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					---
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					title: 00064
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					created: Wed, 15 Feb 2023 17:58:35 -0700
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					updated: Wed, 15 Feb 2023 17:58:35 -0700
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					public: yes
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					syndicated: yes
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					---
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					### 00064 {#00064}
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					Back at the fish market, Marvelo squints into the pouring rain and
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					swears under his breath, frustrated at the limited visibility.
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					His colleague is lying on the floor behind him in some kind of state
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					of deeply altered consciousness, along with an inkling, a toque, and
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					an owl. In fact, the only waking beings left inside the market are
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					himself, a fluffy little duck, and a sticky hemogoblin.
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					"I've seen stranger things," he shrugs and admits to himself.
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					The duck and the goblin are both fluffed up and huddled up next to
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					each other softly quacking and chirping to themselves.
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					He pauses and holds his breath as something indistinct catches his
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					attention. Years of training have produced an instinct he has learned
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					not to question. It has saved his butt more times than he can count.
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					Sometimes it screams at him and the danger is apparent. Like that
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					time with the Permian Raiders off the southern tip of Harshwind
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					Glade. Other times, such as this, all he gets is the vague feeling
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					that something is off. He waits. He's been here before. His
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					subconscious has spotted something, noticed some pattern that doesn't
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					fit its surroundings. He knows if he's patient, his conscious mind
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					will catch up and realize what it was.
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					He squints out into the pouring rain. There! A flash of red close to
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					the ground.
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					"What in the world," he wonders as a small child wearing a bright red
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					dress toddles into view. It looks up at him blankly as the rain beats
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					down on its head and shoulders.
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					"What are you doing out here, little guy? You're getting soaked!"
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					Marvelo, concerned, rushes forward to comfort the child.
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					> Inky gingerly takes the coin with both hands, small digits clamping
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					> onto the straight edges. They look at the Twenty-one Fiver nestled
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					> against the fuzzy outlines of one palm before peering up again at the
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					> figure seated before them. "Thank you, Great Spirit." Inky says. "If
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					> truly allowed to choose, then, this one accepts the price."
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					> 
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					> They toss the coin up into the air. A beat, and they are hovering a
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					> few feet above the tracks, between the fork and the oncoming train
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					> with no walls. Inky watches as the child's body begins to shrink as
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					> rapidly as the black uniform expands, the entire apparition thinning
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					> and becoming translucent. The shirt continues to grow until the hem
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					> brushes the train tracks and the collar peeks over the invisible tops
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					> of the train, the trousers and shoes having been pushed into the
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					> stones and earth below.
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					> 
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					> A portal, the child's voice supplies distantly. At the back of their
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					> awareness, Inky homes in on the coin as it continues to spin. When
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					> the train thunders down upon the oversized shirt doorway-apparent,
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					> they brace for the force of the impact. Instead, all they could feel
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					> is a creeping weariness, like water draining through tea leaves in a
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					> sieve, while being suddenly surrounded by and staring into a deep
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					> reflectionless pool.
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					> 
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					> Is it two to two, or two past eight, Inky wonders.
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					> 
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					> The last thing within their consciousness is a gleam of silver as the
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					> coin lands on one of its corners mid-spin, bounces off the small half
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					> table and falls into the shadows.
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					You sink into the dark reflectionless pool, letting its waters close
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					over you and pull you under. You ponder its depths from within in its
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					embrace, mindless of the passage of time.
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					After a few minutes, or a few days, you notice faint light rising up
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					here and there from below. Fuzzy, cobwebby human shapes float
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					suspended in the waters. Some far away, distant as stars. Some drift
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					close enough that you would be able to discern their features, if
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					they had any.
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					You realize all at once that these are the dream forms of sleeping
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					Basmentarians everywhere, and that you are floating in Ousia, a
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					solitary awakened dreamer in a literal sea of the passive slumbering.
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					As though responding to your realization, the waters bear you up and
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					you pierce the weak membrane between water and air. You float
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					effortlessly and the gentle waves nudge you ever onward toward some
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					unknown shore. Or merely farther out to sea. You're not sure.
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					You continue to see the dreamers all around you. You watch curiously
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					as you float by two that seem to have bumped into one another and
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					fused together, their cobwebby bodies sprouting hard crystalline
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					growths and spreading like creeping vines, forming a lattice and
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					creating a small floating island.
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					After a few hours, or a few weeks, you wash up on the beach of a
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					large island. There is a steep rock, a pillar of a mountain, jutting
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					straight up from the center of the island some distance ahead. And
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					jutting from the pillar is a fractal structure of interconnected
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					towers, all sprouting and branching from one large central tower. The
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					top of the tower disappears far overhead, obscured by a rippling
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					aurora of green and pink lights in the sky.
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					Some distance down the beach, just out of hailing distance, a lone
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					figure stands gazing at the sea, their back to the tower.
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					The figure waits.
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					The tower's strange geometry beckons.
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					> Kasutva, how can I know that I can trust you? What do you gain in
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					> helping me, and was there really no way for you to communicate with
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					> me without beheading yourself? That seems a little bit distraughting.
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					> Like, do you need a bandage or some headache medicine or something? I
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					> feel like if I yanked my face off I'd need an ibuprofen. I have
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					> some if you want? (alex rummages in a coat pocket and finds a bottle
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					> of pain killers, and offers them to the being).
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					> 
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					> Right anyways, answers questions. I'm looking for my Uncle first and
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					> foremost. He dropped off the map a few days ago, and I can't find
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					> hide nor hair of him. Then the murders started. Shit at HQ when wild,
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					> hit the wall literally, and now I'm in some sort of fever dream
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					> talking to what can only be a manifestation of my own subconscious, or
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					> perhaps someone else's. Look. I need to get back to Inky, we're trying
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					> to meet someone and we're running late, and in the scheme of things my
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					> problems aren't so big if the world's going to end because some mad
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					> hatter is after these blasted crystal's we've been collecting..
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					Even as you speak, you notice the edges of Big Kasutva's "wounds"
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					start to close until its flesh begins to once more envelop and
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					enclose its face.
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					The creature courteously accepts a few pills from you, but simply
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					deposits them in its satchel.
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					"No, it doesn't hurt us," say the two voices together. "And little
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					matter if it did. It is necessary for us to speak."
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					They listen to your story. Big Kasutva's voice starts to become
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					muffled as its skin now grows over its mouth. Only its eyes are
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					visible as the two of them continue. "If your Inky has come to this
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					place, then there is only one place they can have gone." They gesture
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					to the sea. "And that place is Ephemeris. The Heart of the Dreaming
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					at the center of Ousia."
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					Big Kasutva finally falls silent as it heals completely. It guides
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					you to the shoreline, where a long pier has suddenly appeared.
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					Mushroom Kasutva continues to speak for both of them.
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					"We only ask to accompany you as you go. We wish to see Ephemeris
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					ourselves. But we cannot abandon our post here on the dunes," it says
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					looking at Big Kasutva. "And we," it says gesturing to itself, "are
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					too small to brave the sea alone."
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					Big Kasutva stops short of the end of the pier. The little mushroom
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					hops right up to the edge and peers down at the water.
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					"All that is left is to jump, Alex. And let the waters of Ousia bear
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					you up and carry you to Ephemeris."
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					It hops up to you and extends itself in a clear request, despite its
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					lack of limbs, that it wants you to pick it up.
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					WHAT DO YOU DO
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										135
									
								
								www/index.html
									
									
									
									
									
								
							
							
						
						
									
										135
									
								
								www/index.html
									
									
									
									
									
								
							@ -287,6 +287,7 @@
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<li><a href="#00061" id="toc-00061">00061</a></li>
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					<li><a href="#00061" id="toc-00061">00061</a></li>
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<li><a href="#00062" id="toc-00062">00062</a></li>
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					<li><a href="#00062" id="toc-00062">00062</a></li>
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<li><a href="#00063" id="toc-00063">00063</a></li>
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					<li><a href="#00063" id="toc-00063">00063</a></li>
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					<li><a href="#00064" id="toc-00064">00064</a></li>
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</ul></li>
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					</ul></li>
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<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
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					<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
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<li><a href="#appendix-a-dramatis-personae"
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					<li><a href="#appendix-a-dramatis-personae"
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@ -360,11 +361,11 @@ into the <a href="#current-story">current story arc</a>.</p>
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you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
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					you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
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the rss feed</a>.</p>
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					the rss feed</a>.</p>
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<h2 id="stats">Stats</h2>
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					<h2 id="stats">Stats</h2>
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<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
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					<p>Total length: 82674 words / 353 minute read. (Mind you, that’s the
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length of this entire page, including all the extra bits and bobs. Not
 | 
					length of this entire page, including all the extra bits and bobs. Not
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just the story.)</p>
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					just the story.)</p>
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<p>There have been 221 messages posted over 217 days since the first
 | 
					<p>There have been 223 messages posted over 222 days since the first
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post on July 13, 2022 for a daily post rate of 1.01.</p>
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					post on July 13, 2022 for a daily post rate of 1.00.</p>
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<h2 id="chapter-1">Chapter 1</h2>
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					<h2 id="chapter-1">Chapter 1</h2>
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<p>This is the first installment of BASEMENT QUEST.</p>
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					<p>This is the first installment of BASEMENT QUEST.</p>
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<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
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					<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
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@ -6727,6 +6728,134 @@ Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
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you.</p>
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					you.</p>
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<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
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					<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
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<p>WHAT DO YOU DO</p>
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					<p>WHAT DO YOU DO</p>
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					<h3 id="00064">00064</h3>
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					<p>Back at the fish market, Marvelo squints into the pouring rain and
 | 
				
			||||||
 | 
					swears under his breath, frustrated at the limited visibility.</p>
 | 
				
			||||||
 | 
					<p>His colleague is lying on the floor behind him in some kind of state
 | 
				
			||||||
 | 
					of deeply altered consciousness, along with an inkling, a toque, and an
 | 
				
			||||||
 | 
					owl. In fact, the only waking beings left inside the market are himself,
 | 
				
			||||||
 | 
					a fluffy little duck, and a sticky hemogoblin.</p>
 | 
				
			||||||
 | 
					<p>“I’ve seen stranger things,” he shrugs and admits to himself.</p>
 | 
				
			||||||
 | 
					<p>The duck and the goblin are both fluffed up and huddled up next to
 | 
				
			||||||
 | 
					each other softly quacking and chirping to themselves.</p>
 | 
				
			||||||
 | 
					<p>He pauses and holds his breath as something indistinct catches his
 | 
				
			||||||
 | 
					attention. Years of training have produced an instinct he has learned
 | 
				
			||||||
 | 
					not to question. It has saved his butt more times than he can count.
 | 
				
			||||||
 | 
					Sometimes it screams at him and the danger is apparent. Like that time
 | 
				
			||||||
 | 
					with the Permian Raiders off the southern tip of Harshwind Glade. Other
 | 
				
			||||||
 | 
					times, such as this, all he gets is the vague feeling that something is
 | 
				
			||||||
 | 
					off. He waits. He’s been here before. His subconscious has spotted
 | 
				
			||||||
 | 
					something, noticed some pattern that doesn’t fit its surroundings. He
 | 
				
			||||||
 | 
					knows if he’s patient, his conscious mind will catch up and realize what
 | 
				
			||||||
 | 
					it was.</p>
 | 
				
			||||||
 | 
					<p>He squints out into the pouring rain. There! A flash of red close to
 | 
				
			||||||
 | 
					the ground.</p>
 | 
				
			||||||
 | 
					<p>“What in the world,” he wonders as a small child wearing a bright red
 | 
				
			||||||
 | 
					dress toddles into view. It looks up at him blankly as the rain beats
 | 
				
			||||||
 | 
					down on its head and shoulders.</p>
 | 
				
			||||||
 | 
					<p>“What are you doing out here, little guy? You’re getting soaked!”
 | 
				
			||||||
 | 
					Marvelo, concerned, rushes forward to comfort the child.</p>
 | 
				
			||||||
 | 
					<blockquote>
 | 
				
			||||||
 | 
					<p>Inky gingerly takes the coin with both hands, small digits clamping
 | 
				
			||||||
 | 
					onto the straight edges. They look at the Twenty-one Fiver nestled
 | 
				
			||||||
 | 
					against the fuzzy outlines of one palm before peering up again at the
 | 
				
			||||||
 | 
					figure seated before them. “Thank you, Great Spirit.” Inky says. “If
 | 
				
			||||||
 | 
					truly allowed to choose, then, this one accepts the price.”</p>
 | 
				
