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src/epistolary/00061.md
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src/epistolary/00061.md
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src/epistolary/00062.md
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src/epistolary/00062.md
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src/epistolary/00063.md
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src/epistolary/00063.md
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src/epistolary/00064.md
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src/notes.md
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src/notes.md
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src/acknowledgements.md
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src/acknowledgements.md
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src/afterword.md
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src/afterword.md
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@ -5,7 +5,7 @@ TARGETS=$(patsubst %.7,%.txt,$(DOCS))
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# From .7 to .txt
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# From .7 to .txt
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.7.txt:
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.7.txt:
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mandoc -T utf8 $< > $@
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mandoc -T ascii $< > $@
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.PHONY: all
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.PHONY: all
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all: $(TARGETS)
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all: $(TARGETS)
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@ -0,0 +1,166 @@
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---
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title: 00064
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created: Wed, 15 Feb 2023 17:58:35 -0700
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updated: Wed, 15 Feb 2023 17:58:35 -0700
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public: yes
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syndicated: yes
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---
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### 00064 {#00064}
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Back at the fish market, Marvelo squints into the pouring rain and
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swears under his breath, frustrated at the limited visibility.
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His colleague is lying on the floor behind him in some kind of state
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of deeply altered consciousness, along with an inkling, a toque, and
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an owl. In fact, the only waking beings left inside the market are
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himself, a fluffy little duck, and a sticky hemogoblin.
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"I've seen stranger things," he shrugs and admits to himself.
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The duck and the goblin are both fluffed up and huddled up next to
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each other softly quacking and chirping to themselves.
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He pauses and holds his breath as something indistinct catches his
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attention. Years of training have produced an instinct he has learned
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not to question. It has saved his butt more times than he can count.
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Sometimes it screams at him and the danger is apparent. Like that
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time with the Permian Raiders off the southern tip of Harshwind
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Glade. Other times, such as this, all he gets is the vague feeling
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that something is off. He waits. He's been here before. His
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subconscious has spotted something, noticed some pattern that doesn't
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fit its surroundings. He knows if he's patient, his conscious mind
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will catch up and realize what it was.
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He squints out into the pouring rain. There! A flash of red close to
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the ground.
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"What in the world," he wonders as a small child wearing a bright red
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dress toddles into view. It looks up at him blankly as the rain beats
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down on its head and shoulders.
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"What are you doing out here, little guy? You're getting soaked!"
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Marvelo, concerned, rushes forward to comfort the child.
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> Inky gingerly takes the coin with both hands, small digits clamping
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> onto the straight edges. They look at the Twenty-one Fiver nestled
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> against the fuzzy outlines of one palm before peering up again at the
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> figure seated before them. "Thank you, Great Spirit." Inky says. "If
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> truly allowed to choose, then, this one accepts the price."
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>
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> They toss the coin up into the air. A beat, and they are hovering a
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> few feet above the tracks, between the fork and the oncoming train
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> with no walls. Inky watches as the child's body begins to shrink as
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> rapidly as the black uniform expands, the entire apparition thinning
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> and becoming translucent. The shirt continues to grow until the hem
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> brushes the train tracks and the collar peeks over the invisible tops
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> of the train, the trousers and shoes having been pushed into the
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> stones and earth below.
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>
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> A portal, the child's voice supplies distantly. At the back of their
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> awareness, Inky homes in on the coin as it continues to spin. When
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> the train thunders down upon the oversized shirt doorway-apparent,
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> they brace for the force of the impact. Instead, all they could feel
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> is a creeping weariness, like water draining through tea leaves in a
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> sieve, while being suddenly surrounded by and staring into a deep
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> reflectionless pool.
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>
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> Is it two to two, or two past eight, Inky wonders.
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>
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> The last thing within their consciousness is a gleam of silver as the
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> coin lands on one of its corners mid-spin, bounces off the small half
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> table and falls into the shadows.
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You sink into the dark reflectionless pool, letting its waters close
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over you and pull you under. You ponder its depths from within in its
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embrace, mindless of the passage of time.
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After a few minutes, or a few days, you notice faint light rising up
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here and there from below. Fuzzy, cobwebby human shapes float
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suspended in the waters. Some far away, distant as stars. Some drift
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close enough that you would be able to discern their features, if
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they had any.
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You realize all at once that these are the dream forms of sleeping
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Basmentarians everywhere, and that you are floating in Ousia, a
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solitary awakened dreamer in a literal sea of the passive slumbering.
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As though responding to your realization, the waters bear you up and
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you pierce the weak membrane between water and air. You float
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effortlessly and the gentle waves nudge you ever onward toward some
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unknown shore. Or merely farther out to sea. You're not sure.
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You continue to see the dreamers all around you. You watch curiously
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as you float by two that seem to have bumped into one another and
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fused together, their cobwebby bodies sprouting hard crystalline
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growths and spreading like creeping vines, forming a lattice and
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creating a small floating island.
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After a few hours, or a few weeks, you wash up on the beach of a
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large island. There is a steep rock, a pillar of a mountain, jutting
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straight up from the center of the island some distance ahead. And
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jutting from the pillar is a fractal structure of interconnected
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towers, all sprouting and branching from one large central tower. The
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top of the tower disappears far overhead, obscured by a rippling
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aurora of green and pink lights in the sky.
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Some distance down the beach, just out of hailing distance, a lone
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figure stands gazing at the sea, their back to the tower.
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The figure waits.
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The tower's strange geometry beckons.
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> Kasutva, how can I know that I can trust you? What do you gain in
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> helping me, and was there really no way for you to communicate with
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> me without beheading yourself? That seems a little bit distraughting.
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> Like, do you need a bandage or some headache medicine or something? I
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> feel like if I yanked my face off I'd need an ibuprofen. I have
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> some if you want? (alex rummages in a coat pocket and finds a bottle
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> of pain killers, and offers them to the being).
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>
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> Right anyways, answers questions. I'm looking for my Uncle first and
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> foremost. He dropped off the map a few days ago, and I can't find
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> hide nor hair of him. Then the murders started. Shit at HQ when wild,
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> hit the wall literally, and now I'm in some sort of fever dream
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> talking to what can only be a manifestation of my own subconscious, or
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> perhaps someone else's. Look. I need to get back to Inky, we're trying
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> to meet someone and we're running late, and in the scheme of things my
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> problems aren't so big if the world's going to end because some mad
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> hatter is after these blasted crystal's we've been collecting..
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Even as you speak, you notice the edges of Big Kasutva's "wounds"
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start to close until its flesh begins to once more envelop and
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enclose its face.
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The creature courteously accepts a few pills from you, but simply
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deposits them in its satchel.
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"No, it doesn't hurt us," say the two voices together. "And little
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matter if it did. It is necessary for us to speak."
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They listen to your story. Big Kasutva's voice starts to become
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muffled as its skin now grows over its mouth. Only its eyes are
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visible as the two of them continue. "If your Inky has come to this
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place, then there is only one place they can have gone." They gesture
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to the sea. "And that place is Ephemeris. The Heart of the Dreaming
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at the center of Ousia."
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Big Kasutva finally falls silent as it heals completely. It guides
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you to the shoreline, where a long pier has suddenly appeared.
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Mushroom Kasutva continues to speak for both of them.
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"We only ask to accompany you as you go. We wish to see Ephemeris
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ourselves. But we cannot abandon our post here on the dunes," it says
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looking at Big Kasutva. "And we," it says gesturing to itself, "are
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too small to brave the sea alone."
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Big Kasutva stops short of the end of the pier. The little mushroom
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hops right up to the edge and peers down at the water.
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"All that is left is to jump, Alex. And let the waters of Ousia bear
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you up and carry you to Ephemeris."
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It hops up to you and extends itself in a clear request, despite its
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lack of limbs, that it wants you to pick it up.
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WHAT DO YOU DO
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135
www/index.html
135
www/index.html
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@ -287,6 +287,7 @@
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<li><a href="#00061" id="toc-00061">00061</a></li>
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<li><a href="#00061" id="toc-00061">00061</a></li>
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<li><a href="#00062" id="toc-00062">00062</a></li>
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<li><a href="#00062" id="toc-00062">00062</a></li>
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<li><a href="#00063" id="toc-00063">00063</a></li>
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<li><a href="#00063" id="toc-00063">00063</a></li>
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<li><a href="#00064" id="toc-00064">00064</a></li>
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</ul></li>
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</ul></li>
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<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
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<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
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<li><a href="#appendix-a-dramatis-personae"
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<li><a href="#appendix-a-dramatis-personae"
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@ -360,11 +361,11 @@ into the <a href="#current-story">current story arc</a>.</p>
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you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
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you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
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the rss feed</a>.</p>
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the rss feed</a>.</p>
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<h2 id="stats">Stats</h2>
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<h2 id="stats">Stats</h2>
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<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
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<p>Total length: 82674 words / 353 minute read. (Mind you, that’s the
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length of this entire page, including all the extra bits and bobs. Not
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length of this entire page, including all the extra bits and bobs. Not
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just the story.)</p>
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just the story.)</p>
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<p>There have been 221 messages posted over 217 days since the first
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<p>There have been 223 messages posted over 222 days since the first
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post on July 13, 2022 for a daily post rate of 1.01.</p>
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post on July 13, 2022 for a daily post rate of 1.00.</p>
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<h2 id="chapter-1">Chapter 1</h2>
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<h2 id="chapter-1">Chapter 1</h2>
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<p>This is the first installment of BASEMENT QUEST.</p>
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<p>This is the first installment of BASEMENT QUEST.</p>
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<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
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<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
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@ -6727,6 +6728,134 @@ Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
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you.</p>
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you.</p>
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<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
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<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
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<p>WHAT DO YOU DO</p>
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<p>WHAT DO YOU DO</p>
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<h3 id="00064">00064</h3>
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<p>Back at the fish market, Marvelo squints into the pouring rain and
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swears under his breath, frustrated at the limited visibility.</p>
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<p>His colleague is lying on the floor behind him in some kind of state
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of deeply altered consciousness, along with an inkling, a toque, and an
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owl. In fact, the only waking beings left inside the market are himself,
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a fluffy little duck, and a sticky hemogoblin.</p>
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<p>“I’ve seen stranger things,” he shrugs and admits to himself.</p>
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<p>The duck and the goblin are both fluffed up and huddled up next to
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each other softly quacking and chirping to themselves.</p>
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<p>He pauses and holds his breath as something indistinct catches his
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attention. Years of training have produced an instinct he has learned
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not to question. It has saved his butt more times than he can count.
