main
parent
491b997d1e
commit
3c57e96ac9
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@ -13,6 +13,7 @@ src/epistolary/00060.md
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src/epistolary/00061.md
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src/epistolary/00062.md
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src/epistolary/00063.md
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src/epistolary/00064.md
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src/notes.md
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src/acknowledgements.md
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src/afterword.md
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@ -5,7 +5,7 @@ TARGETS=$(patsubst %.7,%.txt,$(DOCS))
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# From .7 to .txt
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.7.txt:
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mandoc -T utf8 $< > $@
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mandoc -T ascii $< > $@
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.PHONY: all
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all: $(TARGETS)
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@ -0,0 +1,166 @@
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---
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title: 00064
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created: Wed, 15 Feb 2023 17:58:35 -0700
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updated: Wed, 15 Feb 2023 17:58:35 -0700
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public: yes
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syndicated: yes
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---
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### 00064 {#00064}
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Back at the fish market, Marvelo squints into the pouring rain and
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swears under his breath, frustrated at the limited visibility.
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His colleague is lying on the floor behind him in some kind of state
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of deeply altered consciousness, along with an inkling, a toque, and
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an owl. In fact, the only waking beings left inside the market are
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himself, a fluffy little duck, and a sticky hemogoblin.
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"I've seen stranger things," he shrugs and admits to himself.
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The duck and the goblin are both fluffed up and huddled up next to
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each other softly quacking and chirping to themselves.
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He pauses and holds his breath as something indistinct catches his
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attention. Years of training have produced an instinct he has learned
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not to question. It has saved his butt more times than he can count.
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Sometimes it screams at him and the danger is apparent. Like that
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time with the Permian Raiders off the southern tip of Harshwind
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Glade. Other times, such as this, all he gets is the vague feeling
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that something is off. He waits. He's been here before. His
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subconscious has spotted something, noticed some pattern that doesn't
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fit its surroundings. He knows if he's patient, his conscious mind
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will catch up and realize what it was.
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He squints out into the pouring rain. There! A flash of red close to
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the ground.
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"What in the world," he wonders as a small child wearing a bright red
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dress toddles into view. It looks up at him blankly as the rain beats
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down on its head and shoulders.
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"What are you doing out here, little guy? You're getting soaked!"
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Marvelo, concerned, rushes forward to comfort the child.
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> Inky gingerly takes the coin with both hands, small digits clamping
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> onto the straight edges. They look at the Twenty-one Fiver nestled
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> against the fuzzy outlines of one palm before peering up again at the
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> figure seated before them. "Thank you, Great Spirit." Inky says. "If
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> truly allowed to choose, then, this one accepts the price."
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>
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> They toss the coin up into the air. A beat, and they are hovering a
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> few feet above the tracks, between the fork and the oncoming train
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> with no walls. Inky watches as the child's body begins to shrink as
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> rapidly as the black uniform expands, the entire apparition thinning
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> and becoming translucent. The shirt continues to grow until the hem
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> brushes the train tracks and the collar peeks over the invisible tops
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> of the train, the trousers and shoes having been pushed into the
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> stones and earth below.
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>
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> A portal, the child's voice supplies distantly. At the back of their
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> awareness, Inky homes in on the coin as it continues to spin. When
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> the train thunders down upon the oversized shirt doorway-apparent,
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> they brace for the force of the impact. Instead, all they could feel
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> is a creeping weariness, like water draining through tea leaves in a
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> sieve, while being suddenly surrounded by and staring into a deep
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> reflectionless pool.
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>
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> Is it two to two, or two past eight, Inky wonders.
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>
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> The last thing within their consciousness is a gleam of silver as the
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> coin lands on one of its corners mid-spin, bounces off the small half
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> table and falls into the shadows.
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You sink into the dark reflectionless pool, letting its waters close
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over you and pull you under. You ponder its depths from within in its
|
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embrace, mindless of the passage of time.
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|
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After a few minutes, or a few days, you notice faint light rising up
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here and there from below. Fuzzy, cobwebby human shapes float
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suspended in the waters. Some far away, distant as stars. Some drift
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close enough that you would be able to discern their features, if
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they had any.
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You realize all at once that these are the dream forms of sleeping
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Basmentarians everywhere, and that you are floating in Ousia, a
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solitary awakened dreamer in a literal sea of the passive slumbering.
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As though responding to your realization, the waters bear you up and
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you pierce the weak membrane between water and air. You float
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effortlessly and the gentle waves nudge you ever onward toward some
|
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unknown shore. Or merely farther out to sea. You're not sure.
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|
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You continue to see the dreamers all around you. You watch curiously
|
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as you float by two that seem to have bumped into one another and
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fused together, their cobwebby bodies sprouting hard crystalline
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growths and spreading like creeping vines, forming a lattice and
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creating a small floating island.
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After a few hours, or a few weeks, you wash up on the beach of a
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large island. There is a steep rock, a pillar of a mountain, jutting
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straight up from the center of the island some distance ahead. And
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jutting from the pillar is a fractal structure of interconnected
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towers, all sprouting and branching from one large central tower. The
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top of the tower disappears far overhead, obscured by a rippling
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aurora of green and pink lights in the sky.
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Some distance down the beach, just out of hailing distance, a lone
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figure stands gazing at the sea, their back to the tower.
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The figure waits.
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The tower's strange geometry beckons.
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> Kasutva, how can I know that I can trust you? What do you gain in
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> helping me, and was there really no way for you to communicate with
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> me without beheading yourself? That seems a little bit distraughting.
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> Like, do you need a bandage or some headache medicine or something? I
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> feel like if I yanked my face off I'd need an ibuprofen. I have
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> some if you want? (alex rummages in a coat pocket and finds a bottle
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> of pain killers, and offers them to the being).
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>
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> Right anyways, answers questions. I'm looking for my Uncle first and
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> foremost. He dropped off the map a few days ago, and I can't find
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> hide nor hair of him. Then the murders started. Shit at HQ when wild,
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> hit the wall literally, and now I'm in some sort of fever dream
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> talking to what can only be a manifestation of my own subconscious, or
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> perhaps someone else's. Look. I need to get back to Inky, we're trying
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> to meet someone and we're running late, and in the scheme of things my
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> problems aren't so big if the world's going to end because some mad
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> hatter is after these blasted crystal's we've been collecting..
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Even as you speak, you notice the edges of Big Kasutva's "wounds"
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start to close until its flesh begins to once more envelop and
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enclose its face.
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The creature courteously accepts a few pills from you, but simply
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deposits them in its satchel.
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"No, it doesn't hurt us," say the two voices together. "And little
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matter if it did. It is necessary for us to speak."
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They listen to your story. Big Kasutva's voice starts to become
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muffled as its skin now grows over its mouth. Only its eyes are
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visible as the two of them continue. "If your Inky has come to this
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place, then there is only one place they can have gone." They gesture
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to the sea. "And that place is Ephemeris. The Heart of the Dreaming
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at the center of Ousia."
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Big Kasutva finally falls silent as it heals completely. It guides
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you to the shoreline, where a long pier has suddenly appeared.
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Mushroom Kasutva continues to speak for both of them.
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"We only ask to accompany you as you go. We wish to see Ephemeris
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ourselves. But we cannot abandon our post here on the dunes," it says
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looking at Big Kasutva. "And we," it says gesturing to itself, "are
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too small to brave the sea alone."
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Big Kasutva stops short of the end of the pier. The little mushroom
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hops right up to the edge and peers down at the water.
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"All that is left is to jump, Alex. And let the waters of Ousia bear
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you up and carry you to Ephemeris."
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It hops up to you and extends itself in a clear request, despite its
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lack of limbs, that it wants you to pick it up.
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WHAT DO YOU DO
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135
www/index.html
135
www/index.html
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@ -287,6 +287,7 @@
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<li><a href="#00061" id="toc-00061">00061</a></li>
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<li><a href="#00062" id="toc-00062">00062</a></li>
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<li><a href="#00063" id="toc-00063">00063</a></li>
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<li><a href="#00064" id="toc-00064">00064</a></li>
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</ul></li>
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<li><a href="#afterword" id="toc-afterword">Afterword</a></li>
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<li><a href="#appendix-a-dramatis-personae"
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@ -360,11 +361,11 @@ into the <a href="#current-story">current story arc</a>.</p>
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you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
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the rss feed</a>.</p>
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<h2 id="stats">Stats</h2>
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<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
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<p>Total length: 82674 words / 353 minute read. (Mind you, that’s the
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length of this entire page, including all the extra bits and bobs. Not
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just the story.)</p>
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<p>There have been 221 messages posted over 217 days since the first
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post on July 13, 2022 for a daily post rate of 1.01.</p>
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<p>There have been 223 messages posted over 222 days since the first
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post on July 13, 2022 for a daily post rate of 1.00.</p>
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<h2 id="chapter-1">Chapter 1</h2>
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<p>This is the first installment of BASEMENT QUEST.</p>
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<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
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@ -6727,6 +6728,134 @@ Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
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you.</p>
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<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
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<p>WHAT DO YOU DO</p>
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<h3 id="00064">00064</h3>
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||||
<p>Back at the fish market, Marvelo squints into the pouring rain and
|
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swears under his breath, frustrated at the limited visibility.</p>
|
||||
<p>His colleague is lying on the floor behind him in some kind of state
|
||||
of deeply altered consciousness, along with an inkling, a toque, and an
|
||||
owl. In fact, the only waking beings left inside the market are himself,
|
||||
a fluffy little duck, and a sticky hemogoblin.</p>
|
||||
<p>“I’ve seen stranger things,” he shrugs and admits to himself.</p>
|
||||
<p>The duck and the goblin are both fluffed up and huddled up next to
|
||||
each other softly quacking and chirping to themselves.</p>
|
||||
<p>He pauses and holds his breath as something indistinct catches his
|
||||
attention. Years of training have produced an instinct he has learned
|
||||
not to question. It has saved his butt more times than he can count.
