2022-07-26 22:08:23 +00:00
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<?xml version="1.0" ?>
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<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
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<channel>
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2022-07-27 02:41:08 +00:00
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<atom:link href="https://tilde.town/~dozens/quest/rss.xml" rel="self" type="application/rss+xml" />
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2022-07-26 22:08:23 +00:00
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<title>BASEMENT QWEST</title>
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2022-07-27 02:41:08 +00:00
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<link>https://tilde.town/~dozens/quest/rss.xml</link>
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2022-07-26 22:08:23 +00:00
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<description>Friends having ADVENTURES! Huzzah!</description>
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2023-02-13 20:41:30 +00:00
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<item>
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2023-02-16 00:56:00 +00:00
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<title>62</title>
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2023-02-13 20:41:30 +00:00
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<author>dozens@tilde.team (dozens)</author>
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2023-02-16 00:56:00 +00:00
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<guid isPermaLink="false">62 - Sun, 12 Feb 2023 08:57:51
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2023-02-13 20:41:30 +00:00
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-0700</guid>
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2023-02-16 00:56:00 +00:00
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<pubDate>Sun, 12 Feb 2023 08:57:51 -0700</pubDate>
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2023-02-13 20:41:30 +00:00
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<description>
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<![CDATA[
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2023-02-16 00:56:00 +00:00
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<h3 id="00062">00062</h3>
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<blockquote>
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<p>One moment, Inky is half-asleep on their feet in the middle
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of Branch Avenue. In the next, they are reclining in a banana
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boat that resembles a canoe painted with long stripes of
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yellow and white with deep brown swipes. The s’more interior
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padding is soft, yet with the suppleness of fruit leather. A
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few round, matching brown mini-cushions are strewn across the
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boat interior. Also in the boat are two silver spoon paddles,
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more for looks than cooks.</p>
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<p>They don’t know where the boat came from. Things just
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appear. Like that Red Squirrel. Inky moves to holler a
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greeting, but instead recites:</p>
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<pre><code>"sgb rpthqqbk hr qba sgb fgnrsr dktb
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sgb qnkkr rwbbs uma rn uqb ynt
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sgnt uqs ly fthahmf rsuq ul h sghmb
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h rbb vbqhky ly utrohehntr rhfm
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sgb kns wur snrra uma sgbm h aqbw
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uma cnqstmb ruha hs rgnta db ynt ott"[1]</code></pre>
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<pre><code>[1]:
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"The squirrel is red, the ghost's blue,
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The roll's sweet, and so are you.
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Thou art my guiding star, am I thine?
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I see verily my auspicious sign:
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The lot was toss'd and then I drew,
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And Fortune said it shou'd be you. Puu."</code></pre>
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</blockquote>
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<p>~</p>
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<blockquote>
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<p>While Inky boards her banana boat and recites poetry to the
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maddened squirrel, Alex springs to action leaping blithely
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from the branch towards the squirrel. Beneath him manifests a
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cockpit, sleek and futuristic. Around this materializes a
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large robotic weapon, octopus-oid in shape. The many tentacles
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bristle with weapons both fearsome and deadly.</p>
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<p>Alex grabs the controls, in one tentacle he latches onto
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the banana boat, that way he won’t accidentally get separated
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from Inky. With the other seven a series of feathers appear in
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every brilliant hue. The tentacle attached to the boat unfurls
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allowing Alex to draw closer to the squirrel. As the gap
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closes the most intense tickle fight the dream world has ever
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seen ensues, bringing joyous laughter to the faces of
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many.</p>
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<p>“Inky, if we need to get out of here, just jet it! That
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tentacle will yank the control pod and me with it!”</p>
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</blockquote>
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<p>Alex basically becomes a Mech pilot, and confronts the Red
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Squirrel head on with the Octopod.</p>
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<p>You engage in the tickle fight to end all tickle
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fights!</p>
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<p>Its eight arms are more than a match for the squirrels
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eight legs. You have the advantage of reach, entanglement, and
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sucker pads. It struggles in your grasp, gnashing its terrible
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teeth, but cannot reach you. Its long tail whips around
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ineffectively, battering you softly.</p>
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<p>The agitated squirrel squeals and swells like a red
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balloon. The mech’s tentacles struggle to contain it. Just as
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the strain on the machine is about to become unbearable, the
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rodent violently deflates. It collapses in on itself with such
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ferocity that it turns itself inside out. The octopod, all
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tangled up in the collapsing squirrel, is pulled along as it
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folds in on itself until it becomes a hungry void the size of
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a marble, floating in space and sucking at the air.</p>
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<p>Inky watches from the banana boat as Alex and the squirrel
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disappear from the Silver Forest. The squirrel portal finally
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closes in on itself, severing the banana boat from the octopus
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mecha at the last possible second. Inky on this side. Alex on
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the other.</p>
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<p>Alex, you and the wreckage of the octopod are vomited out
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onto a sandy beach. Red mist and vapors dissipate from your
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entry point. Before you is a vast ocean, lapping lazily at the
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beach. The shoreline extends endlessly in both directions.
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Behind you are endless sand dunes. Though there is no sun, the
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sky seems to hover at sunset, all brilliant, swirling oranges
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and purples.</p>
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<p>A lone humanoid figure can be seen standing atop a nearby
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dune. It is tall. It has legs like a goat or fawn, and a
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paunchy belly. Its long neck protrudes into a kind of trunk
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that eventually folds over and hangs down in front of the
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creature, about chest height. It terminates in a smooth, round
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nub. No face. It wears a small satchel at its hip, its strap
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slung over one shoulder and across its chest. Its long arms
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hand loosely at its sides. Despite the lack of a face and any
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sensory organs, it seems to be watching you. Slowly, it
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descends the dune and starts walking toward you. It reaches
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into its satchel and draws a long, sharp knife as it
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approaches.</p>
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<p>Inky, you are in the banana boat in the Silver Forest. The
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turtle that was a chipmunk has holed up in its shell,
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effectively just a sticky bun.</p>
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<p>“You wanted to see me,” intones a slightly muffled voice
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behind you. A statement, not a question. You turn to see a
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figure cloaked in shadows and demons. They wear a domed helmet
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of black obsidian glass, flashes of rainbow colored light
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crackling along the inside illuminating very little of the
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smoke-filled interior.</p>
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<p>“What is it you seek from Dude 215R?”</p>
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2023-02-13 20:41:30 +00:00
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<p>WHAT DO YOU DO</p>
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]]>
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</description>
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</item>
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<item>
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2023-02-16 00:56:00 +00:00
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<title>63</title>
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2023-02-13 20:41:30 +00:00
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<author>dozens@tilde.team (dozens)</author>
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2023-02-16 00:56:00 +00:00
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<guid isPermaLink="false">63 - Tue, 14 Feb 2023 07:01:53
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2023-02-13 20:41:30 +00:00
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-0700</guid>
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2023-02-16 00:56:00 +00:00
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<pubDate>Tue, 14 Feb 2023 07:01:54 -0700</pubDate>
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2023-02-13 20:41:30 +00:00
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<description>
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<![CDATA[
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2023-02-16 00:56:00 +00:00
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<h3 id="00063">00063</h3>
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2023-02-13 20:41:30 +00:00
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<blockquote>
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2023-02-16 00:56:00 +00:00
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<p>“Greetings, Great One.” Inky bows, back parallel to the
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ground while they stand on the branch, now a humanoid child in
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a black uniform and matching bookbag hanging under one arm.
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The banana boat is nowhere in sight. Fuko follows her errant
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charge and the cloaked figure from a nearby branch.</p>
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<p>“This lowly one wonders if they may be permitted to seek
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the Great Spirit’s insight, whose wisdom endures before and
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beyond.” Inky begins, staring down the blurry reflection of
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silver boughs overhead on the polished toes of their black
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shoes. They notice idly they do not see themselves in the
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reflection.</p>
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<p>Straightening from the bow, they look up at the figure and
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hold out a plate of taiyaki. After a moment, the child asks
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haltingly, “There may come a day when this one will be asked
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to choose between the chance to protect many and that which
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they desire to protect most. Should this one choose equally?
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Will the choice matter if both paths eventually lead to
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destruction? Could destruction and salvation be two sides of
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the same coin?”</p>
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2023-02-13 20:41:30 +00:00
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</blockquote>
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2023-02-16 00:56:00 +00:00
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<p>You and the Dude are sitting in small upholstered chairs,
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across a small half table from each other. There is a large
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sticky bun on a white lacy doily on the table. Next to you is
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a small portal-sized window, and outside you can see green
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rolling hills and small copses of trees fly by. The other
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seats on the small train car are all empty. The two of you are
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alone.</p>
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<p>“I cannot give you advice,” the Dude says. “But I can offer
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you experience.”</p>
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<p>They raise a hand and hold a loosely closed fist out over
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the table. The walls of the train become fuzzy and blurry,
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then translucent, and finally transparent. They disappear and
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you have the sensation of rocketing through space at dizzying
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speeds.</p>
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<p>The track splits ahead you. To one side, bound to one track
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is that which you desire to protect most. Bound to the other
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are the many.</p>
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<p>“You can choose safely here. It’s just a dream, after all.”
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The Dude opens their fist. The Twenty-one Fiver coin rests in
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their palm. “Heads, you steer the train into the many, sparing
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that which you love most. Tails, the opposite. You spare the
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many, and sacrifice that which you hold dear.” They hold the
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coin out to you.</p>
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<p>The train barrels toward the fork. “But choose quickly,
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lest the choice be made for you.”</p>
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<blockquote>
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<p>Alex scrambles from the wreckage of his mech, or what
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remained from the gore portal he’d just experienced. The
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thought of what had occurred made him grimace, which was an
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unusual state of affairs for an octopus, that is until Alex
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realized he seemed to be back in his own body.</p>
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<p>“Sunset, or perhaps rise? It’s hard to tell. Pretty
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though.. could be prettier without the creepy knife dude.”
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Alex mutters to himself while he rummages through the
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destroyed cockpit of the mech. He makes quick work, detaches a
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side panel, pulls a couple of wires, and a compartment in the
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back opens revealing the smooth dark blue metal and wood grain
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of an ak74u sub machine gun. Amused Alex pulls the weapon from
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the compartment and notices a distinct lack of additional
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magazines, just the one large drum attached to the weapon with
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large red letters emblazoned on it [INFINITE AMMO].
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“Neat.”</p>
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<p>Alex pulls himself from the wreck, and jumps down behind
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one of the fallen tentacles taking a firing position behind
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cover, ak74u aimed down range at the faceless figure.</p>
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<p>“I don’t know who you are, but I don’t trust anyone who
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approaches with a weapon. Let’s both stand down and talk this
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through! I’m not supposed to be here, and I reckon you don’t
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want me here either. I’d be happy to oblige and skidaddle if
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you’d be so kind as to point the way out!” Alex pauses waiting
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for a reply.</p>
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</blockquote>
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<p>The tall figure halts a short distance away. It raises a
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hand and waves. In greeting? Surrender? In a fluid motion it
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continues to lift the same hand and grabs a hold of its trunk,
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a little less than a foot from the tip. It squeezes its fist
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tightly and the tip begins to swell. It raises its other hand,
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and the knife, and starts to saw into the flesh of the trunk
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behind its fist. The blade cuts cleanly as though through a
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loaf of bread. There is no blood or gore.</p>
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<p>When the creature lowers its hand, you can see that the
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center of the trunk is a solid, bright pink fleshy material
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like a grapefruit, in the center of which are two pin-prick
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eyes and a wide thin gash of a mouth.</p>
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<p>It still holds the tip of its severed trunk in its hand, a
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thin stalk and a bulging cap looking for all the world like a
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large white button mushroom. Peering up from the stem of the
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mushroom, an identical pink face regards you stoically.</p>
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<p>Both faces speak at the exact same time, one high pitched
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and one a deep baritone. “Welcome, Dreamer, to Ousia, the Sea
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of Dreams. We are Kasutva.”</p>
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<p>Big Kasutva stoops down to set the small mushroom Kasutva
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down on the ground. If they’re both Kasutva, that is. If
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that’s the way their biology and sense of self actually works.
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Mushroom Kasutva wobbles side to side a little bit and waggles
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its stalk as it looks around. Big Kasutva places its knife
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back in its satchel and takes a few small steps closer to
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you.</p>
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<p>“We did not mean to offend you,” the two say, still
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perfectly in sync. “As for the way out, that depends only
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somewhat on your destination. Whatever the answer, we can
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assure you that it lies across the sea.” Large Kasutva
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gestures broadly toward the expanse of ocean. Small Kasutva
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lacks any limbs and cannot gesture, but smiles softly at
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you.</p>
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<p>“But tell us what it is you seek. Perhaps we can be of
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help.”</p>
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2023-02-13 20:41:30 +00:00
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<p>WHAT DO YOU DO</p>
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]]>
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</description>
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</item>
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<item>
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<title>59</title>
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<author>dozens@tilde.team (dozens)</author>
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<guid isPermaLink="false">59 - Mon, 30 Jan 2023 21:41:56
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-0700</guid>
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<pubDate>Mon, 30 Jan 2023 21:41:56 -0700</pubDate>
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<description>
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<![CDATA[
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<h3 id="00059">00059</h3>
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<blockquote>
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<p>Alex procures from a pocket of his trenchcoat a tiny vial.