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Sometimes it screams at him and the danger is apparent. Like that time
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with the Permian Raiders off the southern tip of Harshwind Glade. Other
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times, such as this, all he gets is the vague feeling that something is
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off. He waits. He’s been here before. His subconscious has spotted
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|
something, noticed some pattern that doesn’t fit its surroundings. He
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knows if he’s patient, his conscious mind will catch up and realize what
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it was.</p>
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<p>He squints out into the pouring rain. There! A flash of red close to
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the ground.</p>
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<p>“What in the world,” he wonders as a small child wearing a bright red
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dress toddles into view. It looks up at him blankly as the rain beats
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down on its head and shoulders.</p>
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<p>“What are you doing out here, little guy? You’re getting soaked!”
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Marvelo, concerned, rushes forward to comfort the child.</p>
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<blockquote>
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<p>Inky gingerly takes the coin with both hands, small digits clamping
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onto the straight edges. They look at the Twenty-one Fiver nestled
|
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|
against the fuzzy outlines of one palm before peering up again at the
|
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|
figure seated before them. “Thank you, Great Spirit.” Inky says. “If
|
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|
truly allowed to choose, then, this one accepts the price.”</p>
|
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|
<p>They toss the coin up into the air. A beat, and they are hovering a
|
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|
few feet above the tracks, between the fork and the oncoming train with
|
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|
no walls. Inky watches as the child’s body begins to shrink as rapidly
|
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|
as the black uniform expands, the entire apparition thinning and
|
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|
becoming translucent. The shirt continues to grow until the hem brushes
|
||||||
|
the train tracks and the collar peeks over the invisible tops of the
|
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|
train, the trousers and shoes having been pushed into the stones and
|
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|
earth below.</p>
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|
<p>A portal, the child’s voice supplies distantly. At the back of their
|
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|
awareness, Inky homes in on the coin as it continues to spin. When the
|
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|
train thunders down upon the oversized shirt doorway-apparent, they
|
||||||
|
brace for the force of the impact. Instead, all they could feel is a
|
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|
creeping weariness, like water draining through tea leaves in a sieve,
|
||||||
|
while being suddenly surrounded by and staring into a deep
|
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|
reflectionless pool.</p>
|
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|
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
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|
<p>The last thing within their consciousness is a gleam of silver as the
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|
coin lands on one of its corners mid-spin, bounces off the small half
|
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|
table and falls into the shadows.</p>
|
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|
</blockquote>
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<p>You sink into the dark reflectionless pool, letting its waters close
|
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|
over you and pull you under. You ponder its depths from within in its
|
||||||
|
embrace, mindless of the passage of time.</p>
|
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|
<p>After a few minutes, or a few days, you notice faint light rising up
|
||||||
|
here and there from below. Fuzzy, cobwebby human shapes float suspended
|
||||||
|
in the waters. Some far away, distant as stars. Some drift close enough
|
||||||
|
that you would be able to discern their features, if they had any.</p>
|
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|
<p>You realize all at once that these are the dream forms of sleeping
|
||||||
|
Basmentarians everywhere, and that you are floating in Ousia, a solitary
|
||||||
|
awakened dreamer in a literal sea of the passive slumbering.</p>
|
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|
<p>As though responding to your realization, the waters bear you up and
|
||||||
|
you pierce the weak membrane between water and air. You float
|
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|
effortlessly and the gentle waves nudge you ever onward toward some
|
||||||
|
unknown shore. Or merely farther out to sea. You’re not sure.</p>
|
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|
<p>You continue to see the dreamers all around you. You watch curiously
|
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|
as you float by two that seem to have bumped into one another and fused
|
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|
together, their cobwebby bodies sprouting hard crystalline growths and
|
||||||
|
spreading like creeping vines, forming a lattice and creating a small
|
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|
floating island.</p>
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|
<p>After a few hours, or a few weeks, you wash up on the beach of a
|
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|
large island. There is a steep rock, a pillar of a mountain, jutting
|
||||||
|
straight up from the center of the island some distance ahead. And
|
||||||
|
jutting from the pillar is a fractal structure of interconnected towers,
|
||||||
|
all sprouting and branching from one large central tower. The top of the
|
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|
tower disappears far overhead, obscured by a rippling aurora of green
|
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|
and pink lights in the sky.</p>
|
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|
<p>Some distance down the beach, just out of hailing distance, a lone
|
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|
figure stands gazing at the sea, their back to the tower.</p>
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|
<p>The figure waits.</p>
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<p>The tower’s strange geometry beckons.</p>
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|
<blockquote>
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<p>Kasutva, how can I know that I can trust you? What do you gain in
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|
helping me, and was there really no way for you to communicate with me
|
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|
without beheading yourself? That seems a little bit distraughting. Like,
|
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|
do you need a bandage or some headache medicine or something? I feel
|
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|
like if I yanked my face off I’d need an ibuprofen. I have some if you
|
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|
want? (alex rummages in a coat pocket and finds a bottle of pain
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killers, and offers them to the being).</p>
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<p>Right anyways, answers questions. I’m looking for my Uncle first and
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foremost. He dropped off the map a few days ago, and I can’t find hide
|
||||||
|
nor hair of him. Then the murders started. Shit at HQ when wild, hit the
|
||||||
|
wall literally, and now I’m in some sort of fever dream talking to what
|
||||||
|
can only be a manifestation of my own subconscious, or perhaps someone
|
||||||
|
else’s. Look. I need to get back to Inky, we’re trying to meet someone
|
||||||
|
and we’re running late, and in the scheme of things my problems aren’t
|
||||||
|
so big if the world’s going to end because some mad hatter is after
|
||||||
|
these blasted crystal’s we’ve been collecting..</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>Even as you speak, you notice the edges of Big Kasutva’s “wounds”
|
||||||
|
start to close until its flesh begins to once more envelop and enclose
|
||||||
|
its face.</p>
|
||||||
|
<p>The creature courteously accepts a few pills from you, but simply
|
||||||
|
deposits them in its satchel.</p>
|
||||||
|
<p>“No, it doesn’t hurt us,” say the two voices together. “And little
|
||||||
|
matter if it did. It is necessary for us to speak.”</p>
|
||||||
|
<p>They listen to your story. Big Kasutva’s voice starts to become
|
||||||
|
muffled as its skin now grows over its mouth. Only its eyes are visible
|
||||||
|
as the two of them continue. “If your Inky has come to this place, then
|
||||||
|
there is only one place they can have gone.” They gesture to the sea.
|
||||||
|
“And that place is Ephemeris. The Heart of the Dreaming at the center of
|
||||||
|
Ousia.”</p>
|
||||||
|
<p>Big Kasutva finally falls silent as it heals completely. It guides
|
||||||
|
you to the shoreline, where a long pier has suddenly appeared. Mushroom
|
||||||
|
Kasutva continues to speak for both of them.</p>
|
||||||
|
<p>“We only ask to accompany you as you go. We wish to see Ephemeris
|
||||||
|
ourselves. But we cannot abandon our post here on the dunes,” it says
|
||||||
|
looking at Big Kasutva. “And we,” it says gesturing to itself, “are too
|
||||||
|
small to brave the sea alone.”</p>
|
||||||
|
<p>Big Kasutva stops short of the end of the pier. The little mushroom
|
||||||
|
hops right up to the edge and peers down at the water.</p>
|
||||||
|
<p>“All that is left is to jump, Alex. And let the waters of Ousia bear
|
||||||
|
you up and carry you to Ephemeris.”</p>
|
||||||
|
<p>It hops up to you and extends itself in a clear request, despite its
|
||||||
|
lack of limbs, that it wants you to pick it up.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
<h2 id="afterword">Afterword</h2>
|
<h2 id="afterword">Afterword</h2>
|
||||||
<p>I don’t know what I’m going to put here, but I didn’t want this
|
<p>I don’t know what I’m going to put here, but I didn’t want this
|
||||||
document to just abruptly end. So here you go: a kind farewell and a
|
document to just abruptly end. So here you go: a kind farewell and a
|
||||||
|
|
804
www/rss.xml
804
www/rss.xml
|
@ -235,6 +235,59 @@ And Fortune said it shou'd be you. Puu."</code></pre>
|
||||||
]]>
|
]]>
|
||||||
</description>
|
</description>
|
||||||
</item>
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>61</title>
|
||||||
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
<guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
|
||||||
|
-0700</guid>
|
||||||
|
<pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
|
||||||
|
<description>
|
||||||
|
<![CDATA[
|
||||||
|
<h3 id="00061">00061</h3>
|
||||||
|
<p>Alex the Octopus and Inky the Noogle stand on a tree branch
|
||||||
|
as wide a street in the heart of the great white upside-down
|
||||||
|
forest.</p>
|
||||||
|
<p>A cry of anguish and anger echoes through the forest, and
|
||||||
|
the branches below you sway and rustle as something rises up
|
||||||
|
from the depths. You keep catching a glimpse of scarlet
|
||||||
|
between the silvery white leaves.</p>
|
||||||
|
<p>The large black ravens perched below you scream in
|
||||||
|
agitation and fly up past you to the thicker branches up
|
||||||
|
above, where they hop side to side and loudly scold and
|
||||||
|
protest the disturbance. A single black feather the length of
|
||||||
|
your hand settles to the ground at your feet, knocked loose
|
||||||
|
during their flight.</p>
|
||||||
|
<p>You finally see the fearsome beast crashing through the
|
||||||
|
branches below you. Its crazed, yellow eyes as large and round
|
||||||
|
as dinner plates, a great eight-legged rodent leaps from
|
||||||
|
branch to branch as it swiftly ascends. It is a bloody,
|
||||||
|
crimson red. Its long tufted ears lay flat against its
|
||||||
|
elongated, grinning skull. Its ribbon-like tail twitches as it
|
||||||
|
trails along behind it like a river of blood. It cries out
|
||||||
|
again in anger, showing its overgrown incisors, and grinds and
|
||||||
|
gnashes its back teeth.</p>
|
||||||
|
<p>Its eyes bore into you with wild fury and blind madness as
|
||||||
|
it climbs.</p>
|
||||||
|
<p>“She’s not herself,” sighs the chipmunk, suddenly at your
|
||||||
|
side once more. When you look down at the chipmunk, however,
|
||||||
|
it has suddenly turned into a small featureless black turtle
|
||||||
|
with a sticky sweet roll instead of a shell. Its smooth little
|
||||||
|
head pokes timidly out of the roll.</p>
|
||||||
|
<p>“The Red Squirrel,” laments the turtle. “She’s being ridden
|
||||||
|
by a ghost. An angry ghost who isn’t from here. Somebody left
|
||||||
|
the door open, and it blew in on the breeze.” The turtle’s
|
||||||
|
voice trails off until its final words are barely a
|
||||||
|
whisper.</p>
|
||||||
|
<p>You can still feel two currents tugging at you and trying
|
||||||
|
to pull you under. One inward toward your host’s deep, core
|
||||||
|
memories. And the second pulling you outward toward the Sea of
|
||||||
|
Dreams.</p>
|
||||||
|
<p>You have but a moment before the Red Squirrel is upon
|
||||||
|
you.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
|
]]>
|
||||||
|
</description>
|
||||||
|
</item>
|
||||||
<item>
|
<item>
|
||||||
<title>59</title>
|
<title>59</title>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
@ -333,204 +386,6 @@ trap sleep INT EXIT</code></pre>
|
||||||
]]>
|
]]>
|
||||||
</description>
|
</description>
|
||||||
</item>
|
</item>
|
||||||
<item>
|
|
||||||
<title>56</title>
|
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
|
||||||
<guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
|
|
||||||
-0700</guid>
|
|
||||||
<pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
|
|
||||||
<description>
|
|
||||||
<![CDATA[
|
|
||||||
<h3 id="00056">00056</h3>
|
|
||||||
<blockquote>
|
|
||||||
<p>The agitation Alex feels bubbles just beneath the surface.