|
||||
Sometimes it screams at him and the danger is apparent. Like that time
|
||||
with the Permian Raiders off the southern tip of Harshwind Glade. Other
|
||||
times, such as this, all he gets is the vague feeling that something is
|
||||
off. He waits. He’s been here before. His subconscious has spotted
|
||||
something, noticed some pattern that doesn’t fit its surroundings. He
|
||||
knows if he’s patient, his conscious mind will catch up and realize what
|
||||
it was.</p>
|
||||
<p>He squints out into the pouring rain. There! A flash of red close to
|
||||
the ground.</p>
|
||||
<p>“What in the world,” he wonders as a small child wearing a bright red
|
||||
dress toddles into view. It looks up at him blankly as the rain beats
|
||||
down on its head and shoulders.</p>
|
||||
<p>“What are you doing out here, little guy? You’re getting soaked!”
|
||||
Marvelo, concerned, rushes forward to comfort the child.</p>
|
||||
<blockquote>
|
||||
<p>Inky gingerly takes the coin with both hands, small digits clamping
|
||||
onto the straight edges. They look at the Twenty-one Fiver nestled
|
||||
against the fuzzy outlines of one palm before peering up again at the
|
||||
figure seated before them. “Thank you, Great Spirit.” Inky says. “If
|
||||
truly allowed to choose, then, this one accepts the price.”</p>
|
||||
<p>They toss the coin up into the air. A beat, and they are hovering a
|
||||
few feet above the tracks, between the fork and the oncoming train with
|
||||
no walls. Inky watches as the child’s body begins to shrink as rapidly
|
||||
as the black uniform expands, the entire apparition thinning and
|
||||
becoming translucent. The shirt continues to grow until the hem brushes
|
||||
the train tracks and the collar peeks over the invisible tops of the
|
||||
train, the trousers and shoes having been pushed into the stones and
|
||||
earth below.</p>
|
||||
<p>A portal, the child’s voice supplies distantly. At the back of their
|
||||
awareness, Inky homes in on the coin as it continues to spin. When the
|
||||
train thunders down upon the oversized shirt doorway-apparent, they
|
||||
brace for the force of the impact. Instead, all they could feel is a
|
||||
creeping weariness, like water draining through tea leaves in a sieve,
|
||||
while being suddenly surrounded by and staring into a deep
|
||||
reflectionless pool.</p>
|
||||
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
||||
<p>The last thing within their consciousness is a gleam of silver as the
|
||||
coin lands on one of its corners mid-spin, bounces off the small half
|
||||
table and falls into the shadows.</p>
|
||||
</blockquote>
|
||||
<p>You sink into the dark reflectionless pool, letting its waters close
|
||||
over you and pull you under. You ponder its depths from within in its
|
||||
embrace, mindless of the passage of time.</p>
|
||||
<p>After a few minutes, or a few days, you notice faint light rising up
|
||||
here and there from below. Fuzzy, cobwebby human shapes float suspended
|
||||
in the waters. Some far away, distant as stars. Some drift close enough
|
||||
that you would be able to discern their features, if they had any.</p>
|
||||
<p>You realize all at once that these are the dream forms of sleeping
|
||||
Basmentarians everywhere, and that you are floating in Ousia, a solitary
|
||||
awakened dreamer in a literal sea of the passive slumbering.</p>
|
||||
<p>As though responding to your realization, the waters bear you up and
|
||||
you pierce the weak membrane between water and air. You float
|
||||
effortlessly and the gentle waves nudge you ever onward toward some
|
||||
unknown shore. Or merely farther out to sea. You’re not sure.</p>
|
||||
<p>You continue to see the dreamers all around you. You watch curiously
|
||||
as you float by two that seem to have bumped into one another and fused
|
||||
together, their cobwebby bodies sprouting hard crystalline growths and
|
||||
spreading like creeping vines, forming a lattice and creating a small
|
||||
floating island.</p>
|
||||
<p>After a few hours, or a few weeks, you wash up on the beach of a
|
||||
large island. There is a steep rock, a pillar of a mountain, jutting
|
||||
straight up from the center of the island some distance ahead. And
|
||||
jutting from the pillar is a fractal structure of interconnected towers,
|
||||
all sprouting and branching from one large central tower. The top of the
|
||||
tower disappears far overhead, obscured by a rippling aurora of green
|
||||
and pink lights in the sky.</p>
|
||||
<p>Some distance down the beach, just out of hailing distance, a lone
|
||||
figure stands gazing at the sea, their back to the tower.</p>
|
||||
<p>The figure waits.</p>
|
||||
<p>The tower’s strange geometry beckons.</p>
|
||||
<blockquote>
|
||||
<p>Kasutva, how can I know that I can trust you? What do you gain in
|
||||
helping me, and was there really no way for you to communicate with me
|
||||
without beheading yourself? That seems a little bit distraughting. Like,
|
||||
do you need a bandage or some headache medicine or something? I feel
|
||||
like if I yanked my face off I’d need an ibuprofen. I have some if you
|
||||
want? (alex rummages in a coat pocket and finds a bottle of pain
|
||||
killers, and offers them to the being).</p>
|
||||
<p>Right anyways, answers questions. I’m looking for my Uncle first and
|
||||
foremost. He dropped off the map a few days ago, and I can’t find hide
|
||||
nor hair of him. Then the murders started. Shit at HQ when wild, hit the
|
||||
wall literally, and now I’m in some sort of fever dream talking to what
|
||||
can only be a manifestation of my own subconscious, or perhaps someone
|
||||
else’s. Look. I need to get back to Inky, we’re trying to meet someone
|
||||
and we’re running late, and in the scheme of things my problems aren’t
|
||||
so big if the world’s going to end because some mad hatter is after
|
||||
these blasted crystal’s we’ve been collecting..</p>
|
||||
</blockquote>
|
||||
<p>Even as you speak, you notice the edges of Big Kasutva’s “wounds”
|
||||
start to close until its flesh begins to once more envelop and enclose
|
||||
its face.</p>
|
||||
<p>The creature courteously accepts a few pills from you, but simply
|
||||
deposits them in its satchel.</p>
|
||||
<p>“No, it doesn’t hurt us,” say the two voices together. “And little
|
||||
matter if it did. It is necessary for us to speak.”</p>
|
||||
<p>They listen to your story. Big Kasutva’s voice starts to become
|
||||
muffled as its skin now grows over its mouth. Only its eyes are visible
|
||||
as the two of them continue. “If your Inky has come to this place, then
|
||||
there is only one place they can have gone.” They gesture to the sea.