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On the vial is a small strip of parchment which reads:</p>
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<pre><code>#!/bin/ash
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sleepy=true
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sleep() {
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while sleepy; do
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sleep(10)
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done
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}
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trap sleep INT EXIT</code></pre>
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<p>He empties the vial into a glass of warm milk and hands it
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to bread.</p>
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<p>“Drink up friend, this’ll relax and soothe you. You’ll
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|
|
|
|
probably have the best night’s sleep you’ve ever had”</p>
|
|
|
|
|
<p>Over the radio Alex provides a quick reminder to
|
|
|
|
|
Marvelo.</p>
|
|
|
|
|
<p>“7, remember, should you need to wake bread to get us out
|
|
|
|
|
you can interrupt or cancel the sleep script, Ctrl + C should
|
|
|
|
|
work for the disruption work. Or if you need to you can set
|
|
|
|
|
sleepy=false, if it gets crazy and you need to modify the
|
|
|
|
|
metavarbalic properties of the enchantment.”</p>
|
|
|
|
|
<p>Turning to Inky, “Eight bells and all’s well, lets get this
|
|
|
|
|
show on the road”</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>Bread smiles and thanks you for the milk. They down the
|
|
|
|
|
glass, smack their lips a few times, and wipe their mouth with
|
|
|
|
|
the back of their hand. Their eyelids grow heavy and close,
|
|
|
|
|
and they slump down on the cushions. They’re already asleep by
|
|
|
|
|
the time their head hits the pillow.</p>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>Inky nods once at Alex’s words and finishes off their own
|
|
|
|
|
cuppa steeped with calea and thyme, and blended into osmanthus
|
|
|
|
|
matcha. Lucida, Protege, Aware, Perfume. A meaningless
|
|
|
|
|
mantra.</p>
|
|
|
|
|
<p>They glance to their owlish accomplice (who, she will
|
|
|
|
|
remind you, is well-trained and needs no sleeping aid, thank
|
|
|
|
|
you very much, unlike her impish charge) and silently mouth
|
|
|
|
|
the words “Dude 215R” with a wink. Then they settle for a nap,
|
|
|
|
|
chin pillowed on their forearms, which are propped atop
|
|
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|
|
drawn-up knees. A walking stick rests on their lap. A herb
|
|
|
|
|
bouquet of pink blooms becomes an owl cushion.</p>
|
|
|
|
|
<p>Inky dreamforms of a cream noogle. Puko. And Fuko is, well,
|
|
|
|
|
still Fuko.</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>You light the Nyxmaer. The flame crackles and dances. It
|
|
|
|
|
smokes darkly, and the scent it gives off is thick and
|
|
|
|
|
heady.</p>
|
|
|
|
|
<p>You breathe deeply of it and settle down to sleep.</p>
|
|
|
|
|
<p>When you open your eyes you are standing on the branch of
|
|
|
|
|
an enormous white tree. It’s as wide as a narrow street. Its
|
|
|
|
|
leaves are silver blades that uncurl in the dappled light from
|
|
|
|
|
below.</p>
|
|
|
|
|
<p>One of the first things you notice is that gravity is
|
|
|
|
|
reversed here. The branches below you reach down, grazing an
|
|
|
|
|
endless sky. Small iridescent jellyfish medusae drift lazily
|
|
|
|
|
far, far below, catching and reflecting the light. And the
|
|
|
|
|
trunk thickens as it reaches up overhead, where its roots
|
|
|
|
|
drill into the ceiling above.</p>
|
|
|
|
|
<p>Because of dream logic, you know that in some way this tree
|
|
|
|
|
represents Kelsun Peak, Bread’s home. And also because of
|
|
|
|
|
dream logic, you know that the branches furthest away from you
|
|
|
|
|
in some way represent the great dragon Lucin who lives deep in
|
|
|
|
|
the mountain. And they are just as dangerous. They sway in the
|
|
|
|
|
breeze and seem to be aware of you, and are for now satisfied
|
|
|
|
|
at the distance you keep from them.</p>
|
|
|
|
|
<p>There is a chipmunk sitting cross-legged before you on the
|
|
|
|
|
branch. It looks curiously up at you and says, “The Red
|
|
|
|
|
Squirrel stole my acorns! Are you going to get them back for
|
|
|
|
|
me?”</p>
|
|
|
|
|
<p>You can feel a metaphysical tug in your gut as your orient
|
|
|
|
|
yourself to dreamspace like the needle of a compass. “Inward”
|
|
|
|
|
you can feel a tug toward Bread’s deep unconscious. To their
|
|
|
|
|
core memories. “Outward” you can feel a tug away from Bread
|
|
|
|
|
toward the shores of the Sea of Dreams, where you may continue
|
|
|
|
|
your journey through the Collective Unconsciousness to the
|
|
|
|
|
pocket dimension of the Wandering Bazaar. You need not move
|
|
|
|
|
physically to travel in either direction. It’s more a matter
|
|
|
|
|
of choosing a destination, and letting the winds blow you in
|
|
|
|
|
that direction.</p>
|
|
|
|
|
<p>“My acorns!” insists the chipmunk, wringing its hands. “The
|
|
|
|
|
Red Squirrel has taken them all! Are you going to help
|
|
|
|
|
me?”</p>
|
|
|
|
|
<p>WHAT DO YOU DO</p>
|
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
2023-02-06 18:18:23 +00:00
|
|
|
|
<item>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<title>56</title>
|
2023-02-06 18:18:23 +00:00
|
|
|
|
<author>dozens@tilde.team (dozens)</author>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
|
2023-02-06 18:18:23 +00:00
|
|
|
|
-0700</guid>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
|
2023-02-06 18:18:23 +00:00
|
|
|
|
<description>
|
|
|
|
|
<![CDATA[
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<h3 id="00056">00056</h3>
|
2023-02-06 18:18:23 +00:00
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>The agitation Alex feels bubbles just beneath the surface.
|
|
|
|
|
Patterns where patterns shouldn’t be, strange orders from HQ,
|
|
|
|
|
indifference where once was ample aide as well. It was
|
|
|
|
|
maddening. Combine it all with the haunting suspicion that
|
|
|
|
|
there was constantly someone just around the next corner, and
|
|
|
|
|
it was enough to truly drive Alex mad.</p>
|
|
|
|
|
<p>That uneasiness takes its toll on a long enough time line,
|
|
|
|
|
but Alex wasn’t about to let it get to him. Or so he thought
|
|
|
|
|
to himself as he cast a furtive look at his monitoring
|
|
|
|
|
equipment. This paranoia had served him well in the past, very
|
|
|
|
|
well in fact. It’s a sort of sixth sense in a way, always kept
|
|
|
|
|
Alex off the edge of the cliff, especially when someone
|
|
|
|
|
stepped close enough to push him off. Those were the types of
|
|
|
|
|
skills HQ sought after in the first place.</p>
|
|
|
|
|
<p>Alex closes the iron door on his bunker, leaving his
|
|
|
|
|
monitoring equipment running, dead man’s trigger set to blow
|
|
|
|
|
the place shoul anyone enter it. Can’t be too careful these
|
|
|
|
|
days..</p>
|
|
|
|
|
<p>Emerging from the sewer grate, sticking to the shadows,
|
|
|
|
|
Alex makes his way down an alley, then another, and yet
|
|
|
|
|
another, finally emerging a few blocks from the Milk Market.
|
|
|
|
|
Across the street, as he had expected, was Marvelo’s Marvelous
|
|
|
|
|
MurderSticks, a quaint place should one needed something, well
|
|
|
|
|
you get the picture, they don’t really sell anything but
|
|
|
|
|
weaponry here.</p>
|
|
|
|
|
<p>Alex ducked into the entrance of the shop and strode
|
|
|
|
|
towards the back rack, where a collection of knives was on
|
|
|
|
|
display. A rough looking fellow, ruddy red beard, thinning
|
|
|
|
|
hair, moved from the counter as he saw Alex approach. “Fine
|
|
|
|
|
sampling of knives we have, could I interest you in one?”
|
|
|
|
|
Marvelo says. Alex reaches for a thin stilleto style dagger,
|
|
|
|
|
and hands it to Marvelo “This one seems about right, but I’d
|
|
|
|
|
like an extra sharp edge put on it, if you don’t mind”.
|
|
|
|
|
Marvelo takes the stilleto from Alex say “Not a problem at all
|
|
|
|
|
sir”, and he heads into the back.</p>
|
|
|
|
|
<p>He sets to work honing the edge, and once complete he
|
|
|
|
|
places it on his work bench. Grabbing a velvet lined case from
|
|
|
|
|
a stack, he deftly removes the bottom and places a rolled
|
|
|
|
|
piece of paper into the bottom, alongside an m1911 style
|
|
|
|
|
pistol, and a couple of clips of ammo. He then places the
|
|
|
|
|
velvet bottom back over the equipment, and places the stilleto
|
|
|
|
|
on top, bringing the entire package back to the front. “An
|
|
|
|
|
extra fine edge on this one sir, that’ll be 15 gold, plus
|
|
|
|
|
another 5 to cover the service.</p>
|
|
|
|
|
<p>Alex pays, and nips out the shop and heads back to the back
|
|
|
|
|
alley. Paranoia begets what it requets, Alex mutters to
|
|
|
|
|
himself as he disassembles the box holstering the pistol and
|
|
|
|
|
ammo, and sheathing the dagger. Can’t keep going unarmed like
|
|
|
|
|
I’m some kind of beat cop, not anymore.. Alex discards the
|
|
|
|
|
case and unfurls the message, quickly deciphering the
|
|
|
|
|
encryption set on it by Marvelo.</p>
|
|
|
|
|
<pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
|
|
|
|
|
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
|
|
|
|
|
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
|
|
|
|
|
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
|
|
|
|
|
Agent 4 monitoring feeds still present glitches, something abnormal
|
|
|
|
|
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
|
|
|
|
|
<p>Alex burned the note, striding rapidly away from the alley,
|
|
|
|
|
taking a meandering route away from the Milk Market, looping
|
|
|
|
|
back around, and heading back towards it by yet another.
|
|
|
|
|
Nobody appeared to be following him, yet he paused at each
|
|
|
|
|
corner and turn, waiting for the footsteps of a pursuant.</p>
|
|
|
|
|
<p>Noting nothing, he made his way through the back entrance
|
|
|
|
|
of Enrique’s Empanadas greeting the cook quietly, but jovial.
|
|
|
|
|
“Enrique, where’s Inky? We’ve got a problem.”</p>
|
2023-02-06 18:18:23 +00:00
|
|
|
|
</blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>~</p>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>Inky skims the page. They thank the witch, pay for the
|
|
|
|
|
items and exit the shop, promptly discarding all notions of
|
|
|
|
|
meeting Bother at the place stipulated on the note.</p>
|
|
|
|
|
<p><em>(Half and one hour later)</em></p>
|
|
|
|
|
<p>One-sixths into a caramel cantaloupe cream cornet, Inky
|
|
|
|
|
runs into Confidence outside the Wandering Bazaar and obtains
|
|
|
|
|
some of their new pamphlets, minted with luminescent ink for
|
|
|
|
|
the convenience of late-night tourists. These are subsequently
|
|
|
|
|
hare-mailed to every editor at the <em>Niuewstijl</em> office,
|
|
|
|
|
which is almost certain to earn another chiding remark from
|
|
|
|
|
Tess about etiquette and the handling of unsolicited bulk mail
|
|
|
|
|
to parent editorial teams.</p>
|
|
|
|
|
<p><em>(Half and two hours later)</em></p>
|
|
|
|
|
<p>The installation on display at the Milk Market was
|
|
|
|
|
grotesque — that is to say, a work of beauty. Inky steps
|
|
|
|
|
carefully through the rooms to not disturb the piece.
|
|
|
|
|
Afterwards, they sign the guestbook set up on an upturned milk
|
|
|
|
|
crate by the door, delightedly pasting rows of horse head and
|
|
|
|
|
thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
|
|
|
|
|
the unedible”.</p>
|
|
|
|
|
<p><em>(Half and three hours earlier)</em></p>
|
|
|
|
|
<p>Thanking Agate for her time, Inky passes her a sheet of
|
|
|
|
|
paper on which were written a few questions about the
|
|
|
|
|
prescribed ritual, with some space after each question should
|
|
|
|
|
the witch prefer to scribble a response:</p>
|
|
|
|
|
<ul>
|
|
|
|
|
<li><p>What do guides in the Sea of Dreams and the Ravenfolk
|
|
|
|
|
typically seek in return for directing travellers to the
|
|
|
|
|
correct pocket dimension?</p></li>
|
|
|
|
|
<li><p>An establishment inside the Bazaar is only open in the
|
|
|
|
|
evenings whenever it appears in the city. How long does travel
|
|
|
|
|
to a pocket dimension typically take, allowing for time to
|
|
|
|
|
seek out a guide? Is there a way travellers can estimate the
|
|
|
|
|
time to set out on their journey, in order to arrive at the
|
|
|
|
|
establishment while it is open?</p></li>
|
|
|
|
|
<li><p>Who are the Red Spider and “Dude 215R” mentioned in the
|
|
|
|
|
ritual? How can travellers avoid summoning them?</p></li>
|
|
|
|
|
<li><p>Would anything happen to the travellers if any of the
|
|
|
|
|
sigils were removed during the ritual before they wake
|
|
|
|
|
up?</p></li>
|
|
|
|
|
</ul>
|
|
|
|
|
<p><em>(Half and four hours later)</em></p>
|
|
|
|
|
<p>Two sets of eyes peer down at the contents of an open tin.