			||||||
 | 
					<p>They toss the coin up into the air. A beat, and they are hovering a
 | 
				
			||||||
 | 
					few feet above the tracks, between the fork and the oncoming train with
 | 
				
			||||||
 | 
					no walls. Inky watches as the child’s body begins to shrink as rapidly
 | 
				
			||||||
 | 
					as the black uniform expands, the entire apparition thinning and
 | 
				
			||||||
 | 
					becoming translucent. The shirt continues to grow until the hem brushes
 | 
				
			||||||
 | 
					the train tracks and the collar peeks over the invisible tops of the
 | 
				
			||||||
 | 
					train, the trousers and shoes having been pushed into the stones and
 | 
				
			||||||
 | 
					earth below.</p>
 | 
				
			||||||
 | 
					<p>A portal, the child’s voice supplies distantly. At the back of their
 | 
				
			||||||
 | 
					awareness, Inky homes in on the coin as it continues to spin. When the
 | 
				
			||||||
 | 
					train thunders down upon the oversized shirt doorway-apparent, they
 | 
				
			||||||
 | 
					brace for the force of the impact. Instead, all they could feel is a
 | 
				
			||||||
 | 
					creeping weariness, like water draining through tea leaves in a sieve,
 | 
				
			||||||
 | 
					while being suddenly surrounded by and staring into a deep
 | 
				
			||||||
 | 
					reflectionless pool.</p>
 | 
				
			||||||
 | 
					<p>Is it two to two, or two past eight, Inky wonders.</p>
 | 
				
			||||||
 | 
					<p>The last thing within their consciousness is a gleam of silver as the
 | 
				
			||||||
 | 
					coin lands on one of its corners mid-spin, bounces off the small half
 | 
				
			||||||
 | 
					table and falls into the shadows.</p>
 | 
				
			||||||
 | 
					</blockquote>
 | 
				
			||||||
 | 
					<p>You sink into the dark reflectionless pool, letting its waters close
 | 
				
			||||||
 | 
					over you and pull you under. You ponder its depths from within in its
 | 
				
			||||||
 | 
					embrace, mindless of the passage of time.</p>
 | 
				
			||||||
 | 
					<p>After a few minutes, or a few days, you notice faint light rising up
 | 
				
			||||||
 | 
					here and there from below. Fuzzy, cobwebby human shapes float suspended
 | 
				
			||||||
 | 
					in the waters. Some far away, distant as stars. Some drift close enough
 | 
				
			||||||
 | 
					that you would be able to discern their features, if they had any.</p>
 | 
				
			||||||
 | 
					<p>You realize all at once that these are the dream forms of sleeping
 | 
				
			||||||
 | 
					Basmentarians everywhere, and that you are floating in Ousia, a solitary
 | 
				
			||||||
 | 
					awakened dreamer in a literal sea of the passive slumbering.</p>
 | 
				
			||||||
 | 
					<p>As though responding to your realization, the waters bear you up and
 | 
				
			||||||
 | 
					you pierce the weak membrane between water and air. You float
 | 
				
			||||||
 | 
					effortlessly and the gentle waves nudge you ever onward toward some
 | 
				
			||||||
 | 
					unknown shore. Or merely farther out to sea. You’re not sure.</p>
 | 
				
			||||||
 | 
					<p>You continue to see the dreamers all around you. You watch curiously
 | 
				
			||||||
 | 
					as you float by two that seem to have bumped into one another and fused
 | 
				
			||||||
 | 
					together, their cobwebby bodies sprouting hard crystalline growths and
 | 
				
			||||||
 | 
					spreading like creeping vines, forming a lattice and creating a small
 | 
				
			||||||
 | 
					floating island.</p>
 | 
				
			||||||
 | 
					<p>After a few hours, or a few weeks, you wash up on the beach of a
 | 
				
			||||||
 | 
					large island. There is a steep rock, a pillar of a mountain, jutting
 | 
				
			||||||
 | 
					straight up from the center of the island some distance ahead. And
 | 
				
			||||||
 | 
					jutting from the pillar is a fractal structure of interconnected towers,
 | 
				
			||||||
 | 
					all sprouting and branching from one large central tower. The top of the
 | 
				
			||||||
 | 
					tower disappears far overhead, obscured by a rippling aurora of green
 | 
				
			||||||
 | 
					and pink lights in the sky.</p>
 | 
				
			||||||
 | 
					<p>Some distance down the beach, just out of hailing distance, a lone
 | 
				
			||||||
 | 
					figure stands gazing at the sea, their back to the tower.</p>
 | 
				
			||||||
 | 
					<p>The figure waits.</p>
 | 
				
			||||||
 | 
					<p>The tower’s strange geometry beckons.</p>
 | 
				
			||||||
 | 
					<blockquote>
 | 
				
			||||||
 | 
					<p>Kasutva, how can I know that I can trust you? What do you gain in
 | 
				
			||||||
 | 
					helping me, and was there really no way for you to communicate with me
 | 
				
			||||||
 | 
					without beheading yourself? That seems a little bit distraughting. Like,
 | 
				
			||||||
 | 
					do you need a bandage or some headache medicine or something? I feel
 | 
				
			||||||
 | 
					like if I yanked my face off I’d need an ibuprofen. I have some if you
 | 
				
			||||||
 | 
					want? (alex rummages in a coat pocket and finds a bottle of pain
 | 
				
			||||||
 | 
					killers, and offers them to the being).</p>
 | 
				
			||||||
 | 
					<p>Right anyways, answers questions. I’m looking for my Uncle first and
 | 
				
			||||||
 | 
					foremost. He dropped off the map a few days ago, and I can’t find hide
 | 
				
			||||||
 | 
					nor hair of him. Then the murders started. Shit at HQ when wild, hit the
 | 
				
			||||||
 | 
					wall literally, and now I’m in some sort of fever dream talking to what
 | 
				
			||||||
 | 
					can only be a manifestation of my own subconscious, or perhaps someone
 | 
				
			||||||
 | 
					else’s. Look. I need to get back to Inky, we’re trying to meet someone
 | 
				
			||||||
 | 
					and we’re running late, and in the scheme of things my problems aren’t
 | 
				
			||||||
 | 
					so big if the world’s going to end because some mad hatter is after
 | 
				
			||||||
 | 
					these blasted crystal’s we’ve been collecting..</p>
 | 
				
			||||||
 | 
					</blockquote>
 | 
				
			||||||
 | 
					<p>Even as you speak, you notice the edges of Big Kasutva’s “wounds”
 | 
				
			||||||
 | 
					start to close until its flesh begins to once more envelop and enclose
 | 
				
			||||||
 | 
					its face.</p>
 | 
				
			||||||
 | 
					<p>The creature courteously accepts a few pills from you, but simply
 | 
				
			||||||
 | 
					deposits them in its satchel.</p>
 | 
				
			||||||
 | 
					<p>“No, it doesn’t hurt us,” say the two voices together. “And little
 | 
				
			||||||
 | 
					matter if it did. It is necessary for us to speak.”</p>
 | 
				
			||||||
 | 
					<p>They listen to your story. Big Kasutva’s voice starts to become
 | 
				
			||||||
 | 
					muffled as its skin now grows over its mouth. Only its eyes are visible
 | 
				
			||||||
 | 
					as the two of them continue. “If your Inky has come to this place, then
 | 
				
			||||||
 | 
					there is only one place they can have gone.” They gesture to the sea.
 | 
				
			||||||
 | 
					“And that place is Ephemeris. The Heart of the Dreaming at the center of
 | 
				
			||||||
 | 
					Ousia.”</p>
 | 
				
			||||||
 | 
					<p>Big Kasutva finally falls silent as it heals completely. It guides
 | 
				
			||||||
 | 
					you to the shoreline, where a long pier has suddenly appeared. Mushroom
 | 
				
			||||||
 | 
					Kasutva continues to speak for both of them.</p>
 | 
				
			||||||
 | 
					<p>“We only ask to accompany you as you go. We wish to see Ephemeris
 | 
				
			||||||
 | 
					ourselves. But we cannot abandon our post here on the dunes,” it says
 | 
				
			||||||
 | 
					looking at Big Kasutva. “And we,” it says gesturing to itself, “are too
 | 
				
			||||||
 | 
					small to brave the sea alone.”</p>
 | 
				
			||||||
 | 
					<p>Big Kasutva stops short of the end of the pier. The little mushroom
 | 
				
			||||||
 | 
					hops right up to the edge and peers down at the water.</p>
 | 
				
			||||||
 | 
					<p>“All that is left is to jump, Alex. And let the waters of Ousia bear
 | 
				
			||||||
 | 
					you up and carry you to Ephemeris.”</p>
 | 
				
			||||||
 | 
					<p>It hops up to you and extends itself in a clear request, despite its
 | 
				
			||||||
 | 
					lack of limbs, that it wants you to pick it up.</p>
 | 
				
			||||||
 | 
					<p>WHAT DO YOU DO</p>
 | 
				
			||||||
<h2 id="afterword">Afterword</h2>
 | 
					<h2 id="afterword">Afterword</h2>
 | 
				
			||||||
<p>I don’t know what I’m going to put here, but I didn’t want this
 | 
					<p>I don’t know what I’m going to put here, but I didn’t want this
 | 
				
			||||||
document to just abruptly end. So here you go: a kind farewell and a
 | 
					document to just abruptly end. So here you go: a kind farewell and a
 | 
				
			||||||
 | 
				
			|||||||
							
								
								
									
										804
									
								
								www/rss.xml
									
									
									
									
									
								
							
							
						
						
									
										804
									
								
								www/rss.xml
									
									
									
									
									
								
							@ -235,6 +235,59 @@ And Fortune said it shou'd be you. Puu."</code></pre>
 | 
				
			|||||||
        ]]>
 | 
					        ]]>
 | 
				
			||||||
      </description>
 | 
					      </description>
 | 
				
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    </item>
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					    </item>
 | 
				
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 | 
					    <item>
 | 
				
			||||||
 | 
					      <title>61</title>
 | 
				
			||||||
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
 | 
					      <guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
 | 
				
			||||||
 | 
					-0700</guid>
 | 
				
			||||||
 | 
					      <pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
 | 
				
			||||||
 | 
					      <description>
 | 
				
			||||||
 | 
					        <![CDATA[
 | 
				
			||||||
 | 
					          <h3 id="00061">00061</h3>
 | 
				
			||||||
 | 
					          <p>Alex the Octopus and Inky the Noogle stand on a tree branch
 | 
				
			||||||
 | 
					          as wide a street in the heart of the great white upside-down
 | 
				
			||||||
 | 
					          forest.</p>
 | 
				
			||||||
 | 
					          <p>A cry of anguish and anger echoes through the forest, and
 | 
				
			||||||
 | 
					          the branches below you sway and rustle as something rises up
 | 
				
			||||||
 | 
					          from the depths. You keep catching a glimpse of scarlet
 | 
				
			||||||
 | 
					          between the silvery white leaves.</p>
 | 
				
			||||||
 | 
					          <p>The large black ravens perched below you scream in
 | 
				
			||||||
 | 
					          agitation and fly up past you to the thicker branches up
 | 
				
			||||||
 | 
					          above, where they hop side to side and loudly scold and
 | 
				
			||||||
 | 
					          protest the disturbance. A single black feather the length of
 | 
				
			||||||
 | 
					          your hand settles to the ground at your feet, knocked loose
 | 
				
			||||||
 | 
					          during their flight.</p>
 | 
				
			||||||
 | 
					          <p>You finally see the fearsome beast crashing through the
 | 
				
			||||||
 | 
					          branches below you. Its crazed, yellow eyes as large and round
 | 
				
			||||||
 | 
					          as dinner plates, a great eight-legged rodent leaps from
 | 
				
			||||||
 | 
					          branch to branch as it swiftly ascends. It is a bloody,
 | 
				
			||||||
 | 
					          crimson red. Its long tufted ears lay flat against its
 | 
				
			||||||
 | 
					          elongated, grinning skull. Its ribbon-like tail twitches as it
 | 
				
			||||||
 | 
					          trails along behind it like a river of blood. It cries out
 | 
				
			||||||
 | 
					          again in anger, showing its overgrown incisors, and grinds and
 | 
				
			||||||
 | 
					          gnashes its back teeth.</p>
 | 
				
			||||||
 | 
					          <p>Its eyes bore into you with wild fury and blind madness as
 | 
				
			||||||
 | 
					          it climbs.</p>
 | 
				
			||||||
 | 
					          <p>“She’s not herself,” sighs the chipmunk, suddenly at your
 | 
				