|
||||
“And that place is Ephemeris. The Heart of the Dreaming at the center of
|
||||
Ousia.”</p>
|
||||
<p>Big Kasutva finally falls silent as it heals completely. It guides
|
||||
you to the shoreline, where a long pier has suddenly appeared. Mushroom
|
||||
Kasutva continues to speak for both of them.</p>
|
||||
<p>“We only ask to accompany you as you go. We wish to see Ephemeris
|
||||
ourselves. But we cannot abandon our post here on the dunes,” it says
|
||||
looking at Big Kasutva. “And we,” it says gesturing to itself, “are too
|
||||
small to brave the sea alone.”</p>
|
||||
<p>Big Kasutva stops short of the end of the pier. The little mushroom
|
||||
hops right up to the edge and peers down at the water.</p>
|
||||
<p>“All that is left is to jump, Alex. And let the waters of Ousia bear
|
||||
you up and carry you to Ephemeris.”</p>
|
||||
<p>It hops up to you and extends itself in a clear request, despite its
|
||||
lack of limbs, that it wants you to pick it up.</p>
|
||||
<p>WHAT DO YOU DO</p>
|
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<h2 id="afterword">Afterword</h2>
|
||||
<p>I don’t know what I’m going to put here, but I didn’t want this
|
||||
document to just abruptly end. So here you go: a kind farewell and a
|
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|
|
804
www/rss.xml
804
www/rss.xml
|
@ -235,6 +235,59 @@ And Fortune said it shou'd be you. Puu."</code></pre>
|
|||
]]>
|
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</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>61</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
|
||||
-0700</guid>
|
||||
<pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00061">00061</h3>
|
||||
<p>Alex the Octopus and Inky the Noogle stand on a tree branch
|
||||
as wide a street in the heart of the great white upside-down
|
||||
forest.</p>
|
||||
<p>A cry of anguish and anger echoes through the forest, and
|
||||
the branches below you sway and rustle as something rises up
|
||||
from the depths. You keep catching a glimpse of scarlet
|
||||
between the silvery white leaves.</p>
|
||||
<p>The large black ravens perched below you scream in
|
||||
agitation and fly up past you to the thicker branches up
|
||||
above, where they hop side to side and loudly scold and
|
||||
protest the disturbance. A single black feather the length of
|
||||
your hand settles to the ground at your feet, knocked loose
|
||||
during their flight.</p>
|
||||
<p>You finally see the fearsome beast crashing through the
|
||||
branches below you. Its crazed, yellow eyes as large and round
|
||||
as dinner plates, a great eight-legged rodent leaps from
|
||||
branch to branch as it swiftly ascends. It is a bloody,
|
||||
crimson red. Its long tufted ears lay flat against its
|
||||
elongated, grinning skull. Its ribbon-like tail twitches as it
|
||||
trails along behind it like a river of blood. It cries out
|
||||
again in anger, showing its overgrown incisors, and grinds and
|
||||
gnashes its back teeth.</p>
|
||||
<p>Its eyes bore into you with wild fury and blind madness as
|
||||
it climbs.</p>
|
||||
<p>“She’s not herself,” sighs the chipmunk, suddenly at your
|
||||
side once more. When you look down at the chipmunk, however,
|
||||
it has suddenly turned into a small featureless black turtle
|
||||
with a sticky sweet roll instead of a shell. Its smooth little
|
||||
head pokes timidly out of the roll.</p>
|
||||
<p>“The Red Squirrel,” laments the turtle. “She’s being ridden
|
||||
by a ghost. An angry ghost who isn’t from here. Somebody left
|
||||
the door open, and it blew in on the breeze.” The turtle’s
|
||||
voice trails off until its final words are barely a
|
||||
whisper.</p>
|
||||
<p>You can still feel two currents tugging at you and trying
|
||||
to pull you under. One inward toward your host’s deep, core
|
||||
memories. And the second pulling you outward toward the Sea of
|
||||
Dreams.</p>
|
||||
<p>You have but a moment before the Red Squirrel is upon
|
||||
you.</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>59</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
|
@ -333,204 +386,6 @@ trap sleep INT EXIT</code></pre>
|
|||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>56</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
|
||||
-0700</guid>
|
||||
<pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00056">00056</h3>
|
||||
<blockquote>
|
||||
<p>The agitation Alex feels bubbles just beneath the surface.
|
||||
Patterns where patterns shouldn’t be, strange orders from HQ,
|
||||
indifference where once was ample aide as well. It was
|
||||
maddening. Combine it all with the haunting suspicion that
|
||||
there was constantly someone just around the next corner, and
|
||||
it was enough to truly drive Alex mad.</p>
|
||||
<p>That uneasiness takes its toll on a long enough time line,
|
||||
but Alex wasn’t about to let it get to him. Or so he thought
|
||||
to himself as he cast a furtive look at his monitoring
|
||||
equipment. This paranoia had served him well in the past, very
|
||||
well in fact. It’s a sort of sixth sense in a way, always kept
|
||||
Alex off the edge of the cliff, especially when someone
|
||||
stepped close enough to push him off. Those were the types of
|
||||
skills HQ sought after in the first place.</p>
|
||||
<p>Alex closes the iron door on his bunker, leaving his
|
||||
monitoring equipment running, dead man’s trigger set to blow
|
||||
the place shoul anyone enter it. Can’t be too careful these
|
||||
days..</p>
|
||||
<p>Emerging from the sewer grate, sticking to the shadows,
|
||||
Alex makes his way down an alley, then another, and yet
|
||||
another, finally emerging a few blocks from the Milk Market.
|
||||
Across the street, as he had expected, was Marvelo’s Marvelous
|
||||
MurderSticks, a quaint place should one needed something, well
|
||||
you get the picture, they don’t really sell anything but
|
||||
weaponry here.</p>
|
||||
<p>Alex ducked into the entrance of the shop and strode
|
||||
towards the back rack, where a collection of knives was on
|
||||
display. A rough looking fellow, ruddy red beard, thinning
|
||||
hair, moved from the counter as he saw Alex approach. “Fine
|
||||
sampling of knives we have, could I interest you in one?”
|
||||
Marvelo says. Alex reaches for a thin stilleto style dagger,
|
||||
and hands it to Marvelo “This one seems about right, but I’d
|
||||
like an extra sharp edge put on it, if you don’t mind”.
|
||||
Marvelo takes the stilleto from Alex say “Not a problem at all
|
||||
sir”, and he heads into the back.</p>
|
||||
<p>He sets to work honing the edge, and once complete he
|
||||
places it on his work bench. Grabbing a velvet lined case from
|
||||
a stack, he deftly removes the bottom and places a rolled
|
||||
piece of paper into the bottom, alongside an m1911 style
|
||||
pistol, and a couple of clips of ammo. He then places the
|
||||
velvet bottom back over the equipment, and places the stilleto
|
||||
on top, bringing the entire package back to the front. “An
|
||||
extra fine edge on this one sir, that’ll be 15 gold, plus
|
||||
another 5 to cover the service.</p>
|
||||
<p>Alex pays, and nips out the shop and heads back to the back
|
||||
alley. Paranoia begets what it requets, Alex mutters to
|
||||
himself as he disassembles the box holstering the pistol and
|
||||
ammo, and sheathing the dagger. Can’t keep going unarmed like
|
||||
I’m some kind of beat cop, not anymore.. Alex discards the
|
||||
case and unfurls the message, quickly deciphering the
|
||||
encryption set on it by Marvelo.</p>
|
||||
<pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
|
||||
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
|
||||
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
|
||||
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
|
||||
Agent 4 monitoring feeds still present glitches, something abnormal
|
||||
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
|
||||
<p>Alex burned the note, striding rapidly away from the alley,
|
||||
taking a meandering route away from the Milk Market, looping
|
||||
back around, and heading back towards it by yet another.
|
||||
Nobody appeared to be following him, yet he paused at each
|
||||
corner and turn, waiting for the footsteps of a pursuant.</p>
|
||||
<p>Noting nothing, he made his way through the back entrance
|
||||
of Enrique’s Empanadas greeting the cook quietly, but jovial.
|
||||
“Enrique, where’s Inky? We’ve got a problem.”</p>
|
||||
</blockquote>
|
||||
<p>~</p>
|
||||
<blockquote>
|
||||
<p>Inky skims the page. They thank the witch, pay for the
|
||||
items and exit the shop, promptly discarding all notions of
|
||||
meeting Bother at the place stipulated on the note.</p>
|
||||
<p><em>(Half and one hour later)</em></p>
|
||||
<p>One-sixths into a caramel cantaloupe cream cornet, Inky
|
||||
runs into Confidence outside the Wandering Bazaar and obtains
|
||||
some of their new pamphlets, minted with luminescent ink for
|
||||
the convenience of late-night tourists. These are subsequently
|
||||
hare-mailed to every editor at the <em>Niuewstijl</em> office,
|
||||
which is almost certain to earn another chiding remark from
|
||||
Tess about etiquette and the handling of unsolicited bulk mail
|
||||
to parent editorial teams.</p>
|
||||
<p><em>(Half and two hours later)</em></p>
|
||||
<p>The installation on display at the Milk Market was
|
||||
grotesque — that is to say, a work of beauty. Inky steps
|
||||
carefully through the rooms to not disturb the piece.
|
||||
Afterwards, they sign the guestbook set up on an upturned milk
|
||||
crate by the door, delightedly pasting rows of horse head and
|
||||
thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
|
||||
the unedible”.</p>
|
||||
<p><em>(Half and three hours earlier)</em></p>
|
||||
<p>Thanking Agate for her time, Inky passes her a sheet of
|
||||
paper on which were written a few questions about the
|
||||
prescribed ritual, with some space after each question should
|
||||
the witch prefer to scribble a response:</p>
|
||||
<ul>
|
||||
<li><p>What do guides in the Sea of Dreams and the Ravenfolk
|
||||
typically seek in return for directing travellers to the
|
||||
correct pocket dimension?</p></li>
|
||||
<li><p>An establishment inside the Bazaar is only open in the
|
||||
evenings whenever it appears in the city. How long does travel
|
||||
to a pocket dimension typically take, allowing for time to
|
||||
seek out a guide? Is there a way travellers can estimate the
|
||||
time to set out on their journey, in order to arrive at the
|
||||
establishment while it is open?</p></li>
|
||||
<li><p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||||
ritual? How can travellers avoid summoning them?</p></li>
|
||||
<li><p>Would anything happen to the travellers if any of the
|
||||
sigils were removed during the ritual before they wake
|
||||
up?</p></li>
|
||||
</ul>
|
||||
<p><em>(Half and four hours later)</em></p>
|
||||
<p>Two sets of eyes peer down at the contents of an open tin.