|
|
|
|
|
One accompanied by a focused look and a little trepidation,
|
|
|
|
|
following the pinkish, flesh-like chunks speckled with white
|
|
|
|
|
pockets of fat as they tumble into a hot pan and almost
|
|
|
|
|
immediately begin to move of their own accord. The moving
|
|
|
|
|
mounds resemble small round mouths opening, each with a rim of
|
|
|
|
|
sharp teeth. The other pair of eyes belongs to a grinning face
|
|
|
|
|
that beams when the mounds bloom into bright red flat caps,
|
|
|
|
|
the edges beneath about to soften in the olive oil.</p>
|
|
|
|
|
<p>Minutes after, The slices are ready. Inky accepts the plate
|
|
|
|
|
of tostada with spicy pickled artichoke mushrooms and tomatoes
|
|
|
|
|
with a murmur of thanks. Reassembling the recipe for the
|
|
|
|
|
tinned spicy artichoke mushrooms had been a tedious process —
|
|
|
|
|
someone had ripped out the pages from an old pickling book
|
|
|
|
|
that had long ceased publication. Eventually Inky found a
|
|
|
|
|
former nomad who had eaten them for two years in their youth
|
|
|
|
|
and could recall or somewhat describe the taste. Flowery and
|
|
|
|
|
savoury, they said. Many taste tests later, it turned out to
|
|
|
|
|
be closer to partially decomposed cheese in ponderosa lemon
|
|
|
|
|
juice. Canning was fortuitously easier with the increasing
|
|
|
|
|
portability of sealers. Rather than telling the empanada chef
|
|
|
|
|
any of this, Inky watches satisfaction slowly spread across
|
|
|
|
|
his face. The tale that follows is far more entertaining.</p>
|
|
|
|
|
<p><em>(Half and five hours later)</em></p>
|
|
|
|
|
<p>While measuring out ingredients for the forty-second tea
|
|
|
|
|
infusion since the start of the missions, not that Inky was
|
|
|
|
|
keeping a close count, they hear a familiar voice a short
|
|
|
|
|
distance outside the door asking for their whereabouts.
|
|
|
|
|
Without pausing in their whisking, Inky simply informs the
|
|
|
|
|
owner of the voice they’re not here, obviously, before
|
|
|
|
|
emerging from the storage pantry with a fresh pot and bowls on
|
|
|
|
|
a wooden tray, and greets the returning sysorcerer.</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>Agate writes back quickly:</p>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>What do guides in the Sea of Dreams and the Ravenfolk
|
|
|
|
|
typically seek in return for directing travellers to the
|
|
|
|
|
correct pocket dimension?</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>Intangibles. Usually memories, hopes, or dreams.</p>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>An establishment inside the Bazaar is only open in the
|
|
|
|
|
evenings whenever it appears in the city. How long does travel
|
|
|
|
|
to a pocket dimension typically take, allowing for time to
|
|
|
|
|
seek out a guide? Is there a way travellers can estimate the
|
|
|
|
|
time to set out on their journey, in order to arrive at the
|
|
|
|
|
establishment while it is open?</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>You’ll find that time is rather malleable on the Otherside.
|
|
|
|
|
You’ll likely arrive exactly when you’re meant to. No need to
|
|
|
|
|
worry too much about it.</p>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>Who are the Red Spider and “Dude 215R” mentioned in the
|
|
|
|
|
ritual? How can travellers avoid summoning them?</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>Godforms manifested by the Linking Sigil and the Dream
|
|
|
|
|
Sigil, respectively. It’s not <em>terrible</em> if they show
|
|
|
|
|
up. But it’s definitely not ideal. You shouldn’t register on
|
|
|
|
|
their radar as long as you don’t pump too much energy into, or
|
|
|
|
|
siphon to much energy out of, the sigils. If they do show up,
|
|
|
|
|
just know that you’re in the presence of a godlike power, and
|
|
|
|
|
behave accordingly.</p>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>Would anything happen to the travellers if any of the
|
|
|
|
|
sigils were removed during the ritual before they wake up?</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>If the sigils are removed or if the circle is broken,
|
|
|
|
|
you’ll likely just wake up before you wanted to. Same goes for
|
|
|
|
|
if your dreamform is destroyed while in the Dreaming. The only
|
|
|
|
|
real danger you may encounter is the Scissormen and their ilk.
|
|
|
|
|
They will attempt to permanently sever your dreamform from
|
|
|
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your waking body. Which would leave your body a soulless husk,
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and leave your consciousness adrift in the Sea of Dreams. But
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that probably won’t happen! Okay good luck, have fun!</p>
|
2023-02-06 18:18:23 +00:00
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<p>WHAT DO YOU DO</p>
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]]>
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</description>
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</item>
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2023-01-16 22:11:50 +00:00
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<item>
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2023-02-16 00:56:00 +00:00
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<title>58</title>
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2023-01-16 22:11:50 +00:00
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<author>dozens@tilde.team (dozens)</author>
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2023-02-16 00:56:00 +00:00
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<guid isPermaLink="false">58 - Sat, 21 Jan 2023 16:24:45
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2023-01-16 22:11:50 +00:00
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-0700</guid>
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2023-02-16 00:56:00 +00:00
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<pubDate>Sun, 29 Jan 2023 11:02:32 -0700</pubDate>
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2023-01-16 22:11:50 +00:00
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<description>
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<![CDATA[
|
2023-02-16 00:56:00 +00:00
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<h3 id="00058">00058</h3>
|
2023-01-16 22:11:50 +00:00
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<blockquote>
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2023-02-16 00:56:00 +00:00
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<p><em>(A week prior)</em></p>
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<p>The secretary collected the stack of papers that had
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accumulated at one corner of the desk. “This might help,” she
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said, setting down a bundle of herbs with white and pink
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flowers in place of the papers.</p>
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<p>Inky stared at the blooms, hands stilled over the owl’s
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plumage. “Oh! Thanks. Good thinking, really. It’ll help make
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the stench more bearable when they find the remains.”</p>
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<p>The grey elf was confused for a moment, then mortified as
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the words sank in. “That’s not what I meant! It’s for the
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circle,” she clarified.</p>
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<p>Seeing the imp’s preoccupied nod, she coughed lightly to
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regain their attention, then spoke in a hushed voice.
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“Beaker’s associates have picked up the empanada shop
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proprietor and transported him to an undisclosed location.
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There will be a retinue with him at all times.”</p>
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<p>Inky seemed to visibly pull themselves back to the room
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before responding, “Thank you, Salvia. One more thing — if I
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do not return by the indicated time, please activate the
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hitsuzen protocol. As precaution.”</p>
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<p>The secretary looked at Inky in concern. “Is everything all
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right? If you’re still troubled by the hotelier, accidents
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happen. A single incident—”</p>
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<p>“Third. An unidentified man was attacked at the docks. He
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was probably sent to investigate the melon vendor. One of the
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other stall owners heard him asking questions shortly after
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the melon vendor disappeared.”</p>
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<p>Salvia’s violet eyes narrowed. “What, the fruit vendor?
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Didn’t the tabloids say it was an accident? He tried to get
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rid of a neighbor’s nest of snakes.”</p>
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<p>Inky only raised an eyebrow at her.</p>
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<p>The secretary let out a low curse. “You didn’t tell her.
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You didn’t want her to worry,” she said aloud in realization.
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She sighed. “She’s going to be pretty angry with you when she
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finds out, you know.”</p>
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<p>Inky offered her a sardonic smile. “Making people angry is
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my job. You of all people know this well. In the event of my
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timely demise I’m sure the others would find it cause for a
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grand celebration.” They replied matter-of-factly before
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returning to smoothing the feathers of one bird wing.</p>
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<p>Salvia shook her head vehemently. “That’s not true. You’ll
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make it back, Ink. What then—”</p>
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<p>“Then our fair Lady’s ire would be the least of the
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problems.”</p>
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</blockquote>
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<p>~</p>
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<blockquote>
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<p>Alex stared morosely into his cup of coffee. He’d received
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word of agent 5’s demise that morning, and had been the only
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thing on his mind since. 5, no Be’tram knew the risks, we all
|
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knew the risks defying HQ brought, but to happen so suddenly?
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He’d snuck down to the wharf once he’d heard, making sure to
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cover his tracks and dodge any potential witnesses. He even
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managed to slip past the police cordon they’d setup around the
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body. What he’d found wasn’t pretty, it looked like Be’Tram
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had suffered in his final moments. The bruising around his
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neck pointed to strangulation, with some sort of cloth,
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perhaps a rope. The bruising was deep, and there wasn’t a cut,
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burn, shot or something of the likes on his otherwise.</p>
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<p>The kill had been intimate.</p>
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<p>Alex had worked quickly that night, popping Be’Tram’s eye
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had been hard, but he’d of wanted Alex to have it. Behind his
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right eye was a recording device, it could only catch the last
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15m or so of what he had seen, but it would give him a clear
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look at what had happened. And potentially lead Alex to the
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killer. Miserable business, but Be’Tram knew it could make a
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difference.</p>
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<p>Alex had planted a bomb on the body after he had extracted
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the eye, and made his way well away from the area before it
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went off obliterating the remains. A regrettable end for an
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old friend, but it was too dangerous to leave.</p>
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<p>And then there was the matter of the zabbix alert, a little
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purple red critical for the sewer hideout. He’d had time to
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send out a drone beetle. The smoldering slag that was left was
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reassuring. Most of the equipment was utterly destroyed, racks
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upon racks of servers reduced to twisted melted metal. The
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effectively of the destruction was delightful, in a sick sort
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of desperate way. Alex felt assured that most if not all of
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the equipment was useless, but this spelled the end of a
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valuable listening outpost. And whoever had done it wasn’t
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part of the slag pile.</p>
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<p>Alex stood up, his coffee untouched. The cafe around his
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burbled in quiet excitement. The city had lit up since the
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Melon vendor’s death. A thousand rumors abounded about it, but
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|
none of them held true; some said the city had become
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|
dangerous, a crime syndicate had arisen in the neighboring
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city block another thought, and did you hear about the
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explosion at the wharf the other night, the city was electric,
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yet somehow ever so slightly off the pulse of the issue.</p>
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<p>As Alex stepped away a woman with horn rimmed glasses
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strode past the table he had just abandoned, deftly pulling
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the note from beneath the coffee cup, left for her.</p>
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<pre><code>4 -> 3
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Daylight breaks on the morrow
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The suns rays make chase
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casting soft cloth
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across the nap of nature's neck
|
2023-02-13 20:41:30 +00:00
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|
2023-02-16 00:56:00 +00:00
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So, night relents and gives way
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biding time until
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it can rule
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in its own domain</code></pre>
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<p>For the passerby, it was but a bit of poetry, scribbled
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|
carelessly on the back of a napkin in a coffee near the wharf.
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But for Agent 3 it was a warning, one part notes on Agent 5s
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demise recovered from his eyecam, one part orders; stay low
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and we’ll strike these bastards from the shadows, on our
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terms, on our ground. Similar missives were delivered to
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|
Agents 6 & 7. The numbers were dwindling rapidly, even
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just one agent lost was hard to stomach.</p>
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<p>Alex hand gripped the pistol in his coat pocket with a
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white knuckled grip as he stepped from the coffee shop into
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the city. Whatever was after him, whatever had gotten to
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Be’Tram, it had better know he was coming, and he’d happily
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send it straight to hell. HQ be damned, the rules be damned,
|
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|
this little game of cat and mouse had just gotten
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|
personal.</p>
|
2023-01-31 00:25:44 +00:00
|
|
|
|
</blockquote>
|
|
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|
|
<p>~</p>
|
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
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|
<p>Alex, Inky, Confidence, Bread, and Agent 7 find themselves
|
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|
|
in a dark backroom in a secluded corner of an old fish
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|
|
processing plant on the wharf. The accommodations are rough,
|
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|
and the stench is abhorrent, but it’s the best that could be
|
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|
procured in a pinch. And it should provide enough
|
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|
|
seclusion.</p>
|
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<p>The backroom is like that of many factories, high up near
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|
|
the ceiling, a single rusty rickety staircase winds its way
|
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|
|
along the side of the building for what seems to be 3 flights,
|
|
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|
|
before it reaches a metal room with dusty grimy windows, and a
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|
|
single steel door. The windows on the interior overlook the
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|
fish processing plant, where rows of belts and machinery stand
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|
still, covered in dust and long forgotten blood. You’re glad
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|
to know that the factory stopped operating years ago, hygiene
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|
is lacking in every sense.</p>
|
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|
<p>Alex stares forlornly out the exterior windows, the sky is
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|
a grey overcast, it matches his mood perfectly. He didn’t like
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|
|
what him and Inky were about to do, but they didn’t have much
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|
|
they could do about it. They would be vulnerable for the
|
|
|
|
|
duration of the ritual. But Agent 7 and Confidence were there
|
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|
|
to help mitigate that risk. Alex and Agent 7 had taken every
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|
|
precaution they could think of.</p>
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<p>The plant floor was scattered with booby traps, trip wires,
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|
and alarms. The other agents were laying low, but kept drones
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|
around the wharf feeding in a network of twtxt data back to
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|
Agent 7 for recon. And that was on top of the double barred
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|
steel doors, and reinforced glass box they’d chosen as their
|
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hide out. Meticulously planned, Alex expected no less from
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Agent 7.</p>
|
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<p>See Marvelo had been at this as long as Alex had, and then
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some. He was sharp as a tack, with an animal-like third sense
|
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|
|
that came from years of close calls. He was, simply put, the
|
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|
|
right man for the job, when that job was keeping your
|
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|
|
unconscious ass alive.</p>
|
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|
<p>Alex turns away from the window and addresses Inky.