			||||||
 | 
					          side once more. When you look down at the chipmunk, however,
 | 
				
			||||||
 | 
					          it has suddenly turned into a small featureless black turtle
 | 
				
			||||||
 | 
					          with a sticky sweet roll instead of a shell. Its smooth little
 | 
				
			||||||
 | 
					          head pokes timidly out of the roll.</p>
 | 
				
			||||||
 | 
					          <p>“The Red Squirrel,” laments the turtle. “She’s being ridden
 | 
				
			||||||
 | 
					          by a ghost. An angry ghost who isn’t from here. Somebody left
 | 
				
			||||||
 | 
					          the door open, and it blew in on the breeze.” The turtle’s
 | 
				
			||||||
 | 
					          voice trails off until its final words are barely a
 | 
				
			||||||
 | 
					          whisper.</p>
 | 
				
			||||||
 | 
					          <p>You can still feel two currents tugging at you and trying
 | 
				
			||||||
 | 
					          to pull you under. One inward toward your host’s deep, core
 | 
				
			||||||
 | 
					          memories. And the second pulling you outward toward the Sea of
 | 
				
			||||||
 | 
					          Dreams.</p>
 | 
				
			||||||
 | 
					          <p>You have but a moment before the Red Squirrel is upon
 | 
				
			||||||
 | 
					          you.</p>
 | 
				
			||||||
 | 
					          <p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					        ]]>
 | 
				
			||||||
 | 
					      </description>
 | 
				
			||||||
 | 
					    </item>
 | 
				
			||||||
    <item>
 | 
					    <item>
 | 
				
			||||||
      <title>59</title>
 | 
					      <title>59</title>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
@ -333,204 +386,6 @@ trap sleep INT EXIT</code></pre>
 | 
				
			|||||||
        ]]>
 | 
					        ]]>
 | 
				
			||||||
      </description>
 | 
					      </description>
 | 
				
			||||||
    </item>
 | 
					    </item>
 | 
				
			||||||
    <item>
 | 
					 | 
				
			||||||
      <title>56</title>
 | 
					 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					 | 
				
			||||||
      <guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
 | 
					 | 
				
			||||||
-0700</guid>
 | 
					 | 
				
			||||||
      <pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
 | 
					 | 
				
			||||||
      <description>
 | 
					 | 
				
			||||||
        <![CDATA[
 | 
					 | 
				
			||||||
          <h3 id="00056">00056</h3>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>The agitation Alex feels bubbles just beneath the surface.
 | 
					 | 
				
			||||||
          Patterns where patterns shouldn’t be, strange orders from HQ,
 | 
					 | 
				
			||||||
          indifference where once was ample aide as well. It was
 | 
					 | 
				
			||||||
          maddening. Combine it all with the haunting suspicion that
 | 
					 | 
				
			||||||
          there was constantly someone just around the next corner, and
 | 
					 | 
				
			||||||
          it was enough to truly drive Alex mad.</p>
 | 
					 | 
				
			||||||
          <p>That uneasiness takes its toll on a long enough time line,
 | 
					 | 
				
			||||||
          but Alex wasn’t about to let it get to him. Or so he thought
 | 
					 | 
				
			||||||
          to himself as he cast a furtive look at his monitoring
 | 
					 | 
				
			||||||
          equipment. This paranoia had served him well in the past, very
 | 
					 | 
				
			||||||
          well in fact. It’s a sort of sixth sense in a way, always kept
 | 
					 | 
				
			||||||
          Alex off the edge of the cliff, especially when someone
 | 
					 | 
				
			||||||
          stepped close enough to push him off. Those were the types of
 | 
					 | 
				
			||||||
          skills HQ sought after in the first place.</p>
 | 
					 | 
				
			||||||
          <p>Alex closes the iron door on his bunker, leaving his
 | 
					 | 
				
			||||||
          monitoring equipment running, dead man’s trigger set to blow
 | 
					 | 
				
			||||||
          the place shoul anyone enter it. Can’t be too careful these
 | 
					 | 
				
			||||||
          days..</p>
 | 
					 | 
				
			||||||
          <p>Emerging from the sewer grate, sticking to the shadows,
 | 
					 | 
				
			||||||
          Alex makes his way down an alley, then another, and yet
 | 
					 | 
				
			||||||
          another, finally emerging a few blocks from the Milk Market.
 | 
					 | 
				
			||||||
          Across the street, as he had expected, was Marvelo’s Marvelous
 | 
					 | 
				
			||||||
          MurderSticks, a quaint place should one needed something, well
 | 
					 | 
				
			||||||
          you get the picture, they don’t really sell anything but
 | 
					 | 
				
			||||||
          weaponry here.</p>
 | 
					 | 
				
			||||||
          <p>Alex ducked into the entrance of the shop and strode
 | 
					 | 
				
			||||||
          towards the back rack, where a collection of knives was on
 | 
					 | 
				
			||||||
          display. A rough looking fellow, ruddy red beard, thinning
 | 
					 | 
				
			||||||
          hair, moved from the counter as he saw Alex approach. “Fine
 | 
					 | 
				
			||||||
          sampling of knives we have, could I interest you in one?”
 | 
					 | 
				
			||||||
          Marvelo says. Alex reaches for a thin stilleto style dagger,
 | 
					 | 
				
			||||||
          and hands it to Marvelo “This one seems about right, but I’d
 | 
					 | 
				
			||||||
          like an extra sharp edge put on it, if you don’t mind”.
 | 
					 | 
				
			||||||
          Marvelo takes the stilleto from Alex say “Not a problem at all
 | 
					 | 
				
			||||||
          sir”, and he heads into the back.</p>
 | 
					 | 
				
			||||||
          <p>He sets to work honing the edge, and once complete he
 | 
					 | 
				
			||||||
          places it on his work bench. Grabbing a velvet lined case from
 | 
					 | 
				
			||||||
          a stack, he deftly removes the bottom and places a rolled
 | 
					 | 
				
			||||||
          piece of paper into the bottom, alongside an m1911 style
 | 
					 | 
				
			||||||
          pistol, and a couple of clips of ammo. He then places the
 | 
					 | 
				
			||||||
          velvet bottom back over the equipment, and places the stilleto
 | 
					 | 
				
			||||||
          on top, bringing the entire package back to the front. “An
 | 
					 | 
				
			||||||
          extra fine edge on this one sir, that’ll be 15 gold, plus
 | 
					 | 
				
			||||||
          another 5 to cover the service.</p>
 | 
					 | 
				
			||||||
          <p>Alex pays, and nips out the shop and heads back to the back
 | 
					 | 
				
			||||||
          alley. Paranoia begets what it requets, Alex mutters to
 | 
					 | 
				
			||||||
          himself as he disassembles the box holstering the pistol and
 | 
					 | 
				
			||||||
          ammo, and sheathing the dagger. Can’t keep going unarmed like
 | 
					 | 
				
			||||||
          I’m some kind of beat cop, not anymore.. Alex discards the
 | 
					 | 
				
			||||||
          case and unfurls the message, quickly deciphering the
 | 
					 | 
				
			||||||
          encryption set on it by Marvelo.</p>
 | 
					 | 
				
			||||||
          <pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
 | 
					 | 
				
			||||||
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
 | 
					 | 
				
			||||||
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
 | 
					 | 
				
			||||||
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
 | 
					 | 
				
			||||||
Agent 4 monitoring feeds still present glitches, something abnormal
 | 
					 | 
				
			||||||
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
 | 
					 | 
				
			||||||
          <p>Alex burned the note, striding rapidly away from the alley,
 | 
					 | 
				
			||||||
          taking a meandering route away from the Milk Market, looping
 | 
					 | 
				
			||||||
          back around, and heading back towards it by yet another.
 | 
					 | 
				
			||||||
          Nobody appeared to be following him, yet he paused at each
 | 
					 | 
				
			||||||
          corner and turn, waiting for the footsteps of a pursuant.</p>
 | 
					 | 
				
			||||||
          <p>Noting nothing, he made his way through the back entrance
 | 
					 | 
				
			||||||
          of Enrique’s Empanadas greeting the cook quietly, but jovial.
 | 
					 | 
				
			||||||
          “Enrique, where’s Inky? We’ve got a problem.”</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>~</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>Inky skims the page. They thank the witch, pay for the
 | 
					 | 
				
			||||||
          items and exit the shop, promptly discarding all notions of
 | 
					 | 
				
			||||||
          meeting Bother at the place stipulated on the note.</p>
 | 
					 | 
				
			||||||
          <p><em>(Half and one hour later)</em></p>
 | 
					 | 
				
			||||||
          <p>One-sixths into a caramel cantaloupe cream cornet, Inky
 | 
					 | 
				
			||||||
          runs into Confidence outside the Wandering Bazaar and obtains
 | 
					 | 
				
			||||||
          some of their new pamphlets, minted with luminescent ink for
 | 
					 | 
				
			||||||
          the convenience of late-night tourists. These are subsequently
 | 
					 | 
				
			||||||
          hare-mailed to every editor at the <em>Niuewstijl</em> office,
 | 
					 | 
				
			||||||
          which is almost certain to earn another chiding remark from
 | 
					 | 
				
			||||||
          Tess about etiquette and the handling of unsolicited bulk mail
 | 
					 | 
				
			||||||
          to parent editorial teams.</p>
 | 
					 | 
				
			||||||
          <p><em>(Half and two hours later)</em></p>
 | 
					 | 
				
			||||||
          <p>The installation on display at the Milk Market was
 | 
					 | 
				
			||||||
          grotesque — that is to say, a work of beauty. Inky steps
 | 
					 | 
				
			||||||
          carefully through the rooms to not disturb the piece.
 | 
					 | 
				
			||||||
          Afterwards, they sign the guestbook set up on an upturned milk
 | 
					 | 
				
			||||||
          crate by the door, delightedly pasting rows of horse head and
 | 
					 | 
				
			||||||
          thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
 | 
					 | 
				
			||||||
          the unedible”.</p>
 | 
					 | 
				
			||||||
          <p><em>(Half and three hours earlier)</em></p>
 | 
					 | 
				
			||||||
          <p>Thanking Agate for her time, Inky passes her a sheet of
 | 
					 | 
				
			||||||
          paper on which were written a few questions about the
 | 
					 | 
				
			||||||
          prescribed ritual, with some space after each question should
 | 
					 | 
				
			||||||
          the witch prefer to scribble a response:</p>
 | 
					 | 
				
			||||||
          <ul>
 | 
					 | 
				
			||||||
          <li><p>What do guides in the Sea of Dreams and the Ravenfolk
 | 
					 | 
				
			||||||
          typically seek in return for directing travellers to the
 | 
					 | 
				
			||||||
          correct pocket dimension?</p></li>
 | 
					 | 
				
			||||||
          <li><p>An establishment inside the Bazaar is only open in the
 | 
					 | 
				
			||||||
          evenings whenever it appears in the city. How long does travel
 | 
					 | 
				
			||||||
          to a pocket dimension typically take, allowing for time to
 | 
					 | 
				
			||||||
          seek out a guide? Is there a way travellers can estimate the
 | 
					 | 
				
			||||||
          time to set out on their journey, in order to arrive at the
 | 
					 | 
				
			||||||
          establishment while it is open?</p></li>
 | 
					 | 
				
			||||||
          <li><p>Who are the Red Spider and “Dude 215R” mentioned in the
 | 
					 | 
				
			||||||
          ritual? How can travellers avoid summoning them?</p></li>
 | 
					 | 
				
			||||||
          <li><p>Would anything happen to the travellers if any of the
 | 
					 | 
				
			||||||
          sigils were removed during the ritual before they wake
 | 
					 | 
				
			||||||
          up?</p></li>
 | 
					 | 
				
			||||||
          </ul>
 | 
					 | 
				
			||||||
          <p><em>(Half and four hours later)</em></p>
 | 
					 | 
				
			||||||
          <p>Two sets of eyes peer down at the contents of an open tin.
 | 
					 | 
				
			||||||
          One accompanied by a focused look and a little trepidation,
 | 
					 | 
				
			||||||
          following the pinkish, flesh-like chunks speckled with white
 | 
					 | 
				
			||||||
          pockets of fat as they tumble into a hot pan and almost
 | 
					 | 
				
			||||||
          immediately begin to move of their own accord. The moving
 | 
					 | 
				
			||||||
          mounds resemble small round mouths opening, each with a rim of
 | 
					 | 
				