|
||||
One accompanied by a focused look and a little trepidation,
|
||||
following the pinkish, flesh-like chunks speckled with white
|
||||
pockets of fat as they tumble into a hot pan and almost
|
||||
immediately begin to move of their own accord. The moving
|
||||
mounds resemble small round mouths opening, each with a rim of
|
||||
sharp teeth. The other pair of eyes belongs to a grinning face
|
||||
that beams when the mounds bloom into bright red flat caps,
|
||||
the edges beneath about to soften in the olive oil.</p>
|
||||
<p>Minutes after, The slices are ready. Inky accepts the plate
|
||||
of tostada with spicy pickled artichoke mushrooms and tomatoes
|
||||
with a murmur of thanks. Reassembling the recipe for the
|
||||
tinned spicy artichoke mushrooms had been a tedious process —
|
||||
someone had ripped out the pages from an old pickling book
|
||||
that had long ceased publication. Eventually Inky found a
|
||||
former nomad who had eaten them for two years in their youth
|
||||
and could recall or somewhat describe the taste. Flowery and
|
||||
savoury, they said. Many taste tests later, it turned out to
|
||||
be closer to partially decomposed cheese in ponderosa lemon
|
||||
juice. Canning was fortuitously easier with the increasing
|
||||
portability of sealers. Rather than telling the empanada chef
|
||||
any of this, Inky watches satisfaction slowly spread across
|
||||
his face. The tale that follows is far more entertaining.</p>
|
||||
<p><em>(Half and five hours later)</em></p>
|
||||
<p>While measuring out ingredients for the forty-second tea
|
||||
infusion since the start of the missions, not that Inky was
|
||||
keeping a close count, they hear a familiar voice a short
|
||||
distance outside the door asking for their whereabouts.
|
||||
Without pausing in their whisking, Inky simply informs the
|
||||
owner of the voice they’re not here, obviously, before
|
||||
emerging from the storage pantry with a fresh pot and bowls on
|
||||
a wooden tray, and greets the returning sysorcerer.</p>
|
||||
</blockquote>
|
||||
<p>Agate writes back quickly:</p>
|
||||
<blockquote>
|
||||
<p>What do guides in the Sea of Dreams and the Ravenfolk
|
||||
typically seek in return for directing travellers to the
|
||||
correct pocket dimension?</p>
|
||||
</blockquote>
|
||||
<p>Intangibles. Usually memories, hopes, or dreams.</p>
|
||||
<blockquote>
|
||||
<p>An establishment inside the Bazaar is only open in the
|
||||
evenings whenever it appears in the city. How long does travel
|
||||
to a pocket dimension typically take, allowing for time to
|
||||
seek out a guide? Is there a way travellers can estimate the
|
||||
time to set out on their journey, in order to arrive at the
|
||||
establishment while it is open?</p>
|
||||
</blockquote>
|
||||
<p>You’ll find that time is rather malleable on the Otherside.
|
||||
You’ll likely arrive exactly when you’re meant to. No need to
|
||||
worry too much about it.</p>
|
||||
<blockquote>
|
||||
<p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||||
ritual? How can travellers avoid summoning them?</p>
|
||||
</blockquote>
|
||||
<p>Godforms manifested by the Linking Sigil and the Dream
|
||||
Sigil, respectively. It’s not <em>terrible</em> if they show
|
||||
up. But it’s definitely not ideal. You shouldn’t register on
|
||||
their radar as long as you don’t pump too much energy into, or
|
||||
siphon to much energy out of, the sigils. If they do show up,
|
||||
just know that you’re in the presence of a godlike power, and
|
||||
behave accordingly.</p>
|
||||
<blockquote>
|
||||
<p>Would anything happen to the travellers if any of the
|
||||
sigils were removed during the ritual before they wake up?</p>
|
||||
</blockquote>
|
||||
<p>If the sigils are removed or if the circle is broken,
|
||||
you’ll likely just wake up before you wanted to. Same goes for
|
||||
if your dreamform is destroyed while in the Dreaming. The only
|
||||
real danger you may encounter is the Scissormen and their ilk.
|
||||
They will attempt to permanently sever your dreamform from
|
||||
your waking body. Which would leave your body a soulless husk,
|
||||
and leave your consciousness adrift in the Sea of Dreams. But
|
||||
that probably won’t happen! Okay good luck, have fun!</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>58</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
|
@ -761,6 +616,86 @@ in its own domain</code></pre>
|
|||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>60</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
||||
-0700</guid>
|
||||
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00060">00060</h3>
|
||||
<blockquote>
|
||||
<p>Alex takes inventory of himself, this dream world is
|
||||
definitely strange, but fortunately its decided to provide him
|
||||
with his impecable fashion, trench coat and all. Unfortunately
|
||||
the same can’t be said for his roguish good looks, as he’s
|
||||
found himself 6 arms heavier, and a bit more octopus-y than he
|
||||
remembers.</p>
|
||||
<p>Nontheless this doesn’t appear to be much of an impediment,
|
||||
and he promptly moves on with assessing the situation.</p>
|
||||
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
||||
terrible at fetching acrons, and at any rate, I have a
|
||||
dreadfully important meeting across town.” turning to address
|
||||
Inky, “We need to make a break for it, what’d the witch tell
|
||||
you? Envision our goal or something? This is really a little
|
||||
outside of my realm of mechanical magic expertise..
|
||||
unless..”</p>
|
||||
<p>Alex makes a gesture with his tentacles in the area and a
|
||||
terminal prompt appears before him. His tentacles work at
|
||||
blinding speed at the digital window, a quick bypass there, a
|
||||
root access escalation there.</p>
|
||||
<p>“Looks like this whole place runs on Linux, it’s an older
|
||||
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
||||
needed. Here I’m giving us sudo access, should we need
|
||||
it.”</p>
|
||||
<p>“Oh and squirrel, here’s your acorns”</p>
|
||||
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
||||
</blockquote>
|
||||
<p>It takes Alectopus a couple tries, but he gets it. First he
|
||||
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
||||
the <em>chipmunk</em> instead of to the squirrel.</p>
|
||||
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
||||
squeals in delight.</p>
|
||||
<p>In the distance, far below you, you hear the anguished yell
|
||||
of what can only be a Red Squirrel whose giant stash of acorns
|
||||
has just vanished.</p>
|
||||
<p>The chipmunk rubs its hands together gleefully and starts
|
||||
scooping up acorns by the armful and shoving them into its
|
||||
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
||||
says around a mouthful of nuts. “Here…” It tosses you a large
|
||||
square silver coin with a round hole drilled in the center. On
|
||||
one side is the number twenty-one next to a picture of a
|
||||
curved, short-handled sickle. On the other side is the number
|
||||
five and a picture of a flail.</p>
|
||||
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
||||
I have,” it apologizes as it scampers off, no doubt to hide
|
||||
its nuts. Hopefully somewhere more secure this time.</p>
|
||||
<p>If you hold the coin up to your eye and peer through the
|
||||
hole, you see the dreamscape before you as though looking
|
||||
through a cloudy film. All the same stuff is there, but it’s
|
||||
hazy and shadowy.</p>
|
||||
<p>Standing a fair distance from you on the branch, just out
|
||||
of hailing distance, is a tall figure cloaked in black robes.
|
||||
Dark shadows pool restlessly around its feet. Occasionally the
|
||||
shadows leap up and take the form of demons the like of which
|
||||
words cannot describe, before falling and returning to shadow
|
||||
once more. The figure wears a large spherical helmet of
|
||||
obsidian-like glass. You can see constant flashes of a rainbow
|
||||
of colors crackle and splinter along the inside of the helmet
|
||||
like lightning, but illuminating nothing within. You feel
|
||||
sickened at the sight, but at the edge of your mind you feels
|
||||
a tug, a familiarity. Something about this character is
|
||||
familiar to you, but you cannot place it.</p>
|
||||
<p>When you lower the coin, the figure and the dark landscape
|
||||
both disappear. When you raise it again, the distorted
|
||||
landscape reappears but the figure is gone.</p>
|
||||
<p>You notice a pair of large ravens watching you rather
|
||||
intently from the branches below.</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>57</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
|
@ -1014,134 +949,165 @@ in its own domain</code></pre>
|
|||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>60</title>
|
||||
<title>64</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">60 - Tue, 31 Jan 2023 19:11:47
|
||||
<guid isPermaLink="false">64 - Wed, 15 Feb 2023 17:58:35
|
||||
-0700</guid>
|
||||
<pubDate>Tue, 31 Jan 2023 19:11:48 -0700</pubDate>
|
||||
<pubDate>Wed, 15 Feb 2023 17:58:35 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00060">00060</h3>
|
||||
<h3 id="00064">00064</h3>
|
||||
<p>Back at the fish market, Marvelo squints into the pouring
|
||||
rain and swears under his breath, frustrated at the limited
|
||||
visibility.</p>
|
||||
<p>His colleague is lying on the floor behind him in some kind
|
||||
of state of deeply altered consciousness, along with an
|
||||
inkling, a toque, and an owl. In fact, the only waking beings
|
||||
left inside the market are himself, a fluffy little duck, and
|
||||
a sticky hemogoblin.</p>
|
||||
<p>“I’ve seen stranger things,” he shrugs and admits to
|
||||
himself.</p>
|
||||
<p>The duck and the goblin are both fluffed up and huddled up
|
||||
next to each other softly quacking and chirping to
|
||||
themselves.</p>
|
||||
<p>He pauses and holds his breath as something indistinct
|
||||
catches his attention. Years of training have produced an
|
||||
instinct he has learned not to question. It has saved his butt
|
||||
more times than he can count. Sometimes it screams at him and
|
||||
the danger is apparent. Like that time with the Permian
|
||||
Raiders off the southern tip of Harshwind Glade. Other times,
|
||||
such as this, all he gets is the vague feeling that something
|
||||
is off. He waits. He’s been here before. His subconscious has
|
||||
spotted something, noticed some pattern that doesn’t fit its
|
||||
surroundings. He knows if he’s patient, his conscious mind
|
||||
will catch up and realize what it was.</p>
|
||||
<p>He squints out into the pouring rain. There! A flash of red
|
||||
close to the ground.</p>
|
||||
<p>“What in the world,” he wonders as a small child wearing a
|
||||
bright red dress toddles into view. It looks up at him blankly
|
||||
as the rain beats down on its head and shoulders.</p>
|
||||
<p>“What are you doing out here, little guy? You’re getting
|
||||
soaked!” Marvelo, concerned, rushes forward to comfort the
|
||||
child.</p>
|
||||
<blockquote>
|
||||
<p>Alex takes inventory of himself, this dream world is
|
||||
definitely strange, but fortunately its decided to provide him
|
||||
with his impecable fashion, trench coat and all. Unfortunately
|
||||
the same can’t be said for his roguish good looks, as he’s
|
||||
found himself 6 arms heavier, and a bit more octopus-y than he
|
||||
remembers.</p>
|
||||
<p>Nontheless this doesn’t appear to be much of an impediment,
|
||||
and he promptly moves on with assessing the situation.</p>
|
||||
<p>“Acorns? No, I don’t think so. I’m afraid octopus’ are
|
||||
terrible at fetching acrons, and at any rate, I have a
|
||||
dreadfully important meeting across town.” turning to address
|
||||
Inky, “We need to make a break for it, what’d the witch tell
|
||||
you? Envision our goal or something? This is really a little
|
||||
outside of my realm of mechanical magic expertise..