|
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|
“Apologies for the smell, it turns out there’s a strong
|
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|
correlation between disgust and seclusion, but I believe we
|
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|
should at least be safe here. Safer than we would have been
|
|
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|
|
back home. I’m ready if you are, as ready as I’ll ever be that
|
|
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|
|
is.”</p>
|
|
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|
|
</blockquote>
|
|
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|
|
<p>The Golden Iris have summoned you to appear at the Harpoon
|
|
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|
|
Club this evening. But the Harpoon Club is nowhere to be found
|
|
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|
|
on this plane of existence. It won’t appear until a week and a
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|
|
half from now, on the last day of the month.</p>
|
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|
<p>Confidence the Guide has predicted exactly where the
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|
|
Wandering Bazaar will be on that day. With a small bucket of
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red paint and a large brush, he has drawn a Linking Sigil on
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|
the ground at the location. He sits nearby, making sure
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|
careless passersby and mischievous kids don’t disturb it, but
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|
otherwise letting the sigil absorb the energies of the bustle
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|
|
of shopping and commerce.</p>
|
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|
<p>At the fish market, Marvelo is posted outside. He keeps
|
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|
|
vigilant watch, alert to every movement and disturbance.</p>
|
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|
<p>And inside, Bread, Inky, Fuko, and Alex are huddled up in
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|
|
the office in the back near the ceiling. They all sit inside a
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|
|
dark circle that has been smudged on the floor with a paste
|
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|
made of ash and salt. Painted on the ground is a second
|
|
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Linking Sigil, connecting this spot to Confidence’s, allowing
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|
|
the energies of the two locations to co-mingle. There is also
|
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|
|
the Dream Sigil, which will connect this place to the
|
|
|
|
|
Dreaming.</p>
|
|
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|
|
<p>Bread the Host is propped up on some pillows and cushions
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|
|
in the center of the circle, next to the Nyxmaer. The candle
|
|
|
|
|
is alleged to be made of the flesh and fat of a certain
|
|
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|
|
nightmare. Its hand and eye bound in the wax. The Dream Sigil
|
|
|
|
|
is the door, but the Nyxmaer is the key. The catalyst that
|
|
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|
|
will cause all of the otherwise inert metaphysical particles
|
|
|
|
|
to become volatile and reactive. It is what will allow you to
|
|
|
|
|
actually pass over and arrive on the shores of the Sea of
|
|
|
|
|
Dreams.</p>
|
|
|
|
|
<p>Per the shop witch’s instructions, the Nyxmaer has been
|
|
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|
|
placed on a thin, hard tin plate. As the candle burns, the wax
|
|
|
|
|
will soften and eventually allow the large metal nail in its
|
|
|
|
|
side to fall. When it strikes the plate, you will awaken,
|
|
|
|
|
exiting the Dreaming. You expect hours may pass in the realm
|
|
|
|
|
of sleep. But only about thirty minutes will pass here.</p>
|
|
|
|
|
<p>Inky and Alex sit inside the circle, near the perimeter,
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|
|
facing Bread in the center. Fuko the owl sits at Inky’s
|
|
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|
|
side.</p>
|
|
|
|
|
<p>It is dim. You are illuminated by mundane, non-magical
|
|
|
|
|
candles set around the edges of the circle. Outside, a steady
|
|
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|
|
rain beats on the roof and the windows of the building. The
|
|
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|
|
smell of fish is faint but ever-present. A constant reminder
|
|
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|
|
of the small creatures that have left their bodies in a
|
|
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|
|
fashion far more permanent and irreversible than the
|
|
|
|
|
separation of spirit and body you are about to experience. You
|
|
|
|
|
hope.</p>
|
|
|
|
|
<p>WHAT DO YOU DO</p>
|
|
|
|
|
<ul>
|
|
|
|
|
<li><p>How do you induce a deep and powerful slumber in
|
|
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|
|
Bread?</p></li>
|
|
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|
|
<li><p>What shape or form will you take when you arrive in the
|
|
|
|
|
Dreaming?</p></li>
|
|
|
|
|
<li><p>What are you secretly worried or hopeful about being
|
|
|
|
|
exposed in the dreamland, the realm of metaphor?</p></li>
|
|
|
|
|
</ul>
|
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
|
|
|
|
<item>
|
|
|
|
|
<title>57</title>
|
|
|
|
|
<author>dozens@tilde.team (dozens)</author>
|
|
|
|
|
<guid isPermaLink="false">57 - Mon, 16 Jan 2023 20:30:44
|
|
|
|
|
-0700</guid>
|
|
|
|
|
<pubDate>Fri, 20 Jan 2023 14:58:46 -0700</pubDate>
|
|
|
|
|
<description>
|
|
|
|
|
<![CDATA[
|
|
|
|
|
<h3 id="00057">00057</h3>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>Alex lifts his teacup and sips the fragrantly tea,
|
|
|
|
|
“perfumed of rosehips, and cardamum? An interesting choice. I
|
|
|
|
|
appreciate it Inky, these past few days have been terribly
|
|
|
|
|
rough, and I’m rather tired of field rations.” Alex takes a
|
|
|
|
|
sip, and then continues hurridly. “I’ve been monitoring the
|
|
|
|
|
Bazar, we are in grave danger. It started with just me, but I
|
|
|
|
|
fear it’s bled over to everyone here at the Milk Market. I
|
|
|
|
|
can’t be entirely certain.”</p>
|
|
|
|
|
<p>Alex looks worriedly at Inky. “There’s a lot going on here.
|
|
|
|
|
As soon as we got back from Kelsun I was sent on an
|
|
|
|
|
assignment, normally not an issue, but they wanted me to level
|
|
|
|
|
3 of the busiest coffee shops in the bazar. I planted those
|
|
|
|
|
bombs, alongside listening devices, and then I bugged out. My
|
|
|
|
|
team appears to have been assigned equally bizarre
|
|
|
|
|
assignments, all rather violent messy things. A lot of
|
|
|
|
|
innocent lives are on the line here.”</p>
|
|
|
|
|
<p>“We dropped off the grid, I’ve got an isolated listening
|
|
|
|
|
post in the sewers here, it’s heavily reinforced and that’s
|
|
|
|
|
where I’ve been hiding out, but I’m not certain it’s safe.
|
|
|
|
|
Agent 5 found a melon vendor dead in the market, and this
|
|
|
|
|
vendor was specifically seeking out the Milk Market, looking
|
|
|
|
|
for us. I believe it may be an assassin, could be from HQ,
|
|
|
|
|
could be from Blavin. It’s entirely opaque to me.”</p>
|
|
|
|
|
<p>“As far as I can tell, my agents are all loyal to me,
|
|
|
|
|
there’s 5 of them in total, 6 if you count me. We could man
|
|
|
|
|
the ship and get the hell out of here in a few hours, and it
|
|
|
|
|
may be our best chance. But there’s the iris letter we need to
|
|
|
|
|
attend to, and I cannot for the life of me find anything, not
|
|
|
|
|
a damn trace, of Blavin. And I think all of this bodes very
|
|
|
|
|
poorly for us.”</p>
|
|
|
|
|
<p>Alex looks worriedly at Inky, and you’re telling me we have
|
|
|
|
|
a ritual we have to perform, to find the iris group’s meeting
|
|
|
|
|
place.. I’m leery Ink, I have to be you see. But my uncle
|
|
|
|
|
trusted you, and I do as well. If you think this is our best
|
|
|
|
|
shot, we can hole up in the sewers and try to perform this
|
|
|
|
|
dream walk of your witch friend’s. But if this iris business
|
|
|
|
|
turns out to be a trap, well, how well can you handle a
|
|
|
|
|
gun?</p>
|
|
|
|
|
</blockquote>
|
2023-02-13 20:41:30 +00:00
|
|
|
|
<p>~</p>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<blockquote>
|
|
|
|
|
<p>“Your courage and concern are admirable, Master Alex.
|
|
|
|
|
Caution is likewise advisable.” Inky nods seriously.</p>
|
|
|
|
|
<p>The next moment, they gave the sysorcerer a slightly
|
|
|
|
|
deranged grin. “I’m sure you have already seen many grave
|
|
|
|
|
dangers. What’s another one for the bucket list? What’s life
|
|
|
|
|
if not violent and messy? So many melons dismembered and laid
|
|
|
|
|
waste daily—”</p>
|
|
|
|
|
<p>As if suddenly recalling a detail, Inky pauses and blinks.
|
|
|
|
|
“Melon vendor? Oh, poor Pepo. He has been complaining about
|
|
|
|
|
his neighbour’s boa constrictors for years. The serpents were
|
|
|
|
|
drawn to the rodents his fruits typically attracted, which
|
|
|
|
|
might not have been a problem were it not for them hanging out
|
|
|
|
|
at his stall and scaring off his customers. Maybe he finally
|
|
|
|
|
took matters into his own hands, with tragic results.” They
|
|
|
|
|
look at an empty mixing bowl across the table glumly. “He had
|
|
|
|
|
offered to bring over a few of the new variety as soon as they
|
|
|
|
|
arrived, as he was already delivering to a household the next
|
|
|
|
|
district over.”</p>
|
|
|
|
|
<p>They send Master Alex a sidelong glance. “Someone is after
|
|
|
|
|
you? You didn’t do something horrid like help an old
|
|
|
|
|
grandmother cross the street on sockless skates, for
|
|
|
|
|
instance?” Refilling the sysorcerer’s cup, Inky continues, “As
|
|
|
|
|
for Blavin, only 3 of the crystals have been recovered. Blavin
|
|
|
|
|
knows Team 43 is his best chance of obtaining the others.
|
|
|
|
|
Until he has all the crystals, he will stay his hand. If he
|
|
|
|
|
doesn’t know that, then he is hardly a threat.”</p>
|
|
|
|
|
<p>Setting down the teapot, Inky shrugs. “They seem eager to
|
|
|
|
|
get our attention. I suppose I could spare them their twelve
|
|
|
|
|
minutes of fame, for the right price. Enlightenment would
|
|
|
|
|
probably be too much to ask of a nightmare. If you’d rather
|
|
|
|
|
take your team and make a run for it instead, that’s fine too.
|
|
|
|
|
If they come knocking I’ll just tell them you missed the hotel
|
|
|
|
|
fondue at Kelsun Peak.”</p>
|
|
|
|
|
<p>Their gaze skips to one of the cups before they shake their
|
|
|
|
|
head. “No gun.” They turn around and take down a bamboo
|
|
|
|
|
walking stick hanging from a hook on a wall next to a worn
|
|
|
|
|
coat. Inky grasps the handle and pulls. It slides out quietly
|
|
|
|
|
to reveal a long, thin, tapered surgical steel tube which, if
|
|
|
|
|
someone were to lean in for a closer inspection, is sparsely
|
|
|
|
|
covered in tiny, needle-like protrusions along the surface. On
|
|
|
|
|
the underside, a transparent sliver ran the length of the tube
|
|
|
|
|
to end about a forefinger’s length from the handle. Visible
|
|
|
|
|
through the narrow window is a colourless liquid, most likely
|
|
|
|
|
a sedative or toxin, fills the reinforced steel interior.</p>
|
|
|
|
|
<p>They smile mirthlessly at Master Alex. “I don’t know that
|
|
|
|
|
Master Corraidhín trusted me, because if he did, it would have
|
|
|
|
|
been the most foolhardy thing the wise man has ever done. You
|
|
|
|
|
would do well to not make that mistake.”</p>
|
2023-01-31 00:25:44 +00:00
|
|
|
|
</blockquote>
|
2023-02-13 20:41:30 +00:00
|
|
|
|
<p>~</p>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<blockquote>
|
|
|
|
|
<p>“It doesn’t sound like we have all too much of an option”,
|
|
|
|
|
Alex says, as a little Scarab beetle in his pocket chimes,
|
|
|
|
|
“that’ll be the dead man’s trigger going off in my
|
|
|
|
|
hideout.”</p>
|
|
|
|
|
<p>Alex frowns, shame to lose all of that data, those systems,
|
|
|
|
|
that hideout.. but I hope whoever broke in enjoys thermite,
|
|
|
|
|
assuming they don’t asphyxiate quickly enough to miss the
|
|
|
|
|
fun..</p>
|
|
|
|
|
<p>Inky, you’re right, life is a bit violent and messy, so
|
|
|
|
|
lets bring the violent mess to these bastards. If you’ve got a
|
|
|
|
|
lead on this with this dream ritual, then fuck it, lets take
|
|
|
|
|
the risk. I won’t run from this fight, my uncle sure as hell
|
|
|
|
|
wouldn’t. And at worst, he’d go out with a magnificient bang.
|
|
|
|
|
Lets give it back tenfold, for poor Pepo.</p>
|
|
|
|
|
<p>Nodding his own approval Alex continues, I have another
|
|
|
|
|
hideout in the eastern quandrant, near the sysorcerer’s guild.
|
|
|
|
|
It’s a little risky to head out that way, but none of my
|
|
|
|
|
Zabbix alerts indicate it was compromised. It has automated
|
|
|
|
|
IDS and IPS systems, so we should be safe enough in there once
|
|
|
|
|
we whole up. At very least we’ll know if someone comes for us,
|
|
|
|
|
and we’ll have a little bit of time to react on it. We should
|
|
|
|
|
bring the Toques with us, and little blod clot, and the
|
|
|
|
|
duck.</p>
|
|
|
|
|
<p>Looking sorrowfully at Enrique, “I think it might be best
|
|
|
|
|
if you got the hell out of dodge too friend, it isn’t safe,
|
|
|
|
|
and I don’t want to see you become collateral here. Head down
|
|
|
|
|
to the wharf, I’ll have agent 5 meet you there, he’ll help you
|
|
|
|
|
and your family lay low until all of this blows over.”</p>
|
|
|
|
|
</blockquote>
|
2023-01-31 00:25:44 +00:00
|
|
|
|
<p>~</p>
|
2023-02-13 20:41:30 +00:00
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>At Enrique’s deep frown, Inky sighs and adds, “Might as
|
|
|
|
|
well do as Master Alex says. He can spot danger twelve blocks
|
|
|
|
|
away, and turtle soup is really out of fashion these
|
|
|
|
|
days.”</p>
|
|
|
|
|
<p>Then they excuse themselves to pack a few items, returning
|
|
|
|
|
about fifteen minutes later with a knapsack and a cross-strap
|
|
|
|
|
carrier draped in a black cloth cover. Inky says, “I hope you
|
|
|
|
|
don’t mind if I bring along a guest as well.”</p>
|
|
|
|
|
<p>The cover is pulled back to expose a dome-shaped birdhouse,
|
|
|
|
|
with transparent circular rings at the top partially obscured
|
|
|
|
|
by sliding shutters of the same shape. A wooden hoop with a
|
|
|
|
|
woven, web-like pattern and adorned with a string of feathers
|
|
|
|
|
hangs from one side. On the opposite side is a double door
|
|
|
|
|
with a miniature knob over each door. Inky lightly taps on one
|
|
|
|
|
of the doors, and at a low click coming from within in
|
|
|
|
|
response, swings the doors wide enough for the kitchen lamps
|
|
|
|
|
to illuminate the great horned owl resting on a pillow inside.