			||||||
          sharp teeth. The other pair of eyes belongs to a grinning face
 | 
					 | 
				
			||||||
          that beams when the mounds bloom into bright red flat caps,
 | 
					 | 
				
			||||||
          the edges beneath about to soften in the olive oil.</p>
 | 
					 | 
				
			||||||
          <p>Minutes after, The slices are ready. Inky accepts the plate
 | 
					 | 
				
			||||||
          of tostada with spicy pickled artichoke mushrooms and tomatoes
 | 
					 | 
				
			||||||
          with a murmur of thanks. Reassembling the recipe for the
 | 
					 | 
				
			||||||
          tinned spicy artichoke mushrooms had been a tedious process —
 | 
					 | 
				
			||||||
          someone had ripped out the pages from an old pickling book
 | 
					 | 
				
			||||||
          that had long ceased publication. Eventually Inky found a
 | 
					 | 
				
			||||||
          former nomad who had eaten them for two years in their youth
 | 
					 | 
				
			||||||
          and could recall or somewhat describe the taste. Flowery and
 | 
					 | 
				
			||||||
          savoury, they said. Many taste tests later, it turned out to
 | 
					 | 
				
			||||||
          be closer to partially decomposed cheese in ponderosa lemon
 | 
					 | 
				
			||||||
          juice. Canning was fortuitously easier with the increasing
 | 
					 | 
				
			||||||
          portability of sealers. Rather than telling the empanada chef
 | 
					 | 
				
			||||||
          any of this, Inky watches satisfaction slowly spread across
 | 
					 | 
				
			||||||
          his face. The tale that follows is far more entertaining.</p>
 | 
					 | 
				
			||||||
          <p><em>(Half and five hours later)</em></p>
 | 
					 | 
				
			||||||
          <p>While measuring out ingredients for the forty-second tea
 | 
					 | 
				
			||||||
          infusion since the start of the missions, not that Inky was
 | 
					 | 
				
			||||||
          keeping a close count, they hear a familiar voice a short
 | 
					 | 
				
			||||||
          distance outside the door asking for their whereabouts.
 | 
					 | 
				
			||||||
          Without pausing in their whisking, Inky simply informs the
 | 
					 | 
				
			||||||
          owner of the voice they’re not here, obviously, before
 | 
					 | 
				
			||||||
          emerging from the storage pantry with a fresh pot and bowls on
 | 
					 | 
				
			||||||
          a wooden tray, and greets the returning sysorcerer.</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>Agate writes back quickly:</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>What do guides in the Sea of Dreams and the Ravenfolk
 | 
					 | 
				
			||||||
          typically seek in return for directing travellers to the
 | 
					 | 
				
			||||||
          correct pocket dimension?</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>Intangibles. Usually memories, hopes, or dreams.</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>An establishment inside the Bazaar is only open in the
 | 
					 | 
				
			||||||
          evenings whenever it appears in the city. How long does travel
 | 
					 | 
				
			||||||
          to a pocket dimension typically take, allowing for time to
 | 
					 | 
				
			||||||
          seek out a guide? Is there a way travellers can estimate the
 | 
					 | 
				
			||||||
          time to set out on their journey, in order to arrive at the
 | 
					 | 
				
			||||||
          establishment while it is open?</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>You’ll find that time is rather malleable on the Otherside.
 | 
					 | 
				
			||||||
          You’ll likely arrive exactly when you’re meant to. No need to
 | 
					 | 
				
			||||||
          worry too much about it.</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>Who are the Red Spider and “Dude 215R” mentioned in the
 | 
					 | 
				
			||||||
          ritual? How can travellers avoid summoning them?</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>Godforms manifested by the Linking Sigil and the Dream
 | 
					 | 
				
			||||||
          Sigil, respectively. It’s not <em>terrible</em> if they show
 | 
					 | 
				
			||||||
          up. But it’s definitely not ideal. You shouldn’t register on
 | 
					 | 
				
			||||||
          their radar as long as you don’t pump too much energy into, or
 | 
					 | 
				
			||||||
          siphon to much energy out of, the sigils. If they do show up,
 | 
					 | 
				
			||||||
          just know that you’re in the presence of a godlike power, and
 | 
					 | 
				
			||||||
          behave accordingly.</p>
 | 
					 | 
				
			||||||
          <blockquote>
 | 
					 | 
				
			||||||
          <p>Would anything happen to the travellers if any of the
 | 
					 | 
				
			||||||
          sigils were removed during the ritual before they wake up?</p>
 | 
					 | 
				
			||||||
          </blockquote>
 | 
					 | 
				
			||||||
          <p>If the sigils are removed or if the circle is broken,
 | 
					 | 
				
			||||||
          you’ll likely just wake up before you wanted to. Same goes for
 | 
					 | 
				
			||||||
          if your dreamform is destroyed while in the Dreaming. The only
 | 
					 | 
				
			||||||
          real danger you may encounter is the Scissormen and their ilk.
 | 
					 | 
				
			||||||
          They will attempt to permanently sever your dreamform from
 | 
					 | 
				
			||||||
          your waking body. Which would leave your body a soulless husk,
 | 
					 | 
				
			||||||
          and leave your consciousness adrift in the Sea of Dreams. But
 | 
					 | 
				
			||||||
          that probably won’t happen! Okay good luck, have fun!</p>
 | 
					 | 
				
			||||||
          <p>WHAT DO YOU DO</p>
 | 
					 | 
				
			||||||
        ]]>
 | 
					 | 
				
			||||||
      </description>
 | 
					 | 
				
			||||||
    </item>
 | 
					 | 
				
			||||||
    <item>
 | 
					    <item>
 | 
				
			||||||
      <title>58</title>
 | 
					      <title>58</title>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
@ -761,6 +616,86 @@ in its own domain</code></pre>
 | 
				
			|||||||
        ]]>
 | 
					        ]]>
 | 
				
			||||||
      </description>
 | 
					      </description>
 | 
				
			||||||
    </item>
 | 
					    </item>
 | 
				
			||||||
 | 
					    <item>
 | 
				
			||||||
 | 
					      <title>60</title>
 | 
				
			||||||
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
 | 
					      <guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
 | 
				
			||||||
 | 
					-0700</guid>
 | 
				
			||||||
 | 
					      <pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
 | 
				
			||||||
 | 
					      <description>
 | 
				
			||||||
 | 
					        <![CDATA[
 | 
				
			||||||
 | 
					          <h3 id="00060">00060</h3>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Alex takes inventory of himself, this dream world is
 | 
				
			||||||
 | 
					          definitely strange, but fortunately its decided to provide him
 | 
				
			||||||
 | 
					          with his impecable fashion, trench coat and all. Unfortunately
 | 
				
			||||||
 | 
					          the same can’t be said for his roguish good looks, as he’s
 | 
				
			||||||
 | 
					          found himself 6 arms heavier, and a bit more octopus-y than he
 | 
				
			||||||
 | 
					          remembers.</p>
 | 
				
			||||||
 | 
					          <p>Nontheless this doesn’t appear to be much of an impediment,
 | 
				
			||||||
 | 
					          and he promptly moves on with assessing the situation.</p>
 | 
				
			||||||
 | 
					          <p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
 | 
				
			||||||
 | 
					          terrible at fetching acrons, and at any rate, I have a
 | 
				
			||||||
 | 
					          dreadfully important meeting across town.” turning to address
 | 
				
			||||||
 | 
					          Inky, “We need to make a break for it, what’d the witch tell
 | 
				
			||||||
 | 
					          you? Envision our goal or something? This is really a little
 | 
				
			||||||
 | 
					          outside of my realm of mechanical magic expertise..
 | 
				
			||||||
 | 
					          unless..”</p>
 | 
				
			||||||
 | 
					          <p>Alex makes a gesture with his tentacles in the area and a
 | 
				
			||||||
 | 
					          terminal prompt appears before him. His tentacles work at
 | 
				
			||||||
 | 
					          blinding speed at the digital window, a quick bypass there, a
 | 
				
			||||||
 | 
					          root access escalation there.</p>
 | 
				
			||||||
 | 
					          <p>“Looks like this whole place runs on Linux, it’s an older
 | 
				
			||||||
 | 
					          kernel, about 2.6 or so, but it checks out. Easy to exploit as
 | 
				
			||||||
 | 
					          needed. Here I’m giving us sudo access, should we need
 | 
				
			||||||
 | 
					          it.”</p>
 | 
				
			||||||
 | 
					          <p>“Oh and squirrel, here’s your acorns”</p>
 | 
				
			||||||
 | 
					          <pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>It takes Alectopus a couple tries, but he gets it. First he
 | 
				
			||||||
 | 
					          corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
 | 
				
			||||||
 | 
					          the <em>chipmunk</em> instead of to the squirrel.</p>
 | 
				
			||||||
 | 
					          <p>Hundreds of acorns appear at the chipmunk’s feet. It
 | 
				
			||||||
 | 
					          squeals in delight.</p>
 | 
				
			||||||
 | 
					          <p>In the distance, far below you, you hear the anguished yell
 | 
				
			||||||
 | 
					          of what can only be a Red Squirrel whose giant stash of acorns
 | 
				
			||||||
 | 
					          has just vanished.</p>
 | 
				
			||||||
 | 
					          <p>The chipmunk rubs its hands together gleefully and starts
 | 
				
			||||||
 | 
					          scooping up acorns by the armful and shoving them into its
 | 
				
			||||||
 | 
					          mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
 | 
				
			||||||
 | 
					          says around a mouthful of nuts. “Here…” It tosses you a large
 | 
				
			||||||
 | 
					          square silver coin with a round hole drilled in the center. On
 | 
				
			||||||
 | 
					          one side is the number twenty-one next to a picture of a
 | 
				
			||||||
 | 
					          curved, short-handled sickle. On the other side is the number
 | 
				
			||||||
 | 
					          five and a picture of a flail.</p>
 | 
				
			||||||
 | 
					          <p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
 | 
				
			||||||
 | 
					          I have,” it apologizes as it scampers off, no doubt to hide
 | 
				
			||||||
 | 
					          its nuts. Hopefully somewhere more secure this time.</p>
 | 
				
			||||||
 | 
					          <p>If you hold the coin up to your eye and peer through the
 | 
				
			||||||
 | 
					          hole, you see the dreamscape before you as though looking
 | 
				
			||||||
 | 
					          through a cloudy film. All the same stuff is there, but it’s
 | 
				
			||||||
 | 
					          hazy and shadowy.</p>
 | 
				
			||||||
 | 
					          <p>Standing a fair distance from you on the branch, just out
 | 
				
			||||||
 | 
					          of hailing distance, is a tall figure cloaked in black robes.
 | 
				
			||||||
 | 
					          Dark shadows pool restlessly around its feet. Occasionally the
 | 
				
			||||||
 | 
					          shadows leap up and take the form of demons the like of which
 | 
				
			||||||
 | 
					          words cannot describe, before falling and returning to shadow
 | 
				
			||||||
 | 
					          once more. The figure wears a large spherical helmet of
 | 
				
			||||||
 | 
					          obsidian-like glass. You can see constant flashes of a rainbow
 | 
				
			||||||
 | 
					          of colors crackle and splinter along the inside of the helmet
 | 
				
			||||||
 | 
					          like lightning, but illuminating nothing within. You feel
 | 
				
			||||||
 | 
					          sickened at the sight, but at the edge of your mind you feels
 | 
				
			||||||
 | 
					          a tug, a familiarity. Something about this character is
 | 
				
			||||||
 | 
					          familiar to you, but you cannot place it.</p>
 | 
				
			||||||
 | 
					          <p>When you lower the coin, the figure and the dark landscape
 | 
				
			||||||
 | 
					          both disappear. When you raise it again, the distorted
 | 
				
			||||||
 | 
					          landscape reappears but the figure is gone.</p>
 | 
				
			||||||
 | 
					          <p>You notice a pair of large ravens watching you rather
 | 
				
			||||||
 | 
					          intently from the branches below.</p>
 | 
				
			||||||
 | 
					          <p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					        ]]>
 | 
				
			||||||
 | 
					      </description>
 | 
				
			||||||
 | 
					    </item>
 | 
				
			||||||
    <item>
 | 
					    <item>
 | 
				
			||||||
      <title>57</title>
 | 
					      <title>57</title>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
@ -1014,134 +949,165 @@ in its own domain</code></pre>
 | 
				
