that are used in software]. This is one area that I think Singapore does well in: the ministers are well-paid. In the U.S. or in Europe, working in The Government means taking a pay-cut.”</p>
<p><em>Q: “You mentioned reading. What are some of those books?”</em></p>
<p>A: “I’ll email you after our chat.” [Later, Sebastian emails hyperlinks:]</p>
<ol>
<li>Cathy O’Neil. (2016). “Weapons of Math Destruction: How Big Data increases inequality and threatens democracy”.
<p>The Q&amp;A above represents only a portion of the entirety of my chat with Sebastian, which concluded with agreeing that (the application of) ethics in technology meant co-operation/collaboration of (highly skilled) people across various fields of expertise, or disciplines. As Sebastian puts it, “I observe; I act within my sphere of influence… [but] I cannot solve the problem on my own.”</p>
<p>However, Sebastian seems optimistic, if not hopeful: “[if I] keep repeating a message [about ethics, to the audience of my various talks], maybe the message will get in.”</p>
<contenttype="html"><p>I got this recipe from a bartender at <a href="https://www.facebook.com/pg/barstories.sg/">Bar Stories</a>
, located on the island of
Singapore.</p>
<p>It is based on Milo, a non-alcoholic beverage which is kinda based on malt.
(I am aware, from anecdotal evidence, that Milo is popular, if not well-known,
in at least the South-east Asian countries of Malaysia and Singapore).</p>
<p>I didn’t manage to get the name for this cocktail. Nonetheless, the ingredients:</p>
<ol>
<li>Egg white x 1</li>
<li>Milo, as in the drink, not the powder x 2 oz</li>
<li>Butter-scotch, the liqueur x 0.25 oz</li>
<li>Dark-chocolate liqueur x 0.5 oz</li>
<li>Dark-chocolate bitters x 3 dashes</li>
<li>Black Cow vodka (for a creamy taste) x 1.5 oz</li>
</ol>
</content>
</entry>
<entry>
<title>A few print-making techniques, and possibly goodbye</title>
<p>So as way of creating my own personal lineage chart, I want to name some of those people who made a huge impact on me and to whom I feel enormous gratitude. I’m sharing this list as a way for you to get to know me better and it’s also an invitation for you to do the same. It’s a huge gift to realize that our lineage is linked to our liberation. We don’t have to do it alone. There is no way we possibly could do it on our own.</p>
</blockquote>
<p>The following is the prompt I am working with, which I reproduce from the afore-mentioned
Internet address. ‘Who’s in your personal lineage? Who are the people who have guided you to more freedom in your life, and what gifts have you received from them?’</p>
Matchi has <a href="https://www.couchsurfing.com/people/masafumi-matchi-itokazu?action=show&amp;controller=user_profiles">a profile on Couchsurfing.com</a>.
He was my room-mate in the autumn of the year 2013 A.D.,
at a dormitory on the campus of National Taiwan University, until he left
our shared room -
rather abruptly, I thought - some-time during the wet winter of the same year.
He was a sharp dresser, I think. I’ve received the gift of encouragement,
unspoken or otherwise, to dress myself as boldly as I would like. A gift
of confidence, in other words - perhaps. Now I dress as I dare
<p>“When we tail ministers or members of parliaments in their tours of
the orderly housing estates, I buy them [the camera crew] little plastic bags of milky tea
or coffee. These brews are always too sweet and too bitter at the same
time…” - Joanne Leow, 2016.