|
|
|
|
|
The bird opens one amber eye for a moment, gaze sweeping idly
|
|
|
|
|
across the occupants in the room before dozing off again.</p>
|
|
|
|
|
<p>“This is Fuko. She and her twin brother Futa have certain
|
|
|
|
|
shared connections. What one sees, the other will also know. I
|
|
|
|
|
asked their caretaker if I could borrow them for a while. Fuko
|
|
|
|
|
will accompany me for the ritual. Her brother is at another
|
|
|
|
|
location and can send a message if a need arises.” Inky
|
|
|
|
|
explains with a wry expression. “Think of it as a minor
|
|
|
|
|
indulgence of sorts. I was told their kind, along with eagle
|
|
|
|
|
owls, are very good at negotiating with those of the
|
|
|
|
|
ravens.”</p>
|
|
|
|
|
<p>They give the owl a small smile. “She may be a little
|
|
|
|
|
temperamental, but she is well-trained.” Closing the birdhouse
|
|
|
|
|
doors, Inky turns back to Master Alex. “I suppose you’d rather
|
|
|
|
|
not reveal the location of your hideout to any more people
|
|
|
|
|
than necessary. Her carrier will remain covered on the way in
|
|
|
|
|
and out.”</p>
|
2023-02-13 20:41:30 +00:00
|
|
|
|
</blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Gliftwirp stands under the branches of a tree, pooled in
|
|
|
|
|
shadow, far from the small gathering. He has been to plenty of
|
|
|
|
|
funerals. Often under these very circumstances, in fact. And
|
|
|
|
|
he always keeps his distance out of respect.</p>
|
|
|
|
|
<p>For one, he owns no clothes but his vest, sash, and
|
|
|
|
|
trousers. And his bright red colors would be a sign of
|
|
|
|
|
disrespect among the mourners. Secondly and most importantly,
|
|
|
|
|
he himself is the one who put the man in the ground.</p>
|
|
|
|
|
<p>Sadly, he had little choice. He had underestimated the
|
|
|
|
|
sysorcer. Didn’t realize he had his own agents working for
|
|
|
|
|
him. When he realized that one of the agents had been in
|
|
|
|
|
contact with the melon vendor, he knew that Popplewick could
|
|
|
|
|
and would identify the warpwefter if pressured.</p>
|
|
|
|
|
<p>Gliftwirp had grown to enjoy his daily chats with the melon
|
|
|
|
|
vendor. Popplewick was a kind, determined man. A refugee from
|
|
|
|
|
the Cinderlands, his family came to Vay’Nullar following the
|
|
|
|
|
Artifice Wars when he was just a boy. He grew up poor, and
|
|
|
|
|
often relied on the generosity of others. But eventually he
|
|
|
|
|
was able to support himself and his small family. He was proud
|
|
|
|
|
of the life he had built.</p>
|
|
|
|
|
<p>So Gliftwirp took no pleasure in what came next. Late one
|
|
|
|
|
night when Popplewick was on his way home from the market, the
|
|
|
|
|
assassin slipped a bag over his head and dragged him into a
|
|
|
|
|
dark alley. He cinched the bag tight, cutting off his air.
|
|
|
|
|
There was a brief struggle before Popplewick passed out and
|
|
|
|
|
Gliftwirp lowered him down to the ground. He held him there,
|
|
|
|
|
unconscious and not breathing, until he was gone. In only took
|
|
|
|
|
but a moment. And then Gliftwirp stood up and left.</p>
|
|
|
|
|
<p>Now at the funeral, the mourners leave one by one. Until
|
|
|
|
|
only the widow is left, cradling a small sleeping child to her
|
|
|
|
|
chest. “Oh, Pepo,” she whispers to the headstone. “What can I
|
|
|
|
|
do now?”</p>
|
|
|
|
|
<p>When she leaves, she does not return to the main path. She
|
|
|
|
|
meanders slowly as though in a daze toward the back of the
|
|
|
|
|
graveyard and down the hill. She steps into the wood. A flash
|
|
|
|
|
of red follows her at a distance.</p>
|
|
|
|
|
<p>She kneels on the banks of the forest river and sets the
|
|
|
|
|
child down on wide flat rock. It is awake now and looks up at
|
|
|
|
|
her with solemn eyes. “I am sorry, made-of-me,” she says to
|
|
|
|
|
the child. And that is all the explanation it gets.</p>
|
|
|
|
|
<p>She stands and turns and walks away. The child watches her
|
|
|
|
|
go.</p>
|
|
|
|
|
<p>When she has been gone for some minutes, Gliftwirp steps
|
|
|
|
|
out of the shadows and crouches down beside the child. It
|
|
|
|
|
looks up and reaches for him. “Look at you,” he says to the
|
|
|
|
|
child as he scoops it up. “Who would throw you away? A
|
|
|
|
|
perfectly good baby!” He stands and bounces the child. “A
|
|
|
|
|
sweet little melon rind is what you are. Ha! Very well. Come,
|
|
|
|
|
Rind, we have work to do.”</p>
|
|
|
|
|
<p>The assassin, child in his arms, walks back toward the
|
|
|
|
|
city.</p>
|
|
|
|
|
<p>~</p>
|
|
|
|
|
<p>In the aftermath, Agent 5 is found down by the docks. They
|
|
|
|
|
clearly struggled in death. The assassin blamed him for
|
|
|
|
|
Popplewick’s death and the widow’s weakness.</p>
|
|
|
|
|
<p>Down in the sewers, two tiny mittened hands reach up and
|
|
|
|
|
awkwardly turn the doorknob to Alex’s hideout. The bolt clears
|
|
|
|
|
the latch with a faint click. Two tiny cloth hands struggle
|
|
|
|
|
against the heavy iron door, pushing it slowly open, inch by
|
|
|
|
|
inch. A mechanism clicks inside and there is a whoosh of air
|
|
|
|
|
and then a boom as the bunker violently ignites. The tiny
|
|
|
|
|
figure is incinerated, and blown back into the sewer
|
|
|
|
|
tunnel.</p>
|
|
|
|
|
<p>Gliftwirp steps forward into the light of the blaze and
|
|
|
|
|
crouches down by the tiny figure. He picks it up, a tattered
|
|
|
|
|
and burned bundle of cloth. “Look, Rind,” he says to the small
|
|
|
|
|
child standing at his elbow. “You must always acknowledge and
|
|
|
|
|
be grateful for those who sacrifice for you.” He starts to
|
|
|
|
|
untie and unfold the cloth puppet as he speaks. It unfurls and
|
|
|
|
|
smooths out and stitches itself back together under his touch.
|
|
|
|
|
Even the burn marks fade, and soon Gliftwirp is once again
|
|
|
|
|
holding his red sash.</p>
|
|
|
|
|
<p>“Now, Rind,” he says standing up and taking the child’s
|
|
|
|
|
hand, squinting into the fire. “Let’s see what we can salvage
|
|
|
|
|
here.”</p>
|
2023-01-31 00:25:44 +00:00
|
|
|
|
<p>WHAT DO YOU DO</p>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<ul>
|
|
|
|
|
<li>The time of the ritual is at hand.</li>
|
|
|
|
|
<li>What final preparations do you make before entering
|
|
|
|
|
Dreamspace?</li>
|
|
|
|
|
</ul>
|
2023-01-31 00:25:44 +00:00
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
2023-01-04 15:19:13 +00:00
|
|
|
|
<item>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<title>60</title>
|
2023-01-04 15:19:13 +00:00
|
|
|
|
<author>dozens@tilde.team (dozens)</author>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
2023-02-13 20:18:09 +00:00
|
|
|
|
-0700</guid>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<description>
|
|
|
|
|
<![CDATA[
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<h3 id="00060">00060</h3>
|
2023-02-13 20:41:30 +00:00
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Alex takes inventory of himself, this dream world is
|
|
|
|
|
definitely strange, but fortunately its decided to provide him
|
|
|
|
|
with his impecable fashion, trench coat and all. Unfortunately
|
|
|
|
|
the same can’t be said for his roguish good looks, as he’s
|
|
|
|
|
found himself 6 arms heavier, and a bit more octopus-y than he
|
|
|
|
|
remembers.</p>
|
|
|
|
|
<p>Nontheless this doesn’t appear to be much of an impediment,
|
|
|
|
|
and he promptly moves on with assessing the situation.</p>
|
|
|
|
|
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
|
|
|
|
terrible at fetching acrons, and at any rate, I have a
|
|
|
|
|
dreadfully important meeting across town.” turning to address
|
|
|
|
|
Inky, “We need to make a break for it, what’d the witch tell
|
|
|
|
|
you? Envision our goal or something? This is really a little
|
|
|
|
|
outside of my realm of mechanical magic expertise..
|
|
|
|
|
unless..”</p>
|
|
|
|
|
<p>Alex makes a gesture with his tentacles in the area and a
|
|
|
|
|
terminal prompt appears before him. His tentacles work at
|
|
|
|
|
blinding speed at the digital window, a quick bypass there, a
|
|
|
|
|
root access escalation there.</p>
|
|
|
|
|
<p>“Looks like this whole place runs on Linux, it’s an older
|
|
|
|
|
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
|
|
|
|
needed. Here I’m giving us sudo access, should we need
|
|
|
|
|
it.”</p>
|
|
|
|
|
<p>“Oh and squirrel, here’s your acorns”</p>
|
|
|
|
|
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
2023-02-13 20:41:30 +00:00
|
|
|
|
</blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>It takes Alectopus a couple tries, but he gets it. First he
|
|
|
|
|
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
|
|
|
|
the <em>chipmunk</em> instead of to the squirrel.</p>
|
|
|
|
|
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
|
|
|
|
squeals in delight.</p>
|
|
|
|
|
<p>In the distance, far below you, you hear the anguished yell
|
|
|
|
|
of what can only be a Red Squirrel whose giant stash of acorns
|
|
|
|
|
has just vanished.</p>
|
|
|
|
|
<p>The chipmunk rubs its hands together gleefully and starts
|
|
|
|
|
scooping up acorns by the armful and shoving them into its
|
|
|
|
|
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
|
|
|
|
says around a mouthful of nuts. “Here…” It tosses you a large
|
|
|
|
|
square silver coin with a round hole drilled in the center. On
|
|
|
|
|
one side is the number twenty-one next to a picture of a
|
|
|
|
|
curved, short-handled sickle. On the other side is the number
|
|
|
|
|
five and a picture of a flail.</p>
|
|
|
|
|
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
|
|
|
|
I have,” it apologizes as it scampers off, no doubt to hide
|
|
|
|
|
its nuts. Hopefully somewhere more secure this time.</p>
|
|
|
|
|
<p>If you hold the coin up to your eye and peer through the
|
|
|
|
|
hole, you see the dreamscape before you as though looking
|
|
|
|
|
through a cloudy film. All the same stuff is there, but it’s
|
|
|
|
|
hazy and shadowy.</p>
|
|
|
|
|
<p>Standing a fair distance from you on the branch, just out
|
|
|
|
|
of hailing distance, is a tall figure cloaked in black robes.