			|||||||
      </description>
 | 
					      </description>
 | 
				
			||||||
    </item>
 | 
					    </item>
 | 
				
			||||||
    <item>
 | 
					    <item>
 | 
				
			||||||
      <title>60</title>
 | 
					      <title>64</title>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
      <guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
 | 
					      <guid isPermaLink="false">64 - Wed, 15 Feb 2023 17:58:35
 | 
				
			||||||
-0700</guid>
 | 
					-0700</guid>
 | 
				
			||||||
      <pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
 | 
					      <pubDate>Wed, 15 Feb 2023 17:58:35 -0700</pubDate>
 | 
				
			||||||
      <description>
 | 
					      <description>
 | 
				
			||||||
        <![CDATA[
 | 
					        <![CDATA[
 | 
				
			||||||
          <h3 id="00060">00060</h3>
 | 
					          <h3 id="00064">00064</h3>
 | 
				
			||||||
 | 
					          <p>Back at the fish market, Marvelo squints into the pouring
 | 
				
			||||||
 | 
					          rain and swears under his breath, frustrated at the limited
 | 
				
			||||||
 | 
					          visibility.</p>
 | 
				
			||||||
 | 
					          <p>His colleague is lying on the floor behind him in some kind
 | 
				
			||||||
 | 
					          of state of deeply altered consciousness, along with an
 | 
				
			||||||
 | 
					          inkling, a toque, and an owl. In fact, the only waking beings
 | 
				
			||||||
 | 
					          left inside the market are himself, a fluffy little duck, and
 | 
				
			||||||
 | 
					          a sticky hemogoblin.</p>
 | 
				
			||||||
 | 
					          <p>“I’ve seen stranger things,” he shrugs and admits to
 | 
				
			||||||
 | 
					          himself.</p>
 | 
				
			||||||
 | 
					          <p>The duck and the goblin are both fluffed up and huddled up
 | 
				
			||||||
 | 
					          next to each other softly quacking and chirping to
 | 
				
			||||||
 | 
					          themselves.</p>
 | 
				
			||||||
 | 
					          <p>He pauses and holds his breath as something indistinct
 | 
				
			||||||
 | 
					          catches his attention. Years of training have produced an
 | 
				
			||||||
 | 
					          instinct he has learned not to question. It has saved his butt
 | 
				
			||||||
 | 
					          more times than he can count. Sometimes it screams at him and
 | 
				
			||||||
 | 
					          the danger is apparent. Like that time with the Permian
 | 
				
			||||||
 | 
					          Raiders off the southern tip of Harshwind Glade. Other times,
 | 
				
			||||||
 | 
					          such as this, all he gets is the vague feeling that something
 | 
				
			||||||
 | 
					          is off. He waits. He’s been here before. His subconscious has
 | 
				
			||||||
 | 
					          spotted something, noticed some pattern that doesn’t fit its
 | 
				
			||||||
 | 
					          surroundings. He knows if he’s patient, his conscious mind
 | 
				
			||||||
 | 
					          will catch up and realize what it was.</p>
 | 
				
			||||||
 | 
					          <p>He squints out into the pouring rain. There! A flash of red
 | 
				
			||||||
 | 
					          close to the ground.</p>
 | 
				
			||||||
 | 
					          <p>“What in the world,” he wonders as a small child wearing a
 | 
				
			||||||
 | 
					          bright red dress toddles into view. It looks up at him blankly
 | 
				
			||||||
 | 
					          as the rain beats down on its head and shoulders.</p>
 | 
				
			||||||
 | 
					          <p>“What are you doing out here, little guy? You’re getting
 | 
				
			||||||
 | 
					          soaked!” Marvelo, concerned, rushes forward to comfort the
 | 
				
			||||||
 | 
					          child.</p>
 | 
				
			||||||
          <blockquote>
 | 
					          <blockquote>
 | 
				
			||||||
          <p>Alex takes inventory of himself, this dream world is
 | 
					          <p>Inky gingerly takes the coin with both hands, small digits
 | 
				
			||||||
          definitely strange, but fortunately its decided to provide him
 | 
					          clamping onto the straight edges. They look at the Twenty-one
 | 
				
			||||||
          with his impecable fashion, trench coat and all. Unfortunately
 | 
					          Fiver nestled against the fuzzy outlines of one palm before
 | 
				
			||||||
          the same can’t be said for his roguish good looks, as he’s
 | 
					          peering up again at the figure seated before them. “Thank you,
 | 
				
			||||||
          found himself 6 arms heavier, and a bit more octopus-y than he
 | 
					          Great Spirit.” Inky says. “If truly allowed to choose, then,
 | 
				
			||||||
          remembers.</p>
 | 
					          this one accepts the price.”</p>
 | 
				
			||||||
          <p>Nontheless this doesn’t appear to be much of an impediment,
 | 
					          <p>They toss the coin up into the air. A beat, and they are
 | 
				
			||||||
          and he promptly moves on with assessing the situation.</p>
 | 
					          hovering a few feet above the tracks, between the fork and the
 | 
				
			||||||
          <p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
 | 
					          oncoming train with no walls. Inky watches as the child’s body
 | 
				
			||||||
          terrible at fetching acrons, and at any rate, I have a
 | 
					          begins to shrink as rapidly as the black uniform expands, the
 | 
				
			||||||
          dreadfully important meeting across town.” turning to address
 | 
					          entire apparition thinning and becoming translucent. The shirt
 | 
				
			||||||
          Inky, “We need to make a break for it, what’d the witch tell
 | 
					          continues to grow until the hem brushes the train tracks and
 | 
				
			||||||
          you? Envision our goal or something? This is really a little
 | 
					          the collar peeks over the invisible tops of the train, the
 | 
				
			||||||
          outside of my realm of mechanical magic expertise..
 | 
					          trousers and shoes having been pushed into the stones and
 | 
				
			||||||
          unless..”</p>
 | 
					          earth below.</p>
 | 
				
			||||||
          <p>Alex makes a gesture with his tentacles in the area and a
 | 
					          <p>A portal, the child’s voice supplies distantly. At the back
 | 
				
			||||||
          terminal prompt appears before him. His tentacles work at
 | 
					          of their awareness, Inky homes in on the coin as it continues
 | 
				
			||||||
          blinding speed at the digital window, a quick bypass there, a
 | 
					          to spin. When the train thunders down upon the oversized shirt
 | 
				
			||||||
          root access escalation there.</p>
 | 
					          doorway-apparent, they brace for the force of the impact.
 | 
				
			||||||
          <p>“Looks like this whole place runs on Linux, it’s an older
 | 
					          Instead, all they could feel is a creeping weariness, like
 | 
				
			||||||
          kernel, about 2.6 or so, but it checks out. Easy to exploit as
 | 
					          water draining through tea leaves in a sieve, while being
 | 
				
			||||||
          needed. Here I’m giving us sudo access, should we need
 | 
					          suddenly surrounded by and staring into a deep reflectionless
 | 
				
			||||||
          it.”</p>
 | 
					          pool.</p>
 | 
				
			||||||
          <p>“Oh and squirrel, here’s your acorns”</p>
 | 
					          <p>Is it two to two, or two past eight, Inky wonders.</p>
 | 
				
			||||||
          <pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
 | 
					          <p>The last thing within their consciousness is a gleam of
 | 
				
			||||||
 | 
					          silver as the coin lands on one of its corners mid-spin,
 | 
				
			||||||
 | 
					          bounces off the small half table and falls into the
 | 
				
			||||||
 | 
					          shadows.</p>
 | 
				
			||||||
          </blockquote>
 | 
					          </blockquote>
 | 
				
			||||||
          <p>It takes Alectopus a couple tries, but he gets it. First he
 | 
					          <p>You sink into the dark reflectionless pool, letting its
 | 
				
			||||||
          corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
 | 
					          waters close over you and pull you under. You ponder its
 | 
				
			||||||
          the <em>chipmunk</em> instead of to the squirrel.</p>
 | 
					          depths from within in its embrace, mindless of the passage of
 | 
				
			||||||
          <p>Hundreds of acorns appear at the chipmunk’s feet. It
 | 
					          time.</p>
 | 
				
			||||||
          squeals in delight.</p>
 | 
					          <p>After a few minutes, or a few days, you notice faint light
 | 
				
			||||||
          <p>In the distance, far below you, you hear the anguished yell
 | 
					          rising up here and there from below. Fuzzy, cobwebby human
 | 
				
			||||||
          of what can only be a Red Squirrel whose giant stash of acorns
 | 
					          shapes float suspended in the waters. Some far away, distant
 | 
				
			||||||
          has just vanished.</p>
 | 
					          as stars. Some drift close enough that you would be able to
 | 
				
			||||||
          <p>The chipmunk rubs its hands together gleefully and starts
 | 
					          discern their features, if they had any.</p>
 | 
				
			||||||
          scooping up acorns by the armful and shoving them into its
 | 
					          <p>You realize all at once that these are the dream forms of
 | 
				
			||||||
          mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
 | 
					          sleeping Basmentarians everywhere, and that you are floating
 | 
				
			||||||
          says around a mouthful of nuts. “Here…” It tosses you a large
 | 
					          in Ousia, a solitary awakened dreamer in a literal sea of the
 | 
				
			||||||
          square silver coin with a round hole drilled in the center. On
 | 
					          passive slumbering.</p>
 | 
				
			||||||
          one side is the number twenty-one next to a picture of a
 | 
					          <p>As though responding to your realization, the waters bear
 | 
				
			||||||
          curved, short-handled sickle. On the other side is the number
 | 
					          you up and you pierce the weak membrane between water and air.
 | 
				
			||||||
          five and a picture of a flail.</p>
 | 
					          You float effortlessly and the gentle waves nudge you ever
 | 
				
			||||||
          <p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
 | 
					          onward toward some unknown shore. Or merely farther out to
 | 
				
			||||||
          I have,” it apologizes as it scampers off, no doubt to hide
 | 
					          sea. You’re not sure.</p>
 | 
				
			||||||
          its nuts. Hopefully somewhere more secure this time.</p>
 | 
					          <p>You continue to see the dreamers all around you. You watch
 | 
				
			||||||
          <p>If you hold the coin up to your eye and peer through the
 | 
					          curiously as you float by two that seem to have bumped into
 | 
				
			||||||
          hole, you see the dreamscape before you as though looking
 | 
					          one another and fused together, their cobwebby bodies
 | 
				
			||||||
          through a cloudy film. All the same stuff is there, but it’s
 | 
					          sprouting hard crystalline growths and spreading like creeping
 | 
				
			||||||
          hazy and shadowy.</p>
 | 
					          vines, forming a lattice and creating a small floating
 | 
				
			||||||
          <p>Standing a fair distance from you on the branch, just out
 | 
					          island.</p>
 | 
				
			||||||
          of hailing distance, is a tall figure cloaked in black robes.
 | 
					          <p>After a few hours, or a few weeks, you wash up on the beach
 | 
				
			||||||
          Dark shadows pool restlessly around its feet. Occasionally the
 | 
					          of a large island. There is a steep rock, a pillar of a
 | 
				
			||||||
          shadows leap up and take the form of demons the like of which
 | 
					          mountain, jutting straight up from the center of the island
 | 
				
			||||||
          words cannot describe, before falling and returning to shadow
 | 
					          some distance ahead. And jutting from the pillar is a fractal
 | 
				
			||||||
          once more. The figure wears a large spherical helmet of
 | 
					          structure of interconnected towers, all sprouting and
 | 
				
			||||||
          obsidian-like glass. You can see constant flashes of a rainbow
 | 
					          branching from one large central tower. The top of the tower
 | 
				
			||||||
          of colors crackle and splinter along the inside of the helmet
 | 
					          disappears far overhead, obscured by a rippling aurora of
 | 
				
			||||||
          like lightning, but illuminating nothing within. You feel
 | 
					          green and pink lights in the sky.</p>
 | 
				
			||||||
          sickened at the sight, but at the edge of your mind you feels
 | 
					          <p>Some distance down the beach, just out of hailing distance,
 | 
				
			||||||
          a tug, a familiarity. Something about this character is
 | 
					          a lone figure stands gazing at the sea, their back to the
 | 
				
			||||||
          familiar to you, but you cannot place it.</p>
 | 
					          tower.</p>
 | 
				
			||||||
          <p>When you lower the coin, the figure and the dark landscape
 | 
					          <p>The figure waits.</p>
 | 
				
			||||||
          both disappear. When you raise it again, the distorted
 | 
					          <p>The tower’s strange geometry beckons.</p>
 | 
				
			||||||
          landscape reappears but the figure is gone.</p>
 | 
					          <blockquote>
 | 
				