|
|
||||||
Patterns where patterns shouldn’t be, strange orders from HQ,
|
|
||||||
indifference where once was ample aide as well. It was
|
|
||||||
maddening. Combine it all with the haunting suspicion that
|
|
||||||
there was constantly someone just around the next corner, and
|
|
||||||
it was enough to truly drive Alex mad.</p>
|
|
||||||
<p>That uneasiness takes its toll on a long enough time line,
|
|
||||||
but Alex wasn’t about to let it get to him. Or so he thought
|
|
||||||
to himself as he cast a furtive look at his monitoring
|
|
||||||
equipment. This paranoia had served him well in the past, very
|
|
||||||
well in fact. It’s a sort of sixth sense in a way, always kept
|
|
||||||
Alex off the edge of the cliff, especially when someone
|
|
||||||
stepped close enough to push him off. Those were the types of
|
|
||||||
skills HQ sought after in the first place.</p>
|
|
||||||
<p>Alex closes the iron door on his bunker, leaving his
|
|
||||||
monitoring equipment running, dead man’s trigger set to blow
|
|
||||||
the place shoul anyone enter it. Can’t be too careful these
|
|
||||||
days..</p>
|
|
||||||
<p>Emerging from the sewer grate, sticking to the shadows,
|
|
||||||
Alex makes his way down an alley, then another, and yet
|
|
||||||
another, finally emerging a few blocks from the Milk Market.
|
|
||||||
Across the street, as he had expected, was Marvelo’s Marvelous
|
|
||||||
MurderSticks, a quaint place should one needed something, well
|
|
||||||
you get the picture, they don’t really sell anything but
|
|
||||||
weaponry here.</p>
|
|
||||||
<p>Alex ducked into the entrance of the shop and strode
|
|
||||||
towards the back rack, where a collection of knives was on
|
|
||||||
display. A rough looking fellow, ruddy red beard, thinning
|
|
||||||
hair, moved from the counter as he saw Alex approach. “Fine
|
|
||||||
sampling of knives we have, could I interest you in one?”
|
|
||||||
Marvelo says. Alex reaches for a thin stilleto style dagger,
|
|
||||||
and hands it to Marvelo “This one seems about right, but I’d
|
|
||||||
like an extra sharp edge put on it, if you don’t mind”.
|
|
||||||
Marvelo takes the stilleto from Alex say “Not a problem at all
|
|
||||||
sir”, and he heads into the back.</p>
|
|
||||||
<p>He sets to work honing the edge, and once complete he
|
|
||||||
places it on his work bench. Grabbing a velvet lined case from
|
|
||||||
a stack, he deftly removes the bottom and places a rolled
|
|
||||||
piece of paper into the bottom, alongside an m1911 style
|
|
||||||
pistol, and a couple of clips of ammo. He then places the
|
|
||||||
velvet bottom back over the equipment, and places the stilleto
|
|
||||||
on top, bringing the entire package back to the front. “An
|
|
||||||
extra fine edge on this one sir, that’ll be 15 gold, plus
|
|
||||||
another 5 to cover the service.</p>
|
|
||||||
<p>Alex pays, and nips out the shop and heads back to the back
|
|
||||||
alley. Paranoia begets what it requets, Alex mutters to
|
|
||||||
himself as he disassembles the box holstering the pistol and
|
|
||||||
ammo, and sheathing the dagger. Can’t keep going unarmed like
|
|
||||||
I’m some kind of beat cop, not anymore.. Alex discards the
|
|
||||||
case and unfurls the message, quickly deciphering the
|
|
||||||
encryption set on it by Marvelo.</p>
|
|
||||||
<pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
|
|
||||||
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
|
|
||||||
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
|
|
||||||
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
|
|
||||||
Agent 4 monitoring feeds still present glitches, something abnormal
|
|
||||||
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
|
|
||||||
<p>Alex burned the note, striding rapidly away from the alley,
|
|
||||||
taking a meandering route away from the Milk Market, looping
|
|
||||||
back around, and heading back towards it by yet another.
|
|
||||||
Nobody appeared to be following him, yet he paused at each
|
|
||||||
corner and turn, waiting for the footsteps of a pursuant.</p>
|
|
||||||
<p>Noting nothing, he made his way through the back entrance
|
|
||||||
of Enrique’s Empanadas greeting the cook quietly, but jovial.
|
|
||||||
“Enrique, where’s Inky? We’ve got a problem.”</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>~</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>Inky skims the page. They thank the witch, pay for the
|
|
||||||
items and exit the shop, promptly discarding all notions of
|
|
||||||
meeting Bother at the place stipulated on the note.</p>
|
|
||||||
<p><em>(Half and one hour later)</em></p>
|
|
||||||
<p>One-sixths into a caramel cantaloupe cream cornet, Inky
|
|
||||||
runs into Confidence outside the Wandering Bazaar and obtains
|
|
||||||
some of their new pamphlets, minted with luminescent ink for
|
|
||||||
the convenience of late-night tourists. These are subsequently
|
|
||||||
hare-mailed to every editor at the <em>Niuewstijl</em> office,
|
|
||||||
which is almost certain to earn another chiding remark from
|
|
||||||
Tess about etiquette and the handling of unsolicited bulk mail
|
|
||||||
to parent editorial teams.</p>
|
|
||||||
<p><em>(Half and two hours later)</em></p>
|
|
||||||
<p>The installation on display at the Milk Market was
|
|
||||||
grotesque — that is to say, a work of beauty. Inky steps
|
|
||||||
carefully through the rooms to not disturb the piece.
|
|
||||||
Afterwards, they sign the guestbook set up on an upturned milk
|
|
||||||
crate by the door, delightedly pasting rows of horse head and
|
|
||||||
thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
|
|
||||||
the unedible”.</p>
|
|
||||||
<p><em>(Half and three hours earlier)</em></p>
|
|
||||||
<p>Thanking Agate for her time, Inky passes her a sheet of
|
|
||||||
paper on which were written a few questions about the
|
|
||||||
prescribed ritual, with some space after each question should
|
|
||||||
the witch prefer to scribble a response:</p>
|
|
||||||
<ul>
|
|
||||||
<li><p>What do guides in the Sea of Dreams and the Ravenfolk
|
|
||||||
typically seek in return for directing travellers to the
|
|
||||||
correct pocket dimension?</p></li>
|
|
||||||
<li><p>An establishment inside the Bazaar is only open in the
|
|
||||||
evenings whenever it appears in the city. How long does travel
|
|
||||||
to a pocket dimension typically take, allowing for time to
|
|
||||||
seek out a guide? Is there a way travellers can estimate the
|
|
||||||
time to set out on their journey, in order to arrive at the
|
|
||||||
establishment while it is open?</p></li>
|
|
||||||
<li><p>Who are the Red Spider and “Dude 215R” mentioned in the
|
|
||||||
ritual? How can travellers avoid summoning them?</p></li>
|
|
||||||
<li><p>Would anything happen to the travellers if any of the
|
|
||||||
sigils were removed during the ritual before they wake
|
|
||||||
up?</p></li>
|
|
||||||
</ul>
|
|
||||||
<p><em>(Half and four hours later)</em></p>
|
|
||||||
<p>Two sets of eyes peer down at the contents of an open tin.