|
|
|
|
|
Dark shadows pool restlessly around its feet. Occasionally the
|
|
|
|
|
shadows leap up and take the form of demons the like of which
|
|
|
|
|
words cannot describe, before falling and returning to shadow
|
|
|
|
|
once more. The figure wears a large spherical helmet of
|
|
|
|
|
obsidian-like glass. You can see constant flashes of a rainbow
|
|
|
|
|
of colors crackle and splinter along the inside of the helmet
|
|
|
|
|
like lightning, but illuminating nothing within. You feel
|
|
|
|
|
sickened at the sight, but at the edge of your mind you feels
|
|
|
|
|
a tug, a familiarity. Something about this character is
|
|
|
|
|
familiar to you, but you cannot place it.</p>
|
|
|
|
|
<p>When you lower the coin, the figure and the dark landscape
|
|
|
|
|
both disappear. When you raise it again, the distorted
|
|
|
|
|
landscape reappears but the figure is gone.</p>
|
|
|
|
|
<p>You notice a pair of large ravens watching you rather
|
|
|
|
|
intently from the branches below.</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<p>WHAT DO YOU DO</p>
|
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
|
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|
|
<item>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<title>61</title>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<author>dozens@tilde.team (dozens)</author>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
|
2023-01-04 15:19:13 +00:00
|
|
|
|
-0700</guid>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
|
2023-01-04 15:19:13 +00:00
|
|
|
|
<description>
|
|
|
|
|
<![CDATA[
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<h3 id="00061">00061</h3>
|
|
|
|
|
<p>Alex the Octopus and Inky the Noogle stand on a tree branch
|
|
|
|
|
as wide a street in the heart of the great white upside-down
|
|
|
|
|
forest.</p>
|
|
|
|
|
<p>A cry of anguish and anger echoes through the forest, and
|
|
|
|
|
the branches below you sway and rustle as something rises up
|
|
|
|
|
from the depths. You keep catching a glimpse of scarlet
|
|
|
|
|
between the silvery white leaves.</p>
|
|
|
|
|
<p>The large black ravens perched below you scream in
|
|
|
|
|
agitation and fly up past you to the thicker branches up
|
|
|
|
|
above, where they hop side to side and loudly scold and
|
|
|
|
|
protest the disturbance. A single black feather the length of
|
|
|
|
|
your hand settles to the ground at your feet, knocked loose
|
|
|
|
|
during their flight.</p>
|
|
|
|
|
<p>You finally see the fearsome beast crashing through the
|
|
|
|
|
branches below you. Its crazed, yellow eyes as large and round
|
|
|
|
|
as dinner plates, a great eight-legged rodent leaps from
|
|
|
|
|
branch to branch as it swiftly ascends. It is a bloody,
|
|
|
|
|
crimson red. Its long tufted ears lay flat against its
|
|
|
|
|
elongated, grinning skull. Its ribbon-like tail twitches as it
|
|
|
|
|
trails along behind it like a river of blood. It cries out
|
|
|
|
|
again in anger, showing its overgrown incisors, and grinds and
|
|
|
|
|
gnashes its back teeth.</p>
|
|
|
|
|
<p>Its eyes bore into you with wild fury and blind madness as
|
|
|
|
|
it climbs.</p>
|
|
|
|
|
<p>“She’s not herself,” sighs the chipmunk, suddenly at your
|
|
|
|
|
side once more. When you look down at the chipmunk, however,
|
|
|
|
|
it has suddenly turned into a small featureless black turtle
|
|
|
|
|
with a sticky sweet roll instead of a shell. Its smooth little
|
|
|
|
|
head pokes timidly out of the roll.</p>
|
|
|
|
|
<p>“The Red Squirrel,” laments the turtle. “She’s being ridden
|
|
|
|
|
by a ghost. An angry ghost who isn’t from here. Somebody left
|
|
|
|
|
the door open, and it blew in on the breeze.” The turtle’s
|
|
|
|
|
voice trails off until its final words are barely a
|
|
|
|
|
whisper.</p>
|
|
|
|
|
<p>You can still feel two currents tugging at you and trying
|
|
|
|
|
to pull you under. One inward toward your host’s deep, core
|
|
|
|
|
memories. And the second pulling you outward toward the Sea of
|
|
|
|
|
Dreams.</p>
|
|
|
|
|
<p>You have but a moment before the Red Squirrel is upon
|
|
|
|
|
you.</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<p>WHAT DO YOU DO</p>
|
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
|
|
|
|
<item>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<title>54</title>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<author>dozens@tilde.team (dozens)</author>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<guid isPermaLink="false">54 - Tue, 03 Jan 2023 16:12:08
|
2023-02-13 20:18:09 +00:00
|
|
|
|
-0700</guid>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<pubDate>Wed, 04 Jan 2023 08:18:44 -0700</pubDate>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<description>
|
|
|
|
|
<![CDATA[
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<h3 id="00054">00054</h3>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Once back in the Milk Bar, with the airship safely anchored
|
|
|
|
|
to the roof of the building, Alex finds himself amongst the
|
|
|
|
|
old belongings of his former uncle.</p>
|
|
|
|
|
<p><em>sigh</em> “Best get a request to HQ for this airship,
|
|
|
|
|
maybe they’ll let us operate it for a bit, if not I suppose we
|
|
|
|
|
have to impound it..”</p>
|
|
|
|
|
<pre><code><- OP 2817 * LOC MB-A
|
|
|
|
|
-> OP 25120 * LOC ESPER
|
|
|
|
|
|
|
|
|
|
CLEARANCE: INFORMATIONAL
|
|
|
|
|
REQUEST ENCLOSED.
|
|
|
|
|
|
|
|
|
|
REQUESTING PERMISSION TO IMPOUND OR OPERATE.
|
|
|
|
|
ONE CYBERPLASM AIRSHIP "The Rusty Maiden"</code></pre>
|
|
|
|
|
<p>“There’s also the matter of this little hemogoblin..” Alex
|
|
|
|
|
mutters to himself while said hemogoblin happily dances around
|
|
|
|
|
the room, dripping little pools of blood hither and
|
|
|
|
|
tither.</p>
|
|
|
|
|
<pre><code><- OP 2817 * LOC MB-A
|
|
|
|
|
-> OP 41154 * LOC ESPER
|
|
|
|
|
|
|
|
|
|
CLEARANCE: TOP SECRET
|
|
|
|
|
REQUEST ENCLOSED
|
|
|
|
|
PACKET ENCLOSED
|
|
|
|
|
|
|
|
|
|
REQUESTING ANALYSIS
|
|
|
|
|
ONE GDB @gdb-readout.dat
|
|
|
|
|
TWO BLOOD @blood-soaked-handkerchief
|
|
|
|
|
NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
|
|
|
|
<p>“Hey little guy, lets go get an empanade. Inky says they’re
|
|
|
|
|
divine.” Alex says as he scoops up the little goblin and
|
|
|
|
|
gently carries him downstairs.”</p>
|
|
|
|
|
<p>Striding into Enriques kitchen, and availing himself to the
|
|
|
|
|
empanadas, ignoring an indignant Enrique’s protests that these
|
|
|
|
|
were for paying customers until a small bag of coins is tossed
|
|
|
|
|
careless over one shoulder. Alex stride through the kitchen
|
|
|
|
|
and then out and away into the garden to enjoy their pilfered
|
|
|
|
|
treats.</p>
|
|
|
|
|
<p>“I suppose this is more interesting than being on the force
|
|
|
|
|
at times”</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
</blockquote>
|
|
|
|
|
<p>~</p>
|
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Inky stepped into the toques’ cabin below deck with a tray
|
|
|
|
|
of turmeric ginger tea and lavender biscuits. After checking
|
|
|
|
|
on Bread’s bandages and offering the toque reclined on the
|
|
|
|
|
berth the last bag of mango croutons — or at least the last
|
|
|
|
|
one for the next two hours — Inky perched on a wooden barrel
|
|
|
|
|
across from where Confidence sat on a creaking old chair next
|
|
|
|
|
to the bunk and spoke. “We’ll be landing in about an hour and
|
|
|
|
|
getting Bread to a medical facility. You can stay with him
|
|
|
|
|
while he heals and rest up.”</p>
|
|
|
|
|
<p>They paused to take a long sip from their cup, as if the
|
|
|
|
|
liquid was being used to summon their next words. “On behalf
|
|
|
|
|
of myself and the party, I apologise for the … disruption, and
|
|
|
|
|
for what had befallen the hotelier. As you may have already
|
|
|
|
|
noticed, we’re a fair distance away from the Peak and will be
|
|
|
|
|
arriving in Vay’Nullar soon. This airship was taken over from
|
|
|
|
|
the cyberplasms in the course of getting the crystal out and
|
|
|
|
|
the injured to a safe location, and her new captain could
|
|
|
|
|
hardly fly it back straight into the pirates’ hands now.</p>
|
|
|
|
|
<p>What we propose is this: you and Bread may take as long as
|
|
|
|
|
you need to recover. We can arrange for lodgings and new posts
|
|
|
|
|
in the city. One of our party runs a Milk Market that could
|
|
|
|
|
certainly use some hired help, and a garden in the back that
|
|
|
|
|
would benefit from more attention. Pay will be double your
|
|
|
|
|
current salary at the hotel. Master Alex may also recruit you
|
|
|
|
|
for other tasks. You don’t need to have an answer just yet —
|
|
|
|
|
think on it for a bit while you rest and let us know.
|
|
|
|
|
Afterwards, if you find that you still wish to return to
|
|
|
|
|
Kelsun Peak, we will pay for travel.”</p>
|
|
|
|
|
<p>Inky winked at Bread conspiratorially. “You may be
|
|
|
|
|
interested to know there is a bakery on the Milk Market’s
|
|
|
|
|
first floor. If you like the look of the place, perhaps we can
|
|
|
|
|
convince the chef to take on an assistant.”</p>
|
|
|
|
|
<p>~</p>
|
|
|
|
|
<p>Tess watched her adviser from her position on one end of
|
|
|
|
|
the plush chaise lounge in her office, who returned her stare
|
|
|
|
|
impassively as they sat in the adjoining armchair to her
|
|
|
|
|
right. The ornate coffee table before them had been laid out
|
|
|
|
|
for tea, but the other cup remained untouched, which was in
|
|
|
|
|
itself unusual. Ink rarely turned down tea when it was
|
|
|
|
|
offered, which likely meant they were preoccupied with
|
|
|
|
|
something they were unwilling to discuss. This had been
|
|
|
|
|
happening more frequently since their plans to intercept the
|
|
|
|
|
Ginnarak Crystals, which was a little concerning, but she knew
|
|
|
|
|
it would be no use to question them directly. The missive she
|
|
|
|
|
had received this time through Piskin’s people was brief,
|
|
|
|
|
almost annoyingly so, but they had returned earlier than
|
|
|
|
|
expected with the articles that production had requested,
|
|
|
|
|
which had fortunately made up for lost time from the previous
|
|
|
|
|
delays.</p>
|
|
|
|
|
<p>With this in mind, she settled on a lighter note as she
|
|
|
|
|
picked up her own teacup. “Salvia passed on the items to the
|
|
|
|
|
production team. Thank you for picking them up from the
|
|
|
|
|
Runesocesius. I would send my regular couriers but they are
|
|
|
|
|
tied up with another event. One of them had to care for their
|
|
|
|
|
sick child and couldn’t leave the city. As usual, time and
|
|
|
|
|
discretion are of the essence.”</p>
|
|
|
|
|
<p>When her adviser only nodded, she continued. “How is he? He
|
|
|
|
|
probably insisted on bringing the manuscripts out for you
|
|
|
|
|
himself. The man is cautious with valuables.”</p>
|
|
|
|
|
<p>“Quite dead but managing, or so I heard.” Ink intoned
|
|
|
|
|
drily.</p>
|
|
|
|
|
<p>Tess caught on immediately. “Didn’t you meet with him? The
|
|
|
|
|
message only mentioned the items had been obtained. Did
|
|
|
|
|
something happen?”</p>
|
|
|
|
|
<p>The imp shrugged. “We met, I delivered the letter and
|
|
|
|
|
collected the items. We didn’t get a chance to talk.”</p>
|
|
|
|
|
<p>The hotel was slowly but steadily attracting visitors
|
|
|
|
|
again, especially after their last play had prominently
|
|
|
|
|
featured the Runesocesius Library as a research partner in the
|
|
|
|
|
programme credits, but Tess didn’t think the hotelier was so
|
|
|
|
|
busy as to entrust this task to one of his underlings. The man
|
|
|
|
|
was proud of the first editions the library had amassed, and
|
|
|
|
|
the notebooks of Lucidieau that the playwright sought as a
|
|
|
|
|
reference were no doubt counted among the treasures, even if
|
|
|
|
|
only an expensive commissioned facsimile was permitted out of
|
|
|
|
|
the library. Something had happened, she was sure, but decided
|
|
|
|
|
not to press further for the moment.</p>
|
|
|
|
|
<p>“And the other matter?” she asked.</p>
|
|
|
|
|
<p>“Someone already knew the crystal was at the hotel and
|
|
|
|
|
retained a crew of cyberplasmic pirates to storm the place.”
|
|
|
|
|
Ink replied flatly. “And yes, your acquaintance is very much
|
|
|
|
|
dead, shot by the crew leader in the scuffle. As the rumour
|
|
|
|
|
rags have it, his ghost is now overseeing the building
|
|
|
|
|
repairs.”</p>
|
|
|
|
|
<p>Tess was about to admonish the imp gently for the tasteless
|
|
|
|
|
jest when there was a knock at the door. At her response, the
|
|
|
|
|
door opened and her secretary entered with a box of pastries
|
|
|
|
|
and two sets of tableware, which she placed on the coffee
|
|
|
|
|
table before leaving and closing the door behind her.</p>
|
|
|
|
|
<p>Noticing Ink’s look of recognition, Tess smiled and
|
|
|
|
|
ventured, “This is the second time is as many months you
|
|
|
|
|
awarded that empanada place a glowing review in <em>The Tiny
|
|
|
|
|
Toaster</em>. I can count the ratings higher than a 10 you’ve
|
|
|
|
|
ever given on one hand — of course I had to try it. Why don’t
|
|
|
|
|
you have some as well?”</p>
|
|
|
|
|
<p>Ink blinked. “I didn’t write the latest review.”</p>
|
|
|
|
|
<p>Tess shot them an accusing mock-glare as she lifted a puffy
|
|
|
|
|
golden brown pastry onto a plate. “It has your inkprints all
|
|
|
|
|
over it.”</p>
|
|
|
|
|
<p>“I don’t know what you mean. Surely I’m allowed to treat a
|
|
|
|
|
colleague to lunch, and they are free to express their
|
|
|
|
|
satisfaction with a meal openly if they wish,” Ink replied
|
|
|
|
|
smoothly.</p>
|
|
|
|
|
<p>Tess rolled her eyes. “There’s a name for that. It’s called
|
|
|
|
|
bribery.”</p>
|
|
|
|
|
<p>Ink smiled faintly. “Just so. However, the selection speaks
|
|
|
|
|
for itself.”</p>
|
|
|
|
|
<p>“Oh, absolutely! These mini ambrose apple empanadas are
|
|
|
|
|
wonderful. In fact,” Tess prodded the open end of the pastry
|
|
|
|
|
with her fork, where a light yellow filling was visible, “they
|
|
|
|
|
remind me a little of the very crispy tortelli
|
|
|
|
|
<em>someone</em> made several years ago just for the opening
|
|
|
|
|
reception of <em>The Two Genteelkin of Virdantha</em>.”</p>
|
|
|
|
|
<p>“Any resemblance is coincidental. The chef is very
|
|
|
|
|
capable.” Ink said evenly.</p>
|
|
|
|
|
<p>Tess sighed and returned her plate to the table. “We’ve
|
|
|
|
|
talked about this before, Ink. You don’t have to hole up in
|
|
|
|
|
some poor scrub’s excuse for a kitchen in a closet. If you
|
|
|
|
|
need more room downstairs then expand it. Just tell Salvia and
|
|
|
|
|
she’ll take care of it.”</p>
|
|
|
|
|
<p>Ink lowered their gaze to the teacups. “I appreciate the
|
|
|
|
|
offer, but the answer is the same. There will be no rest until
|
|
|
|
|
the crystals are secured.”</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
</blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Some time passes.</p>
|
|
|
|
|
<p>The hemogoblin turns out to be a fine housemate and less of
|
|
|
|
|
a problem than you thought it would be. Be it because its not
|
|
|
|
|
in the excitement of battle onboard a pirate ship, or be it
|
|
|
|
|
because it is maturing slightly, it seems in better control of
|
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|
|
|
its blood sacs. Barring a few small accidents, it doesn’t make
|
|
|
|
|
much of a mess. It has found and claimed as its own a few
|
|
|
|
|
unused blankets, and has made a little burrow nest in an out
|
|
|
|
|
of the way corner behind the furniture.</p>
|
|
|
|
|
<p>Bread makes a full recovery and in fact is doing better
|
|
|
|
|
than ever before. The blood goblin stays by their side during
|
|
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|
|
the first hours and days and keeps them pumped full of clean,
|
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|
|
|
synthetic blood. Afterwards the toque is flushed a healthy
|
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|
|
pink and has new vigor. Enrique takes them under his tutelage.