<a href="https://catapult.co/stories/journalism-and-jiujitsu">“Journalism and Jiujitsu: The gentle arts of a dictatorship”</a>.</p>
<contenttype="html"><p>From what I remember, a can of beer, bought from a convenience store, costs
more in Singapore than in Taipei, the capital-city of Taiwan, so maybe
the price of a glass of wine is more expensive in Singapore than in Taipei, too,
if not elsewhere.</p>
<p>Having said that, I have somewhat frequented the following establishments,
during so-called ‘happy hours’; the price comes up to SGD$10 to SGD$11 for a
glass, at the most. I list the price of a glass of wine, whether it be red or white:</p>
<ol>
<li><a href="https://www.hungrygowhere.com/singapore/bruno-s-pizzeria-grill/">Bruno’s Bistrot/Pizzaria &amp; Grill</a>. $7.50, exclusive of a ‘service charge’ of 10%. All operation-hours are ‘happy hour’, I’ve heard. A plus maybe: bottles of wine are stored openly (that is, visibly) in a chiller for that purpose. <em>544 Serangoon Road, Singapore 218166</em></li>
<li><a href="https://www.hejthere.com">Hej Kitchen &amp; Bar</a>. ‘Happy hours’: 12 PM to 7 PM - it’s not clear to me whether these are for weekdays, weekends, or both. $8, exclusive of service charge (10%) and GST (7%). <em>180 Orchard Road, Singapore 238846</em>. <img src="https://i.imgur.com/OAGjcoN.jpg" alt="Signboard that displays the prices of alcoholic beverages during 'happy hours' at the bar Hej" title="Happy hours at the bar Hej" /></li>
<li><a href="https://www.theboiler.com.sg/contact-us">The Boiler (at the structure Esplanade)</a>. ‘Happy hours’: 5.30 PM to 8.30 PM, daily maybe. $8.50, exclusive of Service Charge and GST. <em>8 Raffles Ave, #01-13A, Esplanade Mall, Singapore 039802.</em><img src="https://i.imgur.com/m9a3hYn.jpg" alt="Information on so-called 'Happy Hour' at a restaurant called The Boiler" title="Information on Happy Hours at the restaurant The Boiler" /></li>
<li><a href="https://www.tripadvisor.com.sg/Restaurant_Review-g294265-d2538704-Reviews-Steakout-Singapore.html">Steakout</a>. ‘Happy hours’: Sunday to Thursday, excluding public holidays and their eves. $2 off the regular price of wine - this works out to be approximately $10. <em>89 Victoria Street, #01-01, Victoria Hotel, Singapore 188017</em>. <img src="https://i.imgur.com/27VXANQ.jpg" alt="A sign-board upon which the prices of various alcoholic beverages are written, pertaining to so-called 'Happy Hours' at the restaurant Steakout" title="Information on 'Happy Hours' at the restaurant Steakout" /></li>
<contenttype="html"><p>I reproduce a few quotes that I found on the web-site ‘Slow Muse:
By Deborah Barlow’ (<a href="http://www.slowmuse.com/">http://www.slowmuse.com/</a>).</p>
<blockquote>
<p>What we need more of is slow art: art that holds time as a vase holds
water: art that grows out of modes of perception and making whose
skill and doggedness make you think and feel; art that isn’t merely
sensational, that doesn’t get its message across in ten seconds, that
isn’t falsely iconic, that hooks onto something deep-running in our
natures. In a word, art that is the very opposite of mass media.</p>
</blockquote>
<p>–- Robert Hughes</p>
<blockquote>
<p>How to live? A life in the world or a world in the head? To be seen
and recognized outside, or to hide and think inside? Actor or hermit?