|
|
||||||
One accompanied by a focused look and a little trepidation,
|
|
||||||
following the pinkish, flesh-like chunks speckled with white
|
|
||||||
pockets of fat as they tumble into a hot pan and almost
|
|
||||||
immediately begin to move of their own accord. The moving
|
|
||||||
mounds resemble small round mouths opening, each with a rim of
|
|
||||||
sharp teeth. The other pair of eyes belongs to a grinning face
|
|
||||||
that beams when the mounds bloom into bright red flat caps,
|
|
||||||
the edges beneath about to soften in the olive oil.</p>
|
|
||||||
<p>Minutes after, The slices are ready. Inky accepts the plate
|
|
||||||
of tostada with spicy pickled artichoke mushrooms and tomatoes
|
|
||||||
with a murmur of thanks. Reassembling the recipe for the
|
|
||||||
tinned spicy artichoke mushrooms had been a tedious process —
|
|
||||||
someone had ripped out the pages from an old pickling book
|
|
||||||
that had long ceased publication. Eventually Inky found a
|
|
||||||
former nomad who had eaten them for two years in their youth
|
|
||||||
and could recall or somewhat describe the taste. Flowery and
|
|
||||||
savoury, they said. Many taste tests later, it turned out to
|
|
||||||
be closer to partially decomposed cheese in ponderosa lemon
|
|
||||||
juice. Canning was fortuitously easier with the increasing
|
|
||||||
portability of sealers. Rather than telling the empanada chef
|
|
||||||
any of this, Inky watches satisfaction slowly spread across
|
|
||||||
his face. The tale that follows is far more entertaining.</p>
|
|
||||||
<p><em>(Half and five hours later)</em></p>
|
|
||||||
<p>While measuring out ingredients for the forty-second tea
|
|
||||||
infusion since the start of the missions, not that Inky was
|
|
||||||
keeping a close count, they hear a familiar voice a short
|
|
||||||
distance outside the door asking for their whereabouts.
|
|
||||||
Without pausing in their whisking, Inky simply informs the
|
|
||||||
owner of the voice they’re not here, obviously, before
|
|
||||||
emerging from the storage pantry with a fresh pot and bowls on
|
|
||||||
a wooden tray, and greets the returning sysorcerer.</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>Agate writes back quickly:</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>What do guides in the Sea of Dreams and the Ravenfolk
|
|
||||||
typically seek in return for directing travellers to the
|
|
||||||
correct pocket dimension?</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>Intangibles. Usually memories, hopes, or dreams.</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>An establishment inside the Bazaar is only open in the
|
|
||||||
evenings whenever it appears in the city. How long does travel
|
|
||||||
to a pocket dimension typically take, allowing for time to
|
|
||||||
seek out a guide? Is there a way travellers can estimate the
|
|
||||||
time to set out on their journey, in order to arrive at the
|
|
||||||
establishment while it is open?</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>You’ll find that time is rather malleable on the Otherside.
|
|
||||||
You’ll likely arrive exactly when you’re meant to. No need to
|
|
||||||
worry too much about it.</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>Who are the Red Spider and “Dude 215R” mentioned in the
|
|
||||||
ritual? How can travellers avoid summoning them?</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>Godforms manifested by the Linking Sigil and the Dream
|
|
||||||
Sigil, respectively. It’s not <em>terrible</em> if they show
|
|
||||||
up. But it’s definitely not ideal. You shouldn’t register on
|
|
||||||
their radar as long as you don’t pump too much energy into, or
|
|
||||||
siphon to much energy out of, the sigils. If they do show up,
|
|
||||||
just know that you’re in the presence of a godlike power, and
|
|
||||||
behave accordingly.</p>
|
|
||||||
<blockquote>
|
|
||||||
<p>Would anything happen to the travellers if any of the
|
|
||||||
sigils were removed during the ritual before they wake up?</p>
|
|
||||||
</blockquote>
|
|
||||||
<p>If the sigils are removed or if the circle is broken,
|
|
||||||
you’ll likely just wake up before you wanted to. Same goes for
|
|
||||||
if your dreamform is destroyed while in the Dreaming. The only
|
|
||||||
real danger you may encounter is the Scissormen and their ilk.
|
|
||||||
They will attempt to permanently sever your dreamform from
|
|
||||||
your waking body. Which would leave your body a soulless husk,
|
|
||||||
and leave your consciousness adrift in the Sea of Dreams. But
|
|
||||||
that probably won’t happen! Okay good luck, have fun!</p>
|
|
||||||
<p>WHAT DO YOU DO</p>
|
|
||||||
]]>
|
|
||||||
</description>
|
|
||||||
</item>
|
|
||||||
<item>
|
<item>
|
||||||
<title>58</title>
|
<title>58</title>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
@ -761,6 +616,86 @@ in its own domain</code></pre>
|
||||||
]]>
|
]]>
|
||||||
</description>
|
</description>
|
||||||
</item>
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>60</title>
|
||||||
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
||||||
|
-0700</guid>
|
||||||
|
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
||||||
|
<description>
|
||||||
|
<![CDATA[
|
||||||
|
<h3 id="00060">00060</h3>
|
||||||
|
<blockquote>
|
||||||
|
<p>Alex takes inventory of himself, this dream world is
|
||||||
|
definitely strange, but fortunately its decided to provide him
|
||||||
|
with his impecable fashion, trench coat and all. Unfortunately
|
||||||
|
the same can’t be said for his roguish good looks, as he’s
|
||||||
|
found himself 6 arms heavier, and a bit more octopus-y than he
|
||||||
|
remembers.</p>
|
||||||
|
<p>Nontheless this doesn’t appear to be much of an impediment,
|
||||||
|
and he promptly moves on with assessing the situation.</p>
|
||||||
|
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
||||||
|
terrible at fetching acrons, and at any rate, I have a
|
||||||
|
dreadfully important meeting across town.” turning to address
|
||||||
|
Inky, “We need to make a break for it, what’d the witch tell
|
||||||
|
you? Envision our goal or something? This is really a little
|
||||||
|
outside of my realm of mechanical magic expertise..
|
||||||
|
unless..”</p>
|
||||||
|
<p>Alex makes a gesture with his tentacles in the area and a
|
||||||
|
terminal prompt appears before him. His tentacles work at
|
||||||
|
blinding speed at the digital window, a quick bypass there, a
|
||||||
|
root access escalation there.</p>
|
||||||
|
<p>“Looks like this whole place runs on Linux, it’s an older
|
||||||
|
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
||||||
|
needed. Here I’m giving us sudo access, should we need
|
||||||
|
it.”</p>
|
||||||
|
<p>“Oh and squirrel, here’s your acorns”</p>
|
||||||
|
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
||||||
|
</blockquote>
|
||||||
|
<p>It takes Alectopus a couple tries, but he gets it. First he
|
||||||
|
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
||||||
|
the <em>chipmunk</em> instead of to the squirrel.</p>
|
||||||
|
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
||||||
|
squeals in delight.</p>
|
||||||
|
<p>In the distance, far below you, you hear the anguished yell
|
||||||
|
of what can only be a Red Squirrel whose giant stash of acorns
|
||||||
|
has just vanished.</p>
|
||||||
|
<p>The chipmunk rubs its hands together gleefully and starts
|
||||||
|
scooping up acorns by the armful and shoving them into its
|
||||||
|
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
||||||
|
says around a mouthful of nuts. “Here…” It tosses you a large
|
||||||
|
square silver coin with a round hole drilled in the center. On
|
||||||
|
one side is the number twenty-one next to a picture of a
|
||||||
|
curved, short-handled sickle. On the other side is the number
|
||||||
|
five and a picture of a flail.</p>
|
||||||
|
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
||||||
|
I have,” it apologizes as it scampers off, no doubt to hide
|
||||||
|
its nuts. Hopefully somewhere more secure this time.</p>
|
||||||
|
<p>If you hold the coin up to your eye and peer through the
|
||||||
|
hole, you see the dreamscape before you as though looking
|
||||||
|
through a cloudy film. All the same stuff is there, but it’s
|
||||||
|
hazy and shadowy.</p>
|
||||||
|
<p>Standing a fair distance from you on the branch, just out
|
||||||
|
of hailing distance, is a tall figure cloaked in black robes.