|
||||
unless..”</p>
|
||||
<p>Alex makes a gesture with his tentacles in the area and a
|
||||
terminal prompt appears before him. His tentacles work at
|
||||
blinding speed at the digital window, a quick bypass there, a
|
||||
root access escalation there.</p>
|
||||
<p>“Looks like this whole place runs on Linux, it’s an older
|
||||
kernel, about 2.6 or so, but it checks out. Easy to exploit as
|
||||
needed. Here I’m giving us sudo access, should we need
|
||||
it.”</p>
|
||||
<p>“Oh and squirrel, here’s your acorns”</p>
|
||||
<pre><code>find /* -name '*acron*' -exec mv /home/squirrel { } \</code></pre>
|
||||
<p>Inky gingerly takes the coin with both hands, small digits
|
||||
clamping onto the straight edges. They look at the Twenty-one
|
||||
Fiver nestled against the fuzzy outlines of one palm before
|
||||
peering up again at the figure seated before them. “Thank you,
|
||||
Great Spirit.” Inky says. “If truly allowed to choose, then,
|
||||
this one accepts the price.”</p>
|
||||
<p>They toss the coin up into the air. A beat, and they are
|
||||
hovering a few feet above the tracks, between the fork and the
|
||||
oncoming train with no walls. Inky watches as the child’s body
|
||||
begins to shrink as rapidly as the black uniform expands, the
|
||||
entire apparition thinning and becoming translucent. The shirt
|
||||
continues to grow until the hem brushes the train tracks and
|
||||
the collar peeks over the invisible tops of the train, the
|
||||
trousers and shoes having been pushed into the stones and
|
||||
earth below.</p>
|
||||
<p>A portal, the child’s voice supplies distantly. At the back
|
||||
of their awareness, Inky homes in on the coin as it continues
|
||||
to spin. When the train thunders down upon the oversized shirt
|
||||
doorway-apparent, they brace for the force of the impact.
|
||||
Instead, all they could feel is a creeping weariness, like
|
||||
water draining through tea leaves in a sieve, while being
|
||||
suddenly surrounded by and staring into a deep reflectionless
|
||||
pool.</p>
|
||||
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
||||
<p>The last thing within their consciousness is a gleam of
|
||||
silver as the coin lands on one of its corners mid-spin,
|
||||
bounces off the small half table and falls into the
|
||||
shadows.</p>
|
||||
</blockquote>
|
||||
<p>It takes Alectopus a couple tries, but he gets it. First he
|
||||
corrects ‘acron’ to ‘acorn’. Then he moves all the acorns to
|
||||
the <em>chipmunk</em> instead of to the squirrel.</p>
|
||||
<p>Hundreds of acorns appear at the chipmunk’s feet. It
|
||||
squeals in delight.</p>
|
||||
<p>In the distance, far below you, you hear the anguished yell
|
||||
of what can only be a Red Squirrel whose giant stash of acorns
|
||||
has just vanished.</p>
|
||||
<p>The chipmunk rubs its hands together gleefully and starts
|
||||
scooping up acorns by the armful and shoving them into its
|
||||
mouth by the dozen. “Oh, thank you! Thank you! Thank you!” it
|
||||
says around a mouthful of nuts. “Here…” It tosses you a large
|
||||
square silver coin with a round hole drilled in the center. On
|
||||
one side is the number twenty-one next to a picture of a
|
||||
curved, short-handled sickle. On the other side is the number
|
||||
five and a picture of a flail.</p>
|
||||
<p>“A Twenty-One Fiver! Sorry, you deserve more, but it’s all
|
||||
I have,” it apologizes as it scampers off, no doubt to hide
|
||||
its nuts. Hopefully somewhere more secure this time.</p>
|
||||
<p>If you hold the coin up to your eye and peer through the
|
||||
hole, you see the dreamscape before you as though looking
|
||||
through a cloudy film. All the same stuff is there, but it’s
|
||||
hazy and shadowy.</p>
|
||||
<p>Standing a fair distance from you on the branch, just out
|
||||
of hailing distance, is a tall figure cloaked in black robes.
|
||||
Dark shadows pool restlessly around its feet. Occasionally the
|
||||
shadows leap up and take the form of demons the like of which
|
||||
words cannot describe, before falling and returning to shadow
|
||||
once more. The figure wears a large spherical helmet of
|
||||
obsidian-like glass. You can see constant flashes of a rainbow
|
||||
of colors crackle and splinter along the inside of the helmet
|
||||
like lightning, but illuminating nothing within. You feel
|
||||
sickened at the sight, but at the edge of your mind you feels
|
||||
a tug, a familiarity. Something about this character is
|
||||
familiar to you, but you cannot place it.</p>
|
||||
<p>When you lower the coin, the figure and the dark landscape
|
||||
both disappear. When you raise it again, the distorted
|
||||
landscape reappears but the figure is gone.</p>
|
||||
<p>You notice a pair of large ravens watching you rather
|
||||
intently from the branches below.</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>61</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">61 - Mon, 06 Feb 2023 09:59:55
|
||||
-0700</guid>
|
||||
<pubDate>Mon, 06 Feb 2023 09:59:55 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00061">00061</h3>
|
||||
<p>Alex the Octopus and Inky the Noogle stand on a tree branch
|
||||
as wide a street in the heart of the great white upside-down
|
||||
forest.</p>
|
||||
<p>A cry of anguish and anger echoes through the forest, and
|
||||
the branches below you sway and rustle as something rises up
|
||||
from the depths. You keep catching a glimpse of scarlet
|
||||
between the silvery white leaves.</p>
|
||||
<p>The large black ravens perched below you scream in
|
||||
agitation and fly up past you to the thicker branches up
|
||||
above, where they hop side to side and loudly scold and
|
||||
protest the disturbance. A single black feather the length of
|
||||
your hand settles to the ground at your feet, knocked loose
|
||||
during their flight.</p>
|
||||
<p>You finally see the fearsome beast crashing through the
|
||||
branches below you. Its crazed, yellow eyes as large and round
|
||||
as dinner plates, a great eight-legged rodent leaps from
|
||||
branch to branch as it swiftly ascends. It is a bloody,
|
||||
crimson red. Its long tufted ears lay flat against its
|
||||
elongated, grinning skull. Its ribbon-like tail twitches as it
|
||||
trails along behind it like a river of blood. It cries out
|
||||
again in anger, showing its overgrown incisors, and grinds and
|
||||
gnashes its back teeth.</p>
|
||||
<p>Its eyes bore into you with wild fury and blind madness as
|
||||
it climbs.</p>
|
||||
<p>“She’s not herself,” sighs the chipmunk, suddenly at your
|
||||
side once more. When you look down at the chipmunk, however,
|
||||
it has suddenly turned into a small featureless black turtle
|
||||
with a sticky sweet roll instead of a shell. Its smooth little
|
||||
head pokes timidly out of the roll.</p>
|
||||
<p>“The Red Squirrel,” laments the turtle. “She’s being ridden
|
||||
by a ghost. An angry ghost who isn’t from here. Somebody left
|
||||
the door open, and it blew in on the breeze.” The turtle’s
|
||||
voice trails off until its final words are barely a
|
||||
whisper.</p>
|
||||
<p>You can still feel two currents tugging at you and trying
|
||||
to pull you under. One inward toward your host’s deep, core
|
||||
memories. And the second pulling you outward toward the Sea of
|
||||
Dreams.</p>
|
||||
<p>You have but a moment before the Red Squirrel is upon
|
||||
you.</p>
|
||||
<p>You sink into the dark reflectionless pool, letting its
|
||||
waters close over you and pull you under. You ponder its
|
||||
depths from within in its embrace, mindless of the passage of
|
||||
time.</p>
|
||||
<p>After a few minutes, or a few days, you notice faint light
|
||||
rising up here and there from below. Fuzzy, cobwebby human
|
||||
shapes float suspended in the waters. Some far away, distant
|
||||
as stars. Some drift close enough that you would be able to
|
||||
discern their features, if they had any.</p>
|
||||
<p>You realize all at once that these are the dream forms of
|
||||
sleeping Basmentarians everywhere, and that you are floating
|
||||
in Ousia, a solitary awakened dreamer in a literal sea of the
|
||||
passive slumbering.</p>
|
||||
<p>As though responding to your realization, the waters bear
|
||||
you up and you pierce the weak membrane between water and air.