			||||||
          <p>You notice a pair of large ravens watching you rather
 | 
					          <p>Kasutva, how can I know that I can trust you? What do you
 | 
				
			||||||
          intently from the branches below.</p>
 | 
					          gain in helping me, and was there really no way for you to
 | 
				
			||||||
          <p>WHAT DO YOU DO</p>
 | 
					          communicate with me without beheading yourself? That seems a
 | 
				
			||||||
        ]]>
 | 
					          little bit distraughting. Like, do you need a bandage or some
 | 
				
			||||||
      </description>
 | 
					          headache medicine or something? I feel like if I yanked my
 | 
				
			||||||
    </item>
 | 
					          face off I’d need an ibuprofen. I have some if you want? (alex
 | 
				
			||||||
    <item>
 | 
					          rummages in a coat pocket and finds a bottle of pain killers,
 | 
				
			||||||
      <title>61</title>
 | 
					          and offers them to the being).</p>
 | 
				
			||||||
      <author>dozens@tilde.team (dozens)</author>
 | 
					          <p>Right anyways, answers questions. I’m looking for my Uncle
 | 
				
			||||||
      <guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
 | 
					          first and foremost. He dropped off the map a few days ago, and
 | 
				
			||||||
-0700</guid>
 | 
					          I can’t find hide nor hair of him. Then the murders started.
 | 
				
			||||||
      <pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
 | 
					          Shit at HQ when wild, hit the wall literally, and now I’m in
 | 
				
			||||||
      <description>
 | 
					          some sort of fever dream talking to what can only be a
 | 
				
			||||||
        <![CDATA[
 | 
					          manifestation of my own subconscious, or perhaps someone
 | 
				
			||||||
          <h3 id="00061">00061</h3>
 | 
					          else’s. Look. I need to get back to Inky, we’re trying to meet
 | 
				
			||||||
          <p>Alex the Octopus and Inky the Noogle stand on a tree branch
 | 
					          someone and we’re running late, and in the scheme of things my
 | 
				
			||||||
          as wide a street in the heart of the great white upside-down
 | 
					          problems aren’t so big if the world’s going to end because
 | 
				
			||||||
          forest.</p>
 | 
					          some mad hatter is after these blasted crystal’s we’ve been
 | 
				
			||||||
          <p>A cry of anguish and anger echoes through the forest, and
 | 
					          collecting..</p>
 | 
				
			||||||
          the branches below you sway and rustle as something rises up
 | 
					          </blockquote>
 | 
				
			||||||
          from the depths. You keep catching a glimpse of scarlet
 | 
					          <p>Even as you speak, you notice the edges of Big Kasutva’s
 | 
				
			||||||
          between the silvery white leaves.</p>
 | 
					          “wounds” start to close until its flesh begins to once more
 | 
				
			||||||
          <p>The large black ravens perched below you scream in
 | 
					          envelop and enclose its face.</p>
 | 
				
			||||||
          agitation and fly up past you to the thicker branches up
 | 
					          <p>The creature courteously accepts a few pills from you, but
 | 
				
			||||||
          above, where they hop side to side and loudly scold and
 | 
					          simply deposits them in its satchel.</p>
 | 
				
			||||||
          protest the disturbance. A single black feather the length of
 | 
					          <p>“No, it doesn’t hurt us,” say the two voices together. “And
 | 
				
			||||||
          your hand settles to the ground at your feet, knocked loose
 | 
					          little matter if it did. It is necessary for us to speak.”</p>
 | 
				
			||||||
          during their flight.</p>
 | 
					          <p>They listen to your story. Big Kasutva’s voice starts to
 | 
				
			||||||
          <p>You finally see the fearsome beast crashing through the
 | 
					          become muffled as its skin now grows over its mouth. Only its
 | 
				
			||||||
          branches below you. Its crazed, yellow eyes as large and round
 | 
					          eyes are visible as the two of them continue. “If your Inky
 | 
				
			||||||
          as dinner plates, a great eight-legged rodent leaps from
 | 
					          has come to this place, then there is only one place they can
 | 
				
			||||||
          branch to branch as it swiftly ascends. It is a bloody,
 | 
					          have gone.” They gesture to the sea. “And that place is
 | 
				
			||||||
          crimson red. Its long tufted ears lay flat against its
 | 
					          Ephemeris. The Heart of the Dreaming at the center of
 | 
				
			||||||
          elongated, grinning skull. Its ribbon-like tail twitches as it
 | 
					          Ousia.”</p>
 | 
				
			||||||
          trails along behind it like a river of blood. It cries out
 | 
					          <p>Big Kasutva finally falls silent as it heals completely. It
 | 
				
			||||||
          again in anger, showing its overgrown incisors, and grinds and
 | 
					          guides you to the shoreline, where a long pier has suddenly
 | 
				
			||||||
          gnashes its back teeth.</p>
 | 
					          appeared. Mushroom Kasutva continues to speak for both of
 | 
				
			||||||
          <p>Its eyes bore into you with wild fury and blind madness as
 | 
					          them.</p>
 | 
				
			||||||
          it climbs.</p>
 | 
					          <p>“We only ask to accompany you as you go. We wish to see
 | 
				
			||||||
          <p>“She’s not herself,” sighs the chipmunk, suddenly at your
 | 
					          Ephemeris ourselves. But we cannot abandon our post here on
 | 
				
			||||||
          side once more. When you look down at the chipmunk, however,
 | 
					          the dunes,” it says looking at Big Kasutva. “And we,” it says
 | 
				
			||||||
          it has suddenly turned into a small featureless black turtle
 | 
					          gesturing to itself, “are too small to brave the sea
 | 
				
			||||||
          with a sticky sweet roll instead of a shell. Its smooth little
 | 
					          alone.”</p>
 | 
				
			||||||
          head pokes timidly out of the roll.</p>
 | 
					          <p>Big Kasutva stops short of the end of the pier. The little
 | 
				
			||||||
          <p>“The Red Squirrel,” laments the turtle. “She’s being ridden
 | 
					          mushroom hops right up to the edge and peers down at the
 | 
				
			||||||
          by a ghost. An angry ghost who isn’t from here. Somebody left
 | 
					          water.</p>
 | 
				
			||||||
          the door open, and it blew in on the breeze.” The turtle’s
 | 
					          <p>“All that is left is to jump, Alex. And let the waters of
 | 
				
			||||||
          voice trails off until its final words are barely a
 | 
					          Ousia bear you up and carry you to Ephemeris.”</p>
 | 
				
			||||||
          whisper.</p>
 | 
					          <p>It hops up to you and extends itself in a clear request,
 | 
				
			||||||
          <p>You can still feel two currents tugging at you and trying
 | 
					          despite its lack of limbs, that it wants you to pick it
 | 
				
			||||||
          to pull you under. One inward toward your host’s deep, core
 | 
					          up.</p>
 | 
				
			||||||
          memories. And the second pulling you outward toward the Sea of
 | 
					 | 
				
			||||||
          Dreams.</p>
 | 
					 | 
				
			||||||
          <p>You have but a moment before the Red Squirrel is upon
 | 
					 | 
				
			||||||
          you.</p>
 | 
					 | 
				
			||||||
          <p>WHAT DO YOU DO</p>
 | 
					          <p>WHAT DO YOU DO</p>
 | 
				
			||||||
        ]]>
 | 
					        ]]>
 | 
				
			||||||
      </description>
 | 
					      </description>
 | 
				
			||||||
@ -1735,5 +1701,203 @@ NOTE GDB INDICATES SOME ANOMALY</code></pre>
 | 
				
			|||||||
        ]]>
 | 
					        ]]>
 | 
				
			||||||
      </description>
 | 
					      </description>
 | 
				
			||||||
    </item>
 | 
					    </item>
 | 
				
			||||||
 | 
					    <item>
 | 
				
			||||||
 | 
					      <title>56</title>
 | 
				
			||||||
 | 
					      <author>dozens@tilde.team (dozens)</author>
 | 
				
			||||||
 | 
					      <guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
 | 
				
			||||||
 | 
					-0700</guid>
 | 
				
			||||||
 | 
					      <pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
 | 
				
			||||||
 | 
					      <description>
 | 
				
			||||||
 | 
					        <![CDATA[
 | 
				
			||||||
 | 
					          <h3 id="00056">00056</h3>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>The agitation Alex feels bubbles just beneath the surface.
 | 
				
			||||||
 | 
					          Patterns where patterns shouldn’t be, strange orders from HQ,
 | 
				
			||||||
 | 
					          indifference where once was ample aide as well. It was
 | 
				
			||||||
 | 
					          maddening. Combine it all with the haunting suspicion that
 | 
				
			||||||
 | 
					          there was constantly someone just around the next corner, and
 | 
				
			||||||
 | 
					          it was enough to truly drive Alex mad.</p>
 | 
				
			||||||
 | 
					          <p>That uneasiness takes its toll on a long enough time line,
 | 
				
			||||||
 | 
					          but Alex wasn’t about to let it get to him. Or so he thought
 | 
				
			||||||
 | 
					          to himself as he cast a furtive look at his monitoring
 | 
				
			||||||
 | 
					          equipment. This paranoia had served him well in the past, very
 | 
				
			||||||
 | 
					          well in fact. It’s a sort of sixth sense in a way, always kept
 | 
				
			||||||
 | 
					          Alex off the edge of the cliff, especially when someone
 | 
				
			||||||
 | 
					          stepped close enough to push him off. Those were the types of
 | 
				
			||||||
 | 
					          skills HQ sought after in the first place.</p>
 | 
				
			||||||
 | 
					          <p>Alex closes the iron door on his bunker, leaving his
 | 
				
			||||||
 | 
					          monitoring equipment running, dead man’s trigger set to blow
 | 
				
			||||||
 | 
					          the place shoul anyone enter it. Can’t be too careful these
 | 
				
			||||||
 | 
					          days..</p>
 | 
				
			||||||
 | 
					          <p>Emerging from the sewer grate, sticking to the shadows,
 | 
				
			||||||
 | 
					          Alex makes his way down an alley, then another, and yet
 | 
				
			||||||
 | 
					          another, finally emerging a few blocks from the Milk Market.
 | 
				
			||||||
 | 
					          Across the street, as he had expected, was Marvelo’s Marvelous
 | 
				
			||||||
 | 
					          MurderSticks, a quaint place should one needed something, well
 | 
				
			||||||
 | 
					          you get the picture, they don’t really sell anything but
 | 
				
			||||||
 | 
					          weaponry here.</p>
 | 
				
			||||||
 | 
					          <p>Alex ducked into the entrance of the shop and strode
 | 
				
			||||||
 | 
					          towards the back rack, where a collection of knives was on
 | 
				
			||||||
 | 
					          display. A rough looking fellow, ruddy red beard, thinning
 | 
				
			||||||
 | 
					          hair, moved from the counter as he saw Alex approach. “Fine
 | 
				
			||||||
 | 
					          sampling of knives we have, could I interest you in one?”
 | 
				
			||||||
 | 
					          Marvelo says. Alex reaches for a thin stilleto style dagger,
 | 
				
			||||||
 | 
					          and hands it to Marvelo “This one seems about right, but I’d
 | 
				
			||||||
 | 
					          like an extra sharp edge put on it, if you don’t mind”.
 | 
				
			||||||
 | 
					          Marvelo takes the stilleto from Alex say “Not a problem at all
 | 
				
			||||||
 | 
					          sir”, and he heads into the back.</p>
 | 
				
			||||||
 | 
					          <p>He sets to work honing the edge, and once complete he
 | 
				
			||||||
 | 
					          places it on his work bench. Grabbing a velvet lined case from
 | 
				
			||||||
 | 
					          a stack, he deftly removes the bottom and places a rolled
 | 
				
			||||||
 | 
					          piece of paper into the bottom, alongside an m1911 style
 | 
				
			||||||
 | 
					          pistol, and a couple of clips of ammo. He then places the
 | 
				
			||||||
 | 
					          velvet bottom back over the equipment, and places the stilleto
 | 
				
			||||||
 | 
					          on top, bringing the entire package back to the front. “An
 | 
				
			||||||
 | 
					          extra fine edge on this one sir, that’ll be 15 gold, plus
 | 
				
			||||||
 | 
					          another 5 to cover the service.</p>
 | 
				
			||||||
 | 
					          <p>Alex pays, and nips out the shop and heads back to the back
 | 
				
			||||||
 | 
					          alley. Paranoia begets what it requets, Alex mutters to
 | 
				
			||||||
 | 
					          himself as he disassembles the box holstering the pistol and
 | 
				