|
||||||
|
Dark shadows pool restlessly around its feet. Occasionally the
|
||||||
|
shadows leap up and take the form of demons the like of which
|
||||||
|
words cannot describe, before falling and returning to shadow
|
||||||
|
once more. The figure wears a large spherical helmet of
|
||||||
|
obsidian-like glass. You can see constant flashes of a rainbow
|
||||||
|
of colors crackle and splinter along the inside of the helmet
|
||||||
|
like lightning, but illuminating nothing within. You feel
|
||||||
|
sickened at the sight, but at the edge of your mind you feels
|
||||||
|
a tug, a familiarity. Something about this character is
|
||||||
|
familiar to you, but you cannot place it.</p>
|
||||||
|
<p>When you lower the coin, the figure and the dark landscape
|
||||||
|
both disappear. When you raise it again, the distorted
|
||||||
|
landscape reappears but the figure is gone.</p>
|
||||||
|
<p>You notice a pair of large ravens watching you rather
|
||||||
|
intently from the branches below.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
|
]]>
|
||||||
|
</description>
|
||||||
|
</item>
|
||||||
<item>
|
<item>
|
||||||
<title>57</title>
|
<title>57</title>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
@ -1014,134 +949,165 @@ in its own domain</code></pre>
|
||||||
</description>
|
</description>
|
||||||
</item>
|
</item>
|
||||||
<item>
|
<item>
|
||||||
<title>60</title>
|
<title>64</title>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
<guid isPermaLink="false">64 - Wed, 15 Feb 2023 17:58:35
|
||||||
-0700</guid>
|
-0700</guid>
|
||||||
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
<pubDate>Wed, 15 Feb 2023 17:58:35 -0700</pubDate>
|
||||||
<description>
|
<description>
|
||||||
<![CDATA[
|
<![CDATA[
|
||||||
<h3 id="00060">00060</h3>
|
<h3 id="00064">00064</h3>
|
||||||
|
<p>Back at the fish market, Marvelo squints into the pouring
|
||||||
|
rain and swears under his breath, frustrated at the limited
|
||||||
|
visibility.</p>
|
||||||
|
<p>His colleague is lying on the floor behind him in some kind
|
||||||
|
of state of deeply altered consciousness, along with an
|
||||||
|
inkling, a toque, and an owl. In fact, the only waking beings
|
||||||
|
left inside the market are himself, a fluffy little duck, and
|
||||||
|
a sticky hemogoblin.</p>
|
||||||
|
<p>“I’ve seen stranger things,” he shrugs and admits to
|
||||||
|
himself.</p>
|
||||||
|
<p>The duck and the goblin are both fluffed up and huddled up
|
||||||
|
next to each other softly quacking and chirping to
|
||||||
|
themselves.</p>
|
||||||
|
<p>He pauses and holds his breath as something indistinct
|
||||||
|
catches his attention. Years of training have produced an
|
||||||
|
instinct he has learned not to question. It has saved his butt
|
||||||
|
more times than he can count. Sometimes it screams at him and
|
||||||
|
the danger is apparent. Like that time with the Permian
|
||||||
|
Raiders off the southern tip of Harshwind Glade. Other times,
|
||||||
|
such as this, all he gets is the vague feeling that something
|
||||||
|
is off. He waits. He’s been here before. His subconscious has
|
||||||
|
spotted something, noticed some pattern that doesn’t fit its
|
||||||
|
surroundings. He knows if he’s patient, his conscious mind
|
||||||
|
will catch up and realize what it was.</p>
|
||||||
|
<p>He squints out into the pouring rain. There! A flash of red
|
||||||
|
close to the ground.</p>
|
||||||
|
<p>“What in the world,” he wonders as a small child wearing a
|
||||||
|
bright red dress toddles into view. It looks up at him blankly
|
||||||
|
as the rain beats down on its head and shoulders.</p>
|
||||||
|
<p>“What are you doing out here, little guy? You’re getting
|
||||||
|
soaked!” Marvelo, concerned, rushes forward to comfort the
|
||||||
|
child.</p>
|
||||||
<blockquote>
|
<blockquote>
|
||||||
<p>Alex takes inventory of himself, this dream world is
|
<p>Inky gingerly takes the coin with both hands, small digits
|
||||||
definitely strange, but fortunately its decided to provide him
|
clamping onto the straight edges. They look at the Twenty-one
|
||||||
with his impecable fashion, trench coat and all. Unfortunately
|
Fiver nestled against the fuzzy outlines of one palm before
|
||||||
the same can’t be said for his roguish good looks, as he’s
|
peering up again at the figure seated before them. “Thank you,
|
||||||
found himself 6 arms heavier, and a bit more octopus-y than he
|
Great Spirit.” Inky says. “If truly allowed to choose, then,
|
||||||
remembers.</p>
|
this one accepts the price.”</p>
|
||||||
<p>Nontheless this doesn’t appear to be much of an impediment,
|
<p>They toss the coin up into the air. A beat, and they are
|
||||||
and he promptly moves on with assessing the situation.</p>
|
hovering a few feet above the tracks, between the fork and the
|
||||||
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
oncoming train with no walls. Inky watches as the child’s body
|
||||||
terrible at fetching acrons, and at any rate, I have a
|
begins to shrink as rapidly as the black uniform expands, the
|
||||||
dreadfully important meeting across town.” turning to address
|
entire apparition thinning and becoming translucent. The shirt
|
||||||
Inky, “We need to make a break for it, what’d the witch tell
|
continues to grow until the hem brushes the train tracks and
|
||||||
you? Envision our goal or something? This is really a little
|
the collar peeks over the invisible tops of the train, the
|
||||||
outside of my realm of mechanical magic expertise..
|
trousers and shoes having been pushed into the stones and
|
||||||
unless..”</p>
|
earth below.</p>
|
||||||
<p>Alex makes a gesture with his tentacles in the area and a
|
<p>A portal, the child’s voice supplies distantly. At the back
|
||||||
terminal prompt appears before him. His tentacles work at
|
of their awareness, Inky homes in on the coin as it continues
|
||||||
blinding speed at the digital window, a quick bypass there, a
|
to spin. When the train thunders down upon the oversized shirt
|
||||||
root access escalation there.</p>
|
doorway-apparent, they brace for the force of the impact.
|
||||||
<p>“Looks like this whole place runs on Linux, it’s an older
|
Instead, all they could feel is a creeping weariness, like
|
||||||
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
water draining through tea leaves in a sieve, while being
|
||||||
needed. Here I’m giving us sudo access, should we need
|
suddenly surrounded by and staring into a deep reflectionless
|
||||||
it.”</p>
|
pool.</p>
|
||||||
<p>“Oh and squirrel, here’s your acorns”</p>
|
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
||||||
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
<p>The last thing within their consciousness is a gleam of
|
||||||
|
silver as the coin lands on one of its corners mid-spin,
|
||||||
|
bounces off the small half table and falls into the
|
||||||
|
shadows.</p>
|
||||||
</blockquote>
|
</blockquote>
|
||||||
<p>It takes Alectopus a couple tries, but he gets it. First he
|
<p>You sink into the dark reflectionless pool, letting its
|
||||||
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
waters close over you and pull you under. You ponder its
|
||||||
the <em>chipmunk</em> instead of to the squirrel.</p>
|
depths from within in its embrace, mindless of the passage of
|
||||||
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
time.</p>
|
||||||
squeals in delight.</p>
|
<p>After a few minutes, or a few days, you notice faint light
|
||||||
<p>In the distance, far below you, you hear the anguished yell
|
rising up here and there from below. Fuzzy, cobwebby human
|
||||||
of what can only be a Red Squirrel whose giant stash of acorns
|
shapes float suspended in the waters. Some far away, distant
|
||||||
has just vanished.</p>
|
as stars. Some drift close enough that you would be able to
|
||||||
<p>The chipmunk rubs its hands together gleefully and starts
|
discern their features, if they had any.</p>
|
||||||
scooping up acorns by the armful and shoving them into its
|
<p>You realize all at once that these are the dream forms of
|
||||||
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
sleeping Basmentarians everywhere, and that you are floating
|
||||||
says around a mouthful of nuts. “Here…” It tosses you a large
|
in Ousia, a solitary awakened dreamer in a literal sea of the
|
||||||
square silver coin with a round hole drilled in the center. On
|
passive slumbering.</p>
|
||||||
one side is the number twenty-one next to a picture of a
|
<p>As though responding to your realization, the waters bear
|
||||||
curved, short-handled sickle. On the other side is the number
|
you up and you pierce the weak membrane between water and air.
|
||||||
five and a picture of a flail.</p>
|
You float effortlessly and the gentle waves nudge you ever
|
||||||
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
onward toward some unknown shore. Or merely farther out to
|
||||||
I have,” it apologizes as it scampers off, no doubt to hide
|
sea. You’re not sure.</p>
|
||||||
its nuts. Hopefully somewhere more secure this time.</p>
|
<p>You continue to see the dreamers all around you. You watch
|
||||||
<p>If you hold the coin up to your eye and peer through the
|
curiously as you float by two that seem to have bumped into
|
||||||
hole, you see the dreamscape before you as though looking
|
one another and fused together, their cobwebby bodies
|
||||||
through a cloudy film. All the same stuff is there, but it’s
|
sprouting hard crystalline growths and spreading like creeping
|
||||||
hazy and shadowy.</p>
|
vines, forming a lattice and creating a small floating
|
||||||
<p>Standing a fair distance from you on the branch, just out
|
island.</p>
|
||||||
of hailing distance, is a tall figure cloaked in black robes.
|
<p>After a few hours, or a few weeks, you wash up on the beach
|
||||||
Dark shadows pool restlessly around its feet. Occasionally the
|
of a large island. There is a steep rock, a pillar of a
|
||||||
shadows leap up and take the form of demons the like of which
|
mountain, jutting straight up from the center of the island
|
||||||
words cannot describe, before falling and returning to shadow
|
some distance ahead. And jutting from the pillar is a fractal
|
||||||
once more. The figure wears a large spherical helmet of
|
structure of interconnected towers, all sprouting and
|
||||||
obsidian-like glass. You can see constant flashes of a rainbow
|
branching from one large central tower. The top of the tower
|
||||||
of colors crackle and splinter along the inside of the helmet
|
disappears far overhead, obscured by a rippling aurora of
|
||||||
like lightning, but illuminating nothing within. You feel
|
green and pink lights in the sky.</p>
|
||||||
sickened at the sight, but at the edge of your mind you feels
|
<p>Some distance down the beach, just out of hailing distance,
|
||||||
a tug, a familiarity. Something about this character is
|
a lone figure stands gazing at the sea, their back to the
|
||||||
familiar to you, but you cannot place it.</p>
|
tower.</p>
|
||||||
<p>When you lower the coin, the figure and the dark landscape
|
<p>The figure waits.</p>
|
||||||
both disappear. When you raise it again, the distorted
|
<p>The tower’s strange geometry beckons.</p>
|
||||||
landscape reappears but the figure is gone.</p>
|
<blockquote>
|
||||||
<p>You notice a pair of large ravens watching you rather
|
<p>Kasutva, how can I know that I can trust you? What do you
|
||||||
intently from the branches below.</p>
|
gain in helping me, and was there really no way for you to
|
||||||
<p>WHAT DO YOU DO</p>
|
communicate with me without beheading yourself? That seems a
|
||||||
]]>
|
little bit distraughting. Like, do you need a bandage or some
|
||||||
</description>
|
headache medicine or something? I feel like if I yanked my
|
||||||
</item>
|
face off I’d need an ibuprofen. I have some if you want? (alex
|
||||||
<item>
|
rummages in a coat pocket and finds a bottle of pain killers,
|
||||||
<title>61</title>
|
and offers them to the being).</p>
|
||||||
<author>dozens@tilde.team (dozens)</author>
|
<p>Right anyways, answers questions. I’m looking for my Uncle
|
||||||
<guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
|
first and foremost. He dropped off the map a few days ago, and
|
||||||
-0700</guid>
|
I can’t find hide nor hair of him. Then the murders started.