|
||||
You float effortlessly and the gentle waves nudge you ever
|
||||
onward toward some unknown shore. Or merely farther out to
|
||||
sea. You’re not sure.</p>
|
||||
<p>You continue to see the dreamers all around you. You watch
|
||||
curiously as you float by two that seem to have bumped into
|
||||
one another and fused together, their cobwebby bodies
|
||||
sprouting hard crystalline growths and spreading like creeping
|
||||
vines, forming a lattice and creating a small floating
|
||||
island.</p>
|
||||
<p>After a few hours, or a few weeks, you wash up on the beach
|
||||
of a large island. There is a steep rock, a pillar of a
|
||||
mountain, jutting straight up from the center of the island
|
||||
some distance ahead. And jutting from the pillar is a fractal
|
||||
structure of interconnected towers, all sprouting and
|
||||
branching from one large central tower. The top of the tower
|
||||
disappears far overhead, obscured by a rippling aurora of
|
||||
green and pink lights in the sky.</p>
|
||||
<p>Some distance down the beach, just out of hailing distance,
|
||||
a lone figure stands gazing at the sea, their back to the
|
||||
tower.</p>
|
||||
<p>The figure waits.</p>
|
||||
<p>The tower’s strange geometry beckons.</p>
|
||||
<blockquote>
|
||||
<p>Kasutva, how can I know that I can trust you? What do you
|
||||
gain in helping me, and was there really no way for you to
|
||||
communicate with me without beheading yourself? That seems a
|
||||
little bit distraughting. Like, do you need a bandage or some
|
||||
headache medicine or something? I feel like if I yanked my
|
||||
face off I’d need an ibuprofen. I have some if you want? (alex
|
||||
rummages in a coat pocket and finds a bottle of pain killers,
|
||||
and offers them to the being).</p>
|
||||
<p>Right anyways, answers questions. I’m looking for my Uncle
|
||||
first and foremost. He dropped off the map a few days ago, and
|
||||
I can’t find hide nor hair of him. Then the murders started.
|
||||
Shit at HQ when wild, hit the wall literally, and now I’m in
|
||||
some sort of fever dream talking to what can only be a
|
||||
manifestation of my own subconscious, or perhaps someone
|
||||
else’s. Look. I need to get back to Inky, we’re trying to meet
|
||||
someone and we’re running late, and in the scheme of things my
|
||||
problems aren’t so big if the world’s going to end because
|
||||
some mad hatter is after these blasted crystal’s we’ve been
|
||||
collecting..</p>
|
||||
</blockquote>
|
||||
<p>Even as you speak, you notice the edges of Big Kasutva’s
|
||||
“wounds” start to close until its flesh begins to once more
|
||||
envelop and enclose its face.</p>
|
||||
<p>The creature courteously accepts a few pills from you, but
|
||||
simply deposits them in its satchel.</p>
|
||||
<p>“No, it doesn’t hurt us,” say the two voices together. “And
|
||||
little matter if it did. It is necessary for us to speak.”</p>
|
||||
<p>They listen to your story. Big Kasutva’s voice starts to
|
||||
become muffled as its skin now grows over its mouth. Only its
|
||||
eyes are visible as the two of them continue. “If your Inky
|
||||
has come to this place, then there is only one place they can
|
||||
have gone.” They gesture to the sea. “And that place is
|
||||
Ephemeris. The Heart of the Dreaming at the center of
|
||||
Ousia.”</p>
|
||||
<p>Big Kasutva finally falls silent as it heals completely. It
|
||||
guides you to the shoreline, where a long pier has suddenly
|
||||
appeared. Mushroom Kasutva continues to speak for both of
|
||||
them.</p>
|
||||
<p>“We only ask to accompany you as you go. We wish to see
|
||||
Ephemeris ourselves. But we cannot abandon our post here on
|
||||
the dunes,” it says looking at Big Kasutva. “And we,” it says
|
||||
gesturing to itself, “are too small to brave the sea
|
||||
alone.”</p>
|
||||
<p>Big Kasutva stops short of the end of the pier. The little
|
||||
mushroom hops right up to the edge and peers down at the
|
||||
water.</p>
|
||||
<p>“All that is left is to jump, Alex. And let the waters of
|
||||
Ousia bear you up and carry you to Ephemeris.”</p>
|
||||
<p>It hops up to you and extends itself in a clear request,
|
||||
despite its lack of limbs, that it wants you to pick it
|
||||
up.</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
|
@ -1735,5 +1701,203 @@ NOTE GDB INDICATES SOME ANOMALY</code></pre>
|
|||
]]>
|
||||
</description>
|
||||
</item>
|
||||
<item>
|
||||
<title>56</title>
|
||||
<author>dozens@tilde.team (dozens)</author>
|
||||
<guid isPermaLink="false">56 - Mon, 16 Jan 2023 14:10:25
|
||||
-0700</guid>
|
||||
<pubDate>Mon, 16 Jan 2023 14:10:25 -0700</pubDate>
|
||||
<description>
|
||||
<![CDATA[
|
||||
<h3 id="00056">00056</h3>
|
||||
<blockquote>
|
||||
<p>The agitation Alex feels bubbles just beneath the surface.
|
||||
Patterns where patterns shouldn’t be, strange orders from HQ,
|
||||
indifference where once was ample aide as well. It was
|
||||
maddening. Combine it all with the haunting suspicion that
|
||||
there was constantly someone just around the next corner, and
|
||||
it was enough to truly drive Alex mad.</p>
|
||||
<p>That uneasiness takes its toll on a long enough time line,
|
||||
but Alex wasn’t about to let it get to him. Or so he thought
|
||||
to himself as he cast a furtive look at his monitoring
|
||||
equipment. This paranoia had served him well in the past, very
|
||||
well in fact. It’s a sort of sixth sense in a way, always kept
|
||||
Alex off the edge of the cliff, especially when someone
|
||||
stepped close enough to push him off. Those were the types of
|
||||
skills HQ sought after in the first place.</p>
|
||||
<p>Alex closes the iron door on his bunker, leaving his
|
||||
monitoring equipment running, dead man’s trigger set to blow
|
||||
the place shoul anyone enter it. Can’t be too careful these
|
||||
days..</p>
|
||||
<p>Emerging from the sewer grate, sticking to the shadows,
|
||||
Alex makes his way down an alley, then another, and yet
|
||||
another, finally emerging a few blocks from the Milk Market.
|
||||
Across the street, as he had expected, was Marvelo’s Marvelous
|
||||
MurderSticks, a quaint place should one needed something, well
|
||||
you get the picture, they don’t really sell anything but
|
||||
weaponry here.</p>
|
||||
<p>Alex ducked into the entrance of the shop and strode
|
||||
towards the back rack, where a collection of knives was on
|
||||
display. A rough looking fellow, ruddy red beard, thinning
|
||||
hair, moved from the counter as he saw Alex approach. “Fine
|
||||
sampling of knives we have, could I interest you in one?”
|
||||
Marvelo says. Alex reaches for a thin stilleto style dagger,
|
||||
and hands it to Marvelo “This one seems about right, but I’d
|
||||
like an extra sharp edge put on it, if you don’t mind”.
|
||||
Marvelo takes the stilleto from Alex say “Not a problem at all
|
||||
sir”, and he heads into the back.</p>
|
||||
<p>He sets to work honing the edge, and once complete he
|
||||
places it on his work bench. Grabbing a velvet lined case from
|
||||
a stack, he deftly removes the bottom and places a rolled
|
||||
piece of paper into the bottom, alongside an m1911 style
|
||||
pistol, and a couple of clips of ammo. He then places the
|
||||
velvet bottom back over the equipment, and places the stilleto
|
||||
on top, bringing the entire package back to the front. “An
|
||||
extra fine edge on this one sir, that’ll be 15 gold, plus
|
||||
another 5 to cover the service.</p>
|
||||
<p>Alex pays, and nips out the shop and heads back to the back
|
||||
alley. Paranoia begets what it requets, Alex mutters to
|
||||
himself as he disassembles the box holstering the pistol and
|
||||
ammo, and sheathing the dagger. Can’t keep going unarmed like
|
||||
I’m some kind of beat cop, not anymore.. Alex discards the
|
||||
case and unfurls the message, quickly deciphering the
|
||||
encryption set on it by Marvelo.</p>
|
||||
<pre><code>The hunt is still on, no word on Blavin nor the Iris group, yet.
|
||||
Agent 7 heard rumor of a couple of persons inquiring about the "Milk Market" these past few days.
|
||||
Agent 3 heard similar rumors, was able to bribe a melon vendor to acertain the figure wore a red sash, and was looking for friends.