			||||||
 | 
					          ammo, and sheathing the dagger. Can’t keep going unarmed like
 | 
				
			||||||
 | 
					          I’m some kind of beat cop, not anymore.. Alex discards the
 | 
				
			||||||
 | 
					          case and unfurls the message, quickly deciphering the
 | 
				
			||||||
 | 
					          encryption set on it by Marvelo.</p>
 | 
				
			||||||
 | 
					          <pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
 | 
				
			||||||
 | 
					Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
 | 
				
			||||||
 | 
					Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
 | 
				
			||||||
 | 
					Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
 | 
				
			||||||
 | 
					Agent 4 monitoring feeds still present glitches, something abnormal
 | 
				
			||||||
 | 
					Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
 | 
				
			||||||
 | 
					          <p>Alex burned the note, striding rapidly away from the alley,
 | 
				
			||||||
 | 
					          taking a meandering route away from the Milk Market, looping
 | 
				
			||||||
 | 
					          back around, and heading back towards it by yet another.
 | 
				
			||||||
 | 
					          Nobody appeared to be following him, yet he paused at each
 | 
				
			||||||
 | 
					          corner and turn, waiting for the footsteps of a pursuant.</p>
 | 
				
			||||||
 | 
					          <p>Noting nothing, he made his way through the back entrance
 | 
				
			||||||
 | 
					          of Enrique’s Empanadas greeting the cook quietly, but jovial.
 | 
				
			||||||
 | 
					          “Enrique, where’s Inky? We’ve got a problem.”</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>~</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Inky skims the page. They thank the witch, pay for the
 | 
				
			||||||
 | 
					          items and exit the shop, promptly discarding all notions of
 | 
				
			||||||
 | 
					          meeting Bother at the place stipulated on the note.</p>
 | 
				
			||||||
 | 
					          <p><em>(Half and one hour later)</em></p>
 | 
				
			||||||
 | 
					          <p>One-sixths into a caramel cantaloupe cream cornet, Inky
 | 
				
			||||||
 | 
					          runs into Confidence outside the Wandering Bazaar and obtains
 | 
				
			||||||
 | 
					          some of their new pamphlets, minted with luminescent ink for
 | 
				
			||||||
 | 
					          the convenience of late-night tourists. These are subsequently
 | 
				
			||||||
 | 
					          hare-mailed to every editor at the <em>Niuewstijl</em> office,
 | 
				
			||||||
 | 
					          which is almost certain to earn another chiding remark from
 | 
				
			||||||
 | 
					          Tess about etiquette and the handling of unsolicited bulk mail
 | 
				
			||||||
 | 
					          to parent editorial teams.</p>
 | 
				
			||||||
 | 
					          <p><em>(Half and two hours later)</em></p>
 | 
				
			||||||
 | 
					          <p>The installation on display at the Milk Market was
 | 
				
			||||||
 | 
					          grotesque — that is to say, a work of beauty. Inky steps
 | 
				
			||||||
 | 
					          carefully through the rooms to not disturb the piece.
 | 
				
			||||||
 | 
					          Afterwards, they sign the guestbook set up on an upturned milk
 | 
				
			||||||
 | 
					          crate by the door, delightedly pasting rows of horse head and
 | 
				
			||||||
 | 
					          thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
 | 
				
			||||||
 | 
					          the unedible”.</p>
 | 
				
			||||||
 | 
					          <p><em>(Half and three hours earlier)</em></p>
 | 
				
			||||||
 | 
					          <p>Thanking Agate for her time, Inky passes her a sheet of
 | 
				
			||||||
 | 
					          paper on which were written a few questions about the
 | 
				
			||||||
 | 
					          prescribed ritual, with some space after each question should
 | 
				
			||||||
 | 
					          the witch prefer to scribble a response:</p>
 | 
				
			||||||
 | 
					          <ul>
 | 
				
			||||||
 | 
					          <li><p>What do guides in the Sea of Dreams and the Ravenfolk
 | 
				
			||||||
 | 
					          typically seek in return for directing travellers to the
 | 
				
			||||||
 | 
					          correct pocket dimension?</p></li>
 | 
				
			||||||
 | 
					          <li><p>An establishment inside the Bazaar is only open in the
 | 
				
			||||||
 | 
					          evenings whenever it appears in the city. How long does travel
 | 
				
			||||||
 | 
					          to a pocket dimension typically take, allowing for time to
 | 
				
			||||||
 | 
					          seek out a guide? Is there a way travellers can estimate the
 | 
				
			||||||
 | 
					          time to set out on their journey, in order to arrive at the
 | 
				
			||||||
 | 
					          establishment while it is open?</p></li>
 | 
				
			||||||
 | 
					          <li><p>Who are the Red Spider and “Dude 215R” mentioned in the
 | 
				
			||||||
 | 
					          ritual? How can travellers avoid summoning them?</p></li>
 | 
				
			||||||
 | 
					          <li><p>Would anything happen to the travellers if any of the
 | 
				
			||||||
 | 
					          sigils were removed during the ritual before they wake
 | 
				
			||||||
 | 
					          up?</p></li>
 | 
				
			||||||
 | 
					          </ul>
 | 
				
			||||||
 | 
					          <p><em>(Half and four hours later)</em></p>
 | 
				
			||||||
 | 
					          <p>Two sets of eyes peer down at the contents of an open tin.
 | 
				
			||||||
 | 
					          One accompanied by a focused look and a little trepidation,
 | 
				
			||||||
 | 
					          following the pinkish, flesh-like chunks speckled with white
 | 
				
			||||||
 | 
					          pockets of fat as they tumble into a hot pan and almost
 | 
				
			||||||
 | 
					          immediately begin to move of their own accord. The moving
 | 
				
			||||||
 | 
					          mounds resemble small round mouths opening, each with a rim of
 | 
				
			||||||
 | 
					          sharp teeth. The other pair of eyes belongs to a grinning face
 | 
				
			||||||
 | 
					          that beams when the mounds bloom into bright red flat caps,
 | 
				
			||||||
 | 
					          the edges beneath about to soften in the olive oil.</p>
 | 
				
			||||||
 | 
					          <p>Minutes after, The slices are ready. Inky accepts the plate
 | 
				
			||||||
 | 
					          of tostada with spicy pickled artichoke mushrooms and tomatoes
 | 
				
			||||||
 | 
					          with a murmur of thanks. Reassembling the recipe for the
 | 
				
			||||||
 | 
					          tinned spicy artichoke mushrooms had been a tedious process —
 | 
				
			||||||
 | 
					          someone had ripped out the pages from an old pickling book
 | 
				
			||||||
 | 
					          that had long ceased publication. Eventually Inky found a
 | 
				
			||||||
 | 
					          former nomad who had eaten them for two years in their youth
 | 
				
			||||||
 | 
					          and could recall or somewhat describe the taste. Flowery and
 | 
				
			||||||
 | 
					          savoury, they said. Many taste tests later, it turned out to
 | 
				
			||||||
 | 
					          be closer to partially decomposed cheese in ponderosa lemon
 | 
				
			||||||
 | 
					          juice. Canning was fortuitously easier with the increasing
 | 
				
			||||||
 | 
					          portability of sealers. Rather than telling the empanada chef
 | 
				
			||||||
 | 
					          any of this, Inky watches satisfaction slowly spread across
 | 
				
			||||||
 | 
					          his face. The tale that follows is far more entertaining.</p>
 | 
				
			||||||
 | 
					          <p><em>(Half and five hours later)</em></p>
 | 
				
			||||||
 | 
					          <p>While measuring out ingredients for the forty-second tea
 | 
				
			||||||
 | 
					          infusion since the start of the missions, not that Inky was
 | 
				
			||||||
 | 
					          keeping a close count, they hear a familiar voice a short
 | 
				
			||||||
 | 
					          distance outside the door asking for their whereabouts.
 | 
				
			||||||
 | 
					          Without pausing in their whisking, Inky simply informs the
 | 
				
			||||||
 | 
					          owner of the voice they’re not here, obviously, before
 | 
				
			||||||
 | 
					          emerging from the storage pantry with a fresh pot and bowls on
 | 
				
			||||||
 | 
					          a wooden tray, and greets the returning sysorcerer.</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>Agate writes back quickly:</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>What do guides in the Sea of Dreams and the Ravenfolk
 | 
				
			||||||
 | 
					          typically seek in return for directing travellers to the
 | 
				
			||||||
 | 
					          correct pocket dimension?</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>Intangibles. Usually memories, hopes, or dreams.</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>An establishment inside the Bazaar is only open in the
 | 
				
			||||||
 | 
					          evenings whenever it appears in the city. How long does travel
 | 
				
			||||||
 | 
					          to a pocket dimension typically take, allowing for time to
 | 
				
			||||||
 | 
					          seek out a guide? Is there a way travellers can estimate the
 | 
				
			||||||
 | 
					          time to set out on their journey, in order to arrive at the
 | 
				
			||||||
 | 
					          establishment while it is open?</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>You’ll find that time is rather malleable on the Otherside.
 | 
				
			||||||
 | 
					          You’ll likely arrive exactly when you’re meant to. No need to
 | 
				
			||||||
 | 
					          worry too much about it.</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Who are the Red Spider and “Dude 215R” mentioned in the
 | 
				
			||||||
 | 
					          ritual? How can travellers avoid summoning them?</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>Godforms manifested by the Linking Sigil and the Dream
 | 
				
			||||||
 | 
					          Sigil, respectively. It’s not <em>terrible</em> if they show
 | 
				
			||||||
 | 
					          up. But it’s definitely not ideal. You shouldn’t register on
 | 
				
			||||||
 | 
					          their radar as long as you don’t pump too much energy into, or
 | 
				
			||||||
 | 
					          siphon to much energy out of, the sigils. If they do show up,
 | 
				
			||||||
 | 
					          just know that you’re in the presence of a godlike power, and
 | 
				
			||||||
 | 
					          behave accordingly.</p>
 | 
				
			||||||
 | 
					          <blockquote>
 | 
				
			||||||
 | 
					          <p>Would anything happen to the travellers if any of the
 | 
				
			||||||
 | 
					          sigils were removed during the ritual before they wake up?</p>
 | 
				
			||||||
 | 
					          </blockquote>
 | 
				
			||||||
 | 
					          <p>If the sigils are removed or if the circle is broken,
 | 
				
			||||||
 | 
					          you’ll likely just wake up before you wanted to. Same goes for
 | 
				
			||||||
 | 
					          if your dreamform is destroyed while in the Dreaming. The only
 | 
				
			||||||
 | 
					          real danger you may encounter is the Scissormen and their ilk.
 | 
				
			||||||
 | 
					          They will attempt to permanently sever your dreamform from
 | 
				
			||||||
 | 
					          your waking body. Which would leave your body a soulless husk,
 | 
				
			||||||
 | 
					          and leave your consciousness adrift in the Sea of Dreams. But
 | 
				
			||||||
 | 
					          that probably won’t happen! Okay good luck, have fun!</p>
 | 
				
			||||||
 | 
					          <p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					        ]]>
 | 
				
			||||||
 | 
					      </description>
 | 
				
			||||||
 | 
					    </item>
 | 
				
			||||||
  </channel>
 | 
					  </channel>
 | 
				
			||||||
</rss> 
 | 
					</rss> 
 | 
				
			||||||
 | 
				
			|||||||
@ -287,6 +287,7 @@
 | 
				
			|||||||
<li><a href="#00061" id="toc-00061">00061</a></li>
 | 
					<li><a href="#00061" id="toc-00061">00061</a></li>
 | 
				
			||||||
<li><a href="#00062" id="toc-00062">00062</a></li>
 | 
					<li><a href="#00062" id="toc-00062">00062</a></li>
 | 
				
			||||||
<li><a href="#00063" id="toc-00063">00063</a></li>
 | 
					<li><a href="#00063" id="toc-00063">00063</a></li>
 | 
				
			||||||
 | 
					<li><a href="#00064" id="toc-00064">00064</a></li>
 | 
				
			||||||
</ul></li>
 | 
					</ul></li>
 | 
				
			||||||
<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
 | 
					<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
 | 
				
			||||||
<li><a href="#acknowledgements"
 | 
					<li><a href="#acknowledgements"
 | 
				
			||||||
@ -363,11 +364,11 @@ into the <a href="#current-story">current story arc</a>.</p>
 | 
				
			|||||||
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
 | 
					you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
 | 
				