|
||||||
<pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
|
Shit at HQ when wild, hit the wall literally, and now I’m in
|
||||||
<description>
|
some sort of fever dream talking to what can only be a
|
||||||
<![CDATA[
|
manifestation of my own subconscious, or perhaps someone
|
||||||
<h3 id="00061">00061</h3>
|
else’s. Look. I need to get back to Inky, we’re trying to meet
|
||||||
<p>Alex the Octopus and Inky the Noogle stand on a tree branch
|
someone and we’re running late, and in the scheme of things my
|
||||||
as wide a street in the heart of the great white upside-down
|
problems aren’t so big if the world’s going to end because
|
||||||
forest.</p>
|
some mad hatter is after these blasted crystal’s we’ve been
|
||||||
<p>A cry of anguish and anger echoes through the forest, and
|
collecting..</p>
|
||||||
the branches below you sway and rustle as something rises up
|
</blockquote>
|
||||||
from the depths. You keep catching a glimpse of scarlet
|
<p>Even as you speak, you notice the edges of Big Kasutva’s
|
||||||
between the silvery white leaves.</p>
|
“wounds” start to close until its flesh begins to once more
|
||||||
<p>The large black ravens perched below you scream in
|
envelop and enclose its face.</p>
|
||||||
agitation and fly up past you to the thicker branches up
|
<p>The creature courteously accepts a few pills from you, but
|
||||||
above, where they hop side to side and loudly scold and
|
simply deposits them in its satchel.</p>
|
||||||
protest the disturbance. A single black feather the length of
|
<p>“No, it doesn’t hurt us,” say the two voices together. “And
|
||||||
your hand settles to the ground at your feet, knocked loose
|
little matter if it did. It is necessary for us to speak.”</p>
|
||||||
during their flight.</p>
|
<p>They listen to your story. Big Kasutva’s voice starts to
|
||||||
<p>You finally see the fearsome beast crashing through the
|
become muffled as its skin now grows over its mouth. Only its
|
||||||
branches below you. Its crazed, yellow eyes as large and round
|
eyes are visible as the two of them continue. “If your Inky
|
||||||
as dinner plates, a great eight-legged rodent leaps from
|
has come to this place, then there is only one place they can
|
||||||
branch to branch as it swiftly ascends. It is a bloody,
|
have gone.” They gesture to the sea. “And that place is
|
||||||
crimson red. Its long tufted ears lay flat against its
|
Ephemeris. The Heart of the Dreaming at the center of
|
||||||
elongated, grinning skull. Its ribbon-like tail twitches as it
|
Ousia.”</p>
|
||||||
trails along behind it like a river of blood. It cries out
|
<p>Big Kasutva finally falls silent as it heals completely. It
|
||||||
again in anger, showing its overgrown incisors, and grinds and
|
guides you to the shoreline, where a long pier has suddenly
|
||||||
gnashes its back teeth.</p>
|
appeared. Mushroom Kasutva continues to speak for both of
|
||||||
<p>Its eyes bore into you with wild fury and blind madness as
|
them.</p>
|
||||||
it climbs.</p>
|
<p>“We only ask to accompany you as you go. We wish to see
|
||||||
<p>“She’s not herself,” sighs the chipmunk, suddenly at your
|
Ephemeris ourselves. But we cannot abandon our post here on
|
||||||
side once more. When you look down at the chipmunk, however,
|
the dunes,” it says looking at Big Kasutva. “And we,” it says
|
||||||
it has suddenly turned into a small featureless black turtle
|
gesturing to itself, “are too small to brave the sea
|
||||||
with a sticky sweet roll instead of a shell. Its smooth little
|
alone.”</p>
|
||||||
head pokes timidly out of the roll.</p>
|
<p>Big Kasutva stops short of the end of the pier. The little
|
||||||
<p>“The Red Squirrel,” laments the turtle. “She’s being ridden
|
mushroom hops right up to the edge and peers down at the
|
||||||
by a ghost. An angry ghost who isn’t from here. Somebody left
|
water.</p>
|
||||||
the door open, and it blew in on the breeze.” The turtle’s
|
<p>“All that is left is to jump, Alex. And let the waters of
|
||||||
voice trails off until its final words are barely a
|
Ousia bear you up and carry you to Ephemeris.”</p>
|
||||||
whisper.</p>
|
<p>It hops up to you and extends itself in a clear request,
|
||||||
<p>You can still feel two currents tugging at you and trying
|
despite its lack of limbs, that it wants you to pick it
|
||||||
to pull you under. One inward toward your host’s deep, core
|
up.</p>
|
||||||
memories. And the second pulling you outward toward the Sea of
|
|
||||||
Dreams.</p>
|
|
||||||
<p>You have but a moment before the Red Squirrel is upon
|
|
||||||
you.</p>
|
|
||||||
<p>WHAT DO YOU DO</p>
|
<p>WHAT DO YOU DO</p>
|
||||||
]]>
|
]]>
|
||||||
</description>
|
</description>
|
||||||
|
@ -1735,5 +1701,203 @@ NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
||||||
]]>
|
]]>
|
||||||
</description>
|
</description>
|
||||||
</item>
|
</item>
|
||||||
|
<item>
|
||||||
|
<title>56</title>
|
||||||
|
<author>dozens@tilde.team (dozens)</author>
|
||||||
|
<guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
|
||||||
|
-0700</guid>
|
||||||
|
<pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
|
||||||
|
<description>
|
||||||
|
<![CDATA[
|
||||||
|
<h3 id="00056">00056</h3>
|
||||||
|
<blockquote>
|
||||||
|
<p>The agitation Alex feels bubbles just beneath the surface.
|
||||||
|
Patterns where patterns shouldn’t be, strange orders from HQ,
|
||||||
|
indifference where once was ample aide as well. It was
|
||||||
|
maddening. Combine it all with the haunting suspicion that
|
||||||
|
there was constantly someone just around the next corner, and
|
||||||
|
it was enough to truly drive Alex mad.</p>
|
||||||
|
<p>That uneasiness takes its toll on a long enough time line,
|
||||||
|
but Alex wasn’t about to let it get to him. Or so he thought
|
||||||
|
to himself as he cast a furtive look at his monitoring
|
||||||
|
equipment. This paranoia had served him well in the past, very
|
||||||
|
well in fact. It’s a sort of sixth sense in a way, always kept
|
||||||
|
Alex off the edge of the cliff, especially when someone
|
||||||
|
stepped close enough to push him off. Those were the types of
|
||||||
|
skills HQ sought after in the first place.</p>
|
||||||
|
<p>Alex closes the iron door on his bunker, leaving his
|
||||||
|
monitoring equipment running, dead man’s trigger set to blow
|
||||||
|
the place shoul anyone enter it. Can’t be too careful these
|
||||||
|
days..</p>
|
||||||
|
<p>Emerging from the sewer grate, sticking to the shadows,
|
||||||
|
Alex makes his way down an alley, then another, and yet
|
||||||
|
another, finally emerging a few blocks from the Milk Market.
|
||||||
|
Across the street, as he had expected, was Marvelo’s Marvelous
|
||||||
|
MurderSticks, a quaint place should one needed something, well
|
||||||
|
you get the picture, they don’t really sell anything but
|
||||||
|
weaponry here.</p>
|
||||||
|
<p>Alex ducked into the entrance of the shop and strode
|
||||||
|
towards the back rack, where a collection of knives was on
|
||||||
|
display. A rough looking fellow, ruddy red beard, thinning
|
||||||
|
hair, moved from the counter as he saw Alex approach. “Fine
|
||||||
|
sampling of knives we have, could I interest you in one?”
|
||||||
|
Marvelo says. Alex reaches for a thin stilleto style dagger,
|
||||||
|
and hands it to Marvelo “This one seems about right, but I’d
|
||||||
|
like an extra sharp edge put on it, if you don’t mind”.
|
||||||
|
Marvelo takes the stilleto from Alex say “Not a problem at all
|
||||||
|
sir”, and he heads into the back.</p>
|
||||||
|
<p>He sets to work honing the edge, and once complete he
|
||||||
|
places it on his work bench. Grabbing a velvet lined case from
|
||||||
|
a stack, he deftly removes the bottom and places a rolled
|
||||||
|
piece of paper into the bottom, alongside an m1911 style
|
||||||
|
pistol, and a couple of clips of ammo. He then places the
|
||||||
|
velvet bottom back over the equipment, and places the stilleto
|
||||||
|
on top, bringing the entire package back to the front. “An
|
||||||
|
extra fine edge on this one sir, that’ll be 15 gold, plus
|
||||||
|
another 5 to cover the service.</p>
|
||||||
|
<p>Alex pays, and nips out the shop and heads back to the back
|
||||||
|
alley. Paranoia begets what it requets, Alex mutters to
|
||||||
|
himself as he disassembles the box holstering the pistol and
|
||||||
|
ammo, and sheathing the dagger. Can’t keep going unarmed like
|
||||||
|
I’m some kind of beat cop, not anymore.. Alex discards the
|
||||||
|
case and unfurls the message, quickly deciphering the
|
||||||
|
encryption set on it by Marvelo.</p>
|
||||||
|
<pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
|
||||||
|
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
|
||||||
|
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
|
||||||
|
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
|
||||||
|
Agent 4 monitoring feeds still present glitches, something abnormal
|
||||||
|
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
|
||||||
|
<p>Alex burned the note, striding rapidly away from the alley,
|
||||||
|
taking a meandering route away from the Milk Market, looping
|
||||||
|
back around, and heading back towards it by yet another.