|
||||
Agent 6 has kept watch on the Market, nothing strange yet, coming and goings as usual, no strange visitors
|
||||
Agent 4 monitoring feeds still present glitches, something abnormal
|
||||
Agent 5 found the melon vendor dead in a back alley, strangled to death, not immediate signs of blunt force trauma, caution advised</code></pre>
|
||||
<p>Alex burned the note, striding rapidly away from the alley,
|
||||
taking a meandering route away from the Milk Market, looping
|
||||
back around, and heading back towards it by yet another.
|
||||
Nobody appeared to be following him, yet he paused at each
|
||||
corner and turn, waiting for the footsteps of a pursuant.</p>
|
||||
<p>Noting nothing, he made his way through the back entrance
|
||||
of Enrique’s Empanadas greeting the cook quietly, but jovial.
|
||||
“Enrique, where’s Inky? We’ve got a problem.”</p>
|
||||
</blockquote>
|
||||
<p>~</p>
|
||||
<blockquote>
|
||||
<p>Inky skims the page. They thank the witch, pay for the
|
||||
items and exit the shop, promptly discarding all notions of
|
||||
meeting Bother at the place stipulated on the note.</p>
|
||||
<p><em>(Half and one hour later)</em></p>
|
||||
<p>One-sixths into a caramel cantaloupe cream cornet, Inky
|
||||
runs into Confidence outside the Wandering Bazaar and obtains
|
||||
some of their new pamphlets, minted with luminescent ink for
|
||||
the convenience of late-night tourists. These are subsequently
|
||||
hare-mailed to every editor at the <em>Niuewstijl</em> office,
|
||||
which is almost certain to earn another chiding remark from
|
||||
Tess about etiquette and the handling of unsolicited bulk mail
|
||||
to parent editorial teams.</p>
|
||||
<p><em>(Half and two hours later)</em></p>
|
||||
<p>The installation on display at the Milk Market was
|
||||
grotesque — that is to say, a work of beauty. Inky steps
|
||||
carefully through the rooms to not disturb the piece.
|
||||
Afterwards, they sign the guestbook set up on an upturned milk
|
||||
crate by the door, delightedly pasting rows of horse head and
|
||||
thumbs-up emo Gs on a page thoughtfully titled “you can’t ed
|
||||
the unedible”.</p>
|
||||
<p><em>(Half and three hours earlier)</em></p>
|
||||
<p>Thanking Agate for her time, Inky passes her a sheet of
|
||||
paper on which were written a few questions about the
|
||||
prescribed ritual, with some space after each question should
|
||||
the witch prefer to scribble a response:</p>
|
||||
<ul>
|
||||
<li><p>What do guides in the Sea of Dreams and the Ravenfolk
|
||||
typically seek in return for directing travellers to the
|
||||
correct pocket dimension?</p></li>
|
||||
<li><p>An establishment inside the Bazaar is only open in the
|
||||
evenings whenever it appears in the city. How long does travel
|
||||
to a pocket dimension typically take, allowing for time to
|
||||
seek out a guide? Is there a way travellers can estimate the
|
||||
time to set out on their journey, in order to arrive at the
|
||||
establishment while it is open?</p></li>
|
||||
<li><p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||||
ritual? How can travellers avoid summoning them?</p></li>
|
||||
<li><p>Would anything happen to the travellers if any of the
|
||||
sigils were removed during the ritual before they wake
|
||||
up?</p></li>
|
||||
</ul>
|
||||
<p><em>(Half and four hours later)</em></p>
|
||||
<p>Two sets of eyes peer down at the contents of an open tin.
|
||||
One accompanied by a focused look and a little trepidation,
|
||||
following the pinkish, flesh-like chunks speckled with white
|
||||
pockets of fat as they tumble into a hot pan and almost
|
||||
immediately begin to move of their own accord. The moving
|
||||
mounds resemble small round mouths opening, each with a rim of
|
||||
sharp teeth. The other pair of eyes belongs to a grinning face
|
||||
that beams when the mounds bloom into bright red flat caps,
|
||||
the edges beneath about to soften in the olive oil.</p>
|
||||
<p>Minutes after, The slices are ready. Inky accepts the plate
|
||||
of tostada with spicy pickled artichoke mushrooms and tomatoes
|
||||
with a murmur of thanks. Reassembling the recipe for the
|
||||
tinned spicy artichoke mushrooms had been a tedious process —
|
||||
someone had ripped out the pages from an old pickling book
|
||||
that had long ceased publication. Eventually Inky found a
|
||||
former nomad who had eaten them for two years in their youth
|
||||
and could recall or somewhat describe the taste. Flowery and
|
||||
savoury, they said. Many taste tests later, it turned out to
|
||||
be closer to partially decomposed cheese in ponderosa lemon
|
||||
juice. Canning was fortuitously easier with the increasing
|
||||
portability of sealers. Rather than telling the empanada chef
|
||||
any of this, Inky watches satisfaction slowly spread across
|
||||
his face. The tale that follows is far more entertaining.</p>
|
||||
<p><em>(Half and five hours later)</em></p>
|
||||
<p>While measuring out ingredients for the forty-second tea
|
||||
infusion since the start of the missions, not that Inky was
|
||||
keeping a close count, they hear a familiar voice a short
|
||||
distance outside the door asking for their whereabouts.
|
||||
Without pausing in their whisking, Inky simply informs the
|
||||
owner of the voice they’re not here, obviously, before
|
||||
emerging from the storage pantry with a fresh pot and bowls on
|
||||
a wooden tray, and greets the returning sysorcerer.</p>
|
||||
</blockquote>
|
||||
<p>Agate writes back quickly:</p>
|
||||
<blockquote>
|
||||
<p>What do guides in the Sea of Dreams and the Ravenfolk
|
||||
typically seek in return for directing travellers to the
|
||||
correct pocket dimension?</p>
|
||||
</blockquote>
|
||||
<p>Intangibles. Usually memories, hopes, or dreams.</p>
|
||||
<blockquote>
|
||||
<p>An establishment inside the Bazaar is only open in the
|
||||
evenings whenever it appears in the city. How long does travel
|
||||
to a pocket dimension typically take, allowing for time to
|
||||
seek out a guide? Is there a way travellers can estimate the
|
||||
time to set out on their journey, in order to arrive at the
|
||||
establishment while it is open?</p>
|
||||
</blockquote>
|
||||
<p>You’ll find that time is rather malleable on the Otherside.
|
||||
You’ll likely arrive exactly when you’re meant to. No need to
|
||||
worry too much about it.</p>
|
||||
<blockquote>
|
||||
<p>Who are the Red Spider and “Dude 215R” mentioned in the
|
||||
ritual? How can travellers avoid summoning them?</p>
|
||||
</blockquote>
|
||||
<p>Godforms manifested by the Linking Sigil and the Dream
|
||||
Sigil, respectively. It’s not <em>terrible</em> if they show
|
||||
up. But it’s definitely not ideal. You shouldn’t register on
|
||||
their radar as long as you don’t pump too much energy into, or
|
||||
siphon to much energy out of, the sigils. If they do show up,
|
||||
just know that you’re in the presence of a godlike power, and
|
||||
behave accordingly.</p>
|
||||
<blockquote>
|
||||
<p>Would anything happen to the travellers if any of the
|
||||
sigils were removed during the ritual before they wake up?</p>
|
||||
</blockquote>
|
||||
<p>If the sigils are removed or if the circle is broken,
|
||||
you’ll likely just wake up before you wanted to. Same goes for
|
||||
if your dreamform is destroyed while in the Dreaming. The only
|
||||
real danger you may encounter is the Scissormen and their ilk.
|
||||
They will attempt to permanently sever your dreamform from
|
||||
your waking body. Which would leave your body a soulless husk,
|
||||
and leave your consciousness adrift in the Sea of Dreams. But
|
||||
that probably won’t happen! Okay good luck, have fun!</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
]]>
|
||||
</description>
|
||||
</item>
|
||||
</channel>
|
||||
</rss>
|
||||
|
|
|
@ -287,6 +287,7 @@
|
|||
<li><a href="#00061" id="toc-00061">00061</a></li>
|
||||
<li><a href="#00062" id="toc-00062">00062</a></li>
|
||||
<li><a href="#00063" id="toc-00063">00063</a></li>
|
||||
<li><a href="#00064" id="toc-00064">00064</a></li>
|
||||
</ul></li>
|
||||
<li><a href="#spoilers" id="toc-spoilers">Spoilers</a></li>
|
||||
<li><a href="#acknowledgements"
|
||||
|
@ -363,11 +364,11 @@ into the <a href="#current-story">current story arc</a>.</p>
|
|||
you can <a href="https://tilde.town/~dozens/quest/rss.xml">subscribe to
|
||||
the rss feed</a>.</p>
|
||||
<h2 id="stats">Stats</h2>
|
||||
<p>Total length: 81317 words / 347 minute read. (Mind you, that’s the
|
||||
<p>Total length: 82674 words / 353 minute read. (Mind you, that’s the
|
||||
length of this entire page, including all the extra bits and bobs. Not
|
||||
just the story.)</p>
|
||||
<p>There have been 221 messages posted over 217 days since the first
|
||||
post on July 13, 2022 for a daily post rate of 1.01.</p>
|
||||
<p>There have been 223 messages posted over 222 days since the first
|
||||
post on July 13, 2022 for a daily post rate of 1.00.</p>
|
||||
<h2 id="chapter-1">Chapter 1</h2>
|
||||
<p>This is the first installment of BASEMENT QUEST.</p>
|
||||
<p>Jump to: <a href="#00001">1</a> <a href="#00002">2</a> <a
|
||||
|
@ -6730,6 +6731,134 @@ Small Kasutva lacks any limbs and cannot gesture, but smiles softly at
|
|||
you.</p>
|
||||
<p>“But tell us what it is you seek. Perhaps we can be of help.”</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
<h3 id="00064">00064</h3>
|
||||
<p>Back at the fish market, Marvelo squints into the pouring rain and
|
||||
swears under his breath, frustrated at the limited visibility.</p>
|
||||
<p>His colleague is lying on the floor behind him in some kind of state
|
||||
of deeply altered consciousness, along with an inkling, a toque, and an
|
||||
owl. In fact, the only waking beings left inside the market are himself,
|
||||
a fluffy little duck, and a sticky hemogoblin.</p>
|
||||
<p>“I’ve seen stranger things,” he shrugs and admits to himself.</p>
|
||||
<p>The duck and the goblin are both fluffed up and huddled up next to
|
||||
each other softly quacking and chirping to themselves.</p>
|
||||
<p>He pauses and holds his breath as something indistinct catches his
|
||||
attention. Years of training have produced an instinct he has learned
|
||||
not to question. It has saved his butt more times than he can count.