|
|
|
|
|
And Bread ends up making a fine baker’s apprentice. Dough
|
|
|
|
|
seems to rise more and quicker after he kneads it. “The lad
|
|
|
|
|
has solar hands,” Enrique boasts of his new protegee.</p>
|
|
|
|
|
<p>Confidence becomes enthralled with the semi-sentient
|
|
|
|
|
Wandering Bazaar. The thirteen story building moves with
|
|
|
|
|
glacial speed up and down the streets, vendors and stalls and
|
|
|
|
|
shoppers following in its wake. But then also it will
|
|
|
|
|
disappear in the blink of an eye only to reappear in a totally
|
|
|
|
|
different part of the area known as the Wandering Bazaar
|
|
|
|
|
District. Each floor of the tall, narrow tower is occupied
|
|
|
|
|
entirely by a single shop. But which shop it is seems to vary
|
|
|
|
|
from day to day. One day the seventh level will be occupied by
|
|
|
|
|
Fedik’s Butcher shop. And the next, Lario’s Bakery. It might
|
|
|
|
|
be days or weeks before one can once again buy hotlinks from
|
|
|
|
|
Fedik’s. Where the shops go when they’re not here is one of
|
|
|
|
|
Basmentaria’s great mysteries.</p>
|
|
|
|
|
<p>The toque studies the Bazaar’s movements and are able to
|
|
|
|
|
predict its route with more and more accuracy. They become a
|
|
|
|
|
highly sought out guide. Tourists and visitors trust them to
|
|
|
|
|
take them to the very spot the Bazaar will appear that day.
|
|
|
|
|
Residents appreciate the heads up and not getting trapped in
|
|
|
|
|
their houses when the Bazaar wedges its way into their narrow
|
|
|
|
|
residential streets, blocking their front doors. And owners of
|
|
|
|
|
traditional, less ambulatory shops are able to plan ahead for
|
|
|
|
|
the crowds that will appear on “Bazaar Day”.</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<p>~</p>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Members of the Retrieval Team who sleep in Milk Market HQ
|
|
|
|
|
start having dreams of the same mysterious figure. Of course
|
|
|
|
|
at first nobody knows their dreams are shared by the others.
|
|
|
|
|
Not until they become more frequent, more regular. By the time
|
|
|
|
|
the figure has visited you every night for nearly a week,
|
|
|
|
|
somebody speaks up and you realize the coincidence.</p>
|
|
|
|
|
<p>The figure is clad in voluminous robes of deep purple.
|
|
|
|
|
Long, straight, blonde hair falls around their shoulders.
|
|
|
|
|
Their soft features are boyish and womanly. They wear a golden
|
|
|
|
|
circlet on their head and a golden eye in the middle of their
|
|
|
|
|
forehead. Their passive, neutral face betrays no emotion the
|
|
|
|
|
entire time.</p>
|
|
|
|
|
<p>The dream is always the same. They reach out to you with
|
|
|
|
|
one hand and turn their palm up. And because of dream logic,
|
|
|
|
|
in the palm of their hand you can hear the jingling of coins,
|
|
|
|
|
mirthful laughter, and hushed stories told around a campfire.
|
|
|
|
|
They curl their fingers into a loose first and the sounds
|
|
|
|
|
stop. They spread their arms wide and in the folds of their
|
|
|
|
|
robes you can see three siblings fighting, squabbling over a
|
|
|
|
|
broken loom.</p>
|
|
|
|
|
<p>Then you’re standing next to them, and the two of you watch
|
|
|
|
|
three friends, Snake, Owl, and Dolphin. Owl tells Snake that
|
|
|
|
|
he is tired of flying and hooting, and doesn’t want to be an
|
|
|
|
|
owl any more, he wants to be flowers. And Snake laughs and
|
|
|
|
|
tells him that he is Owl, and an owl he must remain. And she
|
|
|
|
|
leaves him to go eat rodents and bake in the sun. So Owl tells
|
|
|
|
|
Dolphin that he is tired of flying and hooting, and doesn’t
|
|
|
|
|
want to be an owl any more, he wants to be flowers. Dolphin
|
|
|
|
|
doesn’t want to help Owl, because if he is flowers, they won’t
|
|
|
|
|
be able to be together any longer. But Dolphin finally agrees
|
|
|
|
|
to help even though they don’t want to, because Dolphin loves
|
|
|
|
|
Owl. With all their strength, they create a great waterspout
|
|
|
|
|
that will turn Owl into flowers. But the waterspout is too
|
|
|
|
|
strong, and Dolphin is too weak to control it. It sprays Owl
|
|
|
|
|
but does not turn him into flowers. Owl’s wing is broken and
|
|
|
|
|
he falls to the ground in a heap of feathers. The waterspout
|
|
|
|
|
shakes a great boulder from the earth and traps Snake under
|
|
|
|
|
it. And Dolphin sinks to the bottom of the sea.</p>
|
|
|
|
|
<p>And then you wake up.</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<p>~</p>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Later you find a letter in the common area of Milk Market
|
|
|
|
|
HQ. It is not addressed to anybody. When you open it up, it
|
|
|
|
|
reads:</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>Time is running out, Retrieval Team 43. Things are starting
|
|
|
|
|
to draw to a close. We cannot delay our meeting any longer if
|
|
|
|
|
we both are to achieve our goals. We have information that you
|
|
|
|
|
are looking for. Meet us at the Harpoon Club next Selday. We
|
|
|
|
|
will wear the sign.</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
</blockquote>
|
2023-02-16 00:56:00 +00:00
|
|
|
|
<p>The letter is signed with a white iris and golden
|
|
|
|
|
apple.</p>
|
|
|
|
|
<p>Anyone in Vay’Nullar would be able to tell you that the
|
|
|
|
|
Harpoon Club is a game room and fine dining club, and one of
|
|
|
|
|
the rotating tenants of the Wandering Bazaar. But Confidence
|
|
|
|
|
would tell you, were you to ask them, that the club won’t be
|
|
|
|
|
there next Selday. (When the Bazaar will appear at East and
|
|
|
|
|
Lowland.) It is in fact not scheduled to appear until a week
|
|
|
|
|
and a half after next Selday, on Third Tensday. (When the
|
|
|
|
|
Bazaar will appear at Cathedral and Pine.)</p>
|
2023-02-13 20:18:09 +00:00
|
|
|
|
<p>WHAT DO YOU DO</p>
|
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
2023-01-15 17:56:19 +00:00
|
|
|
|
<item>
|
|
|
|
|
<title>55</title>
|
|
|
|
|
<author>dozens@tilde.team (dozens)</author>
|
|
|
|
|
<guid isPermaLink="false">55 - Thu, 05 Jan 2023 08:21:34
|
|
|
|
|
-0700</guid>
|
|
|
|
|
<pubDate>Thu, 05 Jan 2023 08:21:34 -0700</pubDate>
|
|
|
|
|
<description>
|
|
|
|
|
<![CDATA[
|
|
|
|
|
<h3 id="00055">00055</h3>
|
|
|
|
|
<blockquote>
|
|
|
|
|
<p>The nibs had disappeared.</p>
|
|
|
|
|
<p>Inky had spotted the small ceramic and wicker teapot among
|
|
|
|
|
a long row of boxes and bowls at the antique shop on the
|
|
|
|
|
thirteenth floor of the Wandering Bazaar while looking for a
|
|
|
|
|
Near-weightless Verifying Matter enclosure (NVMe) to their
|
|
|
|
|
Handy Duffer Discette as a primary storage. The witch
|
|
|
|
|
shopkeeper, Agate, had helpfully mentioned the teapot could be
|
|
|
|
|
used to steep very acidic or alkaline solutions, as well as
|
|
|
|
|
distil solubles. The box it was subsequently packed in did not
|
|
|
|
|
include instructions on activating the precipitation feature.
|
|
|
|
|
With the shop not returning for another week by Confidence’s
|
|
|
|
|
reckoning, Inky had used the teapot in the meantime to rinse
|
|
|
|
|
off any impurities from an old set of nibs — the very first
|
|
|
|
|
functional set they had made as an apprentice inkling — except
|
|
|
|
|
the nibs were nowhere to be found when they poured out the
|
|
|
|
|
citronella solution and removed the lid. Inky supposed it was
|
|
|
|
|
to be expected — some witches liked to go on about equal
|
|
|
|
|
payment for wishes, as if it were as easy as reading off a
|
|
|
|
|
price tag, and it was difficult to stay irritated at a cute
|
|
|
|
|
teapot for long. Inky wrote it off as a gift for what would
|
|
|
|
|
hopefully thereafter be a cutely functional teapot. The shop
|
|
|
|
|
had a no-refunds policy.</p>
|
|
|
|
|
<p>Then came the dream. At first Inky had attributed them to
|
|
|
|
|
reading the book on the mythology of The Trine that they had
|
|
|
|
|
slipped out of the Runesocesius Library, along with an obscure
|
|
|
|
|
cactus leather-bound manuscript containing first-hand accounts
|
|
|
|
|
of the Artifice Wars. When the dream repeated itself on the
|
|
|
|
|
third night, Inky suspected it had something to do with the
|
|
|
|
|
crystals under the Milk Market’s roof. While not horrifically
|
|
|
|
|
bloody in the way Master Corraidhín’s description of the
|
|
|
|
|
vision he had from the first crystal had been, it was
|
|
|
|
|
haplessly boring when lucid intervention didn’t seem to have
|
|
|
|
|
any effect. It ran on like a low-budget B-Grade play that had
|
|
|
|
|
only three scenes with a few props each. By the fourth night,
|
|
|
|
|
the dream had become worse than a nib-nibbling teapot that
|
|
|
|
|
they stayed up entire nights for the rest of that week while
|
|
|
|
|
they were camping at the Milk Market.</p>
|
|
|
|
|
<p>It was mostly an excuse to drop into the kitchens
|
|
|
|
|
downstairs — which they could now enter on the pretext of
|
|
|
|
|
visiting Bread to observe the apprentice’s progress — in the
|
|
|
|
|
early morning hours and push new tea blends onto its
|
|
|
|
|
unfortunate occupants. Most of the three dozen or so infusions
|
|
|
|
|
had been full of fruits and spices, six of which would go well
|
|
|
|
|
with items on the empanada shop’s current menu. A handful were
|
|
|
|
|
medicinal after procuring a herb illustrated on one
|
|
|
|
|
moth-bitten page snatched on the hotel steps back on the Peak.
|
|
|
|
|
A few others were teas in the loosest sense of the word. These
|
|
|
|
|
were as tasteless and colourless as tap water, only the scent
|
|
|
|
|
offering a faint clue as to their ingredients. They had other
|
|
|
|
|
applications, least of which was in a prank on one empanada
|
|
|
|
|
chef. (Inky left him a box of zephyl tea — another Kelsun Peak
|
|
|
|
|
speciality besides mulled wine — before he could too riled up,
|
|
|
|
|
though.)</p>
|
|
|
|
|
<p>The note left at the Milk Market was the black cherry atop
|
|
|
|
|
the hassle cake. Confidence was fairly sure that the fine
|
|
|
|
|
establishment mentioned in the note wouldn’t appear on the day
|
|
|
|
|
indicated. Couldn’t “Mother” have chosen to meet somewhere a
|
|
|
|
|
little more convenient? So it was that despite the shop having
|
|
|
|
|
a no-refunds policy, or because of it, Inky found themselves
|
|
|
|
|
returning to the antique shop inside the Wandering Bazaar a
|
|
|
|
|
week later looking for another item. “Do you sell flight
|
|
|
|
|
vessels that could transport people to and from specific
|
|
|
|
|
places … such as the Harpoon Club?” they asked the witch.</p>
|
|
|
|
|
</blockquote>
|
|
|
|
|
<p>You and the witch go back and forth a few times before she
|
|
|
|
|
realizes that you want to visit a place where it is when it
|
|
|
|
|
isn’t there.</p>
|
|
|
|
|
<p>“Transdimensional extratemporal colocation?” Agate claps
|
|
|
|
|
her hands in delight. “This is going to be fun! A witchy
|
|
|
|
|
problem wants a witchy solution. That’s what my Auntie
|
|
|
|
|
Tenfingers always said!”</p>
|
|
|
|
|
<p>“Why bother with flying contraptions when you yourself are
|
|
|
|
|
a perfectly adequate vessel? I’m going to prescribe you a
|
|
|
|
|
dream ritual,” she says, scribbling in a notebook. “It’s
|
|
|
|
|
complex. But only because it’s a lot of steps. And the timing
|
|
|
|
|
is kind of particular in a couple places. But if you follow
|
|
|
|
|
the directions, you shouldn’t have any trouble.” She rips the
|
|
|
|
|
page out of the notebook and hands it you.</p>
|
|
|
|
|
<p>“Basically, you’ll enter a host’s dreams, and then delve
|
|
|
|
|
into the Collective Unconsciousness. From there you should be
|
|
|
|
|
able to find the Wandering Bazaar’s pocket dimension. Of
|
|
|
|
|
course you’ll need to find a guide to take you there. You’ll
|
|
|
|
|
have to find one in the Sea of Dreams.”</p>
|
|
|
|
|
<p>“And you’ll need this!” She ducks behind the counter and
|
|
|
|
|
reappears with a smoke-gray box bound with thick black ribbon.