|
||||||
|
Nobody appeared to be following him, yet he paused at each
|
||||||
|
corner and turn, waiting for the footsteps of a pursuant.</p>
|
||||||
|
<p>Noting nothing, he made his way through the back entrance
|
||||||
|
of Enrique’s Empanadas greeting the cook quietly, but jovial.
|
||||||
|
“Enrique, where’s Inky? We’ve got a problem.”</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>~</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Inky skims the page. They thank the witch, pay for the
|
||||||
|
items and exit the shop, promptly discarding all notions of
|
||||||
|
meeting Bother at the place stipulated on the note.</p>
|
||||||
|
<p><em>(Half and one hour later)</em></p>
|
||||||
|
<p>One-sixths into a caramel cantaloupe cream cornet, Inky
|
||||||
|
runs into Confidence outside the Wandering Bazaar and obtains
|
||||||
|
some of their new pamphlets, minted with luminescent ink for
|
||||||
|
the convenience of late-night tourists. These are subsequently
|
||||||
|
hare-mailed to every editor at the <em>Niuewstijl</em> office,
|
||||||
|
which is almost certain to earn another chiding remark from
|
||||||
|
Tess about etiquette and the handling of unsolicited bulk mail
|
||||||
|
to parent editorial teams.</p>
|
||||||
|
<p><em>(Half and two hours later)</em></p>
|
||||||
|
<p>The installation on display at the Milk Market was
|
||||||
|
grotesque — that is to say, a work of beauty. Inky steps
|
||||||
|
carefully through the rooms to not disturb the piece.
|
||||||
|
Afterwards, they sign the guestbook set up on an upturned milk
|
||||||
|
crate by the door, delightedly pasting rows of horse head and
|
||||||
|
thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
|
||||||
|
the unedible”.</p>
|
||||||
|
<p><em>(Half and three hours earlier)</em></p>
|
||||||
|
<p>Thanking Agate for her time, Inky passes her a sheet of
|
||||||
|
paper on which were written a few questions about the
|
||||||
|
prescribed ritual, with some space after each question should
|
||||||
|
the witch prefer to scribble a response:</p>
|
||||||
|
<ul>
|
||||||
|
<li><p>What do guides in the Sea of Dreams and the Ravenfolk
|
||||||
|
typically seek in return for directing travellers to the
|
||||||
|
correct pocket dimension?</p></li>
|
||||||
|
<li><p>An establishment inside the Bazaar is only open in the
|
||||||
|
evenings whenever it appears in the city. How long does travel
|
||||||
|
to a pocket dimension typically take, allowing for time to
|
||||||
|
seek out a guide? Is there a way travellers can estimate the
|
||||||
|
time to set out on their journey, in order to arrive at the
|
||||||
|
establishment while it is open?</p></li>
|
||||||
|
<li><p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||||||
|
ritual? How can travellers avoid summoning them?</p></li>
|
||||||
|
<li><p>Would anything happen to the travellers if any of the
|
||||||
|
sigils were removed during the ritual before they wake
|
||||||
|
up?</p></li>
|
||||||
|
</ul>
|
||||||
|
<p><em>(Half and four hours later)</em></p>
|
||||||
|
<p>Two sets of eyes peer down at the contents of an open tin.
|
||||||
|
One accompanied by a focused look and a little trepidation,
|
||||||
|
following the pinkish, flesh-like chunks speckled with white
|
||||||
|
pockets of fat as they tumble into a hot pan and almost
|
||||||
|
immediately begin to move of their own accord. The moving
|
||||||
|
mounds resemble small round mouths opening, each with a rim of
|
||||||
|
sharp teeth. The other pair of eyes belongs to a grinning face
|
||||||
|
that beams when the mounds bloom into bright red flat caps,
|
||||||
|
the edges beneath about to soften in the olive oil.</p>
|
||||||
|
<p>Minutes after, The slices are ready. Inky accepts the plate
|
||||||
|
of tostada with spicy pickled artichoke mushrooms and tomatoes
|
||||||
|
with a murmur of thanks. Reassembling the recipe for the
|
||||||
|
tinned spicy artichoke mushrooms had been a tedious process —
|
||||||
|
someone had ripped out the pages from an old pickling book
|
||||||
|
that had long ceased publication. Eventually Inky found a
|
||||||
|
former nomad who had eaten them for two years in their youth
|
||||||
|
and could recall or somewhat describe the taste. Flowery and
|
||||||
|
savoury, they said. Many taste tests later, it turned out to
|
||||||
|
be closer to partially decomposed cheese in ponderosa lemon
|
||||||
|
juice. Canning was fortuitously easier with the increasing
|
||||||
|
portability of sealers. Rather than telling the empanada chef
|
||||||
|
any of this, Inky watches satisfaction slowly spread across
|
||||||
|
his face. The tale that follows is far more entertaining.</p>
|
||||||
|
<p><em>(Half and five hours later)</em></p>
|
||||||
|
<p>While measuring out ingredients for the forty-second tea
|
||||||
|
infusion since the start of the missions, not that Inky was
|
||||||
|
keeping a close count, they hear a familiar voice a short
|
||||||
|
distance outside the door asking for their whereabouts.
|
||||||
|
Without pausing in their whisking, Inky simply informs the
|
||||||
|
owner of the voice they’re not here, obviously, before
|
||||||
|
emerging from the storage pantry with a fresh pot and bowls on
|
||||||
|
a wooden tray, and greets the returning sysorcerer.</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>Agate writes back quickly:</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>What do guides in the Sea of Dreams and the Ravenfolk
|
||||||
|
typically seek in return for directing travellers to the
|
||||||
|
correct pocket dimension?</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>Intangibles. Usually memories, hopes, or dreams.</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>An establishment inside the Bazaar is only open in the
|
||||||
|
evenings whenever it appears in the city. How long does travel
|
||||||
|
to a pocket dimension typically take, allowing for time to
|
||||||
|
seek out a guide? Is there a way travellers can estimate the
|
||||||
|
time to set out on their journey, in order to arrive at the
|
||||||
|
establishment while it is open?</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>You’ll find that time is rather malleable on the Otherside.
|
||||||
|
You’ll likely arrive exactly when you’re meant to. No need to
|
||||||
|
worry too much about it.</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||||||
|
ritual? How can travellers avoid summoning them?</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>Godforms manifested by the Linking Sigil and the Dream
|
||||||
|
Sigil, respectively. It’s not <em>terrible</em> if they show
|
||||||
|
up. But it’s definitely not ideal. You shouldn’t register on
|
||||||
|
their radar as long as you don’t pump too much energy into, or
|
||||||
|
siphon to much energy out of, the sigils. If they do show up,
|
||||||
|
just know that you’re in the presence of a godlike power, and
|
||||||
|
behave accordingly.</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Would anything happen to the travellers if any of the
|
||||||
|
sigils were removed during the ritual before they wake up?</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>If the sigils are removed or if the circle is broken,
|
||||||
|
you’ll likely just wake up before you wanted to. Same goes for
|
||||||
|
if your dreamform is destroyed while in the Dreaming. The only
|
||||||
|
real danger you may encounter is the Scissormen and their ilk.
|
||||||
|
They will attempt to permanently sever your dreamform from
|
||||||
|
your waking body. Which would leave your body a soulless husk,
|
||||||
|
and leave your consciousness adrift in the Sea of Dreams. But
|
||||||
|
that probably won’t happen! Okay good luck, have fun!</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
|
]]>
|
||||||
|
</description>
|
||||||
|
</item>
|
||||||
</channel>
|
</channel>
|
||||||
</rss>
|
</rss>
|
||||||
|
|
|
@ -287,6 +287,7 @@
|
||||||
<li><a href="#00061" id="toc-00061">00061</a></li>
|
<li><a href="#00061" id="toc-00061">00061</a></li>
|
||||||
<li><a href="#00062" id="toc-00062">00062</a></li>
|
<li><a href="#00062" id="toc-00062">00062</a></li>
|
||||||
<li><a href="#00063" id="toc-00063">00063</a></li>
|
<li><a href="#00063" id="toc-00063">00063</a></li>
|
||||||
|
<li><a href="#00064" id="toc-00064">00064</a></li>
|
||||||
</ul></li>
|
</ul></li>
|
||||||
<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
|
<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
|
||||||
<li><a href="#acknowledgements"
|
<li><a href="#acknowledgements"
|
||||||
|
@ -363,11 +364,11 @@ into the <a href="#current-story">current story arc</a>.</p>
|
||||||
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
||||||
the rss feed</a>.</p>
|
the rss feed</a>.</p>
|
||||||
<h2 id="stats">Stats</h2>
|
<h2 id="stats">Stats</h2>
|
||||||
<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
|
<p>Total length: 82674 words / 353 minute read. (Mind you, that’s the
|
||||||
length of this entire page, including all the extra bits and bobs. Not
|
length of this entire page, including all the extra bits and bobs. Not
|
||||||
just the story.)</p>
|
just the story.)</p>
|
||||||
<p>There have been 221 messages posted over 217 days since the first
|
<p>There have been 223 messages posted over 222 days since the first
|
||||||
post on July 13, 2022 for a daily post rate of 1.01.</p>
|
post on July 13, 2022 for a daily post rate of 1.00.</p>
|
||||||
<h2 id="chapter-1">Chapter 1</h2>
|
<h2 id="chapter-1">Chapter 1</h2>
|
||||||
<p>This is the first installment of BASEMENT QUEST.</p>
|
<p>This is the first installment of BASEMENT QUEST.</p>
|
||||||
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
||||||
|
@ -6730,6 +6731,134 @@ Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
|
||||||
you.</p>
|
you.</p>
|
||||||
<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
|
<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
|
||||||
<p>WHAT DO YOU DO</p>
|
<p>WHAT DO YOU DO</p>
|
||||||
|
<h3 id="00064">00064</h3>
|
||||||
|
<p>Back at the fish market, Marvelo squints into the pouring rain and
|
||||||
|
swears under his breath, frustrated at the limited visibility.</p>
|
||||||
|
<p>His colleague is lying on the floor behind him in some kind of state
|
||||||
|
of deeply altered consciousness, along with an inkling, a toque, and an
|
||||||
|
owl. In fact, the only waking beings left inside the market are himself,
|
||||||
|
a fluffy little duck, and a sticky hemogoblin.</p>
|
||||||
|
<p>“I’ve seen stranger things,” he shrugs and admits to himself.</p>
|
||||||
|
<p>The duck and the goblin are both fluffed up and huddled up next to
|
||||||
|
each other softly quacking and chirping to themselves.</p>
|
||||||
|
<p>He pauses and holds his breath as something indistinct catches his
|
||||||
|
attention. Years of training have produced an instinct he has learned
|
||||||
|
not to question. It has saved his butt more times than he can count.