|
||||
Sometimes it screams at him and the danger is apparent. Like that time
|
||||
with the Permian Raiders off the southern tip of Harshwind Glade. Other
|
||||
times, such as this, all he gets is the vague feeling that something is
|
||||
off. He waits. He’s been here before. His subconscious has spotted
|
||||
something, noticed some pattern that doesn’t fit its surroundings. He
|
||||
knows if he’s patient, his conscious mind will catch up and realize what
|
||||
it was.</p>
|
||||
<p>He squints out into the pouring rain. There! A flash of red close to
|
||||
the ground.</p>
|
||||
<p>“What in the world,” he wonders as a small child wearing a bright red
|
||||
dress toddles into view. It looks up at him blankly as the rain beats
|
||||
down on its head and shoulders.</p>
|
||||
<p>“What are you doing out here, little guy? You’re getting soaked!”
|
||||
Marvelo, concerned, rushes forward to comfort the child.</p>
|
||||
<blockquote>
|
||||
<p>Inky gingerly takes the coin with both hands, small digits clamping
|
||||
onto the straight edges. They look at the Twenty-one Fiver nestled
|
||||
against the fuzzy outlines of one palm before peering up again at the
|
||||
figure seated before them. “Thank you, Great Spirit.” Inky says. “If
|
||||
truly allowed to choose, then, this one accepts the price.”</p>
|
||||
<p>They toss the coin up into the air. A beat, and they are hovering a
|
||||
few feet above the tracks, between the fork and the oncoming train with
|
||||
no walls. Inky watches as the child’s body begins to shrink as rapidly
|
||||
as the black uniform expands, the entire apparition thinning and
|
||||
becoming translucent. The shirt continues to grow until the hem brushes
|
||||
the train tracks and the collar peeks over the invisible tops of the
|
||||
train, the trousers and shoes having been pushed into the stones and
|
||||
earth below.</p>
|
||||
<p>A portal, the child’s voice supplies distantly. At the back of their
|
||||
awareness, Inky homes in on the coin as it continues to spin. When the
|
||||
train thunders down upon the oversized shirt doorway-apparent, they
|
||||
brace for the force of the impact. Instead, all they could feel is a
|
||||
creeping weariness, like water draining through tea leaves in a sieve,
|
||||
while being suddenly surrounded by and staring into a deep
|
||||
reflectionless pool.</p>
|
||||
<p>Is it two to two, or two past eight, Inky wonders.</p>
|
||||
<p>The last thing within their consciousness is a gleam of silver as the
|
||||
coin lands on one of its corners mid-spin, bounces off the small half
|
||||
table and falls into the shadows.</p>
|
||||
</blockquote>
|
||||
<p>You sink into the dark reflectionless pool, letting its waters close
|
||||
over you and pull you under. You ponder its depths from within in its
|
||||
embrace, mindless of the passage of time.</p>
|
||||
<p>After a few minutes, or a few days, you notice faint light rising up
|
||||
here and there from below. Fuzzy, cobwebby human shapes float suspended
|
||||
in the waters. Some far away, distant as stars. Some drift close enough
|
||||
that you would be able to discern their features, if they had any.</p>
|
||||
<p>You realize all at once that these are the dream forms of sleeping
|
||||
Basmentarians everywhere, and that you are floating in Ousia, a solitary
|
||||
awakened dreamer in a literal sea of the passive slumbering.</p>
|
||||
<p>As though responding to your realization, the waters bear you up and
|
||||
you pierce the weak membrane between water and air. You float
|
||||
effortlessly and the gentle waves nudge you ever onward toward some
|
||||
unknown shore. Or merely farther out to sea. You’re not sure.</p>
|
||||
<p>You continue to see the dreamers all around you. You watch curiously
|
||||
as you float by two that seem to have bumped into one another and fused
|
||||
together, their cobwebby bodies sprouting hard crystalline growths and
|
||||
spreading like creeping vines, forming a lattice and creating a small
|
||||
floating island.</p>
|
||||
<p>After a few hours, or a few weeks, you wash up on the beach of a
|
||||
large island. There is a steep rock, a pillar of a mountain, jutting
|
||||
straight up from the center of the island some distance ahead. And
|
||||
jutting from the pillar is a fractal structure of interconnected towers,
|
||||
all sprouting and branching from one large central tower. The top of the
|
||||
tower disappears far overhead, obscured by a rippling aurora of green
|
||||
and pink lights in the sky.</p>
|
||||
<p>Some distance down the beach, just out of hailing distance, a lone
|
||||
figure stands gazing at the sea, their back to the tower.</p>
|
||||
<p>The figure waits.</p>
|
||||
<p>The tower’s strange geometry beckons.</p>
|
||||
<blockquote>
|
||||
<p>Kasutva, how can I know that I can trust you? What do you gain in
|
||||
helping me, and was there really no way for you to communicate with me
|
||||
without beheading yourself? That seems a little bit distraughting. Like,
|
||||
do you need a bandage or some headache medicine or something? I feel
|
||||
like if I yanked my face off I’d need an ibuprofen. I have some if you
|
||||
want? (alex rummages in a coat pocket and finds a bottle of pain
|
||||
killers, and offers them to the being).</p>
|
||||
<p>Right anyways, answers questions. I’m looking for my Uncle first and
|
||||
foremost. He dropped off the map a few days ago, and I can’t find hide
|
||||
nor hair of him. Then the murders started. Shit at HQ when wild, hit the
|
||||
wall literally, and now I’m in some sort of fever dream talking to what
|
||||
can only be a manifestation of my own subconscious, or perhaps someone
|
||||
else’s. Look. I need to get back to Inky, we’re trying to meet someone
|
||||
and we’re running late, and in the scheme of things my problems aren’t
|
||||
so big if the world’s going to end because some mad hatter is after
|
||||
these blasted crystal’s we’ve been collecting..</p>
|
||||
</blockquote>
|
||||
<p>Even as you speak, you notice the edges of Big Kasutva’s “wounds”
|
||||
start to close until its flesh begins to once more envelop and enclose
|
||||
its face.</p>
|
||||
<p>The creature courteously accepts a few pills from you, but simply
|
||||
deposits them in its satchel.</p>
|
||||
<p>“No, it doesn’t hurt us,” say the two voices together. “And little
|
||||
matter if it did. It is necessary for us to speak.”</p>
|
||||
<p>They listen to your story. Big Kasutva’s voice starts to become
|
||||
muffled as its skin now grows over its mouth. Only its eyes are visible
|
||||
as the two of them continue. “If your Inky has come to this place, then
|
||||
there is only one place they can have gone.” They gesture to the sea.
|
||||
“And that place is Ephemeris. The Heart of the Dreaming at the center of
|
||||
Ousia.”</p>
|
||||
<p>Big Kasutva finally falls silent as it heals completely. It guides
|
||||
you to the shoreline, where a long pier has suddenly appeared. Mushroom
|
||||
Kasutva continues to speak for both of them.</p>
|
||||
<p>“We only ask to accompany you as you go. We wish to see Ephemeris
|
||||
ourselves. But we cannot abandon our post here on the dunes,” it says
|
||||
looking at Big Kasutva. “And we,” it says gesturing to itself, “are too
|
||||
small to brave the sea alone.”</p>
|
||||
<p>Big Kasutva stops short of the end of the pier. The little mushroom
|
||||
hops right up to the edge and peers down at the water.</p>
|
||||
<p>“All that is left is to jump, Alex. And let the waters of Ousia bear
|
||||
you up and carry you to Ephemeris.”</p>
|
||||
<p>It hops up to you and extends itself in a clear request, despite its
|
||||
lack of limbs, that it wants you to pick it up.</p>
|
||||
<p>WHAT DO YOU DO</p>
|
||||
<h2 id="spoilers">Spoilers</h2>
|
||||
<details>
|
||||
<summary>
|
||||
|
|
Loading…
Reference in New Issue