Which is it? She wanted both—to be inside and outside, to ponder and
to leap.</p>
</blockquote>
<p>– Siri Hustvedt, in the book ‘The Blazing World’</p>
<blockquote>
<p>In order to sell art, you had to “create desire,” and “desire,” he said,
“cannot be satisfied because then it’s no longer desire.” The thing
that is truly wanted must always be missing. “Art dealers have
to be magicians of hunger.”</p>
</blockquote>
<p>– Siri Hustvedt, in the book ‘The Blazing World’</p>
<blockquote>
<p>Artists are people driven by the tension between the desire to communicate
and the desire to hide.</p>
</blockquote>
<p>– the writer and psychoanalyst D. W. Winnicott</p>
<blockquote>
<p>For most of life on the planet, being hidden is the default condition…
visibility is a luxury. Rarely are earth-colored tones the symbols of
opulence and royal blood. We are most comfortable being hidden
but we yearn to be seen.</p>
</blockquote>
<p>– Jane Hirschfield, in the book ‘Hiddenness, Uncertainty, Surprise: Three Generative Energies of Poetry’</p>
<blockquote>
<p>Many friends have asked me when I will start writing on Slow Muse again. I am not sure how to answer that question. Between intention and action there is an indeterminate gap. Whatever it was that inspired my writing here for 12 years is now going through a transmutation of its own. I have had to be in surrender and to patiently wait for the what and the when to manifest.</p>
</blockquote>
<p>– Deborah Barlow, in <a href="http://www.slowmuse.com/2018/10/11/yet-to-come/">the blog-post ‘Yet to come’</a></p>
<p>I was a little reluctant to share the locations of these places - since
I have begun to regard them as little treasures for me to view quietly -
but I am instructed by the teacher Christ Jesus to not stock up on treasures
of this world.</p>
<p>In Matthew 6:19-20, he tells us:</p>
<blockquote>
<p>Do not store up for yourselves treasures on earth, where moth and rust
destroy, and where thieves break in and steal.
But store up for yourselves treasures in heaven,
where moth and rust do not destroy, and where thieves do
not break in and steal. For where your treasure is, there
your heart will be also.</p>
</blockquote>
<p>And again, in Luke 12:32-34:</p>
<blockquote>
<p>Do not be afraid, little flock, for your Father is pleased to give you the
kingdom. Sell your possessions and give to the poor.
Provide yourselves with purses that will not wear out, an
inexhaustible treasure in heaven, where no thief approaches and
no moth destroys. For where your treasure is, there your heart will be also.</p>
</blockquote>
<h3 id="the-spaces-that-by-the-way-seem-a-little-less-touristy-to-me">The spaces (that, by the way, seem a little less touristy to me)</h3>
<p>So, in the hopes that my god is pleased, I list a number of art-galleries below:</p>
<ol>
<li>Cape of Good Hope Art Gallery.
Address: 231 Bain Street, Bras Basah Complex, #03-17, Singapore 180231.</li>
<li>‘Enchanted’. Have charged my laptop at the power-sockets there. URL: <a href="https://www.facebook.com/EnchantedCafeSg/">https://www.facebook.com/EnchantedCafeSg/</a></li>
<li>‘Old Hen’. Have charged my laptop there. URL: <a href="https://www.facebook.com/oldhencoffee/">https://www.facebook.com/oldhencoffee/</a></li>
<li>‘Real Food’, in the shopping mall Orchard Central. <a href="https://www.realfoodgrocer.com/">https://www.realfoodgrocer.com/</a></li>
</ol>
<p>I had the inspiration to post about this after visiting <a href="https://www.taniarascia.com/">Tania Rascia</a>’s
record of cafes that she has visited: <a href="https://taniarascia.github.io/coffee/">https://taniarascia.github.io/coffee/</a></p>
<p>And of course I can only have such inspiration if <a href="http://phtan.github.io/religion.html">my god</a>
<li>Lande, J. (2014). ‘How I Created a Beautiful and Minimal Blog Using Jekyll, Github Pages, and poole’. URL: <a href="http://joshualande.com/jekyll-github-pages-poole">http://joshualande.com/jekyll-github-pages-poole</a>. Accessed URL on 4th Oct 2018.</li>
<li><a href="http://tilde.town/~resir014">Resi</a>. (2016). ‘Jekyll and tilde.town’. In <em>tilde.town</em> (Issue 2), pp. 5 to 9. URL: <a href="https://github.com/tildetown/zine/blob/master/issue_2/zine.pdf">https://github.com/tildetown/zine/blob/master/issue_2/zine.pdf</a>. Accessed URL on 4th OCt 2018.</li>
<li>Moore, P. (2014). ‘Clearing Up Confusion Around baseurl – Again’. URL: <a href="https://byparker.com/blog/2014/clearing-up-confusion-around-baseurl/">https://byparker.com/blog/2014/clearing-up-confusion-around-baseurl/</a>. Accessed URL on 4th Oct 2018.</li>