|
||||||
|
Sometimes it screams at him and the danger is apparent. Like that time
|
||||||
|
with the Permian Raiders off the southern tip of Harshwind Glade. Other
|
||||||
|
times, such as this, all he gets is the vague feeling that something is
|
||||||
|
off. He waits. He’s been here before. His subconscious has spotted
|
||||||
|
something, noticed some pattern that doesn’t fit its surroundings. He
|
||||||
|
knows if he’s patient, his conscious mind will catch up and realize what
|
||||||
|
it was.</p>
|
||||||
|
<p>He squints out into the pouring rain. There! A flash of red close to
|
||||||
|
the ground.</p>
|
||||||
|
<p>“What in the world,” he wonders as a small child wearing a bright red
|
||||||
|
dress toddles into view. It looks up at him blankly as the rain beats
|
||||||
|
down on its head and shoulders.</p>
|
||||||
|
<p>“What are you doing out here, little guy? You’re getting soaked!”
|
||||||
|
Marvelo, concerned, rushes forward to comfort the child.</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Inky gingerly takes the coin with both hands, small digits clamping
|
||||||
|
onto the straight edges. They look at the Twenty-one Fiver nestled
|
||||||
|
against the fuzzy outlines of one palm before peering up again at the
|
||||||
|
figure seated before them. “Thank you, Great Spirit.” Inky says. “If
|
||||||
|
truly allowed to choose, then, this one accepts the price.”</p>
|
||||||
|
<p>They toss the coin up into the air. A beat, and they are hovering a
|
||||||
|
few feet above the tracks, between the fork and the oncoming train with
|
||||||
|
no walls. Inky watches as the child’s body begins to shrink as rapidly
|
||||||
|
as the black uniform expands, the entire apparition thinning and
|
||||||
|
becoming translucent. The shirt continues to grow until the hem brushes
|
||||||
|
the train tracks and the collar peeks over the invisible tops of the
|
||||||
|
train, the trousers and shoes having been pushed into the stones and
|
||||||
|
earth below.</p>
|
||||||
|
<p>A portal, the child’s voice supplies distantly. At the back of their
|
||||||
|
awareness, Inky homes in on the coin as it continues to spin. When the
|
||||||
|
train thunders down upon the oversized shirt doorway-apparent, they
|
||||||
|
brace for the force of the impact. Instead, all they could feel is a
|
||||||
|
creeping weariness, like water draining through tea leaves in a sieve,
|
||||||
|
while being suddenly surrounded by and staring into a deep
|
||||||
|
reflectionless pool.</p>
|
||||||
|
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
||||||
|
<p>The last thing within their consciousness is a gleam of silver as the
|
||||||
|
coin lands on one of its corners mid-spin, bounces off the small half
|
||||||
|
table and falls into the shadows.</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>You sink into the dark reflectionless pool, letting its waters close
|
||||||
|
over you and pull you under. You ponder its depths from within in its
|
||||||
|
embrace, mindless of the passage of time.</p>
|
||||||
|
<p>After a few minutes, or a few days, you notice faint light rising up
|
||||||
|
here and there from below. Fuzzy, cobwebby human shapes float suspended
|
||||||
|
in the waters. Some far away, distant as stars. Some drift close enough
|
||||||
|
that you would be able to discern their features, if they had any.</p>
|
||||||
|
<p>You realize all at once that these are the dream forms of sleeping
|
||||||
|
Basmentarians everywhere, and that you are floating in Ousia, a solitary
|
||||||
|
awakened dreamer in a literal sea of the passive slumbering.</p>
|
||||||
|
<p>As though responding to your realization, the waters bear you up and
|
||||||
|
you pierce the weak membrane between water and air. You float
|
||||||
|
effortlessly and the gentle waves nudge you ever onward toward some
|
||||||
|
unknown shore. Or merely farther out to sea. You’re not sure.</p>
|
||||||
|
<p>You continue to see the dreamers all around you. You watch curiously
|
||||||
|
as you float by two that seem to have bumped into one another and fused
|
||||||
|
together, their cobwebby bodies sprouting hard crystalline growths and
|
||||||
|
spreading like creeping vines, forming a lattice and creating a small
|
||||||
|
floating island.</p>
|
||||||
|
<p>After a few hours, or a few weeks, you wash up on the beach of a
|
||||||
|
large island. There is a steep rock, a pillar of a mountain, jutting
|
||||||
|
straight up from the center of the island some distance ahead. And
|
||||||
|
jutting from the pillar is a fractal structure of interconnected towers,
|
||||||
|
all sprouting and branching from one large central tower. The top of the
|
||||||
|
tower disappears far overhead, obscured by a rippling aurora of green
|
||||||
|
and pink lights in the sky.</p>
|
||||||
|
<p>Some distance down the beach, just out of hailing distance, a lone
|
||||||
|
figure stands gazing at the sea, their back to the tower.</p>
|
||||||
|
<p>The figure waits.</p>
|
||||||
|
<p>The tower’s strange geometry beckons.</p>
|
||||||
|
<blockquote>
|
||||||
|
<p>Kasutva, how can I know that I can trust you? What do you gain in
|
||||||
|
helping me, and was there really no way for you to communicate with me
|
||||||
|
without beheading yourself? That seems a little bit distraughting. Like,
|
||||||
|
do you need a bandage or some headache medicine or something? I feel
|
||||||
|
like if I yanked my face off I’d need an ibuprofen. I have some if you
|
||||||
|
want? (alex rummages in a coat pocket and finds a bottle of pain
|
||||||
|
killers, and offers them to the being).</p>
|
||||||
|
<p>Right anyways, answers questions. I’m looking for my Uncle first and
|
||||||
|
foremost. He dropped off the map a few days ago, and I can’t find hide
|
||||||
|
nor hair of him. Then the murders started. Shit at HQ when wild, hit the
|
||||||
|
wall literally, and now I’m in some sort of fever dream talking to what
|
||||||
|
can only be a manifestation of my own subconscious, or perhaps someone
|
||||||
|
else’s. Look. I need to get back to Inky, we’re trying to meet someone
|
||||||
|
and we’re running late, and in the scheme of things my problems aren’t
|
||||||
|
so big if the world’s going to end because some mad hatter is after
|
||||||
|
these blasted crystal’s we’ve been collecting..</p>
|
||||||
|
</blockquote>
|
||||||
|
<p>Even as you speak, you notice the edges of Big Kasutva’s “wounds”
|
||||||
|
start to close until its flesh begins to once more envelop and enclose
|
||||||
|
its face.</p>
|
||||||
|
<p>The creature courteously accepts a few pills from you, but simply
|
||||||
|
deposits them in its satchel.</p>
|
||||||
|
<p>“No, it doesn’t hurt us,” say the two voices together. “And little
|
||||||
|
matter if it did. It is necessary for us to speak.”</p>
|
||||||
|
<p>They listen to your story. Big Kasutva’s voice starts to become
|
||||||
|
muffled as its skin now grows over its mouth. Only its eyes are visible
|
||||||
|
as the two of them continue. “If your Inky has come to this place, then
|
||||||
|
there is only one place they can have gone.” They gesture to the sea.
|
||||||
|
“And that place is Ephemeris. The Heart of the Dreaming at the center of
|
||||||
|
Ousia.”</p>
|
||||||
|
<p>Big Kasutva finally falls silent as it heals completely. It guides
|
||||||
|
you to the shoreline, where a long pier has suddenly appeared. Mushroom
|
||||||
|
Kasutva continues to speak for both of them.</p>
|
||||||
|
<p>“We only ask to accompany you as you go. We wish to see Ephemeris
|
||||||
|
ourselves. But we cannot abandon our post here on the dunes,” it says
|
||||||
|
looking at Big Kasutva. “And we,” it says gesturing to itself, “are too
|
||||||
|
small to brave the sea alone.”</p>
|
||||||
|
<p>Big Kasutva stops short of the end of the pier. The little mushroom
|
||||||
|
hops right up to the edge and peers down at the water.</p>
|
||||||
|
<p>“All that is left is to jump, Alex. And let the waters of Ousia bear
|
||||||
|
you up and carry you to Ephemeris.”</p>
|
||||||
|
<p>It hops up to you and extends itself in a clear request, despite its
|
||||||
|
lack of limbs, that it wants you to pick it up.</p>
|
||||||
|
<p>WHAT DO YOU DO</p>
|
||||||
<h2 id="spoilers">Spoilers</h2>
|
<h2 id="spoilers">Spoilers</h2>
|
||||||
<details>
|
<details>
|
||||||
<summary>
|
<summary>
|
||||||
|
|
Loading…
Reference in New Issue