|
|
|
|
|
It’s about as long as her forearm. She unwraps the box and
|
|
|
|
|
opens it and pulls out a thick, round candle. It is an
|
|
|
|
|
unhealthy, sickening translucent yellow. In the base of the
|
|
|
|
|
candle is a large, blackened, withered, and shriveled hand. It
|
|
|
|
|
is within and without the candle. As though it is grasping the
|
|
|
|
|
base of the candle, but also like it has been molded into the
|
|
|
|
|
candle on purpose. As though the hand is imprisoned in the
|
|
|
|
|
wax. You can just make out a hazy small round object in the
|
|
|
|
|
center of the candle through the wax. A large nut or marble.
|
|
|
|
|
The hand looks like it is reaching for it. The candle has been
|
|
|
|
|
burned down a fair bit. The wick is low and trimmed, and the
|
|
|
|
|
edges are black and warped where the fatty wax has melted and
|
|
|
|
|
hardened. You guess there’s only about two-thirds left of the
|
|
|
|
|
candle.</p>
|
|
|
|
|
<p>The witch measures down from the top of the candle with a
|
|
|
|
|
length of string and bores a small hole in its side. She
|
|
|
|
|
wedges a large nail into the hole, leaving half of it jutting
|
|
|
|
|
out. “A crude clock,” she winks at you. “Place the candle on a
|
|
|
|
|
hard metal plate. When it burns down enough for the wax here
|
|
|
|
|
to soften, the nail will fall out and strike the plate and
|
|
|
|
|
wake you up.”</p>
|
|
|
|
|
<p>She pushes it across the counter toward you and frowns.
|
|
|
|
|
“Eh, should be okay,” she shrugs. “But if at any point it
|
|
|
|
|
looks like the base gets soft enough that the hand might be
|
|
|
|
|
able to grasp the eye,” she cautions pointing toward the round
|
|
|
|
|
object in the center of the candle, “smash the thing. As hard
|
|
|
|
|
as you can. Destroy the hand, and run.”</p>
|
|
|
|
|
<p>“The rest of the instructions should be pretty self
|
|
|
|
|
explanatory!” she exclaims, perking up. “Let me know if you
|
|
|
|
|
have any questions!”</p>
|
|
|
|
|
<details>
|
|
|
|
|
<summary>
|
|
|
|
|
Ritual Details
|
|
|
|
|
</summary>
|
|
|
|
|
<figure>
|
|
|
|
|
<img src="https://tilde.town/~dozens/quest/ritual.png"
|
|
|
|
|
alt="ritual outline" />
|
|
|
|
|
<figcaption aria-hidden="true">ritual outline</figcaption>
|
|
|
|
|
</figure>
|
|
|
|
|
<p>Ritual Steps In Brief:</p>
|
|
|
|
|
<ol type="1">
|
|
|
|
|
<li><p>Find a volunteer to be the Dream Host.</p></li>
|
|
|
|
|
<li><p>Link your sanctum to the place where the Bazaar will be
|
|
|
|
|
on the appointed date. (You can’t just do your ceremony out in
|
|
|
|
|
the open in the middle of the street! Find somewhere you can
|
|
|
|
|
safely leave your bodies for a few hours.)</p></li>
|
|
|
|
|
<li><p>Draw a circle of salt.</p></li>
|
|
|
|
|
<li><p>At the appointed time, put the Dream Host in the
|
|
|
|
|
circle. Also the Travelers (you), the Dream Sigil, and the
|
|
|
|
|
Nyxmaer Candle.</p></li>
|
|
|
|
|
<li><p>Once the Host is asleep (Sleep spell not included),
|
|
|
|
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light the candle and enter the Host’s dream.</p></li>
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<li><p>Turn “away” from the dream, cross the Sea of Dreams to
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the Collective Unconsciousness.</p></li>
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<li><p>Find the Bazaar’s pocket dimension.</p></li>
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</ol>
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</details>
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<blockquote>
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<p>The day the letter arrived Alex was nowhere to be found. It
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was a bit strange, somewhat chilling even, that he’d disappear
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like that. Ever since they had arrived back at the Milk Maid
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he’d been seen skulking about his uncle’s study, or pacing the
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garden out back somewhat agitatedly. Unbeknownst to the party,
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Alex had anticipated the arrival of the letter, HQ had been
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following every lead they could pull in since he began with
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the Ginnarak recovery team. Not that they really had much to
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go off of, but the courier who left the letter wasn’t hard to
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track. That was, until he slipped inside one of the ever
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changing shops right as it was moving along.</p>
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<p>The trail went cold after that. Which meant Alex had to get
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it moving again, or at least the crumpled communique he’d
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received said as much. Things were moving too quickly to think
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too hard on the how, all that was needed was action, something
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drastic to flush things out.</p>
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<p>That’s why Alex finds himself on the east side of the
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market, skulk about the back alley behind The Temporal
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Cup.</p>
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<p>“Gotta get this shit ready, there’s no other options here”
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Alex thought to himself. He loathed this type of work, it was
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messy, abhorrently vile in his mind, but what choice did he
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have? His hands worked deftly at the wires in the small
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package hidden inside the recess of a loose brick. Once
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finished, the little packet came to life, muted lights
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blicking away happily as the brick slid back over it.</p>
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<p>This was the 3rd and final eavesdropping device, all placed
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at the busiest cafes in market, all rigged with self destruct
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mechanisms large enough to level the building if they’re
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found.. The eavesdropping Alex could abide by, but the wanton
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destruction for the sake of security was painful to
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swallow.</p>
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<p>But once again, it wasn’t much like Alex had a say in the
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matter. The first sign of objection, an inclination that he’d
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refuse orders, and they’d have an assassin on him before he
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could leave the alley. And if he took it out, they’d send
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double, there’d be no rest.</p>
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<p>— Later that day</p>
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<p>Alex watched twtxt feeds scroll through from his monitoring
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devices. Most of it unimportant gossip. So and so haves an
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affair, what’s for lunch, where to find good empanadas in the
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market, so on and so forth. An endless stream on the pulse of
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the market.</p>
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<p>It was errant curiosity to watch these, the Magic Lichen in
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the monitoring system was trained to hunt for any hint of what
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the courier was up to, any twinge from Blavin and his ilk.
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It’d send alerts straight to him as soon as something came up,
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but it was interesting to see the pulse of the city trail by.
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And what else could he do? It was too dangerous to go back to
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the Milk Maid, any hint he was there could blow his cover.
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Best to lay low for the time being, let the scrapers scrape
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and the agents comb the streets until they get a bead on their
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target.</p>
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</blockquote>
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<p>Milk Market HQ ought to be quiet. Alex has been
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conspicuously absent. Missing in action. Inky seems to be out
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making rounds delivering tea, or spending more time than usual
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at the empenadaria. So Milk Market HQ ought to be quiet.</p>
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<p>Instead, a certain young hemogoblin and a certain yellow
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duck (both of whom have yet to be named, by the way) are
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squealing as they rampage through the rooms on the top floor
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of the building, upsetting the furniture in their wake and in
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general making a huge mess.</p>
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<p>It took some coaxing on the hemogoblin’s part. The duck was
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determinedly uninterested in anything besides a soak in its
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tub and a nap on its cushion. And it did a good job of
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ignoring the persistent, pestering goblin for most of the
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|
afternoon. But jumping into a wooden tub full of blood cracked
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the foul’s disinterested facade. It gave furious chase to the
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goblin until the heat of the moment cooled down. At which
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point the two of them simply enjoyed the thrill of chasing
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each other through the apartments.</p>
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<p>Confidence is actually the first one to stumble across the
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|
carnage. They were just popping by to drop off some new
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pamphlets, but froze in the doorway when they saw the suite in
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disarray and the walls plastered with blood and feathers.
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“What the toque…” And then they quietly closed the door and
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left without going in after all.</p>
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<p>~</p>
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|
<p>Gliftwirp browses the stalls trailing behind the Wandering
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Bazaar. He is bare chested save for a sleeveless vest. He
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wears long, baggy, striped trousers bunched at the ankle, and
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a bright red sash tied loosely around his waist. He grins a
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wide, gap-toothed grin as he thumps a melon.</p>
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<p>“Look at the size of this melon! And perfectly ripe!” he
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|
beams at the stall vendor. “You’ll be here next week? With
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|
more like this?”</p>
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|
<p>Very few people would be able to tell Gliftwirp’s
|
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|
profession from his attire. For those who can, one look at his
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red sash would immediately cause them to give him a wide
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|
berth. Because Gliftwirp is a warpwefter. A master assassin
|
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|
trained in the ancient art of sarong-fu. That is, the deadly
|
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application of soft and flexible weapons. Whips, chains,
|
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|
garrotes, nunchucks. And most famously—and most
|
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|
effectively—sashes, sarongs, scarves, and the like. The saying
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|
goes that a clothed warpwefter is never unarmed. Nor even is a
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|
nude one if they can get their hands on <em>your</em> clothes.
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And a warpwefter can sneak their weapons into the most secure
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|
of locations.</p>
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|
<p>“I am a visitor here, and don’t know my way around,” he
|
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|
keeps up the small-talk with the vendor, having paid for the
|
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|
|
melon. “Do you know if there is a building around here called
|
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|
‘Milk Market?’ I’m supposed to meet someone there. No, they’re
|
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|
not expecting me. It’s going to be a surprise!”</p>
|
|
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|
|
<p>He grins his wide toothy grin.</p>
|
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|
<p>~</p>
|
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|
|
<p>The twtxt feed from the listening devices is dull and
|
|
|
|
|
quiet. The monitoring software is designed to only deliver
|
|
|
|
|
messages containing certain buzzwords. And those messages are
|
|
|
|
|
few and far between.</p>
|
|
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|
|
<p>You decide to tap into the unfiltered stream and let the
|
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|
|
endless waves of blather wash over you. It’s inane. Idle
|
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|
|
gossip and mindless chitter-chatter.</p>
|
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|
|
|
<p>After a day or two of this, you notice yourself getting
|
|
|
|
|
uncharacteristically agitated. You squint at the lines of
|
|
|
|
|
messages coming in and notice a few transposed characters in
|
|
|
|
|
some of them, forming new nonsensical words. A couple messages
|
|
|
|
|
are missing some whitespace, squishing words together in
|
|
|
|
|
maddening run-ons. Glitchy. There’s no reason the listening
|
|
|
|
|
devices should be returning errors like this.</p>
|
|
|
|
|
<p>Later still, the feeds have gotten worse. Some words seem
|
|
|
|
|
to be written backwards. Entire messages are garbled word
|
|
|
|
|
soup, devoid of any meaning or sense whatsoever. Some of the
|
|
|
|
|
timestamps are invalid datetimes. But you prefer them to the
|
|
|
|
|
ones that are valid, but which are stamped years ago. And you
|
|
|
|
|
far prefer them to the ones that are stamped far in the
|
|
|
|
|
future.</p>
|
|
|
|
|
<p>The anomalies are overall infrequent. On their own, they
|
|
|
|
|
don’t amount to much. And when you show them, nobody at HQ
|
|
|
|
|
gives you with much more than a slightly patronizing,
|
|
|
|
|
indulgent shrug. But the glitches shouldn’t be happening at
|
|
|
|
|
all, is the thing. And when you compile them all together, you
|
|
|
|
|
start to notice things. Patterns insinuating themselves,
|
|
|
|
|
maddeningly just short of reason or meaning. Like a song stuck
|
|
|
|
|
in your head when you can’t remember the lyrics or the melody.
|
|
|
|
|
But there’s something there nonetheless. The promise of
|
|
|
|
|
something, at least. Something bigger. A wide tapestry of
|
|
|
|
|
links and connections, wanting to be known.</p>
|
|
|
|
|
<p>There are names. Ellis, the lady in red who sits at the
|
|
|
|
|
center of a tangled web. Ousia, a sea of endless knowledge. A
|
|
|
|
|
sea of magic. The 215R Dude, a denizen of the other side who
|
|
|
|
|
can deliver you to its shores. Other strange beings who lurk
|
|
|
|
|
just out of sight, just beyond the veil of perception. The
|
|
|
|
|
veil that you are now beginning to pierce with the snippets
|
|
|
|
|
and snatches of information you pluck from your feeds.</p>
|
|
|
|
|
<p>You start to see signs of the veil elsewhere. Of the
|
|
|
|
|
conspiracy. Whatever. You can’t decide what to call it. Street
|
|
|
|
|
graffiti outside of a red spider spinning a red web. Phrases
|
|
|
|
|
like “215R” show up in random articles in the paper. As though
|
|
|
|
|
the secret world is trying to cross over. Or to draw you into
|
|
|
|
|
it.</p>
|
|
|
|
|
<p>WHAT DO YOU DO</p>
|
|
|
|
|
]]>
|
|
|
|
|
</description>
|
|
|
|
|
</item>
|
2022-07-26 22:08:23 +00:00
|
|
|
|
</channel>
|
|
|
|
|
</rss>
|