			||||||
the rss feed</a>.</p>
 | 
					the rss feed</a>.</p>
 | 
				
			||||||
<h2 id="stats">Stats</h2>
 | 
					<h2 id="stats">Stats</h2>
 | 
				
			||||||
<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
 | 
					<p>Total length: 82674 words / 353 minute read. (Mind you, that’s the
 | 
				
			||||||
length of this entire page, including all the extra bits and bobs. Not
 | 
					length of this entire page, including all the extra bits and bobs. Not
 | 
				
			||||||
just the story.)</p>
 | 
					just the story.)</p>
 | 
				
			||||||
<p>There have been 221 messages posted over 217 days since the first
 | 
					<p>There have been 223 messages posted over 222 days since the first
 | 
				
			||||||
post on July 13, 2022 for a daily post rate of 1.01.</p>
 | 
					post on July 13, 2022 for a daily post rate of 1.00.</p>
 | 
				
			||||||
<h2 id="chapter-1">Chapter 1</h2>
 | 
					<h2 id="chapter-1">Chapter 1</h2>
 | 
				
			||||||
<p>This is the first installment of BASEMENT QUEST.</p>
 | 
					<p>This is the first installment of BASEMENT QUEST.</p>
 | 
				
			||||||
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
 | 
					<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
 | 
				
			||||||
@ -6730,6 +6731,134 @@ Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
 | 
				
			|||||||
you.</p>
 | 
					you.</p>
 | 
				
			||||||
<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
 | 
					<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
 | 
				
			||||||
<p>WHAT DO YOU DO</p>
 | 
					<p>WHAT DO YOU DO</p>
 | 
				
			||||||
 | 
					<h3 id="00064">00064</h3>
 | 
				
			||||||
 | 
					<p>Back at the fish market, Marvelo squints into the pouring rain and
 | 
				
			||||||
 | 
					swears under his breath, frustrated at the limited visibility.</p>
 | 
				
			||||||
 | 
					<p>His colleague is lying on the floor behind him in some kind of state
 | 
				
			||||||
 | 
					of deeply altered consciousness, along with an inkling, a toque, and an
 | 
				
			||||||
 | 
					owl. In fact, the only waking beings left inside the market are himself,
 | 
				
			||||||
 | 
					a fluffy little duck, and a sticky hemogoblin.</p>
 | 
				
			||||||
 | 
					<p>“I’ve seen stranger things,” he shrugs and admits to himself.</p>
 | 
				
			||||||
 | 
					<p>The duck and the goblin are both fluffed up and huddled up next to
 | 
				
			||||||
 | 
					each other softly quacking and chirping to themselves.</p>
 | 
				
			||||||
 | 
					<p>He pauses and holds his breath as something indistinct catches his
 | 
				
			||||||
 | 
					attention. Years of training have produced an instinct he has learned
 | 
				
			||||||
 | 
					not to question. It has saved his butt more times than he can count.
 | 
				
			||||||
 | 
					Sometimes it screams at him and the danger is apparent. Like that time
 | 
				
			||||||
 | 
					with the Permian Raiders off the southern tip of Harshwind Glade. Other
 | 
				
			||||||
 | 
					times, such as this, all he gets is the vague feeling that something is
 | 
				
			||||||
 | 
					off. He waits. He’s been here before. His subconscious has spotted
 | 
				
			||||||
 | 
					something, noticed some pattern that doesn’t fit its surroundings. He
 | 
				
			||||||
 | 
					knows if he’s patient, his conscious mind will catch up and realize what
 | 
				
			||||||
 | 
					it was.</p>
 | 
				
			||||||
 | 
					<p>He squints out into the pouring rain. There! A flash of red close to
 | 
				
			||||||
 | 
					the ground.</p>
 | 
				
			||||||
 | 
					<p>“What in the world,” he wonders as a small child wearing a bright red
 | 
				
			||||||
 | 
					dress toddles into view. It looks up at him blankly as the rain beats
 | 
				
			||||||
 | 
					down on its head and shoulders.</p>
 | 
				
			||||||
 | 
					<p>“What are you doing out here, little guy? You’re getting soaked!”
 | 
				
			||||||
 | 
					Marvelo, concerned, rushes forward to comfort the child.</p>
 | 
				
			||||||
 | 
					<blockquote>
 | 
				
			||||||
 | 
					<p>Inky gingerly takes the coin with both hands, small digits clamping
 | 
				
			||||||
 | 
					onto the straight edges. They look at the Twenty-one Fiver nestled
 | 
				
			||||||
 | 
					against the fuzzy outlines of one palm before peering up again at the
 | 
				
			||||||
 | 
					figure seated before them. “Thank you, Great Spirit.” Inky says. “If
 | 
				
			||||||
 | 
					truly allowed to choose, then, this one accepts the price.”</p>
 | 
				
			||||||
 | 
					<p>They toss the coin up into the air. A beat, and they are hovering a
 | 
				
			||||||
 | 
					few feet above the tracks, between the fork and the oncoming train with
 | 
				
			||||||
 | 
					no walls. Inky watches as the child’s body begins to shrink as rapidly
 | 
				
			||||||
 | 
					as the black uniform expands, the entire apparition thinning and
 | 
				
			||||||
 | 
					becoming translucent. The shirt continues to grow until the hem brushes
 | 
				
			||||||
 | 
					the train tracks and the collar peeks over the invisible tops of the
 | 
				
			||||||
 | 
					train, the trousers and shoes having been pushed into the stones and
 | 
				
			||||||
 | 
					earth below.</p>
 | 
				
			||||||
 | 
					<p>A portal, the child’s voice supplies distantly. At the back of their
 | 
				
			||||||
 | 
					awareness, Inky homes in on the coin as it continues to spin. When the
 | 
				
			||||||
 | 
					train thunders down upon the oversized shirt doorway-apparent, they
 | 
				
			||||||
 | 
					brace for the force of the impact. Instead, all they could feel is a
 | 
				
			||||||
 | 
					creeping weariness, like water draining through tea leaves in a sieve,
 | 
				
			||||||
 | 
					while being suddenly surrounded by and staring into a deep
 | 
				
			||||||
 | 
					reflectionless pool.</p>
 | 
				
			||||||
 | 
					<p>Is it two to two, or two past eight, Inky wonders.</p>
 | 
				
			||||||
 | 
					<p>The last thing within their consciousness is a gleam of silver as the
 | 
				
			||||||
 | 
					coin lands on one of its corners mid-spin, bounces off the small half
 | 
				
			||||||
 | 
					table and falls into the shadows.</p>
 | 
				
			||||||
 | 
					</blockquote>
 | 
				
			||||||
 | 
					<p>You sink into the dark reflectionless pool, letting its waters close
 | 
				
			||||||
 | 
					over you and pull you under. You ponder its depths from within in its
 | 
				
			||||||
 | 
					embrace, mindless of the passage of time.</p>
 | 
				
			||||||
 | 
					<p>After a few minutes, or a few days, you notice faint light rising up
 | 
				
			||||||
 | 
					here and there from below. Fuzzy, cobwebby human shapes float suspended
 | 
				
			||||||
 | 
					in the waters. Some far away, distant as stars. Some drift close enough
 | 
				
			||||||
 | 
					that you would be able to discern their features, if they had any.</p>
 | 
				
			||||||
 | 
					<p>You realize all at once that these are the dream forms of sleeping
 | 
				
			||||||
 | 
					Basmentarians everywhere, and that you are floating in Ousia, a solitary
 | 
				
			||||||
 | 
					awakened dreamer in a literal sea of the passive slumbering.</p>
 | 
				
			||||||
 | 
					<p>As though responding to your realization, the waters bear you up and
 | 
				
			||||||
 | 
					you pierce the weak membrane between water and air. You float
 | 
				
			||||||
 | 
					effortlessly and the gentle waves nudge you ever onward toward some
 | 
				
			||||||
 | 
					unknown shore. Or merely farther out to sea. You’re not sure.</p>
 | 
				
			||||||
 | 
					<p>You continue to see the dreamers all around you. You watch curiously
 | 
				
			||||||
 | 
					as you float by two that seem to have bumped into one another and fused
 | 
				
			||||||
 | 
					together, their cobwebby bodies sprouting hard crystalline growths and
 | 
				
			||||||
 | 
					spreading like creeping vines, forming a lattice and creating a small
 | 
				
			||||||
 | 
					floating island.</p>
 | 
				
			||||||
 | 
					<p>After a few hours, or a few weeks, you wash up on the beach of a
 | 
				
			||||||
 | 
					large island. There is a steep rock, a pillar of a mountain, jutting
 | 
				
			||||||
 | 
					straight up from the center of the island some distance ahead. And
 | 
				
			||||||
 | 
					jutting from the pillar is a fractal structure of interconnected towers,
 | 
				
			||||||
 | 
					all sprouting and branching from one large central tower. The top of the
 | 
				
			||||||
 | 
					tower disappears far overhead, obscured by a rippling aurora of green
 | 
				
			||||||
 | 
					and pink lights in the sky.</p>
 | 
				
			||||||
 | 
					<p>Some distance down the beach, just out of hailing distance, a lone
 | 
				
			||||||
 | 
					figure stands gazing at the sea, their back to the tower.</p>
 | 
				
			||||||
 | 
					<p>The figure waits.</p>
 | 
				
			||||||
 | 
					<p>The tower’s strange geometry beckons.</p>
 | 
				
			||||||
 | 
					<blockquote>
 | 
				
			||||||
 | 
					<p>Kasutva, how can I know that I can trust you? What do you gain in
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					helping me, and was there really no way for you to communicate with me
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					without beheading yourself? That seems a little bit distraughting. Like,
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					do you need a bandage or some headache medicine or something? I feel
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					like if I yanked my face off I’d need an ibuprofen. I have some if you
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					want? (alex rummages in a coat pocket and finds a bottle of pain
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					killers, and offers them to the being).</p>
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					<p>Right anyways, answers questions. I’m looking for my Uncle first and
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					foremost. He dropped off the map a few days ago, and I can’t find hide
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					nor hair of him. Then the murders started. Shit at HQ when wild, hit the
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					wall literally, and now I’m in some sort of fever dream talking to what
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					can only be a manifestation of my own subconscious, or perhaps someone
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					else’s. Look. I need to get back to Inky, we’re trying to meet someone
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					and we’re running late, and in the scheme of things my problems aren’t
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					so big if the world’s going to end because some mad hatter is after
 | 
				
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					these blasted crystal’s we’ve been collecting..</p>
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					</blockquote>
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					<p>Even as you speak, you notice the edges of Big Kasutva’s “wounds”
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					start to close until its flesh begins to once more envelop and enclose
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					its face.</p>
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					<p>The creature courteously accepts a few pills from you, but simply
 | 
				
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					deposits them in its satchel.</p>
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					<p>“No, it doesn’t hurt us,” say the two voices together. “And little
 | 
				
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					matter if it did. It is necessary for us to speak.”</p>
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					<p>They listen to your story. Big Kasutva’s voice starts to become
 | 
				
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					muffled as its skin now grows over its mouth. Only its eyes are visible
 | 
				
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					as the two of them continue. “If your Inky has come to this place, then
 | 
				
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					there is only one place they can have gone.” They gesture to the sea.
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					“And that place is Ephemeris. The Heart of the Dreaming at the center of
 | 
				
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					Ousia.”</p>
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					<p>Big Kasutva finally falls silent as it heals completely. It guides
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					you to the shoreline, where a long pier has suddenly appeared. Mushroom
 | 
				
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					Kasutva continues to speak for both of them.</p>
 | 
				
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					<p>“We only ask to accompany you as you go. We wish to see Ephemeris
 | 
				
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					ourselves. But we cannot abandon our post here on the dunes,” it says
 | 
				
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 | 
					looking at Big Kasutva. “And we,” it says gesturing to itself, “are too
 | 
				
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					small to brave the sea alone.”</p>
 | 
				
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					<p>Big Kasutva stops short of the end of the pier. The little mushroom
 | 
				
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					hops right up to the edge and peers down at the water.</p>
 | 
				
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					<p>“All that is left is to jump, Alex. And let the waters of Ousia bear
 | 
				
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					you up and carry you to Ephemeris.”</p>
 | 
				
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 | 
					<p>It hops up to you and extends itself in a clear request, despite its
 | 
				
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					lack of limbs, that it wants you to pick it up.</p>
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					<p>WHAT DO YOU DO</p>
 | 
				
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<h2 id="spoilers">Spoilers</h2>
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					<h2 id="spoilers">Spoilers</h2>
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<details>
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					<details>
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<summary>
 | 
					<summary>
 | 